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Masarykova Univerzita V Brně MASARYKOVA UNIVERZITA V BRNĚ FILOZOFICKÁ FAKULTA Seminář estetiky Imaginace a snění v anglickém romantismu Diplomová práce Autor práce: Kateřina Šťastná Vedoucí práce: prof. PhDr. Petr Osolsobě, Ph.D. Brno 2016 Bibliografický záznam Šťastná, Kateřina. Imaginace a snění v anglickém romantismu. Brno: Masarykova univerzita, Filozofická fakulta, Seminář estetiky, 2016. 78 s. Vedoucí diplomové práce prof. PhDr. Petr Osolsobě, Ph.D. Anotace Diplomová práce „Imaginace a snění v anglickém romantismu“ pojednává o významu obraznosti a snění pro kulturu Anglie 19. století. Tyto pojmy propojuje s díly vybraných romantických autorů a pokouší se určit, jaký vliv mělo snění na romantickou imaginaci, a ta dále na tvůrčí proces. Otázka imaginace má význam jak pro obecnou estetiku, tak pro psychologii tvorby a umění. Zájem romantických autorů se opět přesouvá z čisté racionality k duchovním a spirituálním tématům a citovosti. Autoři přitom čerpají z tehdejších psychologických výzkumů na toto téma, mnohdy však také předjímají výzkumy moderních psychologů. Od imaginace často odlišují fantazii, někdy je tento rozdíl však nepodstatný. Podobnou úlohu mělo také snění, které je v podstatě nejhlubší formou imaginace. Práce rovněž zkoumá, jakým způsobem se téma snu objevovalo v romantické poezii. Annotation Diploma thesis „Imagination and dreaming in English romanticism“ deals with the meaning of imagination and dreaming in the culture of England in 19th century. It connects these terms with works of selected romantic authors a attemps to determine what kind of influence dreaming had on Romantic imagination and what influence imagination had on creative process. Imagination is important not only to general aesthetics, but also to psychology of creation and art. Interest of romantic authors shifted back to religious and spiritual topics from pure rationality. Authors are also inspired by contemporary psychologic researches, often they anticipated also modern reasearchers in psychology. They often distinguish the fancy from the imagination, sometimes this difference doesn’t play a role. Similar role was given to dreaming, which is a deeper for of the imagination. Thesis also tries to discover the way imagination was appearing in Romantic poetry. 1 Klíčová slova Romantismus, imaginace, snění, Coleridge, Wordsworth, Shelley, opium, podvědomí, tvůrčí proces Keywords Romanticism, imagination, dreaming, Coleridge, Wordsworth, Shelley, opium, unconscious, creative process 2 Prohlášení Prohlašuji, že jsem předkládanou práci zpracovala samostatně a použila jen uvedené prameny a literaturu. Současně dávám svolení k tomu, aby tato diplomová práce byla umístěna v Ústřední knihovně FF MU a používána ke studijním účelům. V Brně: dne 2. května 2016 Kateřina Šťastná 3 Poděkování Na tomto místě bych ráda poděkovala vedoucímu své práce, panu profesorovi PhDr. Petru Osolsobě, Ph.D., za cenné rady, informace i povzbuzení, které mi v průběhu práce poskytl. 4 Obsah Úvod .............................................................................................................................................................. 7 1. Romantismus ...................................................................................................................................... 10 1.1 Romantismus jako období fantazie a obrazotvornosti .................................................................... 11 2. Imaginace a její definice ..................................................................................................................... 13 2.1 Imaginace v psychologii 18. stol. ...................................................................................................... 14 2.2 Imaginace a psychologie 19. století ................................................................................................. 16 2.3 Imaginace a poutnictví ..................................................................................................................... 16 2.4 Imaginace jako etický problém ........................................................................................................ 19 2.5 Vztah snění a imaginace ................................................................................................................... 21 3. Imaginace v pojetí některých autorů ................................................................................................. 23 3.1 Samuel Taylor Coleridge ................................................................................................................... 23 3.2 William Wordsworth ........................................................................................................................ 24 3.3 William Blake .................................................................................................................................... 27 3.4 Percy Bysshe Shelley ......................................................................................................................... 30 3.5 John Keats ......................................................................................................................................... 32 4. Snění .................................................................................................................................................... 34 4.1 Současné definice snu ...................................................................................................................... 34 4.2 Snění v době před romantismem ..................................................................................................... 35 4.3 Snění v období romantismu ............................................................................................................. 37 4.4 Snění a poezie ................................................................................................................................... 39 4.5 Náměsíčnost jako pokus o vysvětlení fenoménu snů ...................................................................... 41 4.6 Romantismus a drogy snění ............................................................................................................. 45 4.6.1 Opium jako inspirační zdroj, vliv na imaginaci ............................................................................ 47 4.6.2 Thomas de Quincey a Zpověď anglického poživače opia ........................................................... 48 5. Sny v dílech některých romantických autorů ..................................................................................... 50 5.1 Samuel Taylor Coleridge ................................................................................................................... 50 5.1.1 Kublaj Chán ................................................................................................................................. 52 5.1.2 Bolesti spánku ............................................................................................................................ 54 5.1.3 Christabel.................................................................................................................................... 56 5.1.4 Balada o starém námořníkovi ..................................................................................................... 56 5 5.2 William Wordsworth ........................................................................................................................ 58 5.2.1 Sen o Arabovi ............................................................................................................................ 58 5.3 John Keats ......................................................................................................................................... 60 5.3.1 Pád Hyperiona: Sen .................................................................................................................... 60 5.4 Percy Bysshe Shelley ......................................................................................................................... 62 5.4.1 Alastor ........................................................................................................................................ 62 5.4.2 Triumf života ............................................................................................................................... 64 Závěr ............................................................................................................................................................ 66 Resumé ........................................................................................................................................................ 68 Summary ..................................................................................................................................................... 69 Použité zdroje ............................................................................................................................................. 70 6 Úvod „Hippolita: Jest věru podivné, můj Thesee, co vypravují tito milenci. Theseus: Víc než podivné pravdivé. Já nijak těm starodávným bajkám nevěřím, a těmto povídačkám o elfech. Jsouť u milujících a šílencův tak vroucí mozky, taká tvořivá v nich obraznost, že uchopují víc, než chladným rozumem lze pochopit. Jsouť šílenec a milenec a básník jen z obraznosti cele složeni: ten ďáblů vidí víc, než peklo širé jich může pojmouti: to blázen jest; a milenec, tak právě střeštěn, vidí vděk Helenin ve tváři cikánské. Zrak básníkův, jat krásným šílenstvím, od nebe v zem, od
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