DAF Media Release Neal and Massy Foundation

Total Page:16

File Type:pdf, Size:1020Kb

DAF Media Release Neal and Massy Foundation MEDIA RELEASE NEAL & MASSY FOUNDATION SUPPORTS THE DAI AILIAN FOUNDATION The Neal & Massy Foundation is the first local organisation to support the Dai Ailian Foundation. The Dai Ailian Foundation was formed last year to honour and 7 St. Ann’s Road promote the life and work of Dai Ailian who was born in Trinidad in 1916 and is St. Ann’s Trinidad, W.I. internationally acclaimed and highly revered in the People’s Republic of China. (868) 624-7150 The International Theatre Institute, Paris, France, will honour Madam Dai in their th 30 Anniversary publication for International Dance Day at UNESCO this year. One of the Dai Ailian Foundation’s objectives is to offer performing arts scholarships and two young dancers, Juan Pablo Alba Dennis from Port of Spain, and Seon Nurse from Laventille, were awarded 1-year dance scholarships at the prestigious Beijing Dance Academy in Beijing, the People’s Republic of China, commencing last September and finishing July 2012. The Dai Ailian Foundation is proud of these two young men – the Beijing Dance Academy is impressed with their talent and application to work and Juan Pablo and Seon are enjoying their learning and cultural experiences while at the same time being great Trinidad and Tobago ambassadors. The Neal & Massy Foundation, formed in 1979, is a very successful Non- Government Organisation that practices good corporate social responsibility by their support of numerous projects and annual grants to charitable organisations such as the Dai Ailian Foundation. The Dai Ailian Foundations sincerely thanks the Neal & Massy Foundation for their support on behalf of the two scholarship winners. Dai Ailian Foundation February 10, 2012 .
Recommended publications
  • 9789004250994.Pdf
    Fragmenting Modernisms China Studies Edited by Glen Dudbridge Frank Pieke VOLUME 24 The titles published in this series are listed at brill.com/CHS Fragmenting Modernisms Chinese Wartime Literature, Art, and Film, 1937–49 By Carolyn FitzGerald LEIDEn • bOSTON 2013 Cover illustration: Ye Qianyu, “Stage Set,” from the 1940 sketch-cartoon series Wartime Chongqing. Library of Congress Cataloging-in-Publication Data FitzGerald, Carolyn. Fragmenting modernisms : Chinese wartime literature, art, and film, 1937-49 / by Carolyn FitzGerald. pages cm. — (China studies ; v. 24) Includes bibliographical references and index. ISBN 978-90-04-25098-7 (hardback : alk. paper) — ISBN 978-90-04-25099-4 (e-book) 1. Chinese literature—20th century—History and criticism. 2. Sino-Japanese War, 1937–1945—Literature and the war. 3. Sino-Japanese War, 1937–1945—Art and the war. 4. China—History—Civil War, 1945–1949—Literature and the war. 5. China—History— Civil War, 1945–1949—Art and the war. 6. Motion pictures—China—History—20th century. 7. Art, Chinese—20th century. 8. Modernism (Literature)—China. 9. Modernism (Art)— China. I. Title. PL2302.F58 2013 895.1’09005—dc23 2013003681 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. ISSN 1570-1344 ISBN 978-90-04-25098-7 (hardback) ISBN 978-90-04-25099-4 (e-book) Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers and Martinus Nijhoff Publishers.
    [Show full text]
  • Rianto and Garin Nugroho: Hijrah
    RIANTO AND GARIN NUGROHO: HIJRAH FEBRUARY 18 - 20, 2021 8pm We gratefully acknowledge that we operate on the traditional lands of the Tongva, presented by Tataviam, and Chumash peoples—including REDCAT the Gabrieleño, Fernandeño, and Ventureño; members of the Takic and Chumashan Roy and Edna Disney/CalArts Theater language families; and other Indigenous California Institute of the Arts peoples who made their homes in and around the area we now call Los Angeles. RIANTO AND GARIN NUGROHO: HIJRAH Choreographer Rianto Film Director / Indonesian Dramaturgy Garin Nugroho Lighting Designer / Scenographer Iskandar Loedin Vocalist / Composition Collaborator Cahwati Research Collaborator / Advisor Karlien Meganck Producer Jala Adolphus ABOUT THE WORK In Hijrah, Indonesian choreographer and dancer Rianto dives deep into the history and culture of Sulawesi to uncover the diverse and complex approaches to gender that exist in the traditional cultural and dance forms of this island. Exploring the migration of gender, memory, and the body, Rianto collaborates with Garin Nugroho, one of Indonesia’s most prominent filmmakers today to create Hijrah documentary film portraits. At the center of these film portraits is the figure of Dayeng Manda, a dance maestro who has notated his entire movement vocabulary in both male and female form into thousands of miniature woven dolls. In dialogue with Rianto, Dayeng Manda shares his connection to traditional vocabularies, their role in carrying our bodies towards the future and the interplay of gender against a backdrop of religious social politics. Living between Tokyo and Indonesia, born and raised in the small Javanese village of Banyumas - the home of the Lengger cross gender dance - Rianto embodies as no-one else a space for the in-between, the coming together of traditional and contemporary culture, and of male and female.
    [Show full text]
  • International Dance Day 2018 Event Report
    International Dance Day 2018 As part of the 70th Anniversary of ITI 29 April, 17h00 / Gran Teatro Alicia Alonso / Havana, Cuba Address: Prado 458 entre San José y San Rafael, Centro Habana, Cuba Cuban Centre Event Report International Dance Day 2018 www.international-dance-day.org International Dance Day Ceremony 2018 29 April, Havana / Cuba The 2018 International Dance Day Ceremony was held in the Grand Theatre of Alicia Alonso in Havana, Cuba, on 29 April. It is the first time that the main ceremony of IDD has been held in Cuba, a land full of dance spirit. As usual, this great dance event received the patronage of UNESCO and a congratulatory message from the UNESCO DG Ms. Audrey Azoulay was delivered. The Ceremony was co-organized by the Cuban Centre of the International Theatre Institute ITI, Consejo Nacional Artes Escenicas of Cuba and the General Secretariat of ITI. 2018 IDD Ceremony was sponsored by Beijing Lv Dong Wu Xian Culture & Communication, which also supported the 2018 World Theatre Day Ceremony in Paris. 2018 marks the 70th Anniversary of ITI. The whole year of 2018 will be "the Year of ITI" and will be full of various cultural events, ceremonies, festivals, conferences and plenty of activities held by members of ITI family. The 2018 International Dance Day Ceremony in Havana was an important part of the whole year's celebrations. During the Ceremony on 29 April, the five messages authors for 2018 IDD were all present and read their messages on the stage. The ITI World Dance Ambassador Alicia Alonso was also present at the Ceremony; her message for the 2018 IDD event was delivered by Dani Hernandez, dancer of the Ballet Nacional de Cuba.
    [Show full text]
  • Dancers for the World (Catherine Habasque) Jg 10.2020
    DFW / DANCERS FOR THE WORLD „CURE THE PAST, EMBRACE THE PRESENT, BUILT THE FUTURE“ A HUMANITARIAN ACTION FOR TRAUMATIZED AND / OR UNDERPRIVILEGED CHILDREN, WOMEN AND YOUNG ADULTS VICTIMS OF CONFLICT “The two weeks of dance workshops offered by the volunteers of Dancers For the World to our sexually assaulted girls was a magical time for all.” (Sabine Claudio, Director Caméléon Philippines) www.dfw-ch.com 2 TABLE OF CONTENTS CONTEXT AND JUSTIFICATION 3 THE ORIGIN OF A PROJECT 4 OUR MISSION AND VALUES 4 GOALS 5 METHODOLOGY 5 PARTNERSHIP 7 BENEFICIARIES 7 RESULTS 8 FEEDBACKS 8 COMMUNICATION 9 TEAM 9 2020 - 2015 11 CALENDAR DFW 13 BUDGET 14 CONTACT 15 www.dfw-ch.com 3 CONTEXT AND JUSTIFICATION In a context where crises in the world are multiplying and taking different forms, the first victims remain populations, especially children, women and young adults who are often marginalized and insufficiently involved in the search for solutions. Yet the latter must be able to play a role as a driving force for conflict resolution and peace building. The arts, and dance in particular, can initiate new perspectives for the future. While performing arts have value in and for themselves, they can engage with societal challenges such as inequalities, migration, conflict and violence, and create a deeper intercultural understanding. The arts can prepare citizens to think critically, act creatively, and foster civic engagement and social change, while at the same time providing a safe space to express their emotions. Dancers For the World (DFW) has demonstrated its power in supporting the most vulnerable, empowering children, women and young adults, and creating protected surroundings to exchange in time of crises.
    [Show full text]
  • MAY 2020 May 2020
    Newsletter Messages to you Chair Susan Koff, and Chair Elect Jeff Meiners. Zooming in on Dance The daCi Executive Committee and National Representatives connect digitially in this time of COVID-19 Toronto 2021 Postponed The local organisers, together with the daCi Executive and Advisory Board take the difficult decision to postpone our next conference planned for Toronto 2021. daCi Connect Members are invited to take the time to Connect in our secure Members’ Area Networking platform as the world takes a pause from the classrooms, studios and formal performance spaces. daCi news across the globe This issue brings news of dance resilience from members in the ne big global dance community USA, Taiwan, Sweden, South Africa, responds in a time of crisis Slovenia, Portugal, New Zealand, O Jamaica, India, Finland, Croatia, Canada, Brazil and Australia! MAY 2020 May 2020 A MESSAGE FROM THE CHAIR - SUSAN KOFF Dear daCi friends, This is an extraordinary time in our lives, on these pages, facilitating that connection regardless of where we live in this world. through their national representative. No one could have imagined such a global There is no one way to do this, and certainly shutdown in response to this rampant, no wrong way. The goal of this challenge is vicious virus. So, we follow along doing our to forge connections across our wonderful best to ensure everyone’s health and safety, organization. We have learned recently that yet longing for the time we can be together the Executive Committee and the Advisory in person again. Board can connect virtually and can keep our We mourn so much…the loss of our dance work for daCi continuous around the year.
    [Show full text]
  • HKUST Institutional Repository
    The Dance of Revolution: Yangge in Beijing in the Early 1950s* Chang-tai Hung ABSTRACT Yangge is a popular rural dance in north China. In the Yan’an era (1936–47) the Chinese Communist Party used the art form as a political tool to influence people’s thinking and to disseminate socialist images. During the early years of the People’s Republic of China, the Communists introduced a simpler form of yangge in the cities. In three major yangge musicals performed in Beijing, the Party attempted to construct “a narrative history through rhythmic movements” in an effort to weave the developments of the Party’s history into a coherent success story, affirming various themes: the support of the people, the valour of the Red Army, the wise leadership of the Party and the country’s bright future. However, urban yangge’s simplicity as an art form, the professionalization of art troupes, the nation’s increas- ing exposure to a variety of alternative dance forms and, worse still, stifling government control all contributed to the rapid decline of this art form in urban China. Unlike the Bolsheviks, who at the time of the October Revolution of 1917 had little experience with political art forms, the Chinese Communists, before their seizure of power in 1949, had skilfully employed the popular art media to conduct an effective propaganda campaign among the mostly illiterate peasant inhabitants of rural China. The story of their use of such rural art forms as storytelling and yangge dance as a political tool during the Yan’an era (1936–47) is now relatively well known.1 Yet their use in the post-Yan’an period, particularly after the establishment of the Peo- ple’s Republic of China (PRC) in1949, has rarely been examined.
    [Show full text]
  • World Theatre Day 2018
    World Theatre Day 2018 Tuesday 27 March, 19h30 | Maison de l‘UNESCO, Salle 1 Musical performance by Jean-Jacques Lemêtre Theatrical Surprise directed by Simon McBurney with Serge Nicolai, Olivia Corsini, Jacques Martial actors of the Théâtre du Soleil company Evening hosted by the clown duo „Les Diptik“ avec Isabelle Huppert With the presence of: Journée Mondiale du Théâtre 2017 Asia PacificAvec la présence d‘Isabelle Huppert, Ram Gopalauteure BAJAJ, du message India de la Journée Mondiale du Théâtre 2017 Arab countries Maya ZBIB, Lebanon Europe Simon MCBURNEY, United Kingdom The Americas Sabina BERMAN, Mexico Africa Werewere-Liking GNEPO, Ivory Coast 3 Content Welcome to the World Theatre Day Celebration 2018 Welcome to the World Theatre Day Celebration 2018 3 UNESCO and ITI 5 International Theatre Institute 6 World Theatre Day 7 Message from the Director-General of UNESCO 8 Message Authors 10 Message Authors 2018 Simon McBurney, United Kingdom 12 Werewere-Liking GNEPO, Ivory Coast 15 Sabina BERMAN, Mexico 16 Ram Gopal BAJAJ, Indie 17 Maya ZBIB, Lebanon 18 Dear message authors, of the creation of a cultural organization whose Ladies and gentlemen; focus was on artistic, educational and humanistic World Theatre Day Message 2018 by Simon McBurney 20 values. It was created to build bridges between all World Theatre Day Message 2018 by Werewere-Liking GNEPO 22 Welcome to the World Theatre Day Celebration nations, especially over the Iron Curtain. Under the World Theatre Day Message 2018 by Sabina BERMAN 26 2018 at UNESCO. leadership of Sir Huxley and the British playwright World Theatre Day Message 2018 by Ram Gopal BAJAJ 28 and novelist J.B.
    [Show full text]
  • International Dance Day 2021 Gauri, 30 Yrs, Is a Bharatnatyam Dancer from Maharashtra
    Greetings from Special Olympics Bharat International Dance Day 2021 Gauri, 30 yrs, is a Bharatnatyam dancer from Maharashtra. The International Dance Day on 29 April 2021 made her once again spring into action, gracefully coordinating hand gestures and footwork with the rhythm. Pushing aside the gloom that envelopes the country owing to the pandemic, many Athletes like Gauri, from all over the country shared their best moves on Social Media platforms, joining the global celebration. Their enthusiasm became more contagious, spreading joy and inspiration during these trying times. From every Athlete emanates a story of challenges, isolation, victory and motivation Because Gauri was pre-maturely born, she was very delicate and then she was diagnosed with Down Syndrome. She used to fall sick quite often. To allow her to grow strong muscles and bones, her mother used to give a daily full-body massage and a sun-bath. She provided Gauri with repetitive information that helped her store knowledge and she also taught her to carry out the basic tasks on her own. However, the greatest challenge came from having to ‘accept’ the ‘denial from the society’. “It took us a while to ignore people’s stares and comments and constant suggestions”, says her mother. And then, Gauri took to swimming as her sport at Special Olympics. She is an International Swimmer from Maharashtra. She participated in the Special Olympics World Summer Games held in Shanghai in 2007 & in the Regional Asia Pacific Games held in Australia in 2013, having won medals at both the events. Gauri is first open sea swimmer in her category having swam 19 kms within 3 hours in the Bhagirathi River.
    [Show full text]
  • International Theatreinstitute ITI PRESS RELEASE Celebration Of
    International Theatre Institute ITI World Organization for the Performing Arts PRESS RELEASE Celebration of International Dance Day 2012 In 1982 the Dance Committee of the ITI founded International Dance Day to be celebrated every year on 29 April, anniversary of Jean-Georges Noverre (1727- 1810), the creator of modern ballet. The intention of the International Dance Day Message is to celebrate Dance, to revel in the universality of this art form, to cross all political, cultural and ethnic barriers and bring people together with a common language – Dance. Every year a message from an outstanding choreographer or dancer is circulated throughout the world. This year we have selected the Belgian - Moroccan choreographer Sidi Larbi Cherkaoui as the message author. "International Theatre Institute recognises the increasingly important role dance plays in strengthening intercultural dialogue, which is especially pertinent in today's turbulent times. For the 30th anniversary of International Dance Day, we could not be more delighted to have the world renowned choreographer-dancer Sidi Larbi Cherkaoui as our message author who incessantly demonstrates the power of this art form, influencing and moving audiences across the globe. On this special occasion, I wish all dancers and lovers of dance new inspiration and creativity." said Tobias Biancone, Director General, International Theatre Institute ITI. This year, the celebration of International Dance Day will take place on the 25th of April at UNESCO’s HQ. The celebration will feature: - Matter from Origine performed by Daisy Phillips and Kazutomi Kazuki - Sin from Babel performed by Navala Chaudhari and Damien Fournier - Excerpt from Babel created for TED Talk Belgium performed by Damien Fournier and Mohamed Toukabri - Rein from Tezuka performed by Guro Nagelhus Schia and Vebjørn Sundby.
    [Show full text]
  • International Dance Day 2021 Event Report
    International Theatre Institute ITI World Organization for the Performing Arts International Dance Day 2021 Event Report 29 April 2021 Online Celebration Under the patronage of UNESCO United Nations Educational, Scientific and Cultural Organization www.international-dance-day.org Content Introduction 3 Welcome Address by Tobias BIANCONE, Director General of ITI 4 Speech by Alberto GARCÍA CASTAÑO, President of International Dance Committee of ITI 5 Speech by Henrik NEUBAUER, First International Dance Day Message Author (1982) 6 International Dance Day 2021 Message Author, Friedemann VOGEL 7 International Dance Day 2021 Message 8 Online Celebration Programme 9 Main Celebration 10 Dance Performance Videos from ITI Centres and Members 11 Videos from Global Dance Community Luminaries and Past IDD Message Authors 16 Special Projects 17 Presentations 18 Promotion 19 International Dance Day: Worldwide Events 24 Event Participation 25 The Outcome 26 The Organizers 27 Expression of Gratitude 28 Participation List 29 2 www.international-dance-day.org Introduction International Dance Day IDD, an artistic day created by ITI and The Online Celebration went live on Thursday 29 April 2021, the Dance Committee of ITI, is to celebrate dance and to revel at 14h00 Paris Time, on the International Dance Day website the universality of this art form. Under current circumstances, www.international-dance-day.org. The main celebration when the world is still affected by isolation and lockdown, ITI contains a 4-hour video of dance performances from ITI wishes to use dance and the occasion of IDD to bring people Centres, the ITI Dance Committee, and the World Dance together, enhance exchange and build solidarity.
    [Show full text]
  • From Trinidad to Beijing Dai Ailian and the Beginnings of Chinese Dance
    1 From Trinidad to Beijing Dai Ailian and the Beginnings of Chinese Dance Dong d-dong, dong d-dong. A gong sounds as the camera fixes on an empty stage set with an arched footbridge and blossoming tree branch. Dai Ailian emerges dressed in a folkloric costume of red balloon pants and a rose-colored silk jacket, a ring of red flowers in her hair and shoes topped with red pom-poms. Puppetlike, two false legs kick out from under the back of Dai’s jacket, while the false torso and head of an old man hunch forward in front of her chest, creating the illusion of two characters: an old man carrying his young wife on his back. This dance is Dai’s adaptation of “The Mute Carries the Cripple” (Yazi bei feng), a comic sketch performed in several regional variations of xiqu, or Chinese traditional theater (video 1). This particular version is derived from Gui opera(Guiju), a type of xiqu specific to Guangxi Autonomous Region in south China. Dai demonstrates her dance skill by isolating her upper body and lower body, so that her pelvis and legs convincingly portray the movements of an old man while her torso, arms, and head those of a young woman. As the man, Dai takes wide sweeping steps, kicking, squatting, and balancing with her feet flexed and knees bent between steps, occa- sionally lurching forward as if struggling to balance under the weight of the female rider. As the woman, Dai grips the old husband’s shoulders with one hand while she lets her head bob from side to side, her eyes sparkling as she uses her free hand to twirl a fan, point to things in her environment, and dab the old man’s forehead with a handkerchief.
    [Show full text]
  • International Dance Day 2020 Brochure in English, Double Pages
    International Dance Day 2020 International Dance Day 2020 Message Author Gregory Vuyani MAQOMA Dancer, choreographer South Africa Online Celebration www.international-dance-day.org InternationalInternational Dance Day 2020 Dance DayMessage Author: Gregory 2020 Vuyani MAQOMA Editorial – Let‘s Celebrate International Dance Day 2020 And this intention is even more important during the time of social distancing. We need to encourage. We need to keep our passion alive. That is the reason the members and friends of dance are continuing to celebrate International Dance Day in 2020 online: www.iti-worldwide.org is showing initiatives of encouragement and support and www.international-dance-day.org is presenting actions concerning the celebration of the Day and translations of the message. For 2020 the Executive Council of ITI in alignment with the Dance Committee of ITI and World Dance Alliance selected Gregory Vuyani Maqoma, the eminent dancer, choreographer and dance educator from South Africa, to share his inspiring thoughts about dance, peace and mutual understanding. Please celebrate dance on 29 April 2020. Let‘s be thankful to those who take care of individuals who are ill. Let´s be thankful to those who help to soothe the pains of those who are old and need special care. And let´s be grateful of those who are guiding us with In times of in Covid-19 virus-related “confinement”, health and encouragement and makes us aware of what is important for now well-being are of utmost importance, even if we have to change and for the future of mankind. our habits and routines.
    [Show full text]