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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
Delve Deeper Into Food, Inc a Film by Robert Kenner
Delve Deeper into Food, Inc A film by Robert Kenner This multi-media resource list, Public Affairs, 2009. Expanding Second Nature: A Gardener's compiled by Susan Conlon and on the film’s themes, the book Education (1991). Martha Perry of the Princeton Food, Inc. will answer those Public Library, includes books, questions through a series of Richardson, Jill. Recipe for films and other materials challenging essays by leading America: Why Our Food System related to the issues presented experts and thinkers. This book will is Broken and What We Can Do in the film Food, Inc. encourage those inspired by the to Fix It. Ig Publishing, 2009. film to learn more about the issues, Food activist Jill Richardson shows In Food, Inc., filmmaker Robert and act to change the world. how sustainable agriculture—where Kenner lifts the veil on our nation's local farms raise food that is food industry, exposing the highly Hamilton, Lisa M. Deeply healthy for consumers and animals mechanized underbelly that's been Rooted: Unconventional and does not damage the hidden from the American consumer Farmers in the Age of environment—offers the only with the consent of our Agribusiness. Counterpoint, solution to America’s food crisis. In government's regulatory agencies, 2009. Journalist and photographer addition to highlighting the harmful USDA and FDA. Our nation's food Hamilton presents a multicultural conditions at factory farms, this supply is now controlled by a snapshot of the American timely and necessary book details handful of corporations that often sustainable agriculture movement, the rising grassroots food put profit ahead of consumer profiling a Texas dairyman, a New movement, which is creating an health, the livelihood of the Mexican rancher and a North agricultural system that allows American farmer, the safety of Dakotan farmer, all who have people to eat sustainably, locally, workers and our own environment. -
Koch Brothers Exposed: 2014 Edition
Presents: Koch Brothers Exposed: 2014 Edition A film by Robert Greenwald (56 min., USA, 2013) Language: English Publicity: Linsey Pecikonis Brave New Films Tel: 310-204-0448x225 E-mail: [email protected] High-resolution film stills may be downloaded at http://www.bravenewfilms.org/koch_presskit ABOUT THE FILM In early 2011, Robert Greenwald and the Brave New Films (BNF) staff questioned how to make ordinary Americans care about the activities of David and Charles Koch, billionaire brothers who were spending hundreds of millions of dollars to influence federal, state and local elections. The Koch brothers were not yet in the daily conversations of the average American, but that would change with the 2012 release of BNF’s investigative documentary Koch Brothers Exposed. Originally Greenwald envisioned Koch Brothers Exposed as a series of thirteen short investigative videos that shed light on the Koch political dealings and the negative impact their money has on a variety of aspects of American life. These mini-documentaries immediately went viral, and viewers made it clear to BNF that they wanted more comprehensive coverage of the Koch’s activities. The first edition of the hour-long Koch Brothers Exposed highlighted the Koch’s efforts to gut Social Security by spending more than $28 million to popularize the fiction that the federal program was on the brink of collapse. It also addressed the Koch’s attempts at re-segregating schools in North Carolina; their efforts at voter suppression by supporting misleading voter ID laws; and the disastrous impact of their environmental policies on oil and gas projects and on industrial toxic waste. -
Money Talks a Realist Constructivist Account of the Motives of 21St Century Plutocrats
Graduate School Master of Science in Global Studies Major: Political Science Course: SIMV07 Term: Spring 2017 Supervisor: Alexander von Hagen-Jamar Money Talks A Realist Constructivist Account of the Motives of 21st Century Plutocrats Author: Pauliina Parviainen Abstract Plutocracy is a subject that has not traditionally attracted the interest of scholars in the disciplines of International Relations and Political Science. This is unfortunate, as the number and importance of affluent private individuals in global affairs has steadily increased in recent decades. Since most existing academic research on contemporary plutocrats focuses on philanthropists and other ‘benefactors’, this research examines what drives the behaviour of the so-called ‘malefactors’ – in this case, enormously wealthy citizens from the Persian Gulf who fund Islamist extremism and the Koch brothers who fight against climate change mitigation efforts and U.S. government regulations. The research is guided by a realist constructivist hypothesis according to which plutocrats use their material assets to advance ideological causes that in the long run further increase their economic wealth. Qualitative content analysis was performed on select texts that dealt with these actors’ presumable and stated motives. The analysis of the Koch brothers suggested that the logic behind their political adventures closely followed this hypothesis. However, the case of Gulf plutocrats only partially confirmed the hypothesis, as ideological and identity-related reasons prevailed over material considerations in these actors’ motives. Keywords: First Image, Koch, Plutocrat, Realist Constructivism, Terrorism Financing Words: 19 952 Contents: 1. Introduction 1 1.1 Research problem and research question 2 1.2 Structure of the thesis 4 2. -
Rezeption Des Buddhistischen Achtsamkeitskonzepts in Den
Mönche im Labor - Rezeption des buddhistischen Achtsamkeitskonzepts in den Neurowissenschaften Eine kulturhermeneutisch-diskursanalytische Betrachtung globaler Wechselwirkungen zwischen tibetischem Buddhismus und kognitiven Neurowissenschaften ausgehend vom Mind and Life Institute Dissertation der Philosophischen Fakultät und Fachbereich Theologie der Friedrich-Alexander-Universität Erlangen-Nürnberg zur Erlangung des Doktorgrades Dr. phil. vorgelegt von Christine Lehr Als Dissertation genehmigt von der Philosophischen Fakultät und Fachbereich Theologie der Friedrich-Alexander-Universität Erlangen-Nürnberg Tag der mündlichen Prüfung: 2. Juli 2020 Vorsitzender des Promotionsorgans: Prof. Dr. Thomas Demmelhuber Gutachter: Prof. Dr. Andreas Nehring Prof. Dr. Dr. Philipp Balsiger C. Lehr Rezeption des buddhistischen Achtsamkeitskonzepts in den kognitiven Neurowissenschaften Inhaltsverzeichnis 1 Orientierung...................................................................................................................6 1.1 Einleitung...............................................................................................................6 1.1.1 Der Boom der Neurowissenschaften und das Lachen der Mönche...............6 1.1.2 Skizze und Methodik der Arbeit..................................................................10 1.2 Forschungsstand...................................................................................................13 1.2.1 Überblick über die verschiedenen Forschungsgebiete das Thema der Dissertation betreffend...........................................................................................13 -
THE FIVE BEST FOOD FILMS of ALL TIME EFF Speech on Tuesday, March 21, 2017
THE FIVE BEST FOOD FILMS OF ALL TIME EFF Speech on Tuesday, March 21, 2017 By Chris Palmer Mention plan for evening and EcoComedy winners at end and thank TNC. As I’ve said before, this evening is pretentiously called “An Evening with Chris Palmer.” The Festival asked me to do this event about 12 years ago, and I’ve been doing it annually ever since. Tonight I want to talk about the five best food films of all time. Now everyone please stand up, find someone you’ve never met before, and discuss for two minutes the best food films you’ve ever seen. Go! Ask audience members for their ideas! You may have noticed that I didn’t give you much structure for this question. Does food refer to nutrition, agriculture, factory farming, obesity, food waste, junk food, global food trade, or what? Also, by best food films, was I referring to impact? Did the film influence consumers’ purchasing decisions? Did policy makers take action to address, for example, the wretchedness of the standard American diet? Was there a lot of press coverage? Or by best food films, did I simply mean your favorite? As you can see, selecting the five best food films is complicated. Food is important to me for personal reasons. My father died of prostate cancer, and I have his genes. As I’ve researched and learned about cancer, I’ve become convinced that a plant-based diet is the best way to prevent prostate cancer. At the same time, a plant-based diet is one of the most powerful ways to fight climate change and to stop animal cruelty. -
Opposition to Dangerous MOX Fuel Plutonium from Unirradiated MOX Fuel Than from Spent Nuclear Fuel, So Prevention of Theft of MOX Fuel Is a Cause for Concern
TOKYONov./Dec. 2008 No. 127 NUKECitizens' Nuclear INFO Information Center Akebonobashi Co-op 2F-B, 8-5 Sumiyoshi-cho, Shinjuku-ku, Tokyo 162-0065, JAPAN Phone: +81 3 3357 3800 Fax: +81 3 3357 3801 URL: http://cnic.jp/english/ e-mail : [email protected] Opposition to Dangerous MOX Fuel plutonium from unirradiated MOX fuel than from spent nuclear fuel, so prevention of theft of MOX fuel is a cause for concern. We believe the measures adopted before 9.11 are inadequate and want to know what measures have been taken to strengthen security. Unfortunately, since a 2005 amendment to the Reactor Regulation Law relating to protection of nuclear materials, the route and time of shipments, security provisions, and other information about the shipment of MOX fuel are no longer publicly disclosed. We presume that since such information is not available, the shipments themselves will take place under a veil of secrecy. History of plutonium and MOX shipments There was strong international opposition to Illustration by Shoji Takagi a plutonium shipment that took place between November 1992 and January 1993. In response to gnoring local opposition, electric power this opposition, the Japanese government decided companies are pushing ahead with preparations to have its plutonium fabricated into MOX fuel in for the introduction of pluthermal1 in 2010. So Europe, rather than ship pure plutonium to Japan. Ifar, Kyushu Electric (Genkai), Shikoku Electric In practice, this MOX fuel was to be used in Japan's (Ikata), Chubu Electric (Hamaoka) and Kansai fleet of light water reactors (LWR). The reason for Electric (Takahama) have all received approval this was that Japan was making no progress with its from local and prefectural governments and have plan to burn its ever-growing plutonium stockpile entered into contracts for the fabrication of MOX in fast breeder reactors (FBR). -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Chapter 11), Making the Events That Occur Within the Time and Space Of
CHAPTER I INTRODUCTION: IN PRAISE OF BABBITTRY. SORT OF. SPATIAL PRACTICES IN SUBURBIA Kenneth Jackson’s Crabgrass Frontiers, one of the key histories of American suburbia, marshals a fascinating array of evidence from sociology, geography, real estate literature, union membership profiles, the popular press and census information to represent the American suburbs in terms of population density, home-ownership, and residential status. But even as it notes that “nothing over the years has succeeded in gluing this automobile-oriented civilization into any kind of cohesion – save that of individual routine,” Jackson’s comprehensive history under-analyzes one of its four key suburban traits – the journey-to-work.1 It is difficult to account for the paucity of engagements with suburban transportation and everyday experiences like commuting, even in excellent histories like Jackson’s. In 2005, the average American spent slightly more than twenty-five minutes per day commuting, a time investment that, over the course of a year, translates to more time commuting than he or she will likely spend on vacation.2 Highway-dependent suburban sprawl perpetually moves farther across the map in search of cheap available land, often moving away from both traditional central 1 In the introduction, Jackson describes journey-to-work’s place in suburbia with average travel time and distance in opposition to South America (home of siestas) and Europe, asserting that “an easier connection between work and residence is more valued and achieved in other cultures” (10). 2 One 2003 news report calculates the commuting-to-vacation ratio at 5-to-4: “Americans spend more than 100 hours commuting to work each year, according to American Community Survey (ACS) data released today by the U.S. -
Festival Programm October 04-12, 2012 Cinemas Berlin-Kreuzberg Eiszeit & Moviemento
FESTIVAL PROGRAMM OCTOBER 04-12, 2012 CINEMAS BERLIN-KREUZBERG EISZEIT & MOVIEMENTO 2 1 FESTIVAL PROGRAMM - KINO EISZEIT Opening Films THURSDAY 4.10.2012 17:15 Hiroshima, A Mother's Prayer Director: Motoo Ogasawara Japan, 1990, 30 min, Language German Film of Hiroshima Peace Memorial Museum A documentary film featuring footage captured immediately after the blast, it calls for the abolition of nuclear weapons and world peace from the viewpoint of a mother in Hiroshima. The Secret and the Sacred. Two Worlds at Los Alamos (Los Alamos. Und die Erben der Bombe) Germany, 2003, 45 min, Language German Director: Claus Biegert, Production: Denkmal-Film / Hessischer Rundfunk / arte Hidden in the mountains of Northern New Mexico lies the birthplace of the Atomic Age: Los Alamos, home of the "Manhattan Project". Here Robert J. Oppenheimer and his staff created the first atomic bomb, "Trinity", the scientific prototype to "Little Boy" and "Fat Man," the bombs which hastened the end of World War II by leveling Hiroshima and Nagasaki. Although the laboratory is today also a leading center of genetic research, it remains a place of secrecy, for its main mission is to maintain the existing nuclear arsenal - a task that hides behind the name, "Stockpile Stewardship". The secret meets the sacred upon the mesa of Los Alamos. The lab takes up forty- three square miles - indigenous land of the Tewa people from the pueblos Santa Clara and San Ildefonso. The local Indians are cut off from their traditional shrines of worship: their prayer sites are either fenced off or contaminated. One of the sacred places contains the petroglyph of Avanyu, the mythic serpent that is the guardian of the springs. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.