Medieval Square in Trogir: Space and Society
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The Middle-Class Entrepreneurial Elite in Šibenik and Split (15Th Century)***
347.961(497.5Šibenik)’’14’’ 347.961(497.5Split)’’14’’ 304 Primljeno: 30. 5. 2019. Prihvaćeno: 17. 6. 2019. Izvorni znanstveni rad DOI: 10.22586/pp.v56i1.8502 Tonija Andrić* Ante Birin** The Middle-Class Entrepreneurial Elite in Šibenik and Split (15th Century)*** The paper explores the entrepreneurial elite of late medieval Šibenik and Split, based on the examples of prominent businessmen in the historical records preserved in the notarial records of the two cities. Keywords: Šibenik, Split, entrepreneurship, Late Middle Ages, notarial records, Indricus de Indrico, Lovro Goniribić, Lapi, son of Zanobi, Andrea Alessi, Antun Hmelić Introduction The fifteenth century was in many ways a century of change in Dalmatian medie- val history. Between 1409 and 1420, almost all Dalmatian communes acknowled- ged the rule of the Venetian Republic, which resulted in the integration of the entire northern and eastern Adriatic coast into a single political, territorial, and administrative system. This brought about a whole series of changes in the pre- viously autonomous communes: urban, ethnic, and linguistic, and also social and economic changes examined in this paper. Even though the Venetian economic policy of the 15th century hindered the development of certain economic activiti- es in Dalmatia in order to promote Venetian interests, it also created new business * Tonija Andrić, Department for History, Faculty of Humanities and Social Sciences, University of Split, Poljička 35, 21000 Split, Croatia, E-mail: [email protected] ** Ante Birin, Croatian Institute of History, Opatička 10, 10000 Zagreb, Croatia, E-mail: ante.birin@ gmail.com *** This research was conducted within the framework of the project URBES funded by the Croatian Science Foundation under no. -
The Cult of Saint Jerome in Dalmatia in The
Ines Ivić THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES MA Thesis in Medieval Studies Central European University CEU eTD Collection Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner CEU eTD Collection ____________________________________________ Examiner Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Supervisor CEU eTD Collection Budapest May 2016 I, the undersigned, Ines Ivić, candidate for the MA degree in Medieval Studies, declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. -
Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494
ABSTRACT Title of Dissertation: KING OF THE RENAISSANCE: ART AND POLITICS AT THE NEAPOLITAN COURT OF FERRANTE I, 1458-1494 Nicole Riesenberger, Doctor of Philosophy, 2016 Dissertation directed by: Professor Meredith J. Gill, Department of Art History and Archaeology In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture. -
006-San Marco
(006/41) Basilica di San Marco Evangelista al Campidoglio San Marco is a 9th century minor basilica and parish and titular church, on ancient foundations, located on Piazza Venezia. The dedication is to St Mark the Evangelist, patron saint of Venice, and it is the the church for Venetian expatriates at Rome. The full official name is San Marco Evangelista al Campidoglio, "St Mark the Evangelist at the Capitol". History The basilica was probably founded by Pope St. Marcus (Mark) in 336 over an older oratory, and is one of Rome's oldest churches. It stands on the site where St Marcus is said to have lived, and was known as the Titulus Pallacinae. The church is thus recorded as Titulus Marci in the 499 synod of Pope Symmachus. [1] The church was modified in the 5th century, and was left facing the opposite direction. It seems from the archaeology that the basilica had a serious fire in the same century or the next, as burnt debris was found in the stratigraphy. [1] It was reconstructed in the 8th century by Pope Adrian I (772-795). It was flooded when the Tiber rose above its banks soon after, in 791. Pope Gregory IV (827-844) was responsible for what is now considered to have been a (006/41) complete rebuilding. The orientation of the church was reversed, with the old apse being demolished and replaced by a main entrance. The old entrance was replaced by a new apse, with a mosaic in the conch which survives. However, the three windows which the apse had were later blocked. -
Circulation of Vita Et Transitus Sancti Hieronymialong the Eastern
Edinost in dialog Unity and Dialogue 75 (2020) 1: 125–139 Izvirni znanstveni članek Original scientific paper (1.01) Besedilo prejeto Received: 1. 4. 2020; Sprejeto Accepted: 6. 5. 2020 UDK UDC: 2-28(497.58):929sv. Hieronim DOI: 10.34291/Edinost/75/Ivic © 2020 Ivić CC BY 4.0 Ines Ivić Circulation of Vita et Transitus Sancti Hieronymi along the Eastern Adriatic Coast in the Late Middle Ages Prisotnost Vita et Transitus Sancti Hieronymi vzdolž vzhodne jadranske obale v poznem srednjem veku Abstract: The Vita et Transitus Sancti Hieronymi was a main devotional work upon which the humanist and the renaissance cult of Saint Jerome was built, testified by a large number of manuscript copies, and printed editions of the work. This paper explores the previou- sly unacknowledged presence of the work in the Eastern Adriatic Coast, especially in the Dalmatian communes, where Jerome has been praised as a national saint since the 15th centu- ry. Based on the archival documents, quotations of the Transitus in other written works, and its use as a textual model for the visual representations, it discusses the direct and indirect influence on the promotion of veneration of Jerome. Furthermore, it contributes to the notion of the exchange of ideas and artistic models between two shores of the Adriatic Sea during the Late Middle Ages. Key Words: Transitus sancti Hieronymi, Dalmatia, communes, humanism, renaissance Izvleček: Vita et Transitus Sancti Hieronymi je bilo glavno pobožno delo, na katerem je bil osnovan humanistični in renesančni kult svetega Hieronima z velikim številom rokopisnih kopij in tiskanih izdaj dela. -
— Venedik Baylosu'nun Defterleri the Venetian Baylo's Registers (1589
Hilâl. Studi turchi e ottomani 4 — Venedik Baylosu’nun Defterleri The Venetian Baylo’s Registers (1589-1684) Serap Mumcu Edizioni Ca’Foscari Venedik Baylosu’nun Defterleri The Venetian Baylo’s Registers (1589-1684) Hilâl Studi turchi e ottomani Collana diretta da Maria Pia Pedani Elisabetta Ragagnin 4 Edizioni Ca’Foscari Hilâl Studi turchi e ottomani Direttori | General editors Maria Pia Pedani (Università Ca’ Foscari Venezia, Italia) Elisabetta Ragagnin (University of Cambridge, UK) Comitato scientifico | Advisory board Bülent Arı (TBMM Milli Saraylar, Müzecilik ve Tanıtım Bas¸kanı, ˙Istanbul, Türkiye) Önder Bayır (TC Bas¸bakanlık Devlet Ars¸ivi Daire Bas¸kanlıg˘ı, Osmanlı Ars¸ivi Daire Bas¸kanlıg˘ı, ˙Istanbul, Türkiye) Dejanirah Couto (École Pratique des Hautes Études «EPHE», Paris, France) Mehmet Yavuz Erler (Ondokuz Mayıs Üniversitesi, Samsun, Türkiye) Fabio Grassi (Università di Roma «La Sapienza», Italia) Figen Güner Dilek (Gazi Üniversitesi, Ankara, Türkiye) Stefan Hanß (Freie Universität, Berlin, Deutschland) Baiarma Khabtagaeva (Szegedi Tudományegyetem, Magyarország) Nicola Melis (Università degli Studi di Cagliari, Italia) Melek Özyetgin (Yildiz Üniversitesi, ˙Istanbul, Türkiye) Cristina Tonghini (Università Ca’ Foscari Venezia, Italia) Direzione e redazione Dipartimento di Studi sull’Asia sull’Africa Mediterranea Sezione Asia Orientale e Antropologia Università Ca’ Foscari Venezia Palazzo Vendramin dei Carmini Dorsoduro 3462 30123 Venezia http://edizionicafoscari.unive.it/col/exp/27/Hilal Venedik Baylosu’nun Defterleri The Venetian Baylo’s Registers (1589-1684) Serap Mumcu Venezia Edizioni Ca’ Foscari - Digital Publishing 2014 Venedik Baylosu’nun Defterleri | The Venetian Baylo’s Registers (1589-1684) Serap Mumcu © 2014 Serap Mumcu for the texts © 2014 Edizioni Ca’ Foscari - Digital Publishing for the edition Every part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission provided that the source is fully credited. -
Nikola Ivanov Firentinac I Raka Sv. Nikole U Tolentinu
NIKOLA IVANOV FIRENTINAC I RAKA SV. NIKOLE U TOLENTINU Sa mo štefanac UDK 73(451/459:497.13)"14" Na osnovi detaljne stilske analize autor 929 Nikola Firentinac pripisuje kiparu Nikoli Ivanovom Firentincu raku Izvorni znanstveni rad sv. Nikole u istoimenoj crkvi u Tolentinu (Marche). Samo štefanec Raka je izvedena 1474. godine po narudžbi rim Filozofijski fakultet, Ljubljana skog senatora Pietra Mellinija, a nastala je za vrije me Nikolinog boravka na Tremitima, gdje je radio s Andrijom Alešijem na pročelju i portalu S. Maria al Mare. Kiparski opus Nikole Ivanova Firentinca nije još do kraja proučen, a također nisu riješeni ni problemi u vezi s njegovim umjetničkim formiranjem te s njegovom dj e latnošću prije dolaska u Dalmaciju. Iako na ovom mjestu nećemo odgovoriti na ta pitanja, mislim da neće biti suvišan kratak osvrt na tu problematiku. Staru Ventu rijevu pretpostavku da je on identičan s Nikolom Coccarijcm, koji je djelovao u Donatellovo vrijeme u Padovi, l koju nisu prihvatili Frey2 i Folnesics 3 , dok su je smatrali prilično uvjerljivom Ljubo Karaman4 i Cvito F isković 5 , moramo danas na osnovi dokumenata konačno odbaciti. Iz jednog od brojnih dokumenata, koje je publicirao Antonio Sartori6 , naime, saznajemo da se je Coccarijev otac zvao Antonio, a ne Giovanni, kako često pro čitasmo u literaturi. 7 A. Venturi, La scultura dalmata nel XV secolo, L' Arte Xl, 1908. 114 ss. D. Frey, Der Dom von Sebenico und sein Baumeister Giorgio Orsini Jahrbuch des Kunsthistorisches Institutes der K. K. Zentralkommission fiir De~kmalpflege VII, 1913, 38-39. H Folnesics, Studien zur Entwicklungsgeschichte der Architektur und Plastik des XV. -
Association of Croatian Studies Bulletin 54.Pdf
BOOKS & REVIEWS printing make this book a valuable and The chapter on “Roman Art in enduring gift for any occasion. Croatian Dalmatia First to Third Centuries The Preface by Jadranka Beresford- AD” by J. J. Wilkes is a survey mainly of Dr Gerard Toal, Professor & Director, Peirse reminds us how little known is imported and locally produced marble Government and International Croatia’s share in the European and world sculpture, representing imperial and Affairs, www.gia.vt.edu cultural heritage. This book aims to private portraits, figured funerary Virginia Tech in the National Capital present “an insight into some aspects of monuments and religious art, followed by Region announces that later this summer art and architecture which may be a shorter overview of public and private the book BOSNIA REMADE: ETHNIC unfamiliar to a wider audience outside of architecture, including mosaics. There is CLEANSING AND ITS REVERSAL Croatian borders, and some which may be an informative discussion of style and will be published by Oxford University understudied.” It is her hope that the book dating evidence for the sculpture followed Press. He is the first author, and the co- “will inspire further research and serve as by reflections on the images of the author is Dr. Carl Dahlman from the a reference for both specialists and all Olympian deities and those of Illyrian University of Miami in Oxford, Ohio. those who are interested in the arts in cults assimilated to classical deities. An appended catalogue of objects and sites Croatia and their wider context and who CROATIA: ASPECTS OF ART, may take pleasure in walking in the with bibliography supplements the survey. -
Lecture BCS 12
1 In search of art for Croatia Lecture BCS 12. 6. 2019. I must point out that I was only a facilitator and researcher in a quest to enrich the Croatian collections with works of art and important written documents and that the credit should go primarily to the excellent cooperation with the Croatian Ministry of culture and to the other institutions who managed to find the funds for all these purchases. In London even the great museums, which one would think already have vast collections, are eager to purchase new works of art and sometimes have to appeal to the public to help them finance the new acquisitions. My first adventure into finding works of art and returning some of them to Croatia started with my interest in the opus of master Fortezza who was born around 1530 and died in May 1596 in what was then Sebenico in Dalmatia, part of the Venetian Republic, and now Šibenik, Croatia. It goes back to 1977 when as the Keeper of the Metalwork Department in the Croatian Arts and Crafts Museum in Zagreb I was for three months a visiting curator in the Metalwork Department at the Victoria and Al- bert museum in London. 1. V&A salver 1562 In the Primary Galleries of this museum my attention was drawn to the signed and richly engraved brass salver from 1562, signed by Horacio Fortezza in Šibenik. It first appeared at the Paris market but the Victoria and Albert museum bought it through a dealer at the Sotheby’s sale in 1899 for £120.15/. -
Marsilio Ficino's Astral Psychology: the Inner Cosmos of Cardinal Alessandro Farnese on the Astronomical Ceiling Fresco of Sala Del Mappamondo at Caprarola
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2018 Marsilio Ficino's Astral Psychology: The Inner Cosmos of Cardinal Alessandro Farnese on the Astronomical Ceiling Fresco of Sala del Mappamondo at Caprarola Renata R. Nagy University of Central Florida Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Nagy, Renata R., "Marsilio Ficino's Astral Psychology: The Inner Cosmos of Cardinal Alessandro Farnese on the Astronomical Ceiling Fresco of Sala del Mappamondo at Caprarola" (2018). Honors Undergraduate Theses. 347. https://stars.library.ucf.edu/honorstheses/347 MARSILIO FICINO’S ASTRAL PSYCHOLOGY: THE INNER COSMOS OF CARDINAL ALESSANDRO FARNESE ON THE ASTRONOMICAL CEILING FRESCO OF SALA DEL MAPPAMONDO AT CAPRAROLA by RENATA REKA NAGY A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts & Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2018 Thesis Chair: Margaret Ann Zaho, Ph.D. © 2018 Renata Reka Nagy ii ABSTRACT This thesis intends to explore the relationship between the Neoplatonist doctrines of the Renaissance philosopher, Marsilio Ficino (1433-1499), and astrological images in the Renaissance. -
Hungarian Studies Review Vol
Hungarian Studies Review Vol. XIII, No. l(Spring 1986) Renaissance Contacts Between Dubrovnik (Ragusa) and the Kingdom of Hungary M.D. Birnbaum During the rule of the Angevin dynasty (1308-82) in Hungary, towns and cities increasingly assumed greater political influence. The first treaty between the King of Hungary and Dubrovnik (in those days Ragusa) was signed in 1358, during the reign of Louis (Lajos) the Great. According to its text, Dubrovnik was to pay the king 500 gold ducats and 300 perpers annually, a sum that previously went to Bosnia and Serbia for protection against enemy attacks. Dubrovnik, in addition, promised to honor the king and his heirs in church services three times a year; to fly the king's flag on land and on its vessels; and, in case of a royal visit, to treat the guests to two dinners and two suppers at the city's expense. The king's friends were declared Dubrovnik's friends, and his enemies the adversaries of the city.1 As was the case with most towns in Hungary, in Dubrovnik too the terms defining the city's obligations and privileges were occasinally amended by subsequent Hungarian kings. From 1358 on there is an abundance of documented interchange between Buda and Dubrov- nik in the archives of the latter, and this is a crucial source of information as in Hungary, owing to the numerous wars and foreign occupations, much of the documentary evidence disap- peared or was destroyed. The archival material of Dubrovnik testifies to the fact that the Crown frequently turned to Dubrovnik and asked for information on or for its mediation with Venice, the Turks, or the Bosnians. -
La Dalmazia Monumentale
' /:lf^ ' ^>^^^^^^^i^-^^z^ c^ ^^'i-zr'y^^Z<* (^^È^-t^ <a-!^< y 2V ^^Z^^^-tr^^^^^ ^ ^ /fy licci ADOLFO VENTVRI - ETTORE PAIS POMPEO MOLMENTI LA DALMAZIA MONVMENTALE CON 100 TAVOLE FVORl TESTO RACCOLTE E ANNOTATE DA • TOMASO SILLANI • ,>^ y^iW'ì ^ V EDITORI - ALFIERI & LACROIX - MILANO MCMXVII PROPRIETÀ ARTISTICA E LETTERA- RIA RISERVATA - COPYRIGHT 1917 BY ALFIERI & LACROIX - MILANO INCISIONI E STAMPA DELLO STABILIMENTO PER LE ARTI GRAFICHE ALFIERI & LACROIX MILANO CAPITOLO 1 LA DALMAZIA MONUMENTALE 'intendimento di questa opera, alla quale hanno collabo- rato Ettore Pais, lo storico di Roma, Adolfo Venturi, il fervido storico dell'Arte nostra, e Pompeo Molmenti, lo storico della vita veneta, è chiaro ed immediato : si vuol con essa comporre il volto italico della Dalmazia così come resulta dalla organica mole de* suoi mirabili monumenti affacciati sulla riva dell'Adriatico mare. Per questo il testo ne è breve e molte sono, invece, le immagini che la documentano. 11 testo, in questo volume, vuol essere soltanto una rapida ed efficace preparazione dello spirito alla visione delle nobili bellezze raccolte più oltre. La dimostra- zione della nostra tesi deve esser compiuta dalla verità che ognuna delle immagini reca nel suo stile, nel suo spirito, nella sua forma O. Non dal sottile ragionamento degli eruditi. Mancavano, per la Dalmazia, libri di tal sorta, compiuti. Alcuni dei bellissimi che si possono vedere soltanto nelle biblioteche più ricche, non sono stati concepiti per una proporzionata documentazione. Vasti, pesanti, essi raccolgono talvolta, in prevalenza, particolari di un sol gruppo di monumenti appartenenti tutti ad una stessa epoca o ad un'e- poca derivante ; tale altra si limitano ad offrirci i caratteri anche minuti di una città sola.