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Geoffrey of Monmouth, Historia Regum Britanniae, a Variant Version. Edited
THE MEDIAEVAL ACADEMY OF AMERICA PUBLICATION No. 57 GEOFFREY OF MONMOUTH VARIANT VERSION OF HIS HISTORIA REGUM BRITANNIAE GEOFFREY OF MONMOUTH HISTORIA REGUM BRITANNIAE A VARIANT VERSION EDITED FROM MANUSCRIPTS BY JACOB HAMMER HUNTER COLLEGE THE MEDIAEVAL ACADEMY OF AMERICA CAMBRIDGE 38, MASSACHUSETTS 1951 The publication of this book was made possible by grants of funds to the Academy from the John Simon Guggenheim Foundation, the Institute for Advanced Study, and an Anonymous Donor COPYRIGHT BY THE MEDIAEVAL ACADEMY OF AMERICA 1951 Printed in U.S.A. TO E. A. LOWE AND THE MEMORY OF ERNST RIESS PREFACE In 1927 Professor Chambers wrote: Critical work on the manuscripts (of Geoffrey of Monmouth) is still in its infancy, and in these circumstances speculation as to the original form of the Historia and any revision which it may have undergone can only be tentative.1 Two years later, in 1929, two editions of Geoffrey appeared,2 which constitute a real advance over the older, uncritical editions. The present edition which offers the first critical text of a Variant Version of the Historia, based on manuscripts that hitherto passed under the name of Geoffrey, is only another step in this advance. It represents the first fruits of an investigation undertaken many years ago and is preliminary to a critical edition of the Historia, based on all manuscripts known to scholars, the larger portion of which (135 in actual numbers) has already been col- lated. A task of this scope could not have been undertaken without outside assistance. It was thanks to the generous grants (and publication sub- vention) from the John Simon Guggenheim Foundation and the American Council of Learned Societies that it was possible to visit the various libraries of Europe and collect the material necessary for the project. -
Gennadeion Monographs III O
GENNADEION MONOGRAPHS 111 CHAPTERS ON MEDIAEVAL AND RENAISSANCE VISITORS TO GREEK LANDS BY JAMES MORTON PATON EDITED BY L.A.P. THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 1951 Copyright 1951 By the Trustees of the American School of Classical Studies at Athens Published 1951 All Rights Reserved PRINTED IN TBE UNITED STATES OF AMERICA PREFACE FEW words in regard to the contents of this little book are necessary. Its A author, at the time of his death on November 23, 1944, had in preparation an extensive work on the mediaeval history and monuments of Athens, in the manifold sources for which, even after the invaluable studies of Laborde and more recent scholars, he still found a fresh harvest. His researches, carried on principally in the libraries and archives of Paris, Venice, Florence and Rome, were interrupted in 1939 by the European war, and their continuation at the Harvard College Library was somewhat later terminated by his gradually failing health. His work, in spite of its long duration, can scarcely be said to have passed beyond the stage of collecting sources; their synthesis and discussion he had of course postponed until they should have been adequately assembled. He had, however, although Athens remained the center of his interest, almost completed a few sections, forming to a certain extent byways leading from the main path, and he had also prepared the texts of various sources in a form suitable for publi- cation. This material is collected here in the hope that, as he would have desired, it mzy prove of service to future investigators in the same field. -
Divinities, Priests, and Dedicators at Emona*
Marjeta Šašel Kos DIVINITIES, PRIESTS, AND dedicatorS at EMONA* INTRODUCT I ON Life in a Roman city, whether in one of the Italian regions or in the provinces, was intrinsically connected with cults, divination, and religion. Proper observance of rituals throughout the year at various festivals and holidays, both public and private, and including various rites of transition, but also during catastrophes or wars, ensured the protection and benevolence of the gods. Votive altars and dedications are in general much less numerous than tombstones, and Emona is no exception to this rule. Although not large, the corpus of its votive monuments does present some interesting features, which deserve a commentary. In view of the scarcity of documentation, it should not cause surprise that during the Baroque age, known for having occasionally abused epigraphy for its own purposes, a few inscrip- tions may have been falsified to produce more evidence for Roman cults in the territory of Emona (see below), where indeed not very many have come to light to date. The origins of Emona as a settlement extend back to the Late Bronze Age (the Urnfield cultural group); a cemetery dated to this period was unearthed on the left bank of the Ljubljanica River. An Early Iron Age period settlement has been discovered on Castle Hill, while some remains of a La Tène period settlement and/or a late Republican emporium were excavated on the right bank of the river1. When exactly the Roman colony was established at Emona is not entirely clear, but there are strong indications that this happened under Octavian after Actium, and after he had - some years previously - successfully brought to an end his Illyrian * I would very much like to thank Claudio Zaccaria for his valuable opinion concerning my paper, and in particular for the discussion about the goddess Victoria and Hercules. -
Fulgentius the Mythqgraphe
FULGENTIUS THE MYTHQGRAPHE Translated from the Latin with Introductions by LESLIE GEORGE WHITBREAD $15.00 FULGENTIUS THE MYTHOGRAPHER Translated from the Latin, with Introduc tions, by Leslie G. Whitbread Throughout the Middle Ages and well into the Renaissance, the writings of Fulgentius the mythographer, who lived in the late fifth or early sixth century, were extremely popu lar, much admired, and widely imitated. His influence on poetry, art, preaching, education, and the modes that were employed to adapt classical myth and literature to the require ments of more-or-less Christian patterns of thought was unquestionably profound. Translations of the five Latin works ascribed to him have long been needed, sim ply to make a significant influence available to modern historians of medieval and Ren aissance art, literature, and intellectual life. But the language of Fulgentius is appallingly difficult. Composed in the decadent Latin of his time, his writing is full of intricate rhe torical excesses of a particular extravagance and complexity that could only discourage the prospective translator, and that have caused some to describe his work as simply untrans latable. The substance, too, of Fulgentius's five trea tises — on the content of Virgil according to moral philosophy, on classical mythology, on the Thebaid, on obsolete words, and on the ages of man and the world — has been found wanting. Charges have been made that both his purposes and his methods are confused and of dubious merit, and that the learning displayed in the convoluted syntax of his pompous and extravagant prose is merely sec ondhand when it is not just highly suspect. -
Fashion in the Graves a Study of the Motifs Used to Decorate the Grave Altars, Ash Chests and Sarcophagi Made in Rome in the Early Pire (To the Mid Second
Fashion in the graves a study of the motifs used to decorate the grave altars, ash chests and sarcophagi made in Rome in the early pire (to the mid second century A.D.), Glenys Mary Davies Presented for the degree of Ph.D., Institute of Archaeology, University of London. August 1978. Summary The purpose of this study is to explain why cremation was re- placed by inhumation and cinerary monuments by sarcophagi in Rome during the second century A.D. by looking at the decoration of the monuments from Tiberius to the mid second century.Part one examines briefly the treatment of Boman funerary symbolism by previous scholars, the literary and epigraphic evidence for Roman eschatological belief In the period, and the nature of the contemporary decorative reper- toire used in non—funerary contexts. These studies suggest that Roman eschatological ideas were somewhat vague, and that most of the motifs used on the funerary monuments were in common use in other decorative arts: one should not, therefore, expect the decoration of the funerary monuments to contain allusions to a deep or coherent eschatology. The final chapter of Part one deals with the evidence for the chronology of the monuments. Part two looks at the decoration of the cinerary monuments motif by motif, considering in particular their possible symbolic interpretations. The conclusion is that there is little evidence to suggest that this decoration was designed to convey complex or deeply held eschatological beliefs, but only the vaguest ideas about heroisation and survival after death. Part three deals with the decoration of the garland sarcophagi. -
2003 Njcl Certamen Upper Division Round One
2003 NJCL CERTAMEN UPPER DIVISION ROUND ONE 1. What type of marine animals did Proteus herd? SEALS Who captured Proteus in order to find out how to return home? MENELAUS What sea-nymph instructed Menelaus on how to capture and question Proteus? (E)IDOTHEA 2. What Latin verb with what meaning is the root of “refute,” “confound,” “profuse,” and “refund?” FUNDÆ, FUNDERE - POUR What English derivative of fundÇ, fundere means “to melt together?” FUSE What English derivative of fundÇ, fundere means “excessive or gushy?” EFFUSIVE 3. What Roman author speaks of Naples as a beloved place of retirement and literary activity in his Georgics? (P.) VERGIL(IUS MARO) The influence of what literary patron is evident in Vergil’s Georgics? MAECENAS Whose celebration of a triple triumph coincided with the publication of Vergil’s Georgics? OCTAVIAN’S / AUGUSTUS’ 4. Complete this analogy: pÇnÇ : posuisset :: sequor : _____. SECâTUS (-A, -UM) ESSET . : pÇnÇ : posuiss‘s :: gaudeÇ : _____. GAV¦SUS (-A, UM) ESSS . : pÇnÇ : pÇn~tur :: faciÇ : _____. FIAT 5. What governor of Upper Germany induced the Chatti to invade Roman territory in AD 89? (L. ANTONIUS) SATURNINUS What future emperor was commanded by Domitian to bring up a legion from Spain to help suppress the rebellion of Saturninus? TRAJAN The rebellion of Saturninus interrupted Domitian’s conquest of what foreign country? DACIA 6. The soul of what Thracian can be seen dressed in a long white robe in the Elysian Fields singing to other Blessed Ones? ORPHEUS According to the usual tradition, what group of women killed Orpheus by tearing him limb from limb? MAENADS / BACCHAE / BACCHANTES / THRACIAN WOMEN What happened to Orpheus’ lyre upon his death? IT BECAME A CONSTELLATION UPPER ROUND 1 - PAGE 1 7. -
Index De J. Whatmough, the Dialects of Ancient Gaul
INDEX DE J. WHATMOUGH, THE DIALECTS OF ANCIENT GAUL Résumé: Index alphabétique des noms propres recueillis par J. Whatmough dans son livre G e Dialects of Ancient Gaul. Mots-clés: Gaulois, onomastique, noms propres, Whatmough, index. Resumen: Índice alfabético de los nombres propios recopilados por J. Whatmough en su libro G e Dialects of Ancient Gaul. Palabras-clave: Galo, onomástica, nombres propios, Whatmough, índice. Recibido: 15-3-2004 Aceptado: 5-10-2004 A- Les Dialects of Ancient Gaul de Joshua Whatmough ont été publiés à Harvard en 1970 après avoir fait une carrière confi dentielle pendant deux décennies sous forme de micro-fi lms. Mais ce travail, qui rassemble une documentation immense, est d’utilisation extrêmement malaisée en rai- son de l’absence d’index et de la présentation éclatée des matériaux linguistiques par zones géo- graphiques, celles des provinces de l’empire romain, par supports (monnaies, sigillées etc.) et par genres (théonymes, anthroponymes, toponymes etc.). L’auteur croyait en eff et pouvoir établir une dialectologie gauloise, se fondant sur les premiers mots du Bellum Gallicum; cet objectif n’a mani- festement pas été atteint, même si le principe d’une fragmentation dialectale du celtique continen- tal est à priori probable. Il a semblé qu’il pouvait être utile aux celtisants de produire un index de ce gros ouvrage de près de 1400 pages, afi n de faciliter les recherches sur les noms personnes et les noms de lieux. Les Dialects présentent une documentation dont les sources ne remontent pas au-delà du début des années 40, mais qui font un utile complément au Sprachschatz de Holder dont le dernier volume date de 1913. -
Bishops, Giants, and Ideas About Rome in Early Anglo-Saxon Literature, 597-C.800 Hollie Maree Thomas BA (Hons)
Bishops, Giants, and Ideas about Rome in Early Anglo-Saxon Literature, 597-c.800 Hollie Maree Thomas BA (Hons) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of History, Philosophy, Religion, and Classics Hollie Thomas, The University of Queensland Abstract This thesis investigates ideas about the city and culture of Rome in Anglo-Saxon literature for the period from their conversion to Christianity until roughly the close of the eighth century. There is a large body of scholarship concerning “the idea of Rome” in Anglo-Saxon literature, though there is an inherent assumption that this idea was an homogenous one. Rome has been seen by some scholars as the centre of Anglo-Saxon England, and by others as irrelevant. This thesis argues that, in fact, portrayals of the city’s significance are discordant: there was no one “idea” of Rome at this time and the Anglo-Saxons were far from passive recipients of ideas about Rome and its culture. Taking a thematic approach, ideas about religious Rome are given first treatment, as it is from this that so many of the ideas about Rome stem. This is followed in the second chapter by a reassessment of the appeals supposedly made by early Anglo-Saxons to an idea of Rome to political ends. In the third chapter, focus turns to the British landscape and the Anglo-Saxons’ attitudes to Roman-style buildings, whether newly built or preexisting. The final chapter explores the reception of the literary culture of Rome, in terms of historiography, the rhetorical use of geography, and attitudes to pagan material.