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Socialist Realism and Socialist Modernism IC I ICOMOS COMOS O M OS
Sozialistischer Realismus und Sozialistische Moderne Welterbevorschläge aus Mittel- und Osteuropa Socialist Realism and Socialist Modernism World Heritage Proposals from Central and Eastern Europe Sozialistischer Realismus und Sozialistische Moderne SocialistSocialist Modernism Realism and III V L S EE T MI O ALK N O I T A N N E CH S UT E D S ICOMOS · HEFTE DES DEUTSCHEN NATIONALKOMITEES LVIII ICOMOS · JOURNALS OF THE GERMAN NATIONAL COMMITTEE LVIII ICOMOS · HEFTE DE ICOMOS ICOMOS · CAHIERS DU COMITÉ NATIONAL ALLEMAND LVIII Sozialistischer Realismus und Sozialistische Moderne Socialist Realism and Socialist Modernism I NTERNATIONAL COUNCIL on MONUMENTS and SITES CONSEIL INTERNATIONAL DES MONUMENTS ET DES SITES CONSEJO INTERNACIONAL DE MONUMENTOS Y SITIOS мЕждународный совЕт по вопросам памятников и достопримЕчатЕльных мЕст Sozialistischer Realismus und Sozialistische Moderne. Welterbevorschläge aus Mittel- und Osteuropa Dokumentation des europäischen Expertentreffens von ICOMOS über Möglichkeiten einer internationalen seriellen Nominierung von Denkmalen und Stätten des 20. Jahrhunderts in postsozialistischen Ländern für die Welterbeliste der UNESCO – Warschau, 14.–15. April 2013 – Socialist Realism and Socialist Modernism. World Heritage Proposals from Central and Eastern Europe Documentation of the European expert meeting of ICOMOS on the feasibility of an international serial nomination of 20th century monuments and sites in post-socialist countries for the UNESCO World Heritage List – Warsaw, 14th–15th of April 2013 – ICOMOS · H E F T E des D E U T S CHEN N AT I ONAL KO MI T E E S LVIII ICOMOS · JOURNALS OF THE GERMAN NATIONAL COMMITTEE LVIII ICOMOS · CAHIERS du COMITÉ NATIONAL ALLEMAND LVIII ICOMOS Hefte des Deutschen Nationalkomitees Herausgegeben vom Nationalkomitee der Bundesrepublik Deutschland Präsident: Prof. -
2018-12-14 Thesis Final Version
MEMORY, SPACE & LAW MEMORY SITES OF THE 1992-1995 WAR IN PRESENT DAY BOSNIA & HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Scientific article Word count: 9.485 Aurore Vanliefde Student number: 01708804 Promotor: Dr. David Mwambari Master’s thesis presented for obtaining the degree of Master in Conflict and Development Academic year: 2018-2019 MEMORY, SPACE & LAW. MEMORY SITES OF THE 1992-1995 WAR IN BOSNIA AND HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Abstract This article revolves around memorialisation of the 1992-1995 war in Bosnia and Herzegovina (BiH). Theoretical insights from literature are combined with empirical data from 29 memory sites in BiH, two expert interviews, and additional information from informal conversations with guides and participation in guided tours. The aim of this study is to understand the use of memory sites of the 1992-1995 war in BiH, and research the extent to which the International Criminal Tribunal for the former Yugoslavia (ICTY)’s legacy has been integrated into these memory sites. The findings show that memorialisation is on-going through the creation, conservation, accentuation and destruction of memory sites. Memorials are generally exclusively meant for one ethno-national group, and are often the product of local and/or private initiatives. These sites of memory are lieux de mémoire, as described by Pierre Nora, where a community’s collective memory is both materialised and generated. Personal testimonies are extensively used in museums and archival material from the ICTY is included in some memory sites. The ICTY’s legacy constitutes a unique kind of memory, a lieu de mémoire sui generis. -
Unifications
BRIDGING THE DIVIDES-‘UNIFICATIONS’ OF MOSTAR By Jelena Mitrovic Submitted to Central European University Nationalism Studies Program In partial fulfillment of the requirements for the degree of CEU eTD Collection Master of Arts Advisor: Florian Bieber Budapest, Hungary 2008 Table of Contents INTRODUCTION..............................................................................................................................1 CHAPTER 1. -DEALING WITH DIVERSITY – MULTICULTURAL (MULTIETHNIC) OR COSMOPOLITAN BOSNIA? ............................................................................................................9 1.1. Solution for the conflict in Bosnia – debates on organizing the new state ................................11 1.2. Entrenching the Divide – Bosnia after Dayton ........................................................................15 1.2.1. Constituent peoples and minorities in Bosnia ...................................................................16 CHAPTER 2.- A DIVIDED CITY – (MULTI) ETHNIC MOSTAR: FROM 1994-2004 ...................24 2.1. History of Mostar...................................................................................................................25 2.2. A Tale of the Divided City –Interim Statute and the Role of International Community 1994- 2004 .............................................................................................................................................27 CHAPTER 3. - BRIDGING THE DIVIDES – ADMINISTRATIVE AND SYMBOLIC ‘UNIFICATIONS’ OF MOSTAR.....................................................................................................34 -
Art Institutions and National Identity in a Post - Conflict Society
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2015 Art Institutions and National Identity in a Post - Conflict Society Pooja Savansukha Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Political Theory Commons Recommended Citation Savansukha, Pooja, "Art Institutions and National Identity in a Post - Conflict Society". Senior Theses, Trinity College, Hartford, CT 2015. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/444 ART INSTITUTIONS AND NATIONAL IDENTITY IN A POST-CONFLICT SOCIETY A thesis presented by Pooja Savansukha to The Political Science Department in partial fulfillment of the requirements for Honors in Political Science Trinity College Hartford, CT April 20, 2015 Thesis Advisor Department Chair Art institutions and national identity in a post-conflict society How can art institutions address past mass atrocity, and what does this reveal about the relationship between art and politics in post- conflict societies? A case study of the role of art institutions in post-war Bosnia and Herzegovina Abstract Post-conflict societies inhabit a prolonged identity crisis. This crisis defines the scenario in present day Bosnia and Herzegovina, where ethno-centric narratives embody the consciousness of the Bosniak, Croat, and Serb populations, inhibiting the prevalence of an overarching national identity. In this thesis, I contend that realizing a national identity, as defined by Benedict Anderson, is crucial to the reconciliation of a post-conflict country such as Bosnia. In light of the limitations of parliamentary structures (such as those defined by Bosnia’s Dayton Agreement) within a society affected by mass atrocity, I argue that art institutions are capable of negotiating the question of a national identity. -
Croatian Films 2008/2009
Address Kralja Zvonimira 20, 10000 Zagreb, Croatia Telephone +385 (0)1 465 54 39 Fax +385 (0)1 465 54 42 URL www.havc.hr E-mail [email protected] Acting Director Martina Petrović Collaborators Jadranka Hrga, Ivana Ivišić, Sanja Ravlić i Maja Nikolić In memoriam: Albert Kapović (1957-2008), Director of the Croatian Audiovisual Centre Contents Editor Hrvoje Pukšec Feature Films 8 Collaborators Ivana Ivišić, Ivan Kelava, Zrinka Lazarin Feature Films (Post)Production 30 Translation & Proofreading Feature Films Pre-production 42 Ivana Ivišić, Vera Kordić, Duško Čavić Feature Films Co-production 52 Design Vanja Cuculić, Marko Šesnić i Goran Turković Short Films 60 Printed by Sveučilišna tiskara d.o.o. Zagreb Documentary Films 78 Print run 400 Documentary Films (Pre/Post)Production 98 Publisher Croatian Audiovisual Centre | Zagreb, January, 2009 Animated Films 102 Animated Films (Pre/Post)Production 114 Experimental Films 122 Experimental Films (Pre/Post)Production 130 isbn 978-953-55208-1-8 Contacts 134 Opening towards the World Nikica Gilić In recent years, Croatian cinema has come to be rec- thrillers or French polars (Ostojić’s Nobody’s Son), in increase in international and regional cooperation Having said all this, I should point out that high- Ph. D., film scholar ognized as one of the most vital creative industries in the meditative style of the best Hungarian or Russian continued in 2008, with Buick Riviera, Three Stories quality documentaries and experimental films have the region. Croatian films and filmmakers been feted movies (Goran Rušinović’s Buick Riviera), or using the About Sleeplessness and Will Not Stop There) so one consistently been a great asset to Croatian cinema by reviewers and critics in the international press, as grotesque humour of Mediterranean and Southeastern can argue that Croatian film is opening itself up to the and thankfully, they continue to go from strength to well as by film festival juries at prestigious world festi- Europe (Brešan’s Will Not Stop There and Matanić’s world in yet another way. -
Bosnia and Herzegovina
DESTINATION: BOSNIA AND HERZEGOVINA LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES GENERAL DESCRIPTION Republic of Bosnia and Herzegovina (Bosna i Hercegovina - Боснa и Херцеговина): is a country in Southeastern Europe located on the Balkan Peninsula. Capital – Sarajevo Population - 3,871,643[ • Sarajevo - 438,443 inhabitants Time • GET (UTC +1) Currency • Convertible mark (BAM) Geography • Bosnia and Herzegovina is a very hilly coutnry with the Dinaric Alps Dominating The landscape. • The highest point, Mt Maglic, rises to 7,831 ft. (2,387m) • Thick forests cover almost 50% of the land, while in the north, along the Sava River valley, a hilly, fertile plain stretches east to west. • The country has limited access to the Adriatic Sea through a small strip of land (about 12 miles) in the far-southwest. • Significant rivers include the Neretua, Sava, Vrbas, and the Bosna - the source of the country's name. LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES TRANSPORT Sarajevo International Airporrt Sarajevo's modern but very compact international airport is approximately 12kms from the city centre. Banja Luka International Airport is located 23kms from the city. Rail services now connect Sarajevo, Mostar, Doboj and Banja Luka. The bus network is more extensive and buses run more frequently than trains. Taxis in Sarajevo and the major towns are well-regulated, metered and generally safe to use. LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES HOTELS Sarajevo • Hotel Mepas • Kaldera Boutique Hotel • Hotel Europe Sarajevo • Radon Plaza Hotel • Hotel Blanca Resort & Spa Medjugorje • Herceg Etno selo Medjugorje • Medjugorje Hotel & Spa • Hotel Grande Casa • Hotel Quercus Mostar • Eden Villa • City Hotel LEADING PARTNERSHIP OF DMC’S IN EASTERN EUROPE AND CENTRAL ASIA COUNTRIES RESTAURANTS Bosnian cuisine uses many spices, in moderate quantity. -
Final Results
EFFE Label 2015/2016 – Final Results Austria Ars Electronica Austria International Storytelling Festival clownin - international women's clown festival Dialoge Donauinselfest Haydn Festival Eisenstadt LET'S CEE Film Festival Mozartwoche normale.at sound:frame - Festival for audiovisual expression Sprudel, Sprudel & Musik Ulrichsberger Kaleidophon wean hean (Vienna hearing) Belgium Airbag Antilliaanse Feesten Artefact Festival Bach Academie Brugge Bal National Balkan Trafik Big Bang - adventurous music festival for young audiences BOZAR Festival Brosella Folk & Jazz Brussels Summer Festival City Sonic - International Sound Arts Festival Crammerock December Dance Djangofolllies DOUR FESTIVAL EILANDFESTIVAL Esperanzah! Europalia International Europeade Europees Muziekfestival voor de Jeugd vzw Festival Acousmatique International l'Espace du Son festival de wallonie/festival of wallonia Festival Filmer à tout prix festival pays de danses Festival XS Gazume Jazz Festival Harmoliège EFFE – Europe for Festivals, Festivals for Europe Sainctelettesquare 17, B -1000 Brussels | +32 2 644 48 00 | www.effe.eu | [email protected] 1 international arts festival NEXT KlaraFestival LaSemo Laus Polyphoniae Les Ardentes LOOP ManiFiesta MiramirO PERFORMATIK Rock Werchter STORMOPKOMST Theater Aan Zee Theater op de Markt Bulgaria "BALABANOV'S HOUSE MUSIC DAYS" INTERNATIONAL FESTIVAL Apollonia Festival of Arts Arbanassi Summer Music Bulgarian Plum Festival EUROPEAN MUSIC FESTIVAL International festival of humour and satire International Folklore Festival Varna International -
Myths and Realities of Coexistence in the Divided and United Town of Mostar Vanni D’Alessio
Mediterranean Research Meeting 2010 WORKSHOP NUMBER 6 Who is Who in the Balkans Today: Mythmaking and Identity Mutations 1989-2009 directed by: Vjekoslav Perica, University of Rijeka/Fiume, Croatia Darko Gavrilovic, Singidunum University, Serbia Myths and Realities of Coexistence in the Divided and United town of Mostar Vanni D’Alessio Myths and Realities of Coexistence in the Divided and United town of Mostar This paper analyses the transformation of the urban public space, and the trends towards social, political and cultural integration and separation of Mostar in the 1990s and 2000s. The focus of the research is on the postwar processes of division and unification of the city and their traces and evidences in the public space and in the urban socialization mechanisms1. Introduction The division of Mostar into two separate towns started in 1993, during the early 1990s war in Bosnia-Herzegovina (BiH). The first part of the war had ended in 1993 with the withdrawal of the Yugoslavian army and the Serb military forces from the town, followed by the disappearance of the Serb component of Mostar. Very few Serbs remained in town. Most of them reached the nearby areas controlled by Serb military forces, other parts of the country or Serbia, or moved to foreign countries, sharing the destiny of other Bosnian refugees, of Croatian, Bosniak (Bosnian Muslim) and Yugoslav affiliations. Some of the refugees who fled from Mostar have returned after the war, but almost all of them have remained in Republika Srpska or abroad. According to the 1991 census the Serbs were around the 18-19% of the overall municipality (op_ina) population (126.628 people) and of the population of the inner Mostar town (grad, 75.865 people), while the declared Yugoslavs numbered a little more than 10% in the municipality and over 15% in town2. -
Dalmatia – a Rough Guide to the Tour
Dalmatia Delights A Rough Guide to the Tour 2 Dalmatia Delights Preface This guide (entirely and unashamedly lifted from other sources, mostly cited) tries to follow the Dalmatian Delights itinerary for the Ferris Wheels tour. Its purpose is to present in one place some highlights of the tour; and, hopefully, save participants from buying several guide books, although there is at least one book (Western Balkans, Lonely Planet) that covers a lot but not all of the itinerary. First, a little introduction to Dalmatia. As I noted on my Dalmatia page, the term is a loose way of referring, partly to Dalmacija, a region in Croatia, but then, loosely, to surrounding regions spanning coast, hinterland and mountains in parts of Slovenia, Bosnia-Herzegovina, Montenegro and, for good measure, the Passo di Stelvio in the Italian Dolomites. So don’t get too hung up on the name. More strictly speaking, Dalmatia (Croatian: Dalmacija), is an historical region on the eastern coast of the Adriatic Sea and is situated in Croatia. It spreads between the island of Rab in the northwest and the Bay of Kotor, in Montenegro, in the southeast. The hinterland, the Dalmatian Zagora, ranges from fifty kilometers in width in the north to just a few kilometers in the south. The Dalmatian dog gets its name from Dalmatia. In antiquity the Roman province of Dalmatia was much larger than the present-day region, stretching from Istria to historical Albania. Dalmatia signified not only a geographical unit, but it was an entity based on common culture and settlement types. Secondly, Dalmatia came before the dog! The dog got its name from its association with Dalmatia. -
Full of Stories
Tourist Information FullDon´t fill your oflife with days,stories fill your days with life. D. Fabijanić D. 9 1 2 8 7 3 4 3 1. ISTRIA. 6 Routes following the smallest towns in the world. 2. KVARNER. 12 Routes of fragrant rivieras and islands. 3. DALMATIA. ZADAR. 18 10 The routes of Croatian rulers. 4. DALMATIA. ŠIBENIK. 24 The routes of Croatian rulers. 5. DALMATIA. SPLIT. 30 Routes of ancient cultures. 6. DALMATIA. DUBROVNIK. 36 Croatia. Routes of old sea captains. 7. LIKA - KARLOVAC. 42 Routes following natural wonders. 8. CENTRAL CROATIA. 48 5 Trails of the fairies. 8. CENTRAL CROATIA. 54 The trails of subterranean secrets. 9. CITY OF ZAGREB. 60 6 A city tailored to the needs of man . 10. SLAVONIA. 64 Trails of the Pannonian Sea. 4 Welcome to Croatia! Unique in so many ways, Croatia’s Croatia’s fertile plains, where freshly- roots stem from ancient times and picked fruits are grown which you its great cultural wealth tells of a can taste, the castles, museums and turbulent history going back to the parks, river ports and family farms, Roman era and continuing through wineries, freshly-baked bread whose the Renaissance, the Baroque period aroma tempts one to try it over and the Ottoman conquests right and over again, are all part of the up to the present day, all of which is unexplored hinterland of Croatia, a exceptionally appealing to all who place of mystery and secrets, dream visit the country. If we then add the and reality, the Croatia of feelings rich cultural heritage, the amaz- and senses. -
Sarajevo Redux: Socio-Spatial Outcomes and the Perpetuation of Fragility in a Post- Conflict City
Sarajevo Redux: Socio-Spatial Outcomes and the Perpetuation of Fragility in a Post- Conflict City James Schmitt Supervisor: Prof. Günter Meinert Supervisor: Prof. Dr.-Ing. Philipp Misselwitz Submitted in partial fulfillment of the requirements for the Degree of Master of Science in Urban Management at Technische Universität Berlin Berlin, 1st of February 2019 Statement of authenticity of material This thesis contains no material which has been accepted for the award of any other degree or diploma in any institution and to the best of my knowledge and belief, the research contains no material previously published or written by another person, except where due reference has been made in the text of the thesis. James D. Schmitt Berlin, 1 February 2019 Abstract In an increasingly urbanized world, new constructs concerning urban fragility, the changed nature and increasing urbanization of armed conflict and emerging conceptual frameworks for urban post-conflict interventions present new discourses for urban planners and post-conflict first responders to consider. Cities with the highest level of fragility tend to be in states destabilized by ongoing intrastate conflict and yet even after negotiated peace settlements recovering cities appear particularly vulnerable to the accumulation of urban risks and tensions associated with higher levels of urban fragility. Working as part of an international post-conflict intervention recovery effort, how can urban planners contribute to achieving better long-term outcomes of peace and stability in the urban post-conflict setting? By conducting a macro and meso level case study analysis of Sarajevo's international post- conflict intervention through the lens of the social contract, liberal peace, and collective memory theoretical frameworks, this thesis seeks to identify strategic approaches and outcomes of Sarajevo's post-conflict intervention process and the related long-term impacts of these outcomes at the municipal and neighborhood scale. -
Sarajevo, Bosnia and Herzegovina
https://www.thesaturdaypaper.com.au/2016/08/27/sarajevo‐bosnia‐and‐ herzegovina/14722200003650?utm_campaign=Contact+SNS+For+More+Referrer&utm_medium=twi tter&utm_source=snsanalytics TRAVEL AUG 27, 2016 Sarajevo, Bosnia and Herzegovina LINDA JAIVIN Sarajevo’s streets bear the scars of the Bosnian War siege, but people are pursuing a relaxed approach to life. Dimitri Kruglikov Čajdžinica Džirlo in Sarajevo, Bosnia and Herzegovina. The muezzin’s call to prayer drifts up the hill to the teahouse, as ethereal as the wispy clouds that float in the luminous summer sky. As the call dies away, Hussein, a man with a great mane of white hair and a charismatic, California-grade smile, puts on music threaded with the unearthly vibrations of a theremin. Down the cobblestone street, the Ottoman Old Town appears a jumble of burnt-orange roofs clustering around a small turquoise dome in the middle of a modest square. Within Hussein’s teahouse, Čajdžinica Džirlo, there are hints of Turkey in the woven pillows and rugs and of Europe in the lacy table doilies. Arrayed at the front of the shop next door is a collection of objects crafted from pale, unvarnished wood: clogs, broom handles, crutches, a butter churn. The delicate almond and rose petal aroma of my chai mingles with the sharper smells of rich Bosnian coffee and acrid cigarettes from adjoining tables. Public smoking is still a thing in Sarajevo. It may not be a great idea for public health, but it certainly lends the place an appealingly raffish air, and adds to the sense of it belonging to an older world, one that is at once rustic, small town and cosmopolitan, that moves to its own languid pace.