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1 in Search of Robert Lovell: Poet and Pantisocrat I. Introduction 'At The
In Search of Robert Lovell: Poet and Pantisocrat I. Introduction ‘At the close of the year 1794, a clever young man, of the Society of Friends, of the name of Robert Lovell, who had married a Miss Fricker, informed me that a few friends of his from Oxford and Cambridge, with himself, were about to sail to America, and, on the banks of the Susquehannah, to form a Social Colony, in which there was to be a community of property, and where all that was selfish was to be proscribed.’1 Thus wrote Bristol publisher Joseph Cottle in his Reminiscences published in 1847. As any serious student of Romanticism knows, the most important of those ‘few friends’ mentioned by Cottle were Robert Southey and Samuel Taylor Coleridge, who were then gathering support for a small-scale transatlantic emigration scheme founded on radical egalitarian or so-called ‘Pantisocratic’ principles. It is chiefly in connection with this utopian venture that the ‘clever young man’ described by Cottle has, until now, typically featured in Romantic criticism, very much in a supporting if not peripheral role. But how much do we know about Robert Lovell? What kind of person was he? Why did Southey, and subsequently Coleridge, embrace him enthusiastically on first acquaintance and later downgrade their estimate of his qualities? What was Lovell’s achievement as a poet, and what was his place in the early history of Romanticism in the South West? In this essay I attempt to answer these questions by re- examining established ‘facts’, gathering fresh evidence, and treating Lovell and his poetry as valid subjects in their own right rather than as a footnote to the budding careers of Coleridge and Southey. -
Samuel Taylor Coleridge and the Genesis of the OED
University of Montana ScholarWorks at University of Montana English Faculty Publications English 8-1992 "Living Words": Samuel Taylor Coleridge and the Genesis of the OED James C. McKusick University of Montana - Missoula, [email protected] Follow this and additional works at: https://scholarworks.umt.edu/eng_pubs Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation McKusick, James C., ""Living Words": Samuel Taylor Coleridge and the Genesis of the OED" (1992). English Faculty Publications. 6. https://scholarworks.umt.edu/eng_pubs/6 This Article is brought to you for free and open access by the English at ScholarWorks at University of Montana. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. "Living Words": Samuel Taylor Coleridge and the Genesis of the OED JAMES C. McKUSICK University of Maryland, Baltimore County Today we are at a crucial moment in the evolution of the Oxford En glish Dictionary, as the dog-eared volumes are withdrawn from library shelves and replaced by the sleek second edition of 1989. This new OED bears witness to the continuing relevance and utility of the "New English Dictionary on Historical Principles" for the current generation of literary scholars. The event of its publication provides an opportunity for a fresh historical perspective on the circum stances surrounding the production of the original OED, which was published between 1884 and 1928 in a series of 125 fascicles and bound up into those thick volumes so familiar to students and teachers of English literature. -
Romesrecruitsv8.Pdf
"ROME'S RECRUITS" a Hist of PROTESTANTS WHO HAVE BECOME CATHOLICS SINCE THE TRACTARIAN MOVEMENT. Re-printed, with numerous additions and corrections, from " J^HE ^HITEHALL j^EYIEW" Of September 28th, October 5th, 12th, and 19th, 1878. ->♦<- PUBLISHED AT THE OFFICE OF " THE WHITEHALL REVIEW." And Sold by James Parker & Co., 377, Strand, and at Oxford; and by Burns & Oates, Portman Street, W. 1878. PEEFACE. HE publication in four successive numbers of The Whitehall Review of the names of those Protestants who have become Catholics since the Tractarian move ment, led to the almost general suggestion that Rome's Recruits should be permanently embodied in a pamphlet. This has now been done. The lists which appeared in The Whitehall Review have been carefully revised, corrected, and considerably augmented ; and the result is the compilation of what must be regarded as the first List of Converts to Catholicism of a reliable nature. While the idea of issuing such a statement of" Perversions " or " Conversions " was received with unanimous favour — for the silly letter addressed to the Morning Post by Sir Edward Sullivan can only be regarded as the wild effusion of an ultra-Protestant gone very wrong — great curiosity has been manifested as to the sources from whence we derived our information. The modus operandi was very simple. Possessed of a considerable nucleus, our hands were strengthened immediately after the appearance of the first list by 071 XT PREFACE. the co-operation of nearly all the converts themselves, who hastened to beg the addition of their names to the muster-roll. -
The Poetry of Coleridge and Hopkins. (Under the Direction of Antony Harrison.)
ABSTRACT MORRIS, GABRIEL STEPHEN. Sacramental Conversation: The Poetry of Coleridge and Hopkins. (Under the direction of Antony Harrison.) While much scholarship has considered the theological and metaphysical foundations of Samuel Taylor Coleridge’s and Gerard Manley Hopkins’ poetry, this study seeks to add to the conversation by examining how a conversational mode of meditation unique to Christian sacrament inspires that poetry. Both Coleridge and Hopkins demonstrate an understanding of Christian sacrament that emphasizes engagement and encounter with God through language and creation; in turn, they create a poetry that uses all aspects of the form -- musical sound yoked to philosophical sense -- to record and reenact this sacramental encounter. Chapter 1 discusses how Coleridge, beginning from the Idealism of George Berkeley, counters Berkeley’s passive, non- sacramental reading of nature with a theory of active engagement with nature, man, and God. We see how this theory issues in the “conversation poems,” a set of meditations that enact the sacramental interchange that results from the poet’s awareness of God’s presence in the fullness of creation. Chapter 2 considers how Hopkins steps beyond the subtle machinations of Scotist theology to the meditative engagement of Ignatius Loyola’s Spiritual Exercises. Encouraged by Ignatius’ emphasis on detail and particularity, Hopkins creates a poetic practice that uses the music of words to their fullest sacramental potential, demonstrating in poetry how man encounters God through active engagement with the world and takes on the image of Christ through sacrament. Sacramental Conversation: The Poetry of Coleridge and Hopkins by Gabriel Stephen Morris A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the Degree of Master of Arts ENGLISH Raleigh 2004 APPROVED BY: _________________________ ________________________ ______________________________ Chair of Advisory Committee ii Dedication to Christ our Lord iii Biography Gabriel S. -
Letter from Japan, to the Society of Jesus in Europe, 15521 Francis Xavier Was One of the First Members of T
St. Francis Xavier: Letter from Japan, to the Society of Jesus there is nothing of which they are so proud as of weapons adorned with in Europe, 15521 gold and silver. They always wear swords and daggers both in and out of Francis Xavier was one of the first members of the Jesuits. In the house, and when they go to sleep they hang them at the bed’s head. In 1541, he left Europe as a missionary to the “East Indies.” He spent short, they value arms more than any people I have ever seen. They are time in India, where he met a Japanese man named Anger who converted to Christianity and took the name Paul. Xavier travelled to excellent archers, and usually fight on foot, though there is no lack of Japan in 1549 and worked as a missionary there until 1552; he horses in the country. They are very polite to each other, but not to planned a missionary trip to China, but died of illness in 1552. These two letters report on his trip to Japan. The first was intended to be sent foreigners, whom they utterly despise. They spend their means on arms, back to Europe and therefore gives more background information; the bodily adornment, and on a number of attendants, and do not in the least second was sent to the Jesuits in India and therefore has more detailed care to save money. They are, in short, a very warlike people, and engaged information.2 in continual wars among themselves; the most powerful in arms bearing May the grace and charity of our Lord Jesus Christ be ever with the most extensive sway. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Religion, Medicine and Confessional Identity in Early Modern England Mann, Sophie Liana Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Religion, Medicine and Confessional Identity in Early Modern England by Sophie Liana Mann Department of History, King’s College London Submitted for the degree of Doctor of Philosophy in History, March 2014 1 Abstract Early modern historians often frame ‘religion’ and ‘medicine’ as distinct categories of experience and conduct. -
Henry Nelson Coleridge
Henry Nelson Coleridge: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Coleridge, Henry Nelson, 1798-1843 Title: Henry Nelson Coleridge Collection Dates: 1808-1849, undated Extent: 2 boxes (.84 linear feet) Abstract: Includes manuscripts and letters written and received by Henry Nelson Coleridge, nephew of and editor of the works of Samuel Taylor Coleridge, along with a few personal items, including his diaries and appointment book. The bulk of the outgoing letters are addressed to his wife, Sara Coleridge, and the rest of his family. Incoming correspondence from various Coleridge family members, Basil Montagu, Robert Southey, Alfred Tennyson, William Wordsworth, and others are present. Call Number: Manuscript Collection MS-0860 Language: English, French, Spanish Access: Open for research Administrative Information Processed by: Joan Sibley and Jamie Hawkins-Kirkham, 2011 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Coleridge, Henry Nelson, 1798-1843 Manuscript Collection MS-0860 2 Coleridge, Henry Nelson, 1798-1843 Manuscript Collection MS-0860 Works: Untitled essay on Samuel Taylor Coleridge, handwritten manuscript/ incomplete, 1 Container page (numbered 13), undated. 1.1 Untitled poem What thou didst fear, or fearing not, didst guess..., initialed handwritten manuscript, 2 pages, 1831; included is a copy by Sara Coleridge. Untitled poem Whoe'er, with toil oppressed, would roam..., handwritten manuscript, 2 pages, undated. -
Tilburg University Conversion And
Tilburg University Conversion and Church: The Challenge of Ecclesial Renewal Schelkens, Karim; Van Erp, Stephan DOI: 10.1163/9789004319165 Publication date: 2016 Document Version Version created as part of publication process; publisher's layout; not normally made publicly available Link to publication in Tilburg University Research Portal Citation for published version (APA): Schelkens, K., & Van Erp, S. (Eds.) (2016). Conversion and Church: The Challenge of Ecclesial Renewal: Essays in honour of H.P.J. Witte. (Brill's Studies in Catholic Theology; Vol. 2). Brill. https://doi.org/10.1163/9789004319165 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. okt. 2021 i Conversion and Church © koninklijkeKoninklijke brillBrill nvNV, leidenLeiden, 2016 | doi 10.1163/97890042763389789004319165__001001 ii Brill’s Studies in Catholic Theology Edited by Pauline Allen Joseph Carola Paul van Geest Paul Murray Marcel Sarot VOLUME 2 The titles published in this series are listed at brill.com/bsct iii Conversion and Church The Challenge of Ecclesial Renewal EssAys in Honour of H.P.J. -
Nationalism and Liberalism in Robert Burns, Samuel Taylor Coleridge and William Wordsworth’S Poems
Nationalism and Liberalism in Robert Burns, Samuel Taylor Coleridge and William Wordsworth’s Poems Stephen Hutchinson ENGK01 Degree project in English Literature Spring 2017 Centre for Languages and Literature Lund University Supervisor: Cian Duffy Abstract Nationalism and liberalism are two predominant ideologies in modern politics that have had great significance since their embryonic stage during the Romantic era in the latter half of the 18th century. Nowadays, the majority would perceive nationalism and liberalism as two opposing ideologies that have very little in common. For citizens of the west after the second world war, nationalism would have connotations of totalitarianism and dictatorship whereas liberalism would be related to democracy and freedom. For the Romantics, the distinction between these two ideologies was not as clear. This essay investigates the connection between liberalism and nationalism during the Romantic era by analyzing specific works by the three influential British Romantic poets Robert Burns, Samuel Taylor Coleridge and William Wordsworth. By comparing the poems with each other and comparing the poems to theories on nationalism and liberalism, this essay claims that the two ideologies were intertwined in their poetry. A central theme for the poets is the connection between landscape and national identity, displaying aesthetic nationalism. Another theme was the use of a common enemy to unite people in the name of the nation. Due to the political situation in Europe at the time, Britain associated their national pride with being a nation which venerates liberty and freedom. However, when analyzing nationalism, one must remember that it differs from country to country. German and British nationalism during the 19th century is a good example of two very different forms of nationalism. -
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and His Children: a Literary Biography Yolanda J. Gonz
ABSTRACT Genius, Heredity, and Family Dynamics. Samuel Taylor Coleridge and his Children: A Literary Biography Yolanda J. Gonzalez, Ph.D. Chairperson: Stephen Prickett, Ph.D. The children of Samuel Taylor Coleridge, Hartley, Derwent, and Sara, have received limited scholarly attention, though all were important nineteenth century figures. Lack of scholarly attention on them can be blamed on their father, who has so overshadowed his children that their value has been relegated to what they can reveal about him, the literary genius. Scholars who have studied the children for these purposes all assume familial ties justify their basic premise, that Coleridge can be understood by examining the children he raised. But in this case, the assumption is false; Coleridge had little interaction with his children overall, and the task of raising them was left to their mother, Sara, her sister Edith, and Edith’s husband, Robert Southey. While studies of S. T. C.’s children that seek to provide information about him are fruitless, more productive scholarly work can be done examining the lives and contributions of Hartley, Derwent, and Sara to their age. This dissertation is a starting point for reinvestigating Coleridge’s children and analyzes their life and work. Taken out from under the shadow of Samuel Taylor Coleridge, we find that Hartley was not doomed to be a “child of romanticism” as a result of his father’s experimental approach to his education; rather, he chose this persona for himself. Conversely, Derwent is the black sheep of the family and consciously chooses not to undertake the family profession, writing poetry. -
The Chanters House
The Chanters House OTTERY ST. MARY, DEVON The Chanters House OTTERY ST. MARY, DEVON Honiton 6 miles M5 (Junction 29) 9 miles Exeter airport 8 miles Exeter 12 miles Tiverton Parkway 24 miles (London Paddington from 2 hours) (Distances and times are approximate) AN OUTSTANDING GRADE II* LISTED RESIDENCE STEEPED IN NATIONAL HISTORY MAIN HOUSE Sitting room Drawing room Kitchen / breakfast room Dining room Office Library Gymnasium Billiards room Victorian bird house with aviary Palm house Party room Master bedroom suite with 2 ensuite bathrooms and dressing room Further main bedroom suites Staff suite 2 bedroom Coach House 3 bedroom entrance lodge Indoor swimming pool Long carriage drive Coach house and stables Walled garden Tennis court Parkland Woodland Stream Main house approximately 22,211 sq ft Total built space approximately 30,324 sq ft, excluding indoor pool but including the coach house and lodge In all about 21.43 acres For sale freehold +44 (0)20 7861 1065 +44 (0)1392 848 842 55 Baker Street 19 Southernhay East, Exeter London, W1U 8AN Devon, EX1 1QD [email protected] [email protected] [email protected] edward.clarkson knightfrank.com www.knightfrank.com Viewing by appointment only. These particulars are intended only as a guide and must not be relied upon as statements of fact. Your attention is drawn to the Important Notice on the last page of the brochure. Situation History The area is well served with road and rail links providing easy access The Coleridge family, the previous owners of The Chanters House, Ottery. Built in the 1340’s as a chantry - hence the name - it was the Even more energy was devoted to the restoration of the parish church via the M5, A30 and A303 to the national motorway network and had always lived in Devon but the family moved to Ottery St Mary most substantial structure of the buildings that are grouped like a and this brought William Butterfield into the family circle, the result of London. -
Coleridge's Imperfect Circles
Coleridge’s Imperfect Circles Patrick Biggs A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2012 2 Contents Abstract 3 Acknowledgements 4 Note on Abbreviations 5 Introduction 6 The Eolian Harp 16 This Lime-Tree Bower My Prison 37 Frost at Midnight 60 Conclusion 83 Bibliography 91 3 Abstract This thesis takes as its starting point Coleridge’s assertion that “[t]he common end of all . Poems is . to make those events which in real or imagined History move in a strait [sic] Line, assume to our Understandings a circular motion” (CL 4: 545). Coleridge’s so-called “Conversation” poems seem to conform most conspicuously to this aesthetic theory, structured as they are to return to their starting points at their conclusions. The assumption, however, that this comforting circular structure is commensurate with the sense of these poems can be questioned, for the conclusions of the “Conversation” poems are rarely, if ever, reassuring. The formal circularity of these poems is frequently achieved more by persuasive rhetoric than by any cohesion of elements. The circular structure encourages the reader’s expectations of unity and synthesis, but ultimately these expectations are disappointed, and instead the reader is surprised by an ending more troubling than the rhetoric of return and reassurance would suggest. Taking three “Conversation” poems as case studies (“The Eolian Harp,” “This Lime-Tree Bower My Prison,” and “Frost at Midnight”), this thesis attempts to explicate those tensions which exist in the “Conversation” poems between form and effect, between structure and sense.