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The Globalization of Chinese Food ANTHROPOLOGY of ASIA SERIES Series Editor: Grant Evans, University Ofhong Kong
The Globalization of Chinese Food ANTHROPOLOGY OF ASIA SERIES Series Editor: Grant Evans, University ofHong Kong Asia today is one ofthe most dynamic regions ofthe world. The previously predominant image of 'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs. Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representa tions, arts and performance. The complexities of urban Asia, its elites, its political rituals, and its families will also be explored. Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Folk Art Potters ofJapan Beyond an Anthropology of Aesthetics Brian Moeran Hong Kong The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam Anthropology and Colonialism in Asia and Oceania Jan van Bremen and Akitoshi Shimizu Japanese Bosses, Chinese Workers Power and Control in a Hong Kong Megastore WOng Heung wah The Legend ofthe Golden Boat Regulation, Trade and Traders in the Borderlands of Laos, Thailand, China and Burma Andrew walker Cultural Crisis and Social Memory Politics of the Past in the Thai World Edited by Shigeharu Tanabe and Charles R Keyes The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung UNIVERSITY OF HAWAI'I PRESS HONOLULU Editorial Matter © 2002 David Y. -
Co-Production to Promote Creativity in the Chinese Variety Show Industry
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received. 12 This is reproduction is the best copy available UNIVERSITY OF CALGARY Co-Production To Promote Creativity In The Chinese Variety Show Industry: From The Global To The Local by Siqi Li A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS FACULTY OF COMMUNICATIONS AND CULTURE CALGARY, ALBERTA SEPTEMBER, 2007 © Siqi Li 2007 Abstract The purpose of this study is to explore the implementation of co-production to promote creativity in the Chinese variety show industry, and the social impacts on this link. The finding indicates that the use of international co-production strategies results in hybridization, which promotes creativity and constantly pushes the development of the Chinese variety show industry. The application of domestic co-production stimulates the commercial operation in the production and distribution of Chinese variety shows; in turn, the integration of commercial operations into domestic co-production promotes creativity in the Chinese variety show industry. Intrusive state power over the Chinese variety show industry and current market mechanisms applied to the industry are the major obstacles that negatively impact on co-production and the promotion of creativity strategies. -ii- MA Thesis, Communications & Culture University of Calgary © Siqi Li 2007 Acknowledgements This project would not have been possible without the support of many people. I would like to thank my supervisor, Dr. Bart Beaty, who provided guidance and support. I also express my gratitude for my friends Astrid Jacobson and Jian Jiao, who revised and commented on this research paper. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema. -
Starhub TVB Awards Presentation” in Singapore Raymond Lam and Charmaine Sheh Emerged the Biggest Winners of the Night
Press Release 4th February 2010 The inaugural “StarHub TVB Awards Presentation” in Singapore Raymond Lam and Charmaine Sheh emerged the biggest winners of the night The highly anticipated StarHub TVB Awards Presentation was successfully held on January 29, Friday at 8pm, at The Ritz-Carlton Millenia Hotel in Singapore. In celebration of the 18 years of close partnership between TVB and StarHub, the two giant broadcasters joined hands to organize the first ever StarHub TVB Awards, aiming to reward TVB‟s high quality programmes and celebrated stars. Raymond Lam and Charmaine Sheh, stole the hearts of many Singaporean fans, were named My Favourite TVB Actor and Actress. The renowned Singapore radio presenter Wenhong Huang and 2001 Miss Hong Kong Pageant Second Runner-up Heidi Chu were invited to host the award show. Mr. Stephen Chan, General Manager of Broadcasting, Television Broadcasts Limited, together with ten top-notch TVB stars including Moses Chan, Raymond Lam, Roger Kwok, Steven Ma, Wayne Lai, Susanna Kwan, Charmaine Sheh, Sonija Kwok, Fala Chen and Nancy Sit were in full dress to attend the ceremony. Ahead of the show, they appeared in pairs and strolled along the „green paparazzi walk‟ where fans were screaming and media cameras kept flashing. After the two-month long voting campaign, a buzz has been created among Singaporean fans and media on their favourite TVB dramas and artistes. Finally, a total of 18 awards were presented at the show (details please refer to the awardees list attached). Moonlight Resonance, one of the best-hit TVB dramas, has won excellent reception in Singapore since its release. -
Wong Kar Wai
PRESENTS Booking Inquiries: Janus Films Press Contact: Courtney Ott [email protected] • 212-756-8761 [email protected] • 646-230-6847 THE WORLD OF WONG KAR WAI With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema. Joined by key collaborators such as cinematographer Christopher Doyle, editor and production and costume designer William Chang, and actors Tony Leung and Maggie Cheung, Wong (or WKW, as he is often known) has enraptured audiences and critics worldwide and inspired countless other filmmakers with his movies’ poetic moods, narrative and stylistic daring, and potent themes of alienation and memory. Whether tragically romantic, soaked in blood, or quirkily comedic, the films in this retrospective are an invitation into the unique and wistful world of a deeply influential artist. Janus Films is proud to present the following Wong Kar Wai classics in brand-new 4K restorations, in addition to a new director’s cut of The Hand: As Tears Go By, Days of Being Wild, Chungking Express, Fallen Angels, Happy Together, and In the Mood for Love. The biographies below include excerpts of interviews from WKW: The Cinema of Wong Kar Wai, by Wong and John Powers. Reprinted with permission. © 2016 Wong Kar Wai. © 2016 Rizzoli International. WONG KAR WAI Filled with passion, heartbreak, obsession, design. After graduating from Hong Kong Wong’s second feature, Days of Being dreams, and the memories left in their Polytechnic, Wong was accepted into a Wild (1990), saw him add to his trusted wake, the films of Wong Kar Wai have training program at Hong Kong’s TVB stable of collaborators, working for the been celebrated all over the world for television network, leading to work as a first time with actors Leslie Cheung their unique style. -
Hong Kong Cantopop
Hong Kong Cantopop A Concise History Yiu-Wai Chu Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-57-1 (Hardback) ISBN 978-988-8390-58-8 (Paperback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Hang Tai Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii A Note on Romanization x Chapter One Introduction 1 Chapter Two Days of Being Marginalized: The 1950s to the Early 1970s 21 Chapter Three The Rise of Cantopop: The Mid- to Late 1970s 40 Chapter Four An Age of Glory: The 1980s 69 Chapter Five The Best of Times, the Worst of Times: The 1990s 105 Chapter Six After the Fall: The New Millennium 145 Chapter Seven Epilogue: Cantopop in the Age of China 184 Appendix Chronology of Major Events 197 Selected Bibliography 218 Index 226 1 Introduction “Every generation has its own voice,” claimed James Wong 黃霑, the late god- father of Cantopop, in his doctoral thesis on the development of Cantopop.1 The English term “Cantopop”—Cantonese popular songs—did not come into existence until the 1970s, when Billboard correspondent Hans Ebert used it “to describe the locally produced popular music in Hong Kong” in 1978.2 Per James Wong’s remark—which was adapted from the well-known saying of the Qing dynasty master of Chinese culture, Wang Guowei 王國維: “Every dynasty has its own representative form of literature”3 —Cantopop is a musical form from and the voice of contemporary Hong Kong. -
Cinematic Hong Kong of Wong Kar-Wai
CINEMATIC HONG KONG OF WONG KAR-WAI by HAIHONG LI ABSTRACT In order to promote an understanding of the centrality of space and the intimate relationship between space and identity in Wong Kar-wai’s films, this dissertation examines the director’s construction of cinematic space and the characters’ sense of who they are in relation to Hong Kong in his six films Days of Being Wild, In the Mood for Love, 2046, As Tears Go by, Chungking Express, and Fallen Angels. The investigation of Wong’s use of cinematic space involves the analysis of his selection of location and strategic employment of the mise-en-scène, camera angles, lenses, lighting, and music, which constitute his fictional world. It is my assertion that Wong’s construction of Hong Kong in these films responds to the formation and transformation of identity and showcases the impact of colonialism, modernization, decolonization, globalization, and postmodern culture upon the lives of Hong Kong inhabitants. INDEX WORDS: Wong Kar-wai, Hong Kong, Cinematic space, Identity CINEMATIC HONG KONG OF WONG KAR-WAI by HAIHONG LI B.A., Fu Zhou University, China, 2000 M.A., Truman State University, 2004 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2012 © 2012 Haihong Li All Rights Reserved CINEMATIC HONG KONG OF WONG KAR-WAI by HAIHONG LI Major Professor: Hyangsoon Yi Committee: Richard Neupert Ronald Bogue Masaki Mori Karim Traore Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2012 ACKNOWLEDGEMENTS I wish to extend my sincere gratitude to my supervisor, Hyangsoon Yi, who helped me develop research skills and understanding of the subject during the completion of the project. -
Announcement of 2011 Annual Results
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. (Incorporated in Hong Kong with limited liability) Stock Code: 00511 ANNOUNCEMENT OF 2011 ANNUAL RESULTS RESULTS HIGHLIGHTS: • Group’s turnover increased by 11%, from HK$4,675 million to HK$5,209 million. • Profit attributable to equity holders increased by 17%, from HK$1,330 million to HK$1,556 million. • Final dividend was recommended at HK$1.75 per share (2010: HK$1.65 per share), making a total dividend of HK$2.20 per share (2010: HK$2.00 per share) for the year. 1 The Board of Directors (“Board”) of Television Broadcasts Limited (“Company” or “TVB”) are pleased to announce the consolidated results of the Company and its subsidiaries (collectively, “Group”) for the year ended 31 December 2011 as follows: CONSOLIDATED INCOME STATEMENT FOR THE YEAR ENDED 31 DECEMBER 2011 Note 2011 2010 HK$’000 HK$’000 Turnover 2 5,208,865 4,674,656 Cost of sales (1,807,293) (1,722,679) Gross profit 3,401,572 2,951,977 Other revenues 2 57,874 30,663 Selling, distribution and transmission costs (530,852) (486,344) General and administrative expenses (629,780) (477,366) Other gains, net 1,239 37,565 Impairment loss on loan to and trade receivables from an associate (135,000) (140,000) Finance -
Announcement of Final Results for the Year Ended 31 July 2017
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. Announcement of Final Results for the Year Ended 31 July 2017 RESULTS The board of directors (“Board ” and “Directors ”, respectively) of eSun Holdings Limited (“ Company ”) is pleased to announce the consolidated results of the Company and its subsidiaries (“ Group ”) for the year ended 31 July 2017 together with the comparative figures for the previous financial year as follows: CONSOLIDATED INCOME STATEMENT Year ended 31 July 2017 2017 2016 Notes HK$’000 HK$’000 TURNOVER 2 2,677,388 3,369,275 Cost of sales (1,596,001) (1,991,041) Gross profit 1,081,387 1,378,234 Other revenue 188,705 178,117 Selling and marketing expenses (235,458) (176,069) Administrative expenses (621,289) (626,142) Other operating gains 19,801 24,855 Other operating expenses (499,263) (429,040) Gain on disposal of an available-for-sale investment 109,534 - Fair value gains on cross currency swaps 111,657 - Fair value gains on investment properties 832,118 522,043 PROFIT FROM OPERATING ACTIVITIES 987,192 871,998 Finance costs 3 (199,214) (235,186) Share of profits and losses of joint ventures 313,866 79,623 Share of profits and losses of associates 4,696 2,097 PROFIT BEFORE TAX AND TAX INDEMNITY 4 1,106,540 -
Our Beloved “Happy Fruit” Lydia Sum 1. Introduction the Shanghai-Born Entertainer Joined the Local Show Scene at a Young
Our Beloved “Happy Fruit” Lydia Sum 1. Introduction The Shanghai-born entertainer joined the local show scene at a young age and enjoyed a glittering career spanning more than four decades. Many of her actions and thoughts were captured by the camera. Starting off with small parts, she played young maidservants, school girls, factory girls, newly weds, stay-at-home mums and mothers-in-law – the numerous roles she played grew through the generations. Her accomplishments as TV programme hostess and mistress of ceremonies are just as extraordinary, earning her affectionate nicknames such as “Sister Fei”, “Happy Fruit” and “Champion MC”. Her life not only reflects the development of show business in Hong Kong, but also depicts how the local generation who grew up in the post-war period struggled to succeed. Artistes are intertwined with social culture: they act as an interactive medium between popular culture and the public. Pursuing the many inter-relations of popular culture, we interviewed Lydia’s family in Canada and also her friends and work colleagues in Hong Kong. We also searched in libraries and archives for texts, images and sounds that could identify Sum’s various personas in the public eye. We explored the cultural manifestation of her unique iconic status dating back to the 1960s. 2. Happy Fruit Going to the cinema was a major form of entertainment in the 1960s. Amusing themes were all the rage as they helped to ease the harsh realities of life. The audience could relax and enjoy laughing at comedians such as Lydia Sum, Cheng Kwan-min, Tam Ping-man on the big screen. -
Eb771d762e289659df6682eba3
#/.4%.43 Corporate Information 2 Chairmanʼs Statement 3 Management Discussion and Analysis 5 Report of the Directors 14 Corporate Governance Report 23 Five-Year Financial Review 30 Report of the Auditors 31 Consolidated Balance Sheet 32 Balance Sheet 34 Consolidated Income Statement 35 Consolidated Statement of Changes in Equity 36 Consolidated Cash Flow Statement 37 Notes to the Consolidated Financial Statements 38 Television Broadcasts Limited Annual Report 2005 #/20/2!4%).&/2-!4)/. $)2%#4/23 Sir Run Run Shaw, G.B.M. (Executive Chairman) Dr. Norman Leung Nai Pang, G.B.S., LL.D., J.P. (Executive Deputy Chairman) Mona Fong (Deputy Chairperson) Louis Page (Managing Director) Dr. Chow Yei Ching, G.B.S. Ho Ting Kwan Chien Lee * (appointed on 17 March 2005) Christina Lee Look Ngan Kwan Lee Jung Sen, O.B.E. * (retired on 25 May 2005) Dr. Li Dak Sum, DSSc. (Hon.), J.P. * Kevin Lo Chung Ping Robert Sze Tsai To * Anthony Hsien Pin Lee (Alternate Director to Christina Lee Look Ngan Kwan) %8%#54)6%#/--)44%% Sir Run Run Shaw (Chairman) Dr. Norman Leung Nai Pang Mona Fong Louis Page Kevin Lo Chung Ping !5$)4#/--)44%% Robert Sze Tsai To * (Chairman) Chien Lee * (appointed on 17 March 2005) Lee Jung Sen * (retired on 25 May 2005) Ho Ting Kwan (appointed on 22 February 2006) Dr. Li Dak Sum * (resigned on 22 February 2006) 2%-5.%2!4)/.#/--)44%% Chien Lee * (Chairman) Mona Fong Robert Sze Tsai To * %8%#54)6%/&&)#%23 George Chan Ching Cheong (Assistant Managing Director) Stephen Chan Chi Wan (General Manager – Broadcasting) Cheong Shin Keong (General