World Theatre Day 2018
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Rianto and Garin Nugroho: Hijrah
RIANTO AND GARIN NUGROHO: HIJRAH FEBRUARY 18 - 20, 2021 8pm We gratefully acknowledge that we operate on the traditional lands of the Tongva, presented by Tataviam, and Chumash peoples—including REDCAT the Gabrieleño, Fernandeño, and Ventureño; members of the Takic and Chumashan Roy and Edna Disney/CalArts Theater language families; and other Indigenous California Institute of the Arts peoples who made their homes in and around the area we now call Los Angeles. RIANTO AND GARIN NUGROHO: HIJRAH Choreographer Rianto Film Director / Indonesian Dramaturgy Garin Nugroho Lighting Designer / Scenographer Iskandar Loedin Vocalist / Composition Collaborator Cahwati Research Collaborator / Advisor Karlien Meganck Producer Jala Adolphus ABOUT THE WORK In Hijrah, Indonesian choreographer and dancer Rianto dives deep into the history and culture of Sulawesi to uncover the diverse and complex approaches to gender that exist in the traditional cultural and dance forms of this island. Exploring the migration of gender, memory, and the body, Rianto collaborates with Garin Nugroho, one of Indonesia’s most prominent filmmakers today to create Hijrah documentary film portraits. At the center of these film portraits is the figure of Dayeng Manda, a dance maestro who has notated his entire movement vocabulary in both male and female form into thousands of miniature woven dolls. In dialogue with Rianto, Dayeng Manda shares his connection to traditional vocabularies, their role in carrying our bodies towards the future and the interplay of gender against a backdrop of religious social politics. Living between Tokyo and Indonesia, born and raised in the small Javanese village of Banyumas - the home of the Lengger cross gender dance - Rianto embodies as no-one else a space for the in-between, the coming together of traditional and contemporary culture, and of male and female. -
International Dance Day 2018 Event Report
International Dance Day 2018 As part of the 70th Anniversary of ITI 29 April, 17h00 / Gran Teatro Alicia Alonso / Havana, Cuba Address: Prado 458 entre San José y San Rafael, Centro Habana, Cuba Cuban Centre Event Report International Dance Day 2018 www.international-dance-day.org International Dance Day Ceremony 2018 29 April, Havana / Cuba The 2018 International Dance Day Ceremony was held in the Grand Theatre of Alicia Alonso in Havana, Cuba, on 29 April. It is the first time that the main ceremony of IDD has been held in Cuba, a land full of dance spirit. As usual, this great dance event received the patronage of UNESCO and a congratulatory message from the UNESCO DG Ms. Audrey Azoulay was delivered. The Ceremony was co-organized by the Cuban Centre of the International Theatre Institute ITI, Consejo Nacional Artes Escenicas of Cuba and the General Secretariat of ITI. 2018 IDD Ceremony was sponsored by Beijing Lv Dong Wu Xian Culture & Communication, which also supported the 2018 World Theatre Day Ceremony in Paris. 2018 marks the 70th Anniversary of ITI. The whole year of 2018 will be "the Year of ITI" and will be full of various cultural events, ceremonies, festivals, conferences and plenty of activities held by members of ITI family. The 2018 International Dance Day Ceremony in Havana was an important part of the whole year's celebrations. During the Ceremony on 29 April, the five messages authors for 2018 IDD were all present and read their messages on the stage. The ITI World Dance Ambassador Alicia Alonso was also present at the Ceremony; her message for the 2018 IDD event was delivered by Dani Hernandez, dancer of the Ballet Nacional de Cuba. -
Surviving Antigone: Anouilh, Adaptation, and the Archive
SURVIVING ANTIGONE: ANOUILH, ADAPTATION AND THE ARCHIVE Katelyn J. Buis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Cynthia Baron, Advisor Jonathan Chambers ii ABSTRACT Dr. Cynthia Baron, Advisor The myth of Antigone has been established as a preeminent one in political and philosophical debate. One incarnation of the myth is of particular interest here. Jean Anouilh’s Antigone opened in Paris, 1944. A political and then philosophical debate immediately arose in response to the show. Anouilh’s Antigone remains a well-known play, yet few people know about its controversial history or the significance of its translation into English immediately after the war. It is this history and adaptation of Anouilh’s contested Antigone that defines my inquiry. I intend to reopen interpretive discourse about this play by exploring its origins, its journey, and the archival limitations and motivations controlling its legacy and reception to this day. By creating a space in which multiple readings of this play can exist, I consider adaptation studies and archival theory and practice in the form of theatre history, with a view to dismantle some of the misconceptions this play has experienced for over sixty years. This is an investigation into the survival of Anouilh’s Antigone since its premiere in 1944. I begin with a brief overview of the original performance of Jean Anouilh’s Antigone and the significant political controversy it caused. The second chapter centers on the changing reception of Anouilh’s Antigone beginning with the liberation of Paris to its premiere on the Broadway stage the following year. -
Dancers for the World (Catherine Habasque) Jg 10.2020
DFW / DANCERS FOR THE WORLD „CURE THE PAST, EMBRACE THE PRESENT, BUILT THE FUTURE“ A HUMANITARIAN ACTION FOR TRAUMATIZED AND / OR UNDERPRIVILEGED CHILDREN, WOMEN AND YOUNG ADULTS VICTIMS OF CONFLICT “The two weeks of dance workshops offered by the volunteers of Dancers For the World to our sexually assaulted girls was a magical time for all.” (Sabine Claudio, Director Caméléon Philippines) www.dfw-ch.com 2 TABLE OF CONTENTS CONTEXT AND JUSTIFICATION 3 THE ORIGIN OF A PROJECT 4 OUR MISSION AND VALUES 4 GOALS 5 METHODOLOGY 5 PARTNERSHIP 7 BENEFICIARIES 7 RESULTS 8 FEEDBACKS 8 COMMUNICATION 9 TEAM 9 2020 - 2015 11 CALENDAR DFW 13 BUDGET 14 CONTACT 15 www.dfw-ch.com 3 CONTEXT AND JUSTIFICATION In a context where crises in the world are multiplying and taking different forms, the first victims remain populations, especially children, women and young adults who are often marginalized and insufficiently involved in the search for solutions. Yet the latter must be able to play a role as a driving force for conflict resolution and peace building. The arts, and dance in particular, can initiate new perspectives for the future. While performing arts have value in and for themselves, they can engage with societal challenges such as inequalities, migration, conflict and violence, and create a deeper intercultural understanding. The arts can prepare citizens to think critically, act creatively, and foster civic engagement and social change, while at the same time providing a safe space to express their emotions. Dancers For the World (DFW) has demonstrated its power in supporting the most vulnerable, empowering children, women and young adults, and creating protected surroundings to exchange in time of crises. -
MAY 2020 May 2020
Newsletter Messages to you Chair Susan Koff, and Chair Elect Jeff Meiners. Zooming in on Dance The daCi Executive Committee and National Representatives connect digitially in this time of COVID-19 Toronto 2021 Postponed The local organisers, together with the daCi Executive and Advisory Board take the difficult decision to postpone our next conference planned for Toronto 2021. daCi Connect Members are invited to take the time to Connect in our secure Members’ Area Networking platform as the world takes a pause from the classrooms, studios and formal performance spaces. daCi news across the globe This issue brings news of dance resilience from members in the ne big global dance community USA, Taiwan, Sweden, South Africa, responds in a time of crisis Slovenia, Portugal, New Zealand, O Jamaica, India, Finland, Croatia, Canada, Brazil and Australia! MAY 2020 May 2020 A MESSAGE FROM THE CHAIR - SUSAN KOFF Dear daCi friends, This is an extraordinary time in our lives, on these pages, facilitating that connection regardless of where we live in this world. through their national representative. No one could have imagined such a global There is no one way to do this, and certainly shutdown in response to this rampant, no wrong way. The goal of this challenge is vicious virus. So, we follow along doing our to forge connections across our wonderful best to ensure everyone’s health and safety, organization. We have learned recently that yet longing for the time we can be together the Executive Committee and the Advisory in person again. Board can connect virtually and can keep our We mourn so much…the loss of our dance work for daCi continuous around the year. -
International Dance Day 2021 Gauri, 30 Yrs, Is a Bharatnatyam Dancer from Maharashtra
Greetings from Special Olympics Bharat International Dance Day 2021 Gauri, 30 yrs, is a Bharatnatyam dancer from Maharashtra. The International Dance Day on 29 April 2021 made her once again spring into action, gracefully coordinating hand gestures and footwork with the rhythm. Pushing aside the gloom that envelopes the country owing to the pandemic, many Athletes like Gauri, from all over the country shared their best moves on Social Media platforms, joining the global celebration. Their enthusiasm became more contagious, spreading joy and inspiration during these trying times. From every Athlete emanates a story of challenges, isolation, victory and motivation Because Gauri was pre-maturely born, she was very delicate and then she was diagnosed with Down Syndrome. She used to fall sick quite often. To allow her to grow strong muscles and bones, her mother used to give a daily full-body massage and a sun-bath. She provided Gauri with repetitive information that helped her store knowledge and she also taught her to carry out the basic tasks on her own. However, the greatest challenge came from having to ‘accept’ the ‘denial from the society’. “It took us a while to ignore people’s stares and comments and constant suggestions”, says her mother. And then, Gauri took to swimming as her sport at Special Olympics. She is an International Swimmer from Maharashtra. She participated in the Special Olympics World Summer Games held in Shanghai in 2007 & in the Regional Asia Pacific Games held in Australia in 2013, having won medals at both the events. Gauri is first open sea swimmer in her category having swam 19 kms within 3 hours in the Bhagirathi River. -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
25.Format.Hum-SHAKESPEARE's TYRANTS from TEXT to STAGE
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347-4564; ISSN (E): 2321-8878 Vol. 5, Issue 11, Nov 2017, 197-202 © Impact Journals SHAKESPEARE’S TYRANTS: FROM TEXT TO STAGE MANANA GELASHVILI 1 & KHATIA GAGNIDZE 2 1Professor, Institute of West European Languages and Literature, Faculty of Humanities, IvaneJavakhishviliTbilisi State University, Tbilisi, Georgia 2Research Scholar, Institute of West European Languages and Literature, Faculty of Humanities, IvaneJavakhishvili Tbilisi State University, Tbilisi, Georgia ABSTRACT The aim of the present article is to study the transformation, which Shakespeare's text undergoes from original into translation and finally for the stage adaptation; namely the interpretation of Shakespeare’s famous tyrants (Richard III, Claudius, King Lear, Julius Caesar) by an acclaimed Georgian theatre director Robert Sturua (b. 1938) at The Rustaveli Theatre, Tbilisi. For this purpose four plays by Shakespeare “King Lear”, “Richard III”,“Hamlet” and “Julius Caesar” have been studied. A comparative analysis of the original text and the translation as well as the text of the staged performance reveals the main tendencies apparent in the interpretation. The scenic adaptations of the Shakespeare's plays show that Shakespeare’s highly suggestive text often becomes a means to discuss political problems and represent the currents issues of the Soviet and Post-Soviet period: the dictatorial state, the perversion of power. At the same time stage directing endeavours -
International Theatreinstitute ITI PRESS RELEASE Celebration Of
International Theatre Institute ITI World Organization for the Performing Arts PRESS RELEASE Celebration of International Dance Day 2012 In 1982 the Dance Committee of the ITI founded International Dance Day to be celebrated every year on 29 April, anniversary of Jean-Georges Noverre (1727- 1810), the creator of modern ballet. The intention of the International Dance Day Message is to celebrate Dance, to revel in the universality of this art form, to cross all political, cultural and ethnic barriers and bring people together with a common language – Dance. Every year a message from an outstanding choreographer or dancer is circulated throughout the world. This year we have selected the Belgian - Moroccan choreographer Sidi Larbi Cherkaoui as the message author. "International Theatre Institute recognises the increasingly important role dance plays in strengthening intercultural dialogue, which is especially pertinent in today's turbulent times. For the 30th anniversary of International Dance Day, we could not be more delighted to have the world renowned choreographer-dancer Sidi Larbi Cherkaoui as our message author who incessantly demonstrates the power of this art form, influencing and moving audiences across the globe. On this special occasion, I wish all dancers and lovers of dance new inspiration and creativity." said Tobias Biancone, Director General, International Theatre Institute ITI. This year, the celebration of International Dance Day will take place on the 25th of April at UNESCO’s HQ. The celebration will feature: - Matter from Origine performed by Daisy Phillips and Kazutomi Kazuki - Sin from Babel performed by Navala Chaudhari and Damien Fournier - Excerpt from Babel created for TED Talk Belgium performed by Damien Fournier and Mohamed Toukabri - Rein from Tezuka performed by Guro Nagelhus Schia and Vebjørn Sundby. -
International Dance Day 2021 Event Report
International Theatre Institute ITI World Organization for the Performing Arts International Dance Day 2021 Event Report 29 April 2021 Online Celebration Under the patronage of UNESCO United Nations Educational, Scientific and Cultural Organization www.international-dance-day.org Content Introduction 3 Welcome Address by Tobias BIANCONE, Director General of ITI 4 Speech by Alberto GARCÍA CASTAÑO, President of International Dance Committee of ITI 5 Speech by Henrik NEUBAUER, First International Dance Day Message Author (1982) 6 International Dance Day 2021 Message Author, Friedemann VOGEL 7 International Dance Day 2021 Message 8 Online Celebration Programme 9 Main Celebration 10 Dance Performance Videos from ITI Centres and Members 11 Videos from Global Dance Community Luminaries and Past IDD Message Authors 16 Special Projects 17 Presentations 18 Promotion 19 International Dance Day: Worldwide Events 24 Event Participation 25 The Outcome 26 The Organizers 27 Expression of Gratitude 28 Participation List 29 2 www.international-dance-day.org Introduction International Dance Day IDD, an artistic day created by ITI and The Online Celebration went live on Thursday 29 April 2021, the Dance Committee of ITI, is to celebrate dance and to revel at 14h00 Paris Time, on the International Dance Day website the universality of this art form. Under current circumstances, www.international-dance-day.org. The main celebration when the world is still affected by isolation and lockdown, ITI contains a 4-hour video of dance performances from ITI wishes to use dance and the occasion of IDD to bring people Centres, the ITI Dance Committee, and the World Dance together, enhance exchange and build solidarity. -
View Work Across the Sector
PROF ROSS BROWN BA Job title Emeritus Professor of Sound Orcid ID 0000-0002-7918-9867 <img width="510" height="638" alt="Portrait of Professor Ross Brown" typeof="foaf:Image" class="img u-w-full" decoding="async"/> PROFILE I am best known for my books on the dramaturgy of sound and theatre aurality. I was a professional sound designer, theatre musician and composer in the 1980s/90s and founded the sound design course at Central, one of the first of its kind in the world. I was one of the first to reframe professional artistic practice as research and submit to the Research Assessment Exercise (1996), thus helping to lay the foundation for the establishment of Central’s research department. I was also part of Central’s senior academic leadership team from 2002 in a number of roles, including Dean and, most recently, Interim Principal (2020). I retired at the end of 2020 and was honoured to be made Emeritus Professor in March 2021. I am married to a primary school headteacher and live in South London with a dog called Badger and a record collection that is getting out of control. I was a home-counties, state grammar schoolboy in the 1970s. I played in bands, read the New Musical Express avidly, spent my school dinner money on gigs and vinyl and was good at art. I was supposed to aspire to Oxbridge but my heroes went to art college, so after a foundation at Farnham I went to Newcastle Poly, because it was as far away from Guildford as you could get. -
Saqartvelos Inteleqtualuri Sakutrebis Erovnuli Centris Saqpatentis Perioduli Gamocema Saqartvelo Gamodis Sam Tvesiiertxel © Saqpatenti, 2014
gazafxuli SPRING #7 2014 saqarTvelos inteleqtualuri sakuTrebis erovnuli centris saqpatentis perioduli gamocema saqarTvelo gamodis sam TveSiIerTxel © saqpatenti, 2014 PERIODICAL PUBLICATION OF NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA “SAKPATENTI” GEORGIA PUBLISHED QUARTERLY dabeWdilia saqpatentis poligrafiaSi PRINTED AT SAKPATENTI PUBLISHING HOUSE mis.: 0179, Tbilisi, nino ramiSvilis q. 31 ADDRESS: 0179 TBILISI, NINO RAMISHVILI STR. 31 © SAKPATENTI, 2014 tel.: (+995 32) 291-71-82 TEL.: (+995 32) 291-71-82 www.sakpatenti.org.ge [email protected] Tavmjdomaris sveti CHAIRMAN’S COLUMN Dear Reader, 26 April is the World Intellectual Property Day. The World Intellectual Property Organization (WIPO) celebrates this date since 2001 and every year defines the theme and slogan of the day. This year the World Intellectual Property Day is dedicated to cinematography Zvirfaso mkiTxvelo, and, respectively, to the people working in this field, 26 aprili inteleqtualuri sakuTrebis msoflio who indeed deserve universal admiration by their work. dRea. am dRes inteleqtualuri sakuTrebis msof And the slogan Movies – A Global Passion, selected by lio organizacia (ismo) 2001 wlidan aRniSnavs da WIPO for this day, is very accurate. yovelwliurad gansazRvravs masTan dakavSirebul Cinematography has always been a sensitive and re Tematikasa da slogans. wels es dRe mieZRvna kine levant issue for Georgia. At the Georgian Film Archives matografias da, Sesabamisad, am sferoSi moRvawe ada numerous films are preserved which have gained mianebs, romlebic Tavisi SemoqmedebiT marTlac sa international recognition as the best directing, acting, yovelTao aRtacebas iwveven. Zalian zustia am dRisTvis SerCeuli sloganic _ „kino _ sayovelTao aRtaceba“. artistic or musical works. It is extremely important that kinematografiis Tema yovelTvis Zalian mgrZno this high standard of Georgian cinematography was biare da aqtualuri iyo saqarTvelosTvis.