Lily Film Presents Produced and Directed By
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Delve Deeper Into Food, Inc a Film by Robert Kenner
Delve Deeper into Food, Inc A film by Robert Kenner This multi-media resource list, Public Affairs, 2009. Expanding Second Nature: A Gardener's compiled by Susan Conlon and on the film’s themes, the book Education (1991). Martha Perry of the Princeton Food, Inc. will answer those Public Library, includes books, questions through a series of Richardson, Jill. Recipe for films and other materials challenging essays by leading America: Why Our Food System related to the issues presented experts and thinkers. This book will is Broken and What We Can Do in the film Food, Inc. encourage those inspired by the to Fix It. Ig Publishing, 2009. film to learn more about the issues, Food activist Jill Richardson shows In Food, Inc., filmmaker Robert and act to change the world. how sustainable agriculture—where Kenner lifts the veil on our nation's local farms raise food that is food industry, exposing the highly Hamilton, Lisa M. Deeply healthy for consumers and animals mechanized underbelly that's been Rooted: Unconventional and does not damage the hidden from the American consumer Farmers in the Age of environment—offers the only with the consent of our Agribusiness. Counterpoint, solution to America’s food crisis. In government's regulatory agencies, 2009. Journalist and photographer addition to highlighting the harmful USDA and FDA. Our nation's food Hamilton presents a multicultural conditions at factory farms, this supply is now controlled by a snapshot of the American timely and necessary book details handful of corporations that often sustainable agriculture movement, the rising grassroots food put profit ahead of consumer profiling a Texas dairyman, a New movement, which is creating an health, the livelihood of the Mexican rancher and a North agricultural system that allows American farmer, the safety of Dakotan farmer, all who have people to eat sustainably, locally, workers and our own environment. -
Mark Kitchell
A film by Mark Kitchell 101 min, English, Digital (DCP/Blu-ray), U.S.A, 2012, Documentary FIRST RUN FEATURES The Film Center Building | 630 Ninth Ave. #1213 | New York, NY 10036 (212) 243-0600 | Fax (212) 989-7649 | [email protected] www.firstrunfeatures.com www.firstrunfeatures.com/fiercegreenfire About the Film A FIERCE GREEN FIRE: The Battle for a Living Planet is the first big-picture exploration of the environmental movement – grassroots and global activism spanning fifty years from conservation to climate change. Directed and written by Mark Kitchell, Academy Award- nominated director of Berkeley in the Sixties, and narrated by Robert Redford, Ashley Judd, Van Jones, Isabel Allende and Meryl Streep, the film premiered at Sundance Film Festival 2012, won acclaim at festivals around the world, and in 2013 begins theatrical release as well as educational distribution and use by environmental groups. Inspired by the book of the same name by Philip Shabecoff and informed by advisors like E.O. Wilson and Tom Lovejoy, A FIERCE GREEN FIRE chronicles the largest movement of the 20th century and one of the keys to the 21st. It brings together all the major parts of environmentalism and connects them. It focuses on activism, people fighting to save their homes, their lives, the future – and succeeding against all odds. The film unfolds in five acts, each with a central story and character: • David Brower and the Sierra Club’s battle to halt dams in the Grand Canyon • Lois Gibbs and Love Canal residents’ struggle against 20,000 tons of toxic chemicals • Paul Watson and Greenpeace’s campaigns to save whales and baby harp seals • Chico Mendes and Brazilian rubbertappers’ fight to save the Amazon rainforest • Bill McKibben and the 25-year effort to address the impossible issue – climate change Surrounding these main stories are strands like environmental justice, going back to the land, and movements of the global south such as Wangari Maathai in Kenya. -
Sundance Institute and Skywalker Sound Announce Independent Filmmakers and Film Composers for July Music and Sound Design Labs
FOR IMMEDIATE RELEASE Media Contact: June 30, 2015 Emel Shaikh 310.360.1981 [email protected] Stephen Kenneally Industrial Light & Magic / Skywalker Sound 415.746.2306 [email protected] Sundance Institute and Skywalker Sound Announce Independent Filmmakers and Film Composers for July Music and Sound Design Labs Fellows Include Kris Bowers, Germaine Franco, Danielle Eva Schwob and Jeremy Turner Creative Advisors Include Academy Award Winner Todd Boekelheide and Emmy Award Winner Laura Karpman Los Angeles, CA — Sundance Institute and Skywalker Sound today announced the independent narrative and documentary directors and composers selected for the Sundance Institute Music and Sound Design Labs at Skywalker Sound. This will be the third year the Music and Sound Design Labs take place at the Skywalker Ranch in northern California. The Labs are part of 24 residential labs the Institute hosts annually to discover and foster the talent of emerging independent artists in film, theatre, new media and episodic content. The Music and Sound Design Labs provide a space for composers, directors and sound designers to collaborate on the process of designing a soundtrack for film. Fellows participate in workshops and creative exercises under the guidance of leading film composers and film music professionals acting as Creative Advisors.The Music and Sound Design Lab for narrative feature films (July 7-21) is a joint initiative of the Institute’s Film Music Program and Feature Film Program, and the Music and Sound Design Lab for documentaries (July 22-30) is a joint initiative of the Film Music Program and Documentary Film Program. Peter Golub, Director of the Sundance Institute Film Music Program, said, "This year’s fellows include an outstanding group of composers whose work will deepen and enrich the experience of the diverse personal stories being told by these fiction and documentary filmmakers. -
Combatting Monsanto
Picture: Grassroots International Combatting Monsanto Grassroots resistance to the corporate power of agribusiness in the era of the ‘green economy’ and a changing climate La Via Campesina, Friends of the Earth International, Combat Monsanto Technical data name: “Combatting Monsanto Grassroots resistance to the corporate power of agribusiness in the era of the ‘green economy’ and a changing climate” author: Joseph Zacune ([email protected]) with contributions from activists around the world editing: Ronnie Hall ([email protected]) design and layout: Nicolás Medina – REDES-FoE Uruguay March 2012 Combatting Monsanto Grassroots resistance to the corporate power of agribusiness in the era of the ‘green economy’ and a changing climate INDEX Executive summary / 2 Company profile - Monsanto / 3 Opposition to Monsanto in Europe / 5 A decade of French resistance to GMOs / 6 Spanish movements against GM crops / 9 German farmers’ movement for GM-free regions / 10 Organising a movement for food sovereignty in Europe / 10 Monsanto, Quit India! / 11 Bt brinjal and biopiracy / 11 Bt cotton dominates cotton sector / 12 Spiralling debt still triggering suicides / 12 Stopping Monsanto’s new public-private partnerships / 13 Resistance to Monsanto in Latin America / 14 Brazilian peasant farmers’ movement against agribusiness / 14 Ten-year moratorium on GM in Peru / 15 Landmark ruling on toxic soy in Argentina / 15 Haitians oppose seed aid / 16 Guatemalan networks warn of new biosafety proposals / 17 Battle-lines drawn in the United States / 17 Stopping the -
Foods of the Future
3/3/2017 Foods of the Future Mary Lee Chin Nutrition Edge Communications Minnesota Academy of Nutrition & Dietetics Minneapolis Marriott Northwest Brooklyn Park, MN April 27, 2017 Photo credit: pixabay.com Mary Lee Chin MS RDN Foods of the Future @maryleechin Disclosure Sponsor FCP • Family • A bowl of rice Background: • Purdue Ag & Food security • Food industry- Monsanto Academy - RD Farmer • Organic co-op • CSA Refugees 1 3/3/2017 Session Objectives 1. Identify at least one new food production technique on the horizon and discern its safety. 2. Describe the benefits of advancements in foods of the future. 3. Respond to the latest foods of the future with confidence to colleagues and consumers, appropriately address their concerns, and explain pros and cons in a clear and understandable way. Future of Food Initiative Academy of Nutrition and Dietetics Foundation Future of Food Resources for Members • Toolkits www.eatrightfoundation.org/toolkits-webinars • Hunger in Our Community. What We Can Do. • Smart Choices. For a Healthy Planet. (English/Spanish!) • Tossed Treasures. How We All Can Waste Less Food. (English/Spanish!) • Supervised Practice Concentrations: • Food Insecurity and Food Banking—available now! www.healthyfoodbankhub.org • Food Systems—under development! • Webinars and Infographics www.eatrightfoundation.org • Affiliate Presentations: • “Changing the Way We Look at Agriculture” 32 affiliates/DPGs (2015) • Food waste, food additives, and GMO presentations 10 affiliates (2016) • Foods of future, farming tools, and food preservation presentations 10 affiliates (2017) 2 3/3/2017 Last year our donors’ generosity helped us award: $446,900 in student scholarships to 194 students $14,000 in student stipends to help 140 students attend FNCE. -
See Food Innovation with a Whole New Lens
See food innovation with a whole new lens. Virtual Event and Expo July 13-15, 2020 iftevent.org 1 SHIFT20 Program Overview Food innovation is evolving at a rapid pace, consumer perceptions are evolving, and the IFT community is leading the way. Accelerating the science of food and technology to sustainably feed and nourish the world’s population is the mission of IFT and nowhere is this more evident than when we come together through IFT20s virtual experience to share, imagine, and collectively solve challenges impacting our global food supply. But in order to do this, we need to approach innovation differently, we need to challenge the status quo, and we need to cross disciplines to gain new insights and shift our thinking to bring the world better food. IFT20 is where this shift begins. 2 Featured Speakers April Rinne Monday, July 13 SHIFT20 Virtual Event and Expo will kick off with a thought- provoking keynote address with April Rinne, member of the World Economic Forum, speaker, writer, and authority on the new economy, future of work, and global citizenship. The world is changing, and April has spent her career making sense of these changes from the perspective of a trusted advisor, advocate, thought leader and lifelong global citizen. With more than 20 years and 100 countries of experience at the 50-yard line of emerging innovation, April brings a keen eye towards where the world is heading with no greater purpose than to help build a brighter tomorrow. In this keynote April will explore the critical role that food science, emerging technologies, and the food industry will need to play in addressing food security in the face of our current pandemic times and global climate change. -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
Farley Resume 2013
William N. Farley EDUCATION 1971 M.F.A. California College of Arts and Crafts, Oakland, California. major: Sculpture; minor: Filmmaking. 1969 B.F.A. Maryland Institute College of Art, Baltimore, Maryland. major: Sculpture. 1968 Skowhegan School of Painting and Sculpture, Skowhegan, Maine. 1961-64 Vesper George School of Art, Boston, Massachusetts. PHOTOGRAPHY EXHIBITIONS 2013 SFMoMA Artist Gallery, Fort Mason, CA 2011 Outlandish, Contemporary Depictions of Nature, Bedford Gallery, Walnut Creek, CA 2011 LandsCApes: Glimpses of Everyday California, de Saisset Museum, Santa Clara, CA FILM EXHIBITIONS Shadow & Light, The Life and Art of Elaine Badgley Arnoux 2009 Ventura Film Festival, Ventura, California. 2009 Mendocino Film Festival, Mendocino, California. 2009 Mill Valley Film Festival, Mill Valley, California. 2009 Santa Fe Film Festival, Santa Fe, New Mexico. Walt Whitman’s Song Of Myself 2008 Mendocino Film Festival, Mendocino, California. 2008 FIAAP 08 Festival Internacional Audiovisual de Artes Performativas Museu Nacional do Teatro Lisboa, Portugal. Darryl Henriques Is In Show Business 2007 Yerba Buena Center for the Arts, San Francisco, California. 2006 Mendocino Film Festival, Mendocino, California. 2006 Mill Valley Film Festival, Mill Valley, California. Arianna’s Journey 2007 Yerba Buena Center for the Arts, San Francisco, California. The Stories 2007 Mendocino Film Festival, Mendocino, California. 2007 Rhode Island International Film Festival, Providence, Rhode Island. 2007 Cleveland Cinematheque, Cleveland, Ohio. 2006 Mill Valley Film Festival, Mill Valley, California. 2006 Southern Exposure Mayhem Film Festival, San Francisco, California. The Old Spaghetti Factory 2009 Cinema By The Bay, San Francisco International Film Festival, San Francisco, California. 2001 PBS national broadcast, 90 cities in the U.S. -
La Bande Son De La Guerre Du Vietnam – Annexe 1 Musique Rock/Pop En Jaune Musique Classique En Magenta 1
La bande son de la guerre du Vietnam – Annexe 1 musique rock/pop en jaune musique classique en magenta 1. Fictions et documentaires américains sur la guerre du Vietnam ou films sur des vétérans du Vietnam. Par ordre chronologique. 1. China Gate (Samuel Fuller, 1957), guerre d'Indochine; musique: Victor Young, Max Steiner (chanson China Gate chantée par Nat King Cole qui joue dans le film) http://en.wikipedia.org/wiki/China_Gate_%281957_film%29 2. The Quiet American / fr. Un Américain bien tranquille (Joseph L. Mankiewicz, février 1958), adaptation du best-seller du même nom de Graham Greene; musique: Mario Nascimbene + La Cathédrale engloutie (Claude Debussy) http://en.wikipedia.org/wiki/The_Quiet_American_%281958_film%29 3. Brushfire (Jack Warner, Jr., février 1962); musique: Irving Gertz http://en.wikipedia.org/wiki/Brushfire_%28film%29 4. The Ugly American / fr. Le Vilain Américain (George Englund, 1963); musique: Frank Skinner + America the beautiful (chanson patriotique publiée en 1895) http://en.wikipedia.org/wiki/The_Ugly_American http://en.wikipedia.org/wiki/America_the_Beautiful 5. A Yank In Viet-Nam (Marshall Thompson, février 1964); musique: Richard LaSalle http://en.wikipedia.org/wiki/A_Yank_in_Viet-Nam 6. Motorpsycho / fr. Le gang sauvage (Russ Meyer, août 1965), premier film qui met en scène un vétéran du Vietnam, un sadique, leader d'un gang en moto; musique: Paul Sawtell (non crédité), Bert Shefter (non crédité), Sidney Cutner (stock music, non crédité) http://en.wikipedia.org/wiki/Motorpsycho_%28film%29 7. Operation C.I.A. (Christian Nyby, septembre 1965); musique: Paul Dunlap http://en.wikipedia.org/wiki/Operation_C.I.A. sur YouTube: http://www.youtube.com/watch?v=hIMO-51VZxw 8. -
Cultivating Development: Trends and Opportunities at the Intersection of Food and Real Estate
CULTIVATING DEVELOPMENT Trends and Opportunities at the Intersection of Food and Real Estate Building Healthy Places Initiative On the cover: Investments in food-related enterprises within the context of real estate projects can support a developer’s bottom line, while also advancing health and sustainability goals. (© SeanShot/iStock) © 2016 by the Urban Land Institute 2001 L Street, NW Suite 200 Washington, DC 20036 Printed in the United States of America. All rights reserved. Reproduction or use of the whole or any part of the contents without written permission of the copyright holder is prohibited Recommended bibliographic listing: Urban Land Institute. Cultivating Development: Trends and Opportunities at the Intersection of Food and Real Estate. Washington, D.C.: Urban Land Institute, 2016. ISBN: 978-0-87420-394-3 CULTIVATING DEVELOPMENT Trends and Opportunities at the Intersection of Food and Real Estate Building Healthy Places Initiative ABOUT THE URBAN LAND INSTITUTE The Urban Land Institute is a nonprofit research and education organization whose mission is to provide leadership in the responsible use of land and in creating and sustaining thriving communities worldwide. Established in 1936, the Institute today has more than 39,000 members and associates from 82 countries, representing the entire spectrum of the land use and development disciplines. ULI relies heavily on the experience of its members. It is through member involvement and information resources that ULI has been able to set standards of excellence in development practice. The Institute is recognized internationally as one of America’s most respected and widely quoted sources of objective information on urban planning, growth, and development. -
THTR 363 Syl-Fall
THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design. -
Stephen Andriano-Moore
The Rise of the Sound Designer: Northern California Film Sound in the 1960s and 1970s Stephen Andriano-Moore School of International Communications, University of Nottingham Ningbo China, Ningbo, China School of International Communications, University of Nottingham Ningbo China, 199 Taikang East Road, University Park, Ningbo, 315100, Zhejiang Province, China. Email: [email protected] Telephone: +86 (0) 574 8818 0271 ORCID ID: 0000-0001-9686-6578 Notes on contributor Stephen Andriano-Moore teaches media and cultural studies in the School of International Communications at the University of Nottingham Ningbo China. His research explores production cultures of the film and television industries with particular focus in the area of Hollywood film sound. Correspondence to: Stephen Andriano-Moore, School of International Communications, University of Nottingham Ningbo China, 199 Taikang East Road, Ningbo, China, 315100. Email: [email protected] 1 THE RISE OF THE SOUND DESIGNER: Northern California Film Sound In The 1960s And 1970s Northern California based filmmakers in the late 1960s and 1970s pushed the traditional boundaries of filmmaking practices in ways that have been adopted and reworked into contemporary Hollywood filmmaking practices. The article examines labour issues and conditions and politics of film sound work during this era, some of which continue to be applicable today. The development of new production practices pushed filmmakers including George Lucas, Francis Ford Coppola, and Walter Murch to produce films outside the traditional Hollywood studio production paradigm. This new generation of filmmakers held sound with a higher status and popularized non- traditional ways of working with sound. They created the new job title of sound designer to signify a person who supervises and collaborates with the director, department heads, and screenwriter on the use and function of sound through all of the filmmaking phases from the writing stage through the final mix.