Handlist of the E.H. Visiak Collection

Total Page:16

File Type:pdf, Size:1020Kb

Handlist of the E.H. Visiak Collection 1 E.H. Visiak MS 5096 The following book and 2 files are not in boxes. In slip case. The Mask of Comus John Milton, edited by E. H. Visiak, The Nonesuch Press, Bloomsbury, 1937. File 1 (green) 1 File containing typescript of story The Queen of Beauty by E.H. Visiak and letter written on behalf of Visiak to David Bolt, of Bolt and Watson, Authors’ Agents, concerning various publications. 2 Paste up of cover of Life’s Morning Hour. 3 Photograph of Visiak, bedridden, with a young woman sitting beside him. 4 Photograph of Visiak smoking a pipe. 5 Typescript of The Battle Fiends by Visiak. 6 Copy of John Milton’s Epitaphium Damonis in memory of Israel Gollancz. Cambridge University Press, 1933. 7 The Grasshopper Broadsheets, The Treasures of the Castaway. 2 copies: January 1943. 8 Death certificate, Edward Harold Physick, otherwise Visiak: 4 September 1972. 9 Typescript of Homage to E.H. Visiak by Colin Wilson. 10 Title page from The Iron Pirate by Max Pemberton, page signed by Max Pemberton to Harold [Visiak] 12 April 1906, title page from The Garden of Swords signed by Max Pemberton: 27 September 1899. 11 Handwritten story Evening at the Estuary by W.H.H. [W.H. Helm]. 12 Page 319 from Notes and Queries, 6 May 1939, letter from Visiak. Page 389 from Notes and Queries, 25 November 1939, letter from Visiak about Sequah sensation. 13-22 The following documents are contained in a plastic wallet: 13 Letter from Hugh Cecil, son of Lord David Cecil, to Visiak: 27 November,1967. 14 Typescript of The Amorous Telegraph-Line Tapper, signed Visiak. 2 15 Typescript of The Queen of Beauty. 16 Typescript of Resume. 17 Pages 3-8 of typescript of possibly Milton’s Lament for Damon, signed E.H. Visiak. 18- Pages of unidentifiable typescript. 19 20 Part of questionnaire filled in and signed by Visiak: 18 November 1952. 21 Five letters addressed to Frank Physick concerning the publication of the poem ‘The skeleton at the feast’ and the story ‘Medusan madness’ in an anthology of macabre tales to be published by W.H. Allen. 1974. 22 Four royalty statements 1971-1973. 23 Typescript of review of Medusa: A story of Mystery, and Ecstacy, and Strange Horror, unsigned but possibly by Colin Wilson. 24 Typescript of poem ‘The House of Doom’ by Visiak. 25 Printed page from the Sussex Times, with poem ‘The Old Roof-Tree’ by Visiak: July 1991. 26 Page of The Spectator with review by Kate O’Brien of Medusa by Visiak: 21 March 1947. 27 Handwritten page of poetry, [Visiak]. 28 Letter from Alice Gachet de la Fourniere to ‘Dear Sir’: 16 November 1955. 29 Typed poem ‘Portrait of a Paladin’. 30 Three letters from Visiak to his brother Frank Physick: 13 July 1963, 8 October 1968 and 15 October 1968. 31 Six press cuttings referring to Visiak’s published works. 32 Seven press cuttings referring to the publication of Franz Kafka by Max Brod, Secker and Warburg 1947. 33 Silk and paper valentine (damaged). File 2 (brown) 3 1 Typescript of A Note on E.H. Visiak written, and signed, by Colin Wilson: September 1964. 2 Letter from (illegible signature) of Ashtead, Surrey to Visiak, suggesting corrections for Visiak’s article on Emerson: 29 September 1968. 3 Letter from H.W. [Helen Waddell] to Visiak: 6 September 1943. 4 Cutting from Sussex Life ‘ A Birthday Epigram’ by Visiak: October 1971. 5 Essay Perverted Humour, [Visiak] unsigned and undated. 6 Seven separate handwritten sheets of work intended to be included in a published work, none have details of publication. 7 Letter from Jack at ‘Firholm’, Surrey, to Visiak: 25 October. 8 Two pages of typescript entitled The Supraconscious Height. 9 Letter (illegible signature) to Visiak re. his book on Conrad. (no date). 10 Note from R. Buse. 11 Note accompanying payment by cheque for royalties on unspecified book: 4 October 1937. 12 Page of unidentified typescript written by Visiak. 13 Copy of John Bull. Includes poem ‘The Youthful Buccaneer’ by Visiak on page 707: 26 December 1908. 14 List of Visiak’s published works. 15 Typescript of We Old Victorians by Visiak. BOX 1 1 Notebook containing pasted in notices, reviews etc. 2 Life’s Morning Hour E.H. Visiak, John Baker, 1968. Obituary from The Times, 1 September 1972, pasted in . 3 The strange genius of David Lindsay J.B. Pick, Colin Wilson & E.H. Visiak, John Baker, 1970. 4 Poems Written during the Great War 1914-1918 an anthology edited by Bertram Lloyd, George Allen & Unwin, 1918. Contains two poems written by 4 Visiak,’ Blind Man’s Battle’ and ‘The Pacifist’, and is signed on the flyleaf by him. On title page handwritten quote from Euripides’ Helen. 5 Milton: Complete poetry and selected prose, edited by E.H. Visiak, The Nonesuch Press, 1948. 6 Memories of W.H. Helm with a preface by E.H. Visiak, Richards, 1937. With bookplate E.H. Visiak EX AQUA IGNIS. 7 E.H. Visiak Richards’ Shilling Selections from Edwardian Poets, London 1936. (2 copies). 8 The animus against Milton E.H. Visiak, The Grasshopper Press, Derby, 1945. 9 The Battle Fiends E.H. Visiak, The Satchell Series, Elkin Mathews, 1956. 10 Photocopy (x5) of Medusan Madness E.H. Visiak, taken from New Tales of Horror by eminent authors, Hutchinson, 1934. 11 Royal Society of Literature Reports for 1971-72 and 1972-73. Includes obituary for Visiak written by Kenneth Hopkins. Note pinned to front from Helen Johnson, 10 January 1974. 12 The Aylesford Review, subtitled ‘Homage to E.H. Visiak’, Summer 1967. 13 ADAM International Review, 1971. Includes article ‘ Letters to E.H. Visiak from David Lindsay and Victor Gollancz’. Letter inside from Helen Johnson to Doris. 14 History of Hitchin Grammar School, Reginald L. Hine, Paternoster & Hales, Hitchin, 1931. Inside is newspaper cutting, The Sunday Times, 2 May 1948, drawing of the Church of St. Mary, Hitchin. Also publisher’s pamphlet advertising The History of Hitchin Vol. ll by Reginald Hine. 15 The Nineteenth Century and After, July 1936. Article ‘ The Significance of Horror-Fiction’ by E.H. Visiak. 16 The Nineteenth Century and After, September 1938. Article ‘The Island Symbol’ by E.H. Visiak. BOX 2 1 Our Magazine, May-Nov. 1904, edited by E.H.Visiak. It is ‘a miscellany of Incredible Facts and Credible Fiction’. Magazine written by boys for boys and duplicated, this collection hard bound. Inside in envelope containing draft of story ‘The Fire Ship’, a photograph of a young boy, a newspaper cutting describing ‘an entertainment’ and a postcard of the ship H.M.S. Worcester. 5 2 Sussex Authors Today editor Geoffrey Handley-Taylor, Eddison Press, London 1973. Contains entry for E.H. Visiak. Letter from Helen Johnson to ‘Frank’. 3 Medusa: A story of Mystery and Ecstasy, & Strange Horror, E.H. Visiak, Victor Gollancz, London 1929. 4 Poems Ralph Waldo Emerson, Macmillan & Co., London, 1890. Inside is letter, a cutting of ‘Love the linkboy’ signed AJH, a poem signed by Hughes and two small slips of paper with quotes. 5 Hitchin Grammar School Chronicle, Summer 1913. Includes story ‘The Phantom Ship’ by E.H. Visiak. 6 Milton’s Lament for Damon and his other Latin Poems, rendered into English by Walter Skeat with preface and introductions by E.H. Visiak. Oxford University Press, 1935. 7 Poetical Works of Samuel Taylor Coleridge Oxford University Press, 1912. 8 Milton Agonistes: a metaphysical criticism. E.H. Visiak. A.M. Philpot, London, 1922. Includes 5 newspaper cuttings referring to Sir Arthur Quiller- Couch, a publisher’s blurb on Milton Agonistes, 3 postcards from Eden Phillpotts, a letter from D. Saurat, a note from A.J. Hughes, 6 small cuttings and notes. 9 Memories of W.H. Helm with a preface by E.H. Visiak, Richards 1937. The following are with Belinda Physick (September 2000) 1 Scrapbook by W.H. Helm, 1883-5. 2 Book containing poems, narratives etc. 1845-57. BOX 3 Physick family tree File 1 Miscellaneous letters 1 J. Bruce Wallen, Mansfield House University settlement: 16 February 1905. 2 Frank Physick, Penang: 26 April 1906. 3 Reverend Dr. Bonavia-Hunt, Sussex: 28 July 1910. 4 A. Goldner, Earls Court Square, London: 16 January 1915. 5 W. Charles Piggott, Tottenham Court Road: 15 May 1912. 6 6 Sylvia Pankhurst, Workers’ Suffrage Federation: 7 July 1916. 7 Illegible signature, 20 Pitt St., Tottenham Court Road: 26 January 1916. 8 Illegible signature, Scilly Isles: 6 March 1917. 9 J.W. Shalford Andrews, London: 7 May 1917. 10 R. Spalding, Pangbourne: 2 October 1918. 11 Zabelle C. Boyajian, St. John’s Wood: 12 January 1919. 12 Barbara Shaud, Kandy: 29 March. 13 W. St. White, Trinity College Dublin. 14 S.C.B. 137 Harley St,: 7 January 1926. 15 J. Conrad, Bishopsbourne, Kent: 1 February 1924. 16 E.H. Visiak to Mr. Conrad: 7 August 1924. 17 Charles Morgan, 6 More’s Garden, 20 July. Also copy of letter sent by Morgan to Gollancz: 20 July 1929. 18 H.C.C., The Victoria, Davos-Platz, Switzerland: 26 November 1929. 19 Lt- Col Sworder, St. Keverne, Cornwall: 4 February 1930. 20 The Grosvenor Sanatorium, Kent: 31 January 1931. 21 Eden Phillpotts, Sidmouth: 9 September 1933. 22 E.P. [E. Phillpotts] Broadclyst, Exeter: 18 November 1933. 23 Harold Samuel. Hampstead: 25 October 1933. 24 Eden Phillpotts, Broadclyst, Exeter: 3 December 1933. 25 Page from The Trade Unionist, August 1936. Poem ‘Laughing Warrior’ by Alexander de Furst highlighted. 26 Jack King, Lowestoft: 23 November 1936. 27 Jack King, Lowestoft: 30 December 1936. 28 H.J. Macavoy, 19 Mowbray Road, Brondesbury, London: 26 October 1937.
Recommended publications
  • Coleridge Family
    Coleridge Family: An Inventory of Their Literary File Photography Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge Family Title: Coleridge Family Literary File Photography Collection Dates: undated Extent: 32 items Abstract: Thirty-two photographs that are primarily portraits of members of the Coleridge family, which includes the Romantic poet, Samuel Taylor Coleridge (British, 1772-1834). Call Number: Photography Collection PH-02899 Language: English Access: Open for research. To make an appointment or to reserve photography materials, please email Visual Materials Reference staff. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher. For more information please see the Ransom Center's Open Access and Use Policies.
    [Show full text]
  • The Black Platonism of David Lindsay
    Volume 19 Number 2 Article 3 Spring 3-15-1993 Encounter Darkness: The Black Platonism of David Lindsay Adelheid Kegler Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Kegler, Adelheid (1993) "Encounter Darkness: The Black Platonism of David Lindsay," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 19 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol19/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Characterizes Lindsay as a “belated symbolist” whose characters are “personifications of ontological values.” Uses Neoplatonic “references to transcendence” but his imagery and technique do not suggest a positive view of transcendence. Additional Keywords Lindsay, David—Neoplatonism; Lindsay, David—Philosophy; Lindsay, David. A Voyage to Arcturus; Neoplatonism in David Lindsay This article is available in Mythlore: A Journal of J.R.R.
    [Show full text]
  • The Altered States of David Lindsay: Three Psychedelic Novels of the 1920S
    The Altered States of David Lindsay: Three Psychedelic Novels of the 1920s ‘He drank copiously. It affected his palate in a new way – with the purity and cleanness of water was combined the exhilaration of sparkling wine, raising his spirits – but somehow the intoxication brought out his better nature, and not his lower… Maskull now realised his environment as it were for the first time. All his sense organs started to show him beauties and wonders he had not hitherto suspected.’ David Lindsay, A Voyage to Arcturus, 1920. ‘A dark, cosmic and elegant meditation on life and death, A Voyage to Arcturus might well be the most psychedelic novel ever written.’ Mark Pilkington, Frieze Magazine, Issue 124, June-August 2009. David Lindsay (1876–1945), whose novels were originally published in the nineteen twenties and thirties, was a forgotten figure in literature until one of his novels, an extraordinary and elaborate fantasy, A Voyage to Arcturus1, was republished by Gollancz.2 It went on to be published in numerous popular paperback editions, as something of an underground classic during the psychedelic sixties and seventies, along with the work of other rediscovered fantasy authors such as Mervyn Peak, Lord Dunsany and J R Tolkien.3 Notwithstanding Fortean author and fringe culture pundit Mark Pilkington’s observation, that Arcturus might well be ‘the most psychedelic novel ever written’4 and the fact that Rick Doblin the founder and executive director of the psychedelic campaigning organisation MAPS named the home he built Arcturus in honour of Lindsay’s book5, the role of the consumption of psychoactive substances in the narrative of Arcturus seems to have gone almost entirely unremarked by commentators.
    [Show full text]
  • |||GET||| Samuel Taylor Coleridge
    SAMUEL TAYLOR COLERIDGE - THE MAJOR WORKS 1ST EDITION DOWNLOAD FREE Samuel Taylor Coleridge | 9780199537914 | | | | | Samuel Taylor Coleridge, First Edition More information about this seller Contact this seller 7. Routledge and Sons Essay on Coleridge's drama "Osorio" by P. Ships same or next business day. Wikimedia Commons has media related to Samuel Coleridge-Taylor. Original publisher's rust-colored cloth binding with printed paper title label to spine. Composers were not handsomely paid for their music, and they often sold the rights to works outright in order to make immediate income. Dell Book LB The collection is generally considered to have marked the beginning of the English romantic movement, and despite negative critical reception at first, subsequent editions were produced Samuel Taylor Coleridge - The Major Works 1st edition the book has remained a staple in poetry and British literature studies for over two centuries. First Edition; Fourth Printing. New York Times. Condition: As New. See my photos of this book more available upon request. Samuel Taylor Coleridge. We respond aesthetically, without purpose. Thomas, a champion of lost works by black composers, also revived Coleridge's Hiawatha's Wedding Feast in a performance commemorating the composition's th anniversary with the Cambridge Community Chorus at Harvard's Sanders Theatre in the spring of Frontis in Volume I. We trust, however, that satiety will banish what good sense should have prevented; and that, wearied with fiends, incomprehensible characters, with shrieks, murders, and subterraneous dungeons, the public will learn, by the multitude of the manufacturers, with how little expense of thought or imagination this species of composition is manufactured.
    [Show full text]
  • Henry Nelson Coleridge
    Henry Nelson Coleridge: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge, Henry Nelson, 1798-1843 Title: Henry Nelson Coleridge Collection Dates: 1808-1849, undated Extent: 2 boxes (.84 linear feet) Abstract: Includes manuscripts and letters written and received by Henry Nelson Coleridge, nephew of and editor of the works of Samuel Taylor Coleridge, along with a few personal items, including his diaries and appointment book. The bulk of the outgoing letters are addressed to his wife, Sara Coleridge, and the rest of his family. Incoming correspondence from various Coleridge family members, Basil Montagu, Robert Southey, Alfred Tennyson, William Wordsworth, and others are present. Call Number: Manuscript Collection MS-0860 Language: English, French, Spanish Access: Open for research Administrative Information Processed by: Joan Sibley and Jamie Hawkins-Kirkham, 2011 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Coleridge, Henry Nelson, 1798-1843 Manuscript Collection MS-0860 2 Coleridge, Henry Nelson, 1798-1843 Manuscript Collection MS-0860 Works: Untitled essay on Samuel Taylor Coleridge, handwritten manuscript/ incomplete, 1 Container page (numbered 13), undated. 1.1 Untitled poem What thou didst fear, or fearing not, didst guess..., initialed handwritten manuscript, 2 pages, 1831; included is a copy by Sara Coleridge. Untitled poem Whoe'er, with toil oppressed, would roam..., handwritten manuscript, 2 pages, undated.
    [Show full text]
  • Mark J Langwith Phd Thesis
    'A FAR GREEN COUNTRY' : AN ANALYSIS OF THE PRESENTATION OF NATURE IN WORKS OF EARLY MYTHOPOEIC FANTASY FICTION Mark J. Langwith A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2007 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/313 This item is protected by original copyright This item is licensed under a Creative Commons License ‘A FAR GREEN COUNTRY’: AN ANALYSIS OF THE PRESENTATION OF NATURE IN WORKS OF EARLY MYTHOPOEIC FANTASY FICTION MARK J. LANGWITH A Thesis for the Degree of Doctorate of Philosophy University of St. Andrews 21 December 2006 ii ABSTRACT This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impulse behind mythopoesis. It is argued that this conceptual background is responsible for the notion of nature as a virtuous force of spiritual redemption in opposition to modernity and in particular to the dominant modern ideological model of scientific materialism.
    [Show full text]
  • Hartley Coleridge
    Hartley Coleridge: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge, Hartley, 1796-1849 Title: Hartley Coleridge Collection Dates: 1796-1933, undated Extent: 15 boxes (6.30 linear feet), 2 oversize folders (osf) Abstract: Includes manuscripts and letters written by, to, or about Hartley Coleridge, the English author, educator, and eldest son of poet Samuel Taylor Coleridge. Correspondents include members of the Coleridge, Southey, Wordsworth and related families—including Samuel Taylor Coleridge and Robert Southey—and other notables such as Charlotte Brontë and Lord Alfred Tennyson. A number of letters are addressed to Derwent Coleridge following the death of his brother Hartley in 1849. Call Number: Manuscript Collection MS-0859 Language: English, German, Latin, Welsh Access: Open for research Administrative Information Processed by: Joan Sibley and Michael Ramsey, 2012 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Coleridge, Hartley, 1796-1849 Manuscript Collection MS-0859 2 Coleridge, Hartley, 1796-1849 Manuscript Collection MS-0859 Works: Untitled essays: Container On adversity, handwritten manuscript with corrections, 2 pages, undated. 1.1 On Antonio Augustino, handwritten manuscript, 4 pages, undated. On biological deformities, handwritten manuscript, 5 pages, undated. On books, handwritten manuscript, 22 pages, undated; partially published as The books of my childhood in essays and marginalia by Hartley Coleridge, vol. 1, p.
    [Show full text]
  • Life & Correspondence of John Duke Lord Coleridge, Lord
    CORRESPONDENCE ORD COLERIDGE (iJortteU Hniuerfiitg 2Iibrarg 3tljaca, HcM ^nrk WORDSWORTH COLLECTION Made by CYNTHIA MORGAN ST. JOHN ITHACA, N. Y. THE GIFT OF VICTOR EMANUEL CLASS OF 1919 1925 LIFE (ff CORRESPONDENCE OF JOHN DUKE LORD COLERIDGE LORD CHIEF JUSTICE OF ENGLAND LIFE ^ CORRESPONDENCE OF JOHN DUKE LORD COLERIDGE LORD CHIEF JUSTICE OF ENGLAND WRITTEN AND EDITED BY ERNEST HARTLEY COLERIDGE IN TWO VOLUMES VOLUME I WITH ILLUSTRATIONS NEW YORK D. APPLETON AND COMPANY 1904 I. PRINTED IN ENGLAND TAis Edition is Copyright in all Countries signatory to the Berne Treaty <,>^^'^'% 4^;' TO AMY LADY COLERIDGE THESE MEMORIALS OF HER HUSBAND JOHN DUKE LORD COLERIDGE LORD CHIEF JUSTICE OF ENGLAND ARE INSCRIBED BY HER COUSIN ERNEST HARTLEY COLERIDGE OCTOBER 1904 ; PREFACE I AM indebted to many persons, friends or repre- sentatives of friends, of the late Lord Coleridge, for the right to publish in these volumes letters to him which remained in his possession, and letters from him which passed into their hands at once, or, afterwards, came into their possession. My thanks and acknowledgments, on this score, are due to the executors of Cardinal Newman ; of Cardinal Manning ; of the late Master of Balliol of Dean Stanley ; of Lord Blachford ; of Mr. James Russell Lowell : to Mr. Richard Arnold ; Lord Acton ; Mr. Charles Chauncey Binning ; Mr. Arthur Benson ; Lord Brampton ; the Rev. the Hon. W. E. Bowen ; Mr. John Brown (of Edinburgh University) ; Miss Edith Coleridge ; Mr. Richard Dana ; Mr. Coningsby Disraeli ; Mr. Drew ; Sir Mountstuart E. Grant Duff ; Miss Hawker ; the Earl of Iddesleigh ; Mrs. Jake ; Lord Lindley Mrs.
    [Show full text]
  • Download The
    DAVID LINDSAY'S A VOYAGE TO ARCTURUS ALLEGORICAL DREAM FANTASY AS A LITERARY MODE by JACK S CHOFIELD B.A., University of Birmingham, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 19 72 tn presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date Abstract David Lindsay's A Voyage to Arcturus must be read as an allegorical dream fantasy for its merit to be correctly discerned. Lindsay's central themes are introduced in a study of the man and his work. (Ch. 1). These themes are found to be common in allegorical dream fantasy, the phenomen- ological background of which is established (Ch. 2). A distinction can then be drawn between fantasy and romance, so as to define allegorical dream fantasy as a literary mode (Ch. 3). After the biographical, theoretical and literary backgrounds of A Voyage have been established in the first three chapters, the second three chapters explicate the structure of the book as an allegorical dream fantasy.
    [Show full text]
  • Mont Blanc in British Literary Culture 1786 – 1826
    Mont Blanc in British Literary Culture 1786 – 1826 Carl Alexander McKeating Submitted in accordance with the requirements for the degree of Doctor of Philosophy University of Leeds School of English May 2020 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Carl Alexander McKeating to be identified as Author of this work has been asserted by Carl Alexander McKeating in accordance with the Copyright, Designs and Patents Act 1988. Acknowledgements I am grateful to Frank Parkinson, without whose scholarship in support of Yorkshire-born students I could not have undertaken this study. The Frank Parkinson Scholarship stipulates that parents of the scholar must also be Yorkshire-born. I cannot help thinking that what Parkinson had in mind was the type of social mobility embodied by the journey from my Bradford-born mother, Marie McKeating, who ‘passed the Eleven-Plus’ but was denied entry into a grammar school because she was ‘from a children’s home and likely a trouble- maker’, to her second child in whom she instilled a love of books, debate and analysis. The existence of this thesis is testament to both my mother’s and Frank Parkinson’s generosity and vision. Thank you to David Higgins and Jeremy Davies for their guidance and support. I give considerable thanks to Fiona Beckett and John Whale for their encouragement and expert interventions.
    [Show full text]
  • Taylorphd2016.Pdf
    This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Writing spaces: the Coleridge family’s agoraphobic poetics, 1796-1898 This electronic version of the thesis has been edited solely to ensure compliance with copyright legislation and excluded material is referenced in the text. The full, final, examined and awarded version of the thesis is available for consultation in hard copy via the University Library Joanna E. Taylor Keele University June 2016 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Abstract In recent years there has been a rapid growth in interest in the lives and writings of the children of major Romantic poets. Often, this work has suggested that the children felt themselves to be overshadowed by their forebears in ways which had problematic implications for their creative independence. In this thesis I explore the construction of writing spaces – physical, imaginary, textual and material – in the works of Samuel Taylor Coleridge’s (1772-1834) children and grandchildren: Hartley (1796-1849), Derwent (1800-1883), Sara (1802-1852), Derwent Moultrie (1828- 1880), Edith (1832-1911) and Ernest Hartley (1846-1920).
    [Show full text]
  • “Deep in Mines of Old Belief”: Gnosticism in Modern Canadian Literature
    “Deep in Mines of Old Belief”: Gnosticism in Modern Canadian Literature by Ryan Edward Miller M.A. (English), Simon Fraser University, 2001 B.A. (English), University of British Columbia, 1997 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English Faculty of Arts and Social Sciences © Ryan Edward Miller 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for "Fair Dealing." Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. APPROVAL Name: Ryan Edward Miller Degree: Doctor of Philosophy, English Title of Thesis: “Deep In Mines of Old Belief”: Modern Gnosticism in Modern Canadian Literature Examining Committee: Chair: Dr. Carolyn Lesjak Associate Professor & Graduate Chair Department of English ______________________________________ Dr. Kathy Mezei, Senior Supervisor Professor Emerita, Department of Humanities ______________________________________ Dr. Sandra Djwa, Supervisor Professor Emerita, Department of English ______________________________________ Dr. Christine Jones, Supervisor Senior Lecturer, Department of Humanities ______________________________________ Dr. Eleanor Stebner, Internal Examiner Associate Professor & Woodsworth Chair, Department of Humanities ______________________________________
    [Show full text]