Henry Nelson Coleridge
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Coleridge Family
Coleridge Family: An Inventory of Their Literary File Photography Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge Family Title: Coleridge Family Literary File Photography Collection Dates: undated Extent: 32 items Abstract: Thirty-two photographs that are primarily portraits of members of the Coleridge family, which includes the Romantic poet, Samuel Taylor Coleridge (British, 1772-1834). Call Number: Photography Collection PH-02899 Language: English Access: Open for research. To make an appointment or to reserve photography materials, please email Visual Materials Reference staff. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. Restrictions on Authorization for publication is given on behalf of the University of Use: Texas as the owner of the collection and is not intended to include or imply permission of the copyright holder which must be obtained by the researcher. For more information please see the Ransom Center's Open Access and Use Policies. -
1 in Search of Robert Lovell: Poet and Pantisocrat I. Introduction 'At The
In Search of Robert Lovell: Poet and Pantisocrat I. Introduction ‘At the close of the year 1794, a clever young man, of the Society of Friends, of the name of Robert Lovell, who had married a Miss Fricker, informed me that a few friends of his from Oxford and Cambridge, with himself, were about to sail to America, and, on the banks of the Susquehannah, to form a Social Colony, in which there was to be a community of property, and where all that was selfish was to be proscribed.’1 Thus wrote Bristol publisher Joseph Cottle in his Reminiscences published in 1847. As any serious student of Romanticism knows, the most important of those ‘few friends’ mentioned by Cottle were Robert Southey and Samuel Taylor Coleridge, who were then gathering support for a small-scale transatlantic emigration scheme founded on radical egalitarian or so-called ‘Pantisocratic’ principles. It is chiefly in connection with this utopian venture that the ‘clever young man’ described by Cottle has, until now, typically featured in Romantic criticism, very much in a supporting if not peripheral role. But how much do we know about Robert Lovell? What kind of person was he? Why did Southey, and subsequently Coleridge, embrace him enthusiastically on first acquaintance and later downgrade their estimate of his qualities? What was Lovell’s achievement as a poet, and what was his place in the early history of Romanticism in the South West? In this essay I attempt to answer these questions by re- examining established ‘facts’, gathering fresh evidence, and treating Lovell and his poetry as valid subjects in their own right rather than as a footnote to the budding careers of Coleridge and Southey. -
|||GET||| Samuel Taylor Coleridge
SAMUEL TAYLOR COLERIDGE - THE MAJOR WORKS 1ST EDITION DOWNLOAD FREE Samuel Taylor Coleridge | 9780199537914 | | | | | Samuel Taylor Coleridge, First Edition More information about this seller Contact this seller 7. Routledge and Sons Essay on Coleridge's drama "Osorio" by P. Ships same or next business day. Wikimedia Commons has media related to Samuel Coleridge-Taylor. Original publisher's rust-colored cloth binding with printed paper title label to spine. Composers were not handsomely paid for their music, and they often sold the rights to works outright in order to make immediate income. Dell Book LB The collection is generally considered to have marked the beginning of the English romantic movement, and despite negative critical reception at first, subsequent editions were produced Samuel Taylor Coleridge - The Major Works 1st edition the book has remained a staple in poetry and British literature studies for over two centuries. First Edition; Fourth Printing. New York Times. Condition: As New. See my photos of this book more available upon request. Samuel Taylor Coleridge. We respond aesthetically, without purpose. Thomas, a champion of lost works by black composers, also revived Coleridge's Hiawatha's Wedding Feast in a performance commemorating the composition's th anniversary with the Cambridge Community Chorus at Harvard's Sanders Theatre in the spring of Frontis in Volume I. We trust, however, that satiety will banish what good sense should have prevented; and that, wearied with fiends, incomprehensible characters, with shrieks, murders, and subterraneous dungeons, the public will learn, by the multitude of the manufacturers, with how little expense of thought or imagination this species of composition is manufactured. -
Samuel Taylor Coleridge and the Genesis of the OED
University of Montana ScholarWorks at University of Montana English Faculty Publications English 8-1992 "Living Words": Samuel Taylor Coleridge and the Genesis of the OED James C. McKusick University of Montana - Missoula, [email protected] Follow this and additional works at: https://scholarworks.umt.edu/eng_pubs Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation McKusick, James C., ""Living Words": Samuel Taylor Coleridge and the Genesis of the OED" (1992). English Faculty Publications. 6. https://scholarworks.umt.edu/eng_pubs/6 This Article is brought to you for free and open access by the English at ScholarWorks at University of Montana. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. "Living Words": Samuel Taylor Coleridge and the Genesis of the OED JAMES C. McKUSICK University of Maryland, Baltimore County Today we are at a crucial moment in the evolution of the Oxford En glish Dictionary, as the dog-eared volumes are withdrawn from library shelves and replaced by the sleek second edition of 1989. This new OED bears witness to the continuing relevance and utility of the "New English Dictionary on Historical Principles" for the current generation of literary scholars. The event of its publication provides an opportunity for a fresh historical perspective on the circum stances surrounding the production of the original OED, which was published between 1884 and 1928 in a series of 125 fascicles and bound up into those thick volumes so familiar to students and teachers of English literature. -
Science and Criticism in Coleridge and Peirce
ABDUCTING THE IMAGINATION: THE METHODOLOGICAL FOUNDATION OF SCIENCE AND CRITICISM IN COLERIDGE AND PEIRCE by Thomas Dechand A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland October, 2014 © 2014 Thomas Dechand All Rights Reserved Abstract The core the dissertation examines S. T. Coleridge’s writings on method and imagination from the 1815 composition of Biographia Literaria through the publication of the “Essays on the Principles of Method” in the 1818 Friend. I demonstrate how these writings clarify, develop, and indeed repair Coleridge’s earlier theory of imagination by articulating its role within a general theory of inquiry meant to comprehend the works of science and literature as methodical investigations. Whereas the Biographia fails in its attempt to ground the imagination within a conception of the self as intellectually intuited in a manner conceived by German Idealists such as Schelling, Coleridge’s “Essays on Method” explore the imagination through a theory of inquiry predicated on the discovery, analysis, and contemplation of relations. I argue that Coleridge aligns the operation of the secondary imagination to a logical function: the eduction of an “idea,” according to Coleridge’s precise sense of that term as a necessarily tautegorical relation – one that expresses the same subject, but with a difference. It is ideas, so conceived, that serve to guide inquiry. Coleridge’s refinement of the theory of imagination is done in serve of his argument that ideas are “constitutive” -- that is, they play a fundamental role in what it is, internal to our constitution and that of the world, that enables inquiry in the first place -- and should be seen as part of Coleridge’s answer to what he identifies as the highest problem of philosophy in the 1816 Statesman’s Manual. -
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and His Children: a Literary Biography Yolanda J. Gonz
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and his Children: A Literary Biography Yolanda J. Gonzalez, Ph.D. Chairperson: Stephen Prickett, Ph.D. The children of Samuel Taylor Coleridge, Hartley, Derwent, and Sara, have received limited scholarly attention, though all were important nineteenth century figures. Lack of scholarly attention on them can be blamed on their father, who has so overshadowed his children that their value has been relegated to what they can reveal about him, the literary genius. Scholars who have studied the children for these purposes all assume familial ties justify their basic premise, that Coleridge can be understood by examining the children he raised. But in this case, the assumption is false; Coleridge had little interaction with his children overall, and the task of raising them was left to their mother, Sara, her sister Edith, and Edith’s husband, Robert Southey. While studies of S. T. C.’s children that seek to provide information about him are fruitless, more productive scholarly work can be done examining the lives and contributions of Hartley, Derwent, and Sara to their age. This dissertation is a starting point for reinvestigating Coleridge’s children and analyzes their life and work. Taken out from under the shadow of Samuel Taylor Coleridge, we find that Hartley was not doomed to be a “child of romanticism” as a result of his father’s experimental approach to his education; rather, he chose this persona for himself. Conversely, Derwent is the black sheep of the family and consciously chooses not to undertake the family profession, writing poetry. -
Hartley Coleridge
Hartley Coleridge: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge, Hartley, 1796-1849 Title: Hartley Coleridge Collection Dates: 1796-1933, undated Extent: 15 boxes (6.30 linear feet), 2 oversize folders (osf) Abstract: Includes manuscripts and letters written by, to, or about Hartley Coleridge, the English author, educator, and eldest son of poet Samuel Taylor Coleridge. Correspondents include members of the Coleridge, Southey, Wordsworth and related families—including Samuel Taylor Coleridge and Robert Southey—and other notables such as Charlotte Brontë and Lord Alfred Tennyson. A number of letters are addressed to Derwent Coleridge following the death of his brother Hartley in 1849. Call Number: Manuscript Collection MS-0859 Language: English, German, Latin, Welsh Access: Open for research Administrative Information Processed by: Joan Sibley and Michael Ramsey, 2012 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Coleridge, Hartley, 1796-1849 Manuscript Collection MS-0859 2 Coleridge, Hartley, 1796-1849 Manuscript Collection MS-0859 Works: Untitled essays: Container On adversity, handwritten manuscript with corrections, 2 pages, undated. 1.1 On Antonio Augustino, handwritten manuscript, 4 pages, undated. On biological deformities, handwritten manuscript, 5 pages, undated. On books, handwritten manuscript, 22 pages, undated; partially published as The books of my childhood in essays and marginalia by Hartley Coleridge, vol. 1, p. -
|||GET||| the Collected Works of Samuel Taylor Coleridge, Volume 9
THE COLLECTED WORKS OF SAMUEL TAYLOR COLERIDGE, VOLUME 9: AIDS TO REFLECTION 1ST EDITION DOWNLOAD FREE Samuel Taylor Coleridge | 9780691602509 | | | | | The collected works of Samuel Taylor Coleridge If it be so—and I appeal to the mind of every man capable of reflection, and of under standing the use of language, if it be not—then there is meaning in the terms universal reasonand unity of reasonas used in this Work. We may perhaps believe that in opposition to all the might of false philosophy, so long as the great body of the people have the Bible in their hands, and are taught to reverence and receive its heavenly instructions, though the Church may suffer injury from unwise and unfruitful speculations, it will yet be preserved; and that the spiritual seed of the divine word, though mingled with many tares of worldly wisdom and philosophy falsely so called, will yet spring up, and bear fruit unto everlasting life. In regard then to the distinguishing character and tendency of the Work itself, it has already been stated to be didactic, and designed to aid reflection on the principles and grounds of truth in our own being; but in another point of view, and with reference to my present object, it might rather be denominated a philosophical statement and vindication of the distinctively spiritual and peculiar doctrines of the christian system. Nay, in regard to those truths, which are clearly submitted to the view of our reason, and which we behold with distinct and steadfast intuitions, we necessarily attribute to the Supreme Reason, to the Divine Mind, views the same, or coincident, with those of our own reason. -
Life & Correspondence of John Duke Lord Coleridge, Lord
CORRESPONDENCE ORD COLERIDGE (iJortteU Hniuerfiitg 2Iibrarg 3tljaca, HcM ^nrk WORDSWORTH COLLECTION Made by CYNTHIA MORGAN ST. JOHN ITHACA, N. Y. THE GIFT OF VICTOR EMANUEL CLASS OF 1919 1925 LIFE (ff CORRESPONDENCE OF JOHN DUKE LORD COLERIDGE LORD CHIEF JUSTICE OF ENGLAND LIFE ^ CORRESPONDENCE OF JOHN DUKE LORD COLERIDGE LORD CHIEF JUSTICE OF ENGLAND WRITTEN AND EDITED BY ERNEST HARTLEY COLERIDGE IN TWO VOLUMES VOLUME I WITH ILLUSTRATIONS NEW YORK D. APPLETON AND COMPANY 1904 I. PRINTED IN ENGLAND TAis Edition is Copyright in all Countries signatory to the Berne Treaty <,>^^'^'% 4^;' TO AMY LADY COLERIDGE THESE MEMORIALS OF HER HUSBAND JOHN DUKE LORD COLERIDGE LORD CHIEF JUSTICE OF ENGLAND ARE INSCRIBED BY HER COUSIN ERNEST HARTLEY COLERIDGE OCTOBER 1904 ; PREFACE I AM indebted to many persons, friends or repre- sentatives of friends, of the late Lord Coleridge, for the right to publish in these volumes letters to him which remained in his possession, and letters from him which passed into their hands at once, or, afterwards, came into their possession. My thanks and acknowledgments, on this score, are due to the executors of Cardinal Newman ; of Cardinal Manning ; of the late Master of Balliol of Dean Stanley ; of Lord Blachford ; of Mr. James Russell Lowell : to Mr. Richard Arnold ; Lord Acton ; Mr. Charles Chauncey Binning ; Mr. Arthur Benson ; Lord Brampton ; the Rev. the Hon. W. E. Bowen ; Mr. John Brown (of Edinburgh University) ; Miss Edith Coleridge ; Mr. Richard Dana ; Mr. Coningsby Disraeli ; Mr. Drew ; Sir Mountstuart E. Grant Duff ; Miss Hawker ; the Earl of Iddesleigh ; Mrs. Jake ; Lord Lindley Mrs. -
Mont Blanc in British Literary Culture 1786 – 1826
Mont Blanc in British Literary Culture 1786 – 1826 Carl Alexander McKeating Submitted in accordance with the requirements for the degree of Doctor of Philosophy University of Leeds School of English May 2020 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Carl Alexander McKeating to be identified as Author of this work has been asserted by Carl Alexander McKeating in accordance with the Copyright, Designs and Patents Act 1988. Acknowledgements I am grateful to Frank Parkinson, without whose scholarship in support of Yorkshire-born students I could not have undertaken this study. The Frank Parkinson Scholarship stipulates that parents of the scholar must also be Yorkshire-born. I cannot help thinking that what Parkinson had in mind was the type of social mobility embodied by the journey from my Bradford-born mother, Marie McKeating, who ‘passed the Eleven-Plus’ but was denied entry into a grammar school because she was ‘from a children’s home and likely a trouble- maker’, to her second child in whom she instilled a love of books, debate and analysis. The existence of this thesis is testament to both my mother’s and Frank Parkinson’s generosity and vision. Thank you to David Higgins and Jeremy Davies for their guidance and support. I give considerable thanks to Fiona Beckett and John Whale for their encouragement and expert interventions. -
Taylorphd2016.Pdf
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Writing spaces: the Coleridge family’s agoraphobic poetics, 1796-1898 This electronic version of the thesis has been edited solely to ensure compliance with copyright legislation and excluded material is referenced in the text. The full, final, examined and awarded version of the thesis is available for consultation in hard copy via the University Library Joanna E. Taylor Keele University June 2016 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Abstract In recent years there has been a rapid growth in interest in the lives and writings of the children of major Romantic poets. Often, this work has suggested that the children felt themselves to be overshadowed by their forebears in ways which had problematic implications for their creative independence. In this thesis I explore the construction of writing spaces – physical, imaginary, textual and material – in the works of Samuel Taylor Coleridge’s (1772-1834) children and grandchildren: Hartley (1796-1849), Derwent (1800-1883), Sara (1802-1852), Derwent Moultrie (1828- 1880), Edith (1832-1911) and Ernest Hartley (1846-1920). -
Sara Coleridge the Victorian Theologian: Between Newman’S Tractarianism and Wesley’S Methodism Jeffrey W
From The Coleridge Bulletin The Journal of the Friends of Coleridge New Series 28 (NS) Winter 2006 © 2006 Contributor all rights reserved http://www.friendsofcoleridge.com/Coleridge-Bulletin.htm Sara Coleridge the Victorian Theologian: Between Newman’s Tractarianism and Wesley’s Methodism Jeffrey W. Barbeau ____________________________________________________________________________________________ . ROBERT BARTH’S Coleridge and Christian Doctrine broke new ground in J1969 with a full, systematic treatment of Samuel Taylor Coleridge’s religious thought. He accomplished something rather astounding—he took S. T. Coleridge, the Romantic poet, and helped readers to see him in a fresh and powerfully instructive way—as a theologian. In many ways, Barth’s work has been formative for my own studies, and I owe him a tremendous debt. This paper emerges from both admiration and inspiration, for I will consider the possibility that S. T. Coleridge’s daughter, Sara Coleridge, was not only a writer, translator, and an editor of her father’s works, but also a theologian. The Reception of Sara Coleridge’s Theology “If bad arrangement in S. T. C. is injurious to readability, in S. C. it will be destructive.”1 Although Sara Coleridge (1802-1852) did not grow up with her father, it would seem that she at least inherited something of his distinct style of writing. But his intellectual genius? That is a lingering question. Historical neglect seems to have substantiated Sara’s self-assessment of her essay, On Rationalism: “As to my own production (much as I admire it myself!), I do not expect that it will be admired by any one else.