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Fx Gspn 1&/(6*/ (3061 /FXGSPN1&/(6*/(3061 64" 5IF#PPLPG0UIFS1FPQMF 5IF0EF-FTT5SBWFMMFE ZADIE SMITH, editor 6OMPDLJOHUIF1PFU8JUIJO A host of writers, including Nick Hornby, STEPHEN FRY George Saunders, and Hari Kunzru, Fry understands the saving role that humor explore the cornerstone of fiction— can play in any discussion of poetry’s character. With an introduction. mechanics.”—The Wall Street Journal. Penguin 352 pp. 978-0-14-303818-4 $15.00 Gotham 368 pp. 978-1-592-40311-0 $15.00 5IF#PPL5IBU 8SJUF $IBOHFE.Z-JGF "%BZ(VJEF 3FNBSLBCMF8SJUFST UP$SFBUJWF8SJUJOH $FMFCSBUFUIF#PPLT5IBU SARAH QUIGLEY .BUUFS.PTUUP5IFN Packed with activities and daily tasks ROXANNE J. COADY & JOY JOHANNESSEN, designed to help aspiring fiction writers editors. A testament to the life-altering kick-start their imagination. 196 pp. importance of literature. “A wonderful Penguin New Zealand 978-0-14-301979-4 $16.00 cross section of contributors and a wildly diverse group of books.”—Library Journal 4JY8PSET:PV/FWFS (starred). ,OFX)BE4PNFUIJOH Gotham 224 pp. 978-1-592-40317-2 $11.00 UP%PXJUI1JHT 8SFDL5IJT+PVSOBM "OE0UIFS'BTDJOBUJOH'BDUT "CPVUUIF&OHMJTI-BOHVBHF KERI SMITH KATHERINE BARBER The Artist’s Way for anarchists—featuring Reveals the histories behind 500 of the a subversive collection of prompts to most common words and phrases in the help readers experience the true creative English language. process. Penguin 224 pp. 978-0-14-303812-2 $13.00 Perigee 192 pp. 0-399-53346-X $12.95 1FOHVJO(SPVQ 64" XXXQFOHVJOHSPVQDPNBDBEFNJD "DBEFNJD.BSLFUJOH%FQBSUNFOU)VETPO4USFFU/FX:PSL /: Thousands of Modern Language Association members in more than one JOIN THE MLA hundred coun- tries support the association’s mission of promoting IN CHICAGO the study and teaching of language and literature. Won’t you join us? SPECIAL RATE FOR NEW MEMBERS FOR THE FIRST TIME in eight years, the Join for only $35 for the fi rst year MLA convention will meet in Chicago GRADUATE STUDENTS this December. It will feature more than Join for $20 per year* 750 sessions over a three-day period, from 27 to 30 December, and will host * Graduate students may pay $20 dues for a a job information center for applicants maximum of 7 years. and interviewers. Become a member and get reduced members’ rates and special discounts on hotel prices and airfares. Member-friendly Web site provides access to MLA member benefits N A searchable list of convention sessions N A complimentary copy of the seventh edition of the MLA Handbook for N A list of current members Writers of Research Papers, due for release N Priority convention registration summer 2008 N The MLA Newsletter in PDF N Six issues of PMLA N Four issues of the MLA Newsletter Three easy ways to fi nd out about membership benefi ts and to join N Substantial discounts on over 300 books and pamphlets published by the MLA, N Visit www.mla.org. including the third edition of the MLA N E-mail [email protected] to request Style Manual, due for release spring a membership packet. 2008 N Call 646 576-5151. N A copy of Profession, an annual collection of articles on the field N Membership in divisions and discussion Join Now to Receive Reduced groups Rates and Special Discounts for N Participation in MLA-sponsored group the MLA Convention in Chicago insurance plans N Discounts on special editions of the MLA Bibliography N Eligibility to vote for officers, members of the Executive Council, and members of the Delegate Assembly www.mla.org compo si tion STUD IES Fall 2007 Volume 35 Number 2 Editors Editorial Assistants Brad E. Lucas John Burkett Carrie Leverenz Bridgette Copeland David Elder Book Review Editor Megan Griffin Lynée Lewis Gaillet Scot Hanson Amy Hermanson Managing Editor I. Moriah McCracken Amy Milakovic April Patrick Sarah Yoder Production Editor Jason King Intern Jessica Beaugez Texas Christian University www.compositionstudies.tcu.edu Member of the Council of Editors of Learned Journals SUBSCRIPTIONS: Composition Studies is published twice each year (May and November). Subscription rates are: Individuals $15 (Domestic) and $20 (International); Institutions $30 (Domestic) and $30 (International); Students $12. BACK ISSUES: Some back issues from V13.1 forward are available at $8 per issue. Photocopies of earlier issues are available for $3. BOOK REVIEWS: Assignments are made from a fi le of potential book reviewers. To have your name added to the fi le, send a current vita to the editors at [email protected]. SUBMISSIONS: All appropriate essay submissions will be blind reviewed by two external readers. Manuscripts should be 3,500-7,500 words and conform to current MLA guidelines for format and documentation; they should be free of author’s names and other identifying references. Electronic submissions are preferred: consult our website for details. For print submisttions, submit three titled, letter-quality copies with a cover letter including the title and author contact information, loose postage suffi cient to mail manuscripts to two reviewers, and a #10 SASE for the return of reviewer comments. Composition Studies will not consider previously published manuscripts. We discourage the submission of conference papers that have not been revised or extended for a critical reading audience. Those wishing to submit Course Designs should fi rst consult our website for specifi c instructions. Letters to the editor and responses to articles are strongly encouraged. www.compositionstudies.tcu.edu Direct all correspondence to: Editor, Composition Studies Department of English Texas Christian University TCU Box 297270 Fort Worth, TX 76129 Phone: 817-257-6895 Fax: 817-257-6238 Email: [email protected] Composition Studies is grateful for the generous support of the TCU Department of English and the AddRan College of Humanities and Social Sciences. ©Copyright 2007 by Brad E. Lucas and Carrie Leverenz, Editors ISSN 1534-9322 com po si tion STUDIES Volume 35, Number 2 Fall 2007 ARTICLES MEREDITH LOVE 11 COMPOSING THROUGH THE PERFORMATIVE SCREEN: TRANSLATING PERFORMANCE STUDIES INTO WRITING PEDAGOGY MARY M. REDA 31 RE-SEEING RESISTANCES: TELLING STORIES SALLY CHANDLER 53 FEAR, TEACHING COMPOSITION, AND STUDENTS’ DISCURSIVE CHOICES: RE-THINKING CONNECTIONS BETWEEN EMOTIONS AND COLLEGE STUDENT WRITING CHARLOTTE BRAMMER 71 PEER REVIEW FROM THE STUDENTS’ AND MARY REES PERSPECTIVE: INVALUABLE OR INVALID? ESSAY LYNN Z. BLOOM 87 MENTORING AS MOSAIC: LIFE AS GUERILLA THEATER COURSE DESIGN MARK SUTTON 101 ENGLISH 4090: COLLABORATIVE WRITING AT WORK BOOK REVIEWS SHEVAUN E. WATSON 117 FREEDOM’S JOURNAL: THE FIRST AFRICAN- AMERICAN NEWSPAPER, BY JACQUELINE BACON AMY LYNCH-BINIEK 119 COLLEGE WRITING AND BEYOND: A NEW FRAMEWORK FOR UNIVERSITY WRITING INSTRUCTION, BY ANNE BEAUFORT LARKEN MCCORD 122 PREVENTING PLAGIARISM: TIPS AND TECHNIQUES, BY LAURA HENNESSEY DESENA KATHERINE MACK 125 WRITING WITH AUTHORITY: STUDENTS’ R OLES AS WRITERS IN CROSS-NATIONAL PERSPECTIVE, BY DAVID FOSTER BETH GODBEE 129 THE EVERYDAY WRITING CENTER: A COMMUNITY OF PRACTICE, BY ANNE ELLEN GELLER, MICHELE EODICE, FRANKIE CONDON, MEG CARROLL, AND ELIZABETH H. BOQUET ALICE MYATT 132 WRITING AT THE CENTER: PROCEEDINGS OF THE 2004 THOMAS R. WATSON CONFERENCE, LOUISVILLE, KENTUCKY, EDITED BY JO ANN GRIFFIN, CAROL MATTINGLY, AND MICHELE EODICE CORINNE KOPCIK 135 PLACING THE ACADEMY: ESSAYS ON LANDSCAPE, WORK, AND IDENTITY, EDITED BY RONA KAUFMAN AND JENNIFER SINOR JACQUELINE BACON 138 AFRICAN AMERICAN RHETORIC(S): INTERDISCIPLINARY PERSPECTIVES, EDITED BY ELAINE B. RICHARDSON AND RONALD L. JACKSON II 8 Composition Studies coommppo o ssii tiionon SSTTUUDD IIESES Advisory Board Linda Adler-Kassner Paul Heilker EASTERN MICHIGAN UNIVERSITY VIRGINIA POLYTECHNIC INSTITUTE AND STATE UNIVERSITY Tom Amorose SEATTLE PACIFIC UNIVERSITY James Inman UNIVERSITY OF MARYLAND Chris Anson UNIVERSITY COLLEGE NORTH CAROLINA STATE UNIVERSITY Laura Micciche Valerie Balester UNIVERSITY OF CINCINNATI TEXAS A&M UNIVERSITY Peggy O’Neill Robert Brooke LOYOLA COLLEGE UNIVERSITY OF NEBRASKA, LINCOLN Peter Vandenberg Sidney Dobrin DEPAUL UNIVERSITY UNIVERSITY OF FLORIDA Victor Villanueva Ann George WASHINGTON STATE UNIVERSITY TEXAS CHRISTIAN UNIVERSITY Reviewers All essay submissions are reviewed blind by two external readers; those listed below are members of the active reader pool. We thank them for their critical contributions to scholarship in the fi eld. Linda Adler-Kassner Cathy Gabor Laura Rose Micciche Tom Amorose Lynee Lewis Gaillet Susan Miller Chris Anson Alice Gilliam Clyde Moneyhun Valerie Balester Maureen Daly Goggin Roxanne Mountford Patricia Belanoff Angela González Gerald P. Mulderig Patricia Bizzell Lorie Goodman Joan A. Mullin Bill Bolin Heather Brodie Graves Marshall Myers Darsie Bowden Roger Graves Jasper Neel Collin Brooke Nancy Grimm Gerald Nelms Robert Brooke Paul Hanstedt Jon Olson Nancy Buffi ngton Dana Harrington Peggy O’Neill Beth Burmester Cynthia Haynes Derek Owens Paul Butler Paul Heilker Irvin Peckham MaryAnn Cain Carl Herndl Louise Wetherbee Phelps Carol Clark Anne Herrington Donna Qualley Jennifer Clary-Lemon TyAnna Herrington Ellen Quandahl Lisa Coleman Brooke Hessler Thomas Recchio James Comas Charlotte Hogg Rebecca Rickly Juanita Rodgers Comfort Bruce Horner Kelly Ritter William Condon Rebecca Moore Howard Katherine Ronald Thomas Deans Sue Hum Randall Roorda Jane Detweiler Brian Huot Blake Scott Ronda Leathers Dively Rebecca Jackson Ellen Schendel Sidney Dobrin T. R. Johnson Carol Severino Donna Dunbar-Odom Martha Kruse Wendy Sharer Lisa Ede bonnie kyburz Steve Sherwood Lynnell Edwards Mary Lamb Sarah Sloane Janet
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