HS3693: Making Nazis: Propaganda and Persuasion in the Third Reich, 1933-1945 | Readinglists@Leicester
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Munich in the Nineteenth and Twentieth Centuries
Sociology and Anthropology 3(12): 665-675, 2015 http://www.hrpub.org DOI: 10.13189/sa.2015.031206 Munich in the Nineteenth and Twentieth Centuries Cinzia Leone Department of Science and Technological, University of Genova, Italy Copyright©2015 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License A short cultural, social and political analysis of the city that capital” of the new National Socialist era and it welcomed Adolf Hitler chose as his adopted city and the cradle of him on his returns home during his years in government. National Socialism. It was a city that was alive from the spiritual, cultural, economic and political perspective. Bubbly and bawdy at the Abstract Adolf Hitler left Vienna and stayed 20 years in same time, it was the city that Hitler chose for the long period Munich in Bayer, before becoming the Führer of the Third before his rise – twenty years – and he never abandoned it. Reich. The essay analyses this long period in Munich, when Munich was the home of beer culture and hospitality, but Hitler became the head of the NSDAP and the future also of those disaffected with Weimar democracy and those Chancellor of Germany, affirming his ideology and who wished to affirm the right-wing and the use of force conquering Europe. The Munich of the period under the against the Jewish threat. The wish of the Führer, a new cultural, social and political point of view is considered and spiritual leader who could drag Germany out of the disaster the essay tries to ask the question whether Hitler should have of the Versailles peace, found many supporters in the been the same if not in the capital of Bayer. -
Grimm, Kolbenheyer Und Stapel in Ihrem Verhältnis Zur NSDAP
5. Große Erwartungen und bittere Enttäuschung: Grimm, Kolbenheyer und Stapel in ihrem Verhältnis zur NSDAP 5.1 Frühe Unterstützung und erste Fühlungnahme 1923–1930/31 Ich würde es nicht begrüßen, wenn der Radika- lismus in unveränderter Form Oberhand auf lange Dauer erhielte, aber wenn der National- sozialismus nicht gekommen wäre, man hätte ihn erfinden müssen.1 Schon sehr früh nach dem Zusammenbruch des „Dritten Reichs“ hat Veit Valen- tin hellsichtig hervorgehoben, wie weitgehend die Geschichte des Nationalsozia- lismus und seines Aufstiegs als eine „Geschichte seiner Unterschätzung“2 verstan- den werden kann. Speziell zur Erklärung der illusorischen Zähmungskonzeptio- nen3 seitens der Eliten des politischen Konservatismus ist das Interpretament der „Unterschätzung“ fraglos von zentraler Bedeutung. Im Falle von Grimm, Kolben- heyer und Stapel würde hinsichtlich ihres Verhältnisses zur NSDAP vor 1933 ein allein auf „Unterschätzung“ abzielender analytischer Zugriff indes deutlich zu kurz greifen. Gewiss: Auch sie perzipierten die NS-Bewegung mitunter leichtfer- tig als eine vermeintlich rein episodenhafte Erscheinung, die kurzfristig für eigene Zwecke instrumentalisiert werden könnte und sollte.4 Eine erschöpfende Erläute- rung ihrer Einstellungen ist damit jedoch keineswegs gewonnen. Ihre Wahrneh- mung der NS-Bewegung war weder konstant, noch blieb sie ohne Ambivalenzen, wie ein Blick in die Quellen rasch lehrt. Die Annahme, Grimm, Kolbenheyer und Stapel wären sich in dem hier interessierenden Zeitfenster stets sicher gewesen, wie sie sich zum Nationalsozialismus stellen sollten und wie dieser als politische und soziale Bewegung einzuschätzen sei, wäre irrig und ginge an der empirischen Realität vorbei. Vielmehr lässt sich eine spannungs- und widerspruchsvolle Gleichzeitigkeit von Wohlwollen und Skepsis, Hoffnung und Verunsicherung, 1 KAG, Erwin Guido Kolbenheyer an Jakob Schaffner, 25. -
Intellectual Cultural and Social Life in the Third Reich by GEORGE L
Nazi Intellectual Cultural and Social Life in the Third Reich by GEORGE L MOSSE Translations by Salvator Attanasio and others The University of Wisconsin Press Contents INTRODUCTION xix 1. HITLER SETS THE TONE 1 Editor's Introduction 1 FROM CULTURE AS THE FAITH IN AN IDEAL REICH TO ITS DIFFUSION AMONG THE MASSES 5 The Power of Ideals 5 The Aryan as Custodian of Culture 5 The State Is Not an End But a Means 6 The Jew Has No Culture 7 The Necessity of Propaganda 7 How Hitler Viewed the Masses 8 Education Must Be Based on Ideals 9 Education, Instinct, and Will 10 HITLER DEFINES CULTURE IN DEFINING ART 11 The Cultural Renascence 11 2. WHAT SORT OF A REVOLUTION? 17 Editor's Introduction 17 THE GOOD FIGHT 24 Here Marched the New Germany 24 FRIEDRICH JOACHIM KLAEHN vii viii CONTENTS A Meeting-Hall Brawl 27 KURT MASSMANN THE BONDS OF FAMILY 30 National Socialism Has Restored the Family 30 HANNS ANDERLAHN The German Volk Is an Interlacing of Families 34 LUDWIG LEONHARDT Marriage, Morality, and Property 35 HERMANN PAULL THE IDEAL OF WOMANHOOD 39 The Tasks of Women 39 ADOLF HITLER Emancipation from the Emancipation Movement 40 ALFRED ROSENBERG Domestic Diligence from Blood and Soil 41 The Female Bird 41 JOSEPH GOEBBELS Women That We Can Love 41 Frau Goebbels on German Women 42 The Blond Craze - 43 A Shiny Nose and the German Nation 43 Faith and Beauty 44 Right Conduct 45 The Honor Cross of the German Mother 45 The Woman Student 46 Against the Political Woman 47 ENGELBERT HUBER THE SOCIAL REALITY 47 Does the Five O'Clock Tea Suit Our Time? 47 Fairytale Scenes on Peacock Island 53 Beautiful Gowns at the Annual Press Ball 54 Wanted: Croupiers 55 3. -
Expressionist Art and Drama Before, During, and After the Weimar Republic
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Summer 8-21-2015 Expressionist Art and Drama Before, During, and After the Weimar Republic Shane Michael Kennedy Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the European History Commons, German Literature Commons, and the Painting Commons Let us know how access to this document benefits ou.y Recommended Citation Kennedy, Shane Michael, "Expressionist Art and Drama Before, During, and After the Weimar Republic" (2015). Dissertations and Theses. Paper 2508. https://doi.org/10.15760/etd.2505 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Expressionist Art and Drama Before, During, and After the Weimar Republic by Shane Michael Kennedy A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in German Thesis Committee: Steven Fuller, Chair Kathie Godfrey Timm Menke Portland State University 2015 Abstract Expressionism was the major literary and art form in Germany beginning in the early 20 th century. It flourished before and during the First World War and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. -
Oxford: Peter Lang, 2019)
In: Feuchtwanger Studies, Vol. 6 Feuchtwanger and Judaism, History, Imagination, Exile Paul Lerner and Frank Stern (eds) (Oxford: Peter Lang, 2019) Adrian Feuchtwanger Caught Between Cultures: Lion Feuchtwanger's Flavius Josephus Lion Feuchtwanger's 1932 novel Der jüdische Krieg portrays Flavius Josephus as a young man caught between the conflicting cultures of Rome and Jerusalem and forced to make difficult choices. The novel also makes an implicit comment on the precarious position of European Jews in the early 1930s. This article outlines the principal elements and themes of the novel, and places it in the context of other German literary works of the period, in particular Hanns Johst’s proto-Nazi play Schlageter. Principal elements of the novel Over the centuries, Christians and Jews have held conflicting views of Flavius Josephus. The former considered his writings, with their accounts of early Christianity, to be near-canonical; the latter refused to read his histories and remembered him merely as the traitor who defected to the Romans in the First Jewish War—the uprising which led to the fall of Jerusalem, with all its associated symbolism for the Jewish diaspora.1 Lion Feuchtwanger, as a pacifist, anti-chauvinist commentator writing during the Weimar Republic, took a more agnostic view: in his version of the Josephus story, archetypal Jewish dilemmas are played out, and the novel as a whole makes an indirect comment on the situation of European Jews in 1932. The reader first encounters Joseph ben Matthias (Josephus's original name) seeking an amnesty for three fellow Judeans unjustly imprisoned by the Romans for stirring up unrest. -
Weimar Culture and the Rise of National Socialism: the Kampfbund Für Deutsche Kultur
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, Department of History History, Department of Winter 1991 Weimar Culture and the Rise of National Socialism: The Kampfbund für deutsche Kultur Alan E. Steinweis University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/historyfacpub Part of the History Commons Steinweis, Alan E., "Weimar Culture and the Rise of National Socialism: The Kampfbund für deutsche Kultur" (1991). Faculty Publications, Department of History. 79. https://digitalcommons.unl.edu/historyfacpub/79 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Central European History, Vol. 24, No. 4 (1991), pp. 402-423. Published by Cambridge University Press on behalf of Conference Group for Central European History of the American Historical Association. Used by permission. Weimar Culture and the Rise of National Socialism: The Kampfbund fiir deutsche Kultur Alan E. Steinweis ETWEEN 1928 and 1932, the National Socialist movement trans- formed itself from an insurgent fringe party into Germany's most B potent political force. The most important factor in this dramatic turnabout in political fortunes was the rapid deterioration of the German economy beginning in 1929. It does not, however, logically follow that the German people simply fell into the lap of the party and its charismatic leader. To the contrary, the party aggressively employed sophisticated propagandistic and organizational strategies for attracting and mobilizing diverse segments of German society. -
Eric M. Lipman Collection of Nazi Documents11.Mwalb02154
Eric M. Lipman collection of Nazi Documents11.MWalB02154 This finding aid was produced using ArchivesSpace on September 27, 2021. eng Brandeis University 415 South St. Waltham, MA URL: https://findingaids.brandeis.edu/ Eric M. Lipman collection of Nazi Documents11.MWalB02154 Table of Contents Summary Information .................................................................................................................................... 3 Scope and Contents ........................................................................................................................................ 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Controlled Access Headings .......................................................................................................................... 4 Collection Inventory ....................................................................................................................................... 5 Official Government Records and Correspondence ................................................................................... 5 Diaries ........................................................................................................................................................ 20 Postcards and Photographs ....................................................................................................................... -
The Third Reich Sourcebook 1St Edition Ebook, Epub
THE THIRD REICH SOURCEBOOK 1ST EDITION PDF, EPUB, EBOOK Anson Rabinbach | 9780520955141 | | | | | The Third Reich Sourcebook 1st edition PDF Book The foreign ministry was held by Konstantin, Freiherr baron von Neurath , a career diplomat of conservative views, while the ministry of defense was led by Gen. Egon Gonda Redlich, Theresienstadt Diary Lower edge of spine threadbare and small tears. Seller Image. Hitler was greatly influenced by the economic theorist Gottfried Feder , whom he had heard speak and whose Manifesto for Breaking the Bondage of Interest had just appeared. Very solid binding with NO creases, tears or markings of any kind throughout. In the coalition cabinet, the Nazis held only 3 out of 11 seats. Although the other parties were still allowed to function formally, their meetings were broken up, their speakers assaulted, and their newspapers continually suppressed. First Edition, First Printing Thus. And this is the reason that we have a non-German, alien race in our midst, which is neither willing nor able to sacrifice its racial character nor to deny its sentiments, thoughts, and aims, and yet still possesses all the political rights we do. Today in Music History - Dec. Equal justice for all. Tan and black boards with gilt lettering are Near Fine. Marko Mehner marked it as to-read Aug 23, Politics and Entertainment: Theater, Radio, and Television Combining his writer's activity with his role as press chief Reichsamtsleiter der Reichspressestelle of the Nazi Party, Bade was an able popularizer of the history of the party and an advocate of its technological triumphs, especially the putative expansion of mass automobile ownership. -
A[Edit] Gunter D'alquen
A[edit] Gunter d'Alquen - Chief Editor of the SS official newspaper, Das Schwarze Korps ("The Black Corps"), and commander of the SS-Standarte Kurt Eggers. Ludolf von Alvensleben - commander of the SS and police in Crimea and commander of the Selbstschutz (self-defense) of the Reichsgau Danzig-West Prussia. Max Amann - Head of Nazi publishing house Eher-Verlag Benno von Arent - Responsible for art, theatres, and movies in the Third Reich. Heinz Auerswald - Commissioner for the Jewish residential district inWarsaw from April 1941 to November 1942. Hans Aumeier - deputy commandant at Auschwitz Artur Axmann - Chief of the Social Office of the Reich Youth Leadership. Leader of the Hitler Youth from 1940, through war's end in 1945. B[edit] Erich von dem Bach-Zelewski - Commander of the "Bandenkämpfverbände" SS units responsible for the mass murder of 35,000 civilians in Riga and more than 200,000 in Belarus and eastern Poland. Herbert Backe - Minister of Food (appointed 1942) and Minister of Agriculture (appointed 1943). Richard Baer - Commander of the Auschwitz I concentration camp from May 1944 to February 1945. Alfred Baeumler - Philosopher who interpreted the works of Friedrich Nietzschein order to legitimize Nazism. Klaus Barbie - Head of the Gestapo in Lyon. Nicknamed "the Butcher of Lyon" for his use of torture on prisoners. Josef Bauer SS officer and politician Josef Berchtold - Very early Party member, and the second Reichsführer-SSfrom 1926-27. Gottlob Berger - Chief of Staff for Waffen-SS and head of the SS's main leadership office. Werner Best - SS-Obergruppenführer and Civilian administrator of Nazi occupied France and Denmark. -
FRENCH and AMERICAN CULTURAL OCCUPATION POLICIES and GERMAN EXPECTATIONS, 1945-1949 a Dissertation
NEGOTIATING DIFFERENCE: FRENCH AND AMERICAN CULTURAL OCCUPATION POLICIES AND GERMAN EXPECTATIONS, 1945-1949 A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History By Corey J. Campion, M.A. Washington, DC September 29, 2010 Copyright 2010 by Corey J. Campion All Rights Reserved ii NEGOTIATING DIFFERENCE: FRENCH AND AMERICAN CULTURAL OCCUPATION POLICIES AND GERMAN EXPECTATIONS, 1945-1949 Corey J. Campion, M.A. Thesis Advisor: Roger Chickering, Ph.D. ABSTRACT The dissertation explores the local implementation of French and American cultural occupation policies in Germany from 1945-1949. It focuses on events in French-occupied Freiburg and American-occupied Stuttgart and relies on materials gathered in local and state German archives as well as the French and American national archives. The dissertation argues that postwar German culture developed not through the unilateral implementation of Allied policies, but rather through negotiations between Allied and German visions. In Freiburg and Stuttgart negotiations over the purpose and character of postwar cultural activities reflected a broader debate over what 1945 meant for the future of German society. To varying degrees, French and American officials viewed the Reich’s collapse as an invitation to rebuild Germany along the lines of their own “superior” political and cultural traditions. By contrast, German officials looked to rebuild along native lines and, in the wake of what they described as unwelcome Nazi political and cultural “experiments,” greeted Allied reeducation efforts with a combination of frustration and suspicion. Thus, while the Allies shared with their Germans general democratic, capitalist, and Christian values, they struggled to win support for their specific reforms. -
The Transformation of National Identity in Germany: the Role of Political Parties
The Transformation of National Identity in Germany: The Role of Political Parties Saya Hautefeuille A thesis submitted in partial fulfillment of the requirements for Doctorate degree in Political Science School of Political Science Faculty of Social Sciences University of Ottawa © Saya Hautefeuille, Ottawa, Canada, 2018 Acknowledgements It’s been a long journey to say the least. The thing is about long journeys is that you end up meeting a lot of people on the road who not only transform it but also have a significant impact on the project. First of all, I wish to address my gratitude for the patience and constructive comments that my director, André Lecours, has always had for me as I struggled to find my direction. I am indebted to the encouraging emails and Skype conversations we had that helped keep my enthusiasm for the project. I also wish to thank Daniel Stockemer for reading my multiple drafts. His comments and ideas have always been important roads of guidance. I thank my friends who have listened to me as I bounced out ideas and who have provided me with intellectual support. I also wish to give my deep thanks to my parents who have supported me throughout this project. There were many late calls and editing support that was fundamental to me. Finally, I am greatly indebted to my amazing husband, Rafael who has constantly been my rock in so many different ways throughout this very long journey. I dedicate this thesis to you and our equally amazing children, René, Gabriel and Sophie, whose presence always reminded me of life outside academia and to keep laughing. -
Völkisch Writers and National Socialism
CULTURAL HISTORY AND LITERARY IMAGINATION This book provides a view of literary life under the Nazis, highlighting • Guy Tourlamain the ambiguities, rivalries and conflicts that determined the cultural climate of that period and beyond. Focusing on a group of writers – in particular, Hans Grimm, Erwin Guido Kolbenheyer, Wilhelm Schäfer, Emil Strauß, Börries Freiherr von Münchhausen and Rudolf Binding – it examines the continuities in völkisch-nationalist thought in Germany from c.1890 into the post-war period and the ways in which völkisch-nationalists identified themselves in opposition to four successive German regimes: the Kaiserreich, the Weimar Republic, the Third Reich and the Federal Republic. Although their work Völkisch predated Hitler’s National Socialist movement, their contribution to preparing the cultural climate for the rise of Nazism ensured them continued prominence in the Third Reich. Those who survived into the post-war era continued to represent the völkisch-nationalist worldview in the West German public sphere, opposing both Socialism and National Writers the Soviet and liberal-democratic models for Germany’s future. While not uncontroversial, they were able to achieve significant publishing success, suggesting that a demand existed for their works among the German public, stimulating debate about the nature of the recent past and its effect on Germany’s cultural and political identity and position in the world. Völkisch Writers and National Socialism Guy Tourlamain received his D.Phil. from Oxford University in 2007. He also spent time as a visiting student at the University of Gießen, A Study of Right-Wing Political Culture University of Hamburg and Humboldt University in Berlin as well as undertaking postdoctoral research at the German Literature in Germany, 1890–1960 Archive in Marbach am Neckar.