Scottish Lords and Their Leaders in the Narratives About Great Moments in Community History (Between John Barbour’S the Bruce and Blind Hary’S Wallace)

Total Page:16

File Type:pdf, Size:1020Kb

Scottish Lords and Their Leaders in the Narratives About Great Moments in Community History (Between John Barbour’S the Bruce and Blind Hary’S Wallace) 154 Michalski Chapter 9 Creating Knightly Identities? Scottish Lords and Their Leaders in the Narratives about Great Moments in Community History (between John Barbour’s The Bruce and Blind Hary’s Wallace) Wojciech Michalski John Barbour’s The Bruce (ca. 1376) and Blind Hary’s Wallace (ca. 1478)1 are long epic poems which could without exaggeration be described as master- pieces of Scottish medieval literature.2 Their main themes are the heroic biographies of two famous Scottish leaders who emerged during the Anglo- Scottish war of 1296-1328 which is often called the Scottish war of independence: William Wallace, an important leader in the anti-English rebellion and the guardian of the kingdom in 1298 and Robert the Bruce, King of the Scots in 1306-1329, who after a long struggle managed to be recognized as a sovereign ruler by the English.3 1 Barbour’s Bruce: ‘A fredome is a noble thing’, eds. M.P. McDiarmid and J.A.C. Stevenson, Scottish Text Society, 4th ser., 15, 12, 13, 3 vols. (Edinburgh 1980-1985, repr. 2004) vol. 3, 76-77 13.709-717, vol. 1, 94; Hary’s Wallace (Vita Nobilissimi Defensoris Scotie Wilelmi Wallace Militis), ed. M.P. McDiarmid, Scottish Text Society, 4th Series, 4, 5, 2 vols. (Edinburgh 1968-1969, reprinted 2004), vol. 1, IX, XIV–XXVI. Citations of The Bruce and Wallace are by page, book and verse. Translations are made by the author. Early and Middle Scots letter yogh is changed to ‘y’; Matthew P. McDiarmid, “The Date of “Wallace””, Scottish Historical Review 34, 1, (1995) 26-31. 2 Stefan Thomas Hall, “Quham dowis thow Scot? Scottish Identity in Blind Hary’s Wallace”, Studies in Scottish Literature, 33, 1 (2004) 177-194, 185-186; Grace G. Wilson, “Barbour’s Bruce and Hary’s Wallace: Complements, Compensations and Conventions”, Studies in Scottish Literature 25, 1 (1990) 189-201, 190. 3 The classic work on the subject is G.W.S. Barrow, Robert Bruce and the Community of the Realm of Scotland (Edinburgh, 2005); On William Wallace see recently: Fiona Watson, “Sir William Wallace: What We Do – and Don’t – Know”, in Wallace Book, ed. E.J. Cowan (Edinburgh, 2007) 26-41; On Wallace’s descent see especially A.A.M. Duncan, “William, Son of Alan Wallace: The Documents”, in Wallace Book, 42-63; G.W.S. Barrow, Kingdom of the Scots. Government, Church and Society from the eleventh to the fourteenth century (Edinburgh, 2003) 324-325. © Koninklijke Brill NV, Leiden, 2018 | doi 10.1163/9789004363793_010 Creating Knightly Identities? 155 The poems of John Barbour – a well educated archdeacon of Aberdeen and of Blind Hary – a well-read poet, most probably coming from central Scotland,4 are powerful and vivid narratives about pivotal moments in Scottish commu- nity history when it was seriously threatened by a foreign power.5 Therefore it has been highlighted that already in late medieval times the traditions of Bruce and Wallace served Scottish society to strengthen its coherence and the sense of identity of its members, forming a very important part of the Scottish mythomoteur.6 Although both authors claim to be writing historical narratives, Hary’s approach to his subject is much more unrestrictive and indeed imaginative.7 It is widely known that Wallace was to no small extent influenced by The Bruce. Although Blind Hary made use of sources dealing with the history of Wallace’s deeds directly,8 it was Barbour’s poem (which does not feature 4 D.E.R. Watt, A Biographical Dictionary of Scottish Graduates to A. D. 1410 (Oxford, 1977) 28-29; Barbour’s Bruce, vol. 1, 1-13; Hary’s Wallace, vol. 1, XXVI–XXXIV, LVIII esp. L. As McDi- armid points out, the family names Hary or Henry, rare in fifteenth-century Scotland, may be found with some significant frequency in the area of Linlithgow and neighbouring parishes; Stefan Thomas Hall, The Role of Medieval Scottish Poetry in Creating Scottish Identity. “Textual Nationalism” (Lewiston – Queenston, 2006) 170-174; J.T.T. Brown, The Wallace and The Bruce Restudied, Bonner Beiträge zur Anglistik. Heft VI (Bonn, 1900) 7-10. Hary is given nickname ‘Blind’ by poet William Dunbar and historian John Mair. In the treasurer’s accounts from the 1490s, payments for one Blind Hary are recorded. 5 And therefore this period was very important in the process of the development of Scot- tish national identity, see the review of the discussion on this subject in R.R. Davies, “Pres- idential Address: The Peoples of Britain and Ireland 1100-1400. II. Names, Boundaries and Regnal Solidarities”, Transactions of the Royal Historical Society, Sixth Series, 5 (1995) 1-20, 17-18. 6 See Hall, The Role, esp. 4-5, 16, 187-188, 215-217; Carol Edington, “Paragons and Patriots: National Identity and the Chivalric Ideal in Late-Medieval Scotland”, in Image and Iden- tity: the Making and Re-making of Scotland Through Ages, eds. D. Broun, R.J. Finlay and M. Lynch (Edinburgh, 1998), 69-81, 77-78; Roger Mason, “Chivalry and Citizenship: Aspects of National Identity in Renaissance Scotland”, in People and Power in Scotland: Essays in Honour of T.C. Smout, ed. R. Mason, N. Macdougall (Edinburgh, 1992) 50-73, esp. 56-58. 7 See R. James Goldstein, The Matter of Scotland: Historical Narrative in Medieval Scotland (Lincoln, 1993) 251-265; Hary’s Wallace, vol. 1, LIX–LX, LXXVII–LXXXI; Marinell Ash, “Wil- liam Wallace and Robert the Bruce. The life and death of a national myth”, in The Myths We Live By, eds. R. Samuel and P. Thomson (New York, 1990) 83-94, 89; Wilson, “Barbour’s Bruce”, 192-194; Edward J. Cowan, “Wallace Factor in Scottish History”, in Images of Scot- land, ed. R. Jackson, S. Wood, The Journal of Scottish Education, Occasional Paper 1 (1997) 5-17, 14. 8 Hary’s Wallace, vol. 1, XXXVII–XXXVIII, LXIV–LXXIII, LXXVI; Brown, The Wallace and The Bruce, 8-9, 12-13, 20-23, 58. The most notable historical sources of Hary’s narrative were .
Recommended publications
  • Dr Sally Mapstone “Myllar's and Chepman's Prints” (Strand: Early Printing)
    Programme MONDAY 30 JUNE 10.00-11.00 Plenary: Dr Sally Mapstone “Myllar's and Chepman's Prints” (Strand: Early Printing) 11.00-11.30 Coffee 11.30-1.00 Session 1 A) Narrating the Nation: Historiography and Identity in Stewart Scotland (c.1440- 1540): a) „Dream and Vision in the Scotichronicon‟, Kylie Murray, Lincoln College, Oxford. b) „Imagined Histories: Memory and Nation in Hary‟s Wallace‟, Kate Ash, University of Manchester. c) „The Politics of Translation in Bellenden‟s Chronicle of Scotland‟, Ryoko Harikae, St Hilda‟s College, Oxford. B) Script to Print: a) „George Buchanan‟s De jure regni apud Scotos: from Script to Print…‟, Carine Ferradou, University of Aix-en-Provence. b) „To expone strange histories and termis wild‟: the glossing of Douglas‟s Eneados in manuscript and print‟, Jane Griffiths, University of Bristol. c) „Poetry of Alexander Craig of Rosecraig‟, Michael Spiller, University of Aberdeen. 1.00-2.00 Lunch 2.00-3.30 Session 2 A) Gavin Douglas: a) „„Throw owt the ile yclepit Albyon‟ and beyond: tradition and rewriting Gavin Douglas‟, Valentina Bricchi, b) „„The wild fury of Turnus, now lyis slayn‟: Chivalry and Alienation in Gavin Douglas‟ Eneados‟, Anna Caughey, Christ Church College, Oxford. c) „Rereading the „cleaned‟ „Aeneid‟: Gavin Douglas‟ „dirty‟ „Eneados‟, Tom Rutledge, University of East Anglia. B) National Borders: a) „Shades of the East: “Orientalism” and/as Religious Regional “Nationalism” in The Buke of the Howlat and The Flyting of Dunbar and Kennedy‟, Iain Macleod Higgins, University of Victoria . b) „The „theivis of Liddisdaill‟ and the patriotic hero: contrasting perceptions of the „wickit‟ Borderers in late medieval poetry and ballads‟, Anna Groundwater, University of Edinburgh 1 c) „The Literary Contexts of „Scotish Field‟, Thorlac Turville-Petre, University of Nottingham.
    [Show full text]
  • SCOTTISH TEXT SOCIETY Old Series
    SCOTTISH TEXT SOCIETY Old Series Skeat, W.W. ed., The kingis quiar: together with A ballad of good counsel: by King James I of Scotland, Scottish Text Society, Old Series, 1 (1884) Small, J. ed., The poems of William Dunbar. Vol. I, Scottish Text Society, Old Series, 2 (1883) Gregor, W. ed., Ane treatise callit The court of Venus, deuidit into four buikis. Newlie compylit be Iohne Rolland in Dalkeith, 1575, Scottish Text Society, Old Series, 3 (1884) Small, J. ed., The poems of William Dunbar. Vol. II, Scottish Text Society, Old Series, 4 (1893) Cody, E.G. ed., The historie of Scotland wrytten first in Latin by the most reuerend and worthy Jhone Leslie, Bishop of Rosse, and translated in Scottish by Father James Dalrymple, religious in the Scottis Cloister of Regensburg, the zeare of God, 1596. Vol. I, Scottish Text Society, Old Series, 5 (1888) Moir, J. ed., The actis and deisis of the illustere and vailzeand campioun Schir William Wallace, knicht of Ellerslie. By Henry the Minstrel, commonly known ad Blind Harry. Vol. I, Scottish Text Society, Old Series, 6 (1889) Moir, J. ed., The actis and deisis of the illustere and vailzeand campioun Schir William Wallace, knicht of Ellerslie. By Henry the Minstrel, commonly known ad Blind Harry. Vol. II, Scottish Text Society, Old Series, 7 (1889) McNeill, G.P. ed., Sir Tristrem, Scottish Text Society, Old Series, 8 (1886) Cranstoun, J. ed., The Poems of Alexander Montgomerie. Vol. I, Scottish Text Society, Old Series, 9 (1887) Cranstoun, J. ed., The Poems of Alexander Montgomerie. Vol.
    [Show full text]
  • Makar's Court
    Culture and Sport Committee 2.00pm, Monday, 20 March 2017 Makars’ Court: Proposed Additional Inscriptions Item number Report number Executive/routine Wards All Executive Summary Makars’ Court at the Writers’ Museum celebrates the achievements of Scottish writers. This ongoing project to create a Scottish equivalent of Poets’ Corner at Westminster Abbey was the initiative of the former Culture and Leisure Department, in association with the Saltire Society and Lothian and Edinburgh Enterprise Ltd, as it was then known. It was always the intention that Makars’ Court would grow and develop into a Scottish national literary monument as more writers were commemorated. At its meeting on 10 March 1997 the then Recreation Committee established that the method of selecting writers for commemoration would involve the Writers’ Museum forwarding sponsorship requests for commemorating writers to the Saltire Society, who would in turn make a recommendation to the Council. The Council of the Saltire Society now recommends that two further applications be approved, to commemorate William Soutar (1898-1943) – poet and diarist, and George Campbell Hay (1915-1984) – poet. Links Coalition Pledges P31 Council Priorities CP6 Single Outcome Agreement SO2 Report Makar’s Court: Proposed Additional Inscriptions 1. Recommendations 1.1 It is recommended that the Committee approves the addition of the proposed new inscriptions to Makars’ Court. 2. Background 2.1 Makars’ Court at the Writers’ Museum celebrates the achievements of Scottish writers. This ongoing project to create a Scottish equivalent of Poets’ Corner at Westminster Abbey was the initiative of the former Culture and Leisure Department, in association with the Saltire Society and Lothian and Edinburgh Enterprise Ltd, as it was then known.
    [Show full text]
  • The Historicity of Barbour's Bruce
    The Historicity of Barbour's Bruce By JAMES HAND TAGGART School of Scottish Studies Faculty of Arts University of Glasgow A thesis submitted'to the University of Glasgow in May 2004 for the degreeof Doctor of Philosophy ii Acknowledgments Professor Geoffrey Barrow took time to discuss various aspects of Barbour's purpose in writing The Bruce. Professor Archie Duncan spent hours with me on several occasions. His knowledge of The Bruce is unsurpassed;he shared it most generously. He was patient when I questioned some of his conclusions about Barbour's work and its historicity. His edition of The Bruce, together with its extensivenotes, was invaluable for my analysis of Barbour. Drs. Sonia Cameron and Fiona Watson also gave generouslyof their time at crucial points. I am especially grateful to my supervisor, Professor Edward Cowan. He never failed to smile and brew up a coffee on the many occasionsI visited his room in the Department of Scottish History. He kept my enthusiasm going over a prolonged period, and helped to structure my work in a way that made the analyses more accessibleand the discussion more meaningful. He vigorously defendedme and my work against aggressive and unprofessional attack, and encouraged me to think rigorously at every point. I am glad, though, to observethat I finally convinced him that the carl of Carrick killed, but did not murder, the lord of Badenoch on 10 February 1306. Thanks for your guidanceand friendship, Ted. On a personal note, I am grateful to Fiona for starting me out on this journey, and to Mairi for sustaining me on the last few laps.
    [Show full text]
  • BY Ph. D. UNIVERSITY of EDINBURGH 1980
    THE BRUCE: A STUDY OF JOHN BARBOUR'S HEROIC IDEAL BY ANNE M. MCKIM Ph. D. UNIVERSITY OF EDINBURGH 1980 TABLE OF CONTENTS ACKNOWLEDGMENTS .......... 000.0a ii INTRODUCTION .... 99oo*0@@0&a001 Chapter 1. FORM AND THEME ............. 28 2. THE THEOLOGICAL PHILOSOPHICALFRAMEWORK 67 AND ...... 3. JAMES DOUGLAS: THE IDEAL KNIGHT .... 0....... 122 4. ROBERTBRUCE: PORTRAIT OF-AN IDEAL KING ........ 176 5. LITERARY DEBTS AND INFLUENCES .... a. 0...... 233 CONCLUSION.......................... 288 a00aaa00000a0900a0000000000aa00000 SELECTEDBIBLIOGRAPHY 297 .................... ACKNOWLEDGMENTS I am grateful to Patricia Crangle and to my husband Ian for kindly undertaking to proof-read this thesis and for offering helpful comments. I also wish to thank Professor John MacQueen of the School of Scottish Studies at the University of Edinburgh, who supervised the writing of the thesis and offered invaluable advice and encouragement. ii ABSTRACT The purpose of this dissertation is to examine John Barbour's Bruce (c. 1375) as a literary work from the point of view of the author's heroic ideal. There has been singular confusion about the nature and form of the work and about Barbour's theme. Until recently, critics who have attempted to characterize and categorize the poem have concluded that although it shares some of the qualities and conventions of romance, epic, biography and verse-chronicle, it is a mixture of forms and is unusual because of Barbour's realistic treatment and patriotic emphasis. Various assumptions about medieval na tives have been brought to bear in these judgements and, on the whole, The Bruce has been found wanting or has been regarded as a modification of conventions especially with respect to chivalric codes of conduct and courtly ideals.
    [Show full text]
  • Vernacular Literary Culture in Lowland Scotland, 1680-1750
    Vernacular Literary Culture in Lowland Scotland, 1680-1750. George M. Brunsden. Submitted to the Faculty of Arts, University of Glasgow, For the Degree of Ph.D. October, 1998. Research conducted in conjunction with the Department of Scottish History, University of Glasgow. © George M. Brunsden, 1998. ProQuest Number: 13818609 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818609 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW UNIVERSITY jJPDLPV i'34ol |rofa ' Abstract Vernacular Literary Culture in Lowland Scotland, 1680-1750. This thesis examines literature that because of the frequency of its printing, and social relevance, might be called prevalent examples of a tradition. The strength of these traditions over time, and the way in which they reflect values of Lowland Scottish society are also examined. Vernacular literary tradition faced a period of crisis during the seventeenth and eighteenth centuries, and its survival seemed uncertain. Its vitality, however, was reaffirmed mainly because it was able to evolve. The actions of several key individuals were instrumental in its maintenance, but ultimately, it was the strength of the traditions themselves which proved to be most influential.
    [Show full text]
  • Belfast's Bonnie
    Belfast’s Bonnie BURNS The story of Robert Burns and Ulster is one of an “From the start, Burns’ birl and rhythm, AULD That tongue the Ulster Scots brought wi’ them And stick to still in County Antrim Was in my ear. ACQUAINTANCE From east of Bann it westered in that should never be forgot. On the Derry air” Seamus Heaney, A Birl For Burns, 2009 It is just one of our many historic connections with Scotland, expressing our shared heritage of the Scots language and literature on both sides of the narrow North Channel. A selection of Robert Burns Belfast artefacts, 1896–1966 2 3 Introducing Belfast’s Bonnie Burns Belfast is a city with many cultural influences, and the Ulster-Scots dimension is a proud part of that. Our history, our oldest buildings, many of our placenames, and our daily speech all still display an undeniably Scottish skirl and birl. So it’s no surprise that Robert Burns’ poetry has been enjoyed here for centuries, and his song collections include one that he acquired from Belfast, entitled ‘To A Rose Bud’. In 1792 when the Belfast church organist Edward Bunting organised the first Belfast Harp Festival which famously celebrated and preserved Irish traditional music, Robert Burns was already a superstar in our city. The Ulster-Scots community was by then almost 200 years old. Earlier Scots language poets had already been printed and read The 1787 Belfast edition in Ulster. Local poet Samuel Thomson of Carngranny near Mallusk wrote a poem to Courtesy Linen Hall Library Burns that same year: Sweet Scottish Bard! still as I read Thy bonie, quaint, harmonious lays, I aft exulting bless thy head, That weel deserves to wear the bays.
    [Show full text]
  • William Wallace in Scottish Literature
    30 William Wallace in Scottish Literature The life of William Wallace has been one of the great themes of Scottish Literature since the Middle Ages. No pretence is made of offering a comprehensive catalogue of works on him which would be both boring and incomplete. Instead, it is proposed to examine and compare how different writers at different times have developed and contributed to the theme. The relationship between Literature and History is like a difficult marriage: the two cannot agree, yet they cannot live apart. In earlier society there was no distinction between Literature and History: the bard was the singer and the chronicler, he wrote, or recited rather, with an immediate and practical purpose, the glorification of his patron and his family. The skills were those of rhetoric, versification, imagery, declamation and memory. Today the purposes of the literary writer and the historiographer are totally different. One wishes to ascertain facts and interpret them, the other is often reluctant to let the facts as they are known get in the way of a good story. A passage which demonstrates the relationship between the two is from Bush who writing of the early sixteenth century said: For us the persistence of Medievalism is more of a virtue than a defect. Clio was still in possession of her throne. The historian was a man, often a man of action, with a temperament, not a cloistered and impersonal card-index. The conception of history as epic story and drama, not as scientific diagnosis, of individual men rather than social and economic forces as the causes of events, of God working His will in human and especially English affairs, all this meant that history had not yet been entirely robbed of its traditional poetry.
    [Show full text]
  • Medieval Scottish Poetry - British and Irish Literature - Oxford Bibliographies
    10/23/2017 Medieval Scottish Poetry - British and Irish Literature - Oxford Bibliographies Medieval Scottish Poetry Nicola Royan LAST MODIFIED: 27 SEPTEMBER 2017 DOI: 10.1093/OBO/9780199846719-0129 Introduction In the title “Medieval Scottish Poetry,” “poetry” is by far the least contentious term. The other two may each be defined in many different and incompatible ways, and together they pose different challenges. “Scottish” may refer to the geography, rather than to one specific language, while “medieval” can extend in Scottish contexts further into the 16th century than is usual in British or English accounts. This article will focus primarily on poetry written in Older Scots, between 1350 and 1513, but it will also gesture toward Scottish poetry in other languages, primarily Gaelic, and poetry written or transmitted before or after those dates. Most evidence for this poetry comes from the southeastern half of the country: poets can be associated with Moray, Aberdeen, Fife, Edinburgh and the Borders, and Ayrshire. Although some material is associated with the court, at least as much is associated with noble families. It is rare to find contemporary manuscripts for the poetry, for the main witnesses for many texts are 16th-century prints and miscellanies, such as the Asloan and Bannatyne Manuscripts. This suggests that the poetry retained its cultural value well into the early modern period and beyond. The earliest Older Scots poem surviving is John Barbour’s the Bruce, dated c. 1375, It narrates the exploits of Robert I and James Douglas during the First War of Independence (1295– 1314) for the benefit of the heroes’ descendants, Robert II and Archibald Douglas.
    [Show full text]
  • From Epic to Romance: Barbour's Bruce and Scott's the Lord of the Isles Thomas R
    Studies in Scottish Literature Volume 26 | Issue 1 Article 44 1991 From Epic to Romance: Barbour's Bruce and Scott's The Lord of the Isles Thomas R. Dale Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Dale, Thomas R. (1991) "From Epic to Romance: Barbour's Bruce and Scott's The Lord of the Isles," Studies in Scottish Literature: Vol. 26: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol26/iss1/44 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas R. Dale From Epic to Romance: Barbour's Bruce and Scott's The Lord of the Isles The Lord of the Isles was the last published but one of Scott's poetic ro­ mances and perhaps the least praised by contemporary critics. It seems to have been projected (under the title of The Nameless Glen) as early as Spring, 1810, soon after The Lady of the Lake appeared, but the actual writ­ ing of it was postponed in favor of other tasks, notably The Vision of Don Roderick (1811), Rokeby (1812), The Bridal of Triermain (1813), the edition of Swift's works (completed 1814), and Waverley (1814). Since the first three cantos and part of the fourth are set in the West Highlands and Islands (Artornish Castle on the Sound of Mull, and the southern coast of Skye) it is almost certain that they were written after Scott's excursion around the Northern coasts of Scotland with the Commissioners of lighthouses in the summer of 1814.
    [Show full text]
  • Barbour File
    John Barbour c. 1320 - 1395 Contents: Biography.................................................................................................................................................................Page 1 The Brus - Preface...................................................................................................................................Pages 2 - 5 Freedom Speech.......................................................................................................................................Pages 5 - 7 Bruce’s Address to his Troops ..........................................................................................................Page 7 - 10 Further Reading / Contacts.......................................................................................................... Pages 10 - 14 Biography: John Barbour (c. 1320 - 1395) : Poet, churchman and scholar. Probably born in Aberdeen, where he spent most his life and held the position of Archdeacon. He was granted passage to study at Oxford and Paris. Several poems have been attributed to Barbour, one of which, The Stewartis Originall, relates the fi ctitious pedigree of the Stewarts back to Banquo and his son Fleance. His long patriotic poem The Brus, awarded a prize of 10 pounds by the king, is his most famous work. It supplies some facts of Robert the Bruce, many of which are told in anecdotal style and emphasises Bruce’s exploits in freeing Scotland from English rule. This poem is also where we can fi nd the quotation “A! Fredome is a noble thing!”
    [Show full text]
  • Scottish Literature: Timeline Historical Events Literary Events (Selected
    Scottish Literature: Timeline Historical events Literary events (selected) 300 First recorded mention of the tribe called ‘Picts’ (Pictish speaking) 397 St Ninian establishes a Christian mission at Whithorn. 470 The Gododdin kingdom is founded north of the River Tweed (Cumbric speaking) 563 Columba (Colum Cille) founds Christian mission at Iona 574 Consolidation of kingdom of Dalriada in 597 ‘Elegy for Colum Cille’ (Gaelic) the west (Gaelic-speaking) 638 The settlement later known as ‘Edinburgh’ 7th C: The Gododdin (Cumbric) is taken from Gododdin by Northumbrians (northern Old English speakers) 700 ‘Dream of the Rood’ (OE) 794 Beginning of Viking invasions 747 ‘Hymn to Mary’, Cú Chuimne and settlements (Old Norse speakers) (Latin) 843 Death of Kenneth Mac Alpin, king who united Picts and Scots. 1058 After defeating Macbeth, Malcolm III is proclaimed king. He later marries Princess (later Saint) Margaret, of the English royal family, a refugee from the Norman conquerors (1066). 1124 David I, son of Malcolm and Margaret ascends to the Scottish throne and begins 12th C: ‘Arran’ (Gaelic) the ‘normanizing’ of Scotland: grants lands to Norman barons, builds abbeys 1230: Orkneyinga saga (Old Norse) and establishes ‘burghs’. 1286 Alexander III dies without an heir. The English king, Edward I supports John Balliol’s claim to the Scottish throne in return for fealty. This leads to the Wars of Independence. 1305 William Wallace is hung, drawn and quartered for leading Scottish resistance To Edward I. 1314 Robert Bruce leads Scots to victory at the Battle of Bannockburn. Historical events Literary events 1340 Declaration of Arbroath asserts Scottish sovereignty.
    [Show full text]