Association of Croatian Studies Bulletin 54.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Association of Croatian Studies Bulletin 54.Pdf BOOKS & REVIEWS printing make this book a valuable and The chapter on “Roman Art in enduring gift for any occasion. Croatian Dalmatia First to Third Centuries The Preface by Jadranka Beresford- AD” by J. J. Wilkes is a survey mainly of Dr Gerard Toal, Professor & Director, Peirse reminds us how little known is imported and locally produced marble Government and International Croatia’s share in the European and world sculpture, representing imperial and Affairs, www.gia.vt.edu cultural heritage. This book aims to private portraits, figured funerary Virginia Tech in the National Capital present “an insight into some aspects of monuments and religious art, followed by Region announces that later this summer art and architecture which may be a shorter overview of public and private the book BOSNIA REMADE: ETHNIC unfamiliar to a wider audience outside of architecture, including mosaics. There is CLEANSING AND ITS REVERSAL Croatian borders, and some which may be an informative discussion of style and will be published by Oxford University understudied.” It is her hope that the book dating evidence for the sculpture followed Press. He is the first author, and the co- “will inspire further research and serve as by reflections on the images of the author is Dr. Carl Dahlman from the a reference for both specialists and all Olympian deities and those of Illyrian University of Miami in Oxford, Ohio. those who are interested in the arts in cults assimilated to classical deities. An appended catalogue of objects and sites Croatia and their wider context and who CROATIA: ASPECTS OF ART, may take pleasure in walking in the with bibliography supplements the survey. ARCHITECTURE AND CULTURAL footsteps of the authors.” There are now The art and architecture comes only from HERITAGE with an introduction by John seven UNESCO World Heritage Sites in Roman cities in the coastal area, therefore Julius Norwich, Frances Lincoln Limited, Croatia. the use of the term “Croatian Dalmatia” in London 2009, ISBN 978-0-7112-2921-1. In the Introduction, John Julius the title. The Roman province of Dalmatia Available from Amazon.com for $40.95. Norwich reflects on the past millennium extended over the present day Bosnia and The credit for conception and of the Croatian political position in Hercegovina. One missing updated realization of this book goes to Jadranka Europe and concludes that “Croatia is bibliographical reference is that of M. Suić’s Antički grad na istočnom Jadranu , Njerš Beresford -Peirse, who won the now at last enjoying the freedom and nd 1999 INA (sponsor of this publication) prosperity that it has for so many 2 edition 2006. award for the promotion of Croatian centuries deserved and so seldom “The Palace of Diocletian at Split” by culture in the world. She is the founder managed to achieve.” Sheila McNally is a scholarly and and Trustee of the International Trust for “A survey of Croatian History”, elucidating article on the past and current Croatian Monuments written by Stjepan Ćosić (translated by R. debate regarding the key issues in (www.croatianmonuments.org ). The book Harris), covers 13 centuries of history, interpreting this retirement residence of has no listed editor, but Jadranka must be during which the Croats created the Roman emperor: ancient and modern distinctive cultural values and achieved its silent editor. names for the site (villa, palace, castle), The book is a collection of 12 scholarly territorial and national integration (and use of fortification, and above all the essays, written by British, Croatian and finally independence), while negotiating design, function, meaning and American academics and specialists on art free or forced choices between the great powers of Europe. Historical maps relationship of ceremonial and sacral and architecture. Their brief biographical illustrate the key periods. spaces. The author’s compelling ideas on information is provided in the “List of Branko Kirigin in “Ancient Gr eeks the building’s role in imperial ceremonies Contri butors.” The essays are highly in Croatia” presents the up -to-date and imperial cult bring her to conclude: archaeological evidence and the ancient “The original strength of the complex lay literary sources for the Greek colonial in its multiple uses; its continuing legacy settlements of the 4 th - 3rd century BC on the central Dalmatian islands of Hvar stems from the grandeur of its (Pharos-Stari Grad), Vis (Issa) and experiments.” Korčula (Melaina Kerkyra), and on the Reading the chapter on “Illuminated coastal area around Split (Trogir- Ma nuscripts in Croatia” by Christopher de Tragurion, Solin-Salona, Stobreč - Hamel is like discovering a gold mine of Epetion). The system of Greek land European medieval and early modern division into plots assigned to the literacy. In the author’s words “to visit colonists is still visible in the plain of Croatia in pursuit of manuscripts is like Stari Grad. In 2008 this landscape stepping back into the distant European monument was placed on the UNESCO past…..many are still in the possession of World Heritage list, as the best preserved monasteries or medieval churches, of such systems that are known today. We preserving a way of life which has hardly get glimpses of the Greek-Illyrian changed since the Middle Ages.” The contacts and exchange from the 6 th essay is a richly illustrated survey of readable and enjoyable for non-specialists manuscripts written in Latin, Glagolitic century BC on until the Roman th th as well, and are free of discipline-specific involvement in the late 3 rd century BC. and Germanic between the 7 to 16 jargon. There are detailed and informative The most recent excavations on the small centuries, which were brought into endnotes for most essays, together with island of Palagruža uncovered a shrine of Croatia or produced in the country. Into it current scholarly bibliography and Diomedes, which Greek sailors is woven a narrative of monastic orders suggested further readings. Each chapter frequented on their open-sea trade route and their scribes and illuminators, the is richly illustrated with excellent color up and down the Adriatic. There are good most important being Giulio Clovio (Juraj illustrations of many sites and artifacts, Glovičić (1498 -1578). photographs, some of full-page size. The Donal Cooper’s “Gothic Art & th e quality of writing, illustrations and although the later do not have information on their museum location. Friars in Late Medieval Croatia 1212- 1460” is an overview of architectural and Bulletin of the Association for Croatian Studies – No. 54 Spring 2010 13 artistic patronage of the Dominican and historical narrative of artists and patrons of Vis was once occupied by the British Franciscan orders in the major Adriatic in their socio-cultural context. between 1805-15. Although cricket was cities. This heritage is the best preserved The last two chapters cover the introduced to the island at that time, there in Europe, after Italy, but is poorly known continental region of Croatia. “Castles is rather more to the story. We take a look in the Anglophone art historical literature. and Manor Houses of Croatia: Winning or The author’s aim is “to reference and at the book and consider if Vis could Loosing” by Marcus Binney is an enhance the synthesize” rich literature in Croatian, impressionistic tour of selected sites in Italian and German. One shall also find in Zagorje and Slavonia (maps included) connection. this essay much on the history of the built during the 17 th to 19 th centuries. There is mendicant orders in Croatia and the artists Binney enriches his perceptive an awareness they commissioned, as well as important descriptions of the settings, architecture of Britain’s references to documents in local archives. and interiors with information on the past links with the The next four chapters deal with the and present owners and occupants, while island of Vis. Renaissance and Baroque periods in the reflecting appreciatively and critically on A lot of this Adriatic region, with a common theme of the current conditions and future artistic exchange between Croatia and focuses on possibilities of the properties. Tito’s use of Italy, in which Croatia is a significant but Brian Sewell’s essay on “Museums often overlooked partner. David of Zagreb” starts with a critical debate on the island as a Ekserdjian’s “The Renaissance in Croatia the Mimara Museum and the questionable centre for the and Italy: the Chapel of the Blessed attributions, integrity and quality of most partisan Giovanni Orsini” begins with an overview of its paintings collection. Sewell resistance of painters and sculptors originating from continues discussion of attributions of during the Second World War. and working in both sides of the Adriatic. some works in the Strossmayer Gallery of Consequently, quite a few British His discussion of the Trogir masterpiece Old Masters and relates the life and work servicemen served there during the war. “ensemble whose sheer artistic quality of bishop Strossmayer with his art However, the shared history goes and virtual completeness make it one of th collection, whose later 19 century back much further, to 1805, when the the most remarkable sculptural paintings helped to start the Gallery of decorations of the entire Renaissance” Modern Art. Among them were the works British moved in due to the campaigns clearly integrates Croatian artists and of three painters who founded modern against Napoleon. This is largely now patrons into the Italian Renaissance. The painting in Croatia, Vlaho Bukovac, remembered due to Captain William three sculptors, Niccolo di Giovanni Celestin Medović and Nikola Mašić. The Hoste, who reputedly was responsible for Fiorentino, Andrea Alessi and Giovanni works of the best known Croatian artist of introducing cricket to Vis. Matches are Dalmata, are documented in the surviving the 20 th century, Ivan Meštrović, are still played there —the subject of th contract, which offers Ekserdjian the exhibited in a 17 century house in which occasional pieces in the British press.
Recommended publications
  • The Middle-Class Entrepreneurial Elite in Šibenik and Split (15Th Century)***
    347.961(497.5Šibenik)’’14’’ 347.961(497.5Split)’’14’’ 304 Primljeno: 30. 5. 2019. Prihvaćeno: 17. 6. 2019. Izvorni znanstveni rad DOI: 10.22586/pp.v56i1.8502 Tonija Andrić* Ante Birin** The Middle-Class Entrepreneurial Elite in Šibenik and Split (15th Century)*** The paper explores the entrepreneurial elite of late medieval Šibenik and Split, based on the examples of prominent businessmen in the historical records preserved in the notarial records of the two cities. Keywords: Šibenik, Split, entrepreneurship, Late Middle Ages, notarial records, Indricus de Indrico, Lovro Goniribić, Lapi, son of Zanobi, Andrea Alessi, Antun Hmelić Introduction The fifteenth century was in many ways a century of change in Dalmatian medie- val history. Between 1409 and 1420, almost all Dalmatian communes acknowled- ged the rule of the Venetian Republic, which resulted in the integration of the entire northern and eastern Adriatic coast into a single political, territorial, and administrative system. This brought about a whole series of changes in the pre- viously autonomous communes: urban, ethnic, and linguistic, and also social and economic changes examined in this paper. Even though the Venetian economic policy of the 15th century hindered the development of certain economic activiti- es in Dalmatia in order to promote Venetian interests, it also created new business * Tonija Andrić, Department for History, Faculty of Humanities and Social Sciences, University of Split, Poljička 35, 21000 Split, Croatia, E-mail: [email protected] ** Ante Birin, Croatian Institute of History, Opatička 10, 10000 Zagreb, Croatia, E-mail: ante.birin@ gmail.com *** This research was conducted within the framework of the project URBES funded by the Croatian Science Foundation under no.
    [Show full text]
  • The Cult of Saint Jerome in Dalmatia in The
    Ines Ivić THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES MA Thesis in Medieval Studies Central European University CEU eTD Collection Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner CEU eTD Collection ____________________________________________ Examiner Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Supervisor CEU eTD Collection Budapest May 2016 I, the undersigned, Ines Ivić, candidate for the MA degree in Medieval Studies, declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography.
    [Show full text]
  • Circulation of Vita Et Transitus Sancti Hieronymialong the Eastern
    Edinost in dialog Unity and Dialogue 75 (2020) 1: 125–139 Izvirni znanstveni članek Original scientific paper (1.01) Besedilo prejeto Received: 1. 4. 2020; Sprejeto Accepted: 6. 5. 2020 UDK UDC: 2-28(497.58):929sv. Hieronim DOI: 10.34291/Edinost/75/Ivic © 2020 Ivić CC BY 4.0 Ines Ivić Circulation of Vita et Transitus Sancti Hieronymi along the Eastern Adriatic Coast in the Late Middle Ages Prisotnost Vita et Transitus Sancti Hieronymi vzdolž vzhodne jadranske obale v poznem srednjem veku Abstract: The Vita et Transitus Sancti Hieronymi was a main devotional work upon which the humanist and the renaissance cult of Saint Jerome was built, testified by a large number of manuscript copies, and printed editions of the work. This paper explores the previou- sly unacknowledged presence of the work in the Eastern Adriatic Coast, especially in the Dalmatian communes, where Jerome has been praised as a national saint since the 15th centu- ry. Based on the archival documents, quotations of the Transitus in other written works, and its use as a textual model for the visual representations, it discusses the direct and indirect influence on the promotion of veneration of Jerome. Furthermore, it contributes to the notion of the exchange of ideas and artistic models between two shores of the Adriatic Sea during the Late Middle Ages. Key Words: Transitus sancti Hieronymi, Dalmatia, communes, humanism, renaissance Izvleček: Vita et Transitus Sancti Hieronymi je bilo glavno pobožno delo, na katerem je bil osnovan humanistični in renesančni kult svetega Hieronima z velikim številom rokopisnih kopij in tiskanih izdaj dela.
    [Show full text]
  • — Venedik Baylosu'nun Defterleri the Venetian Baylo's Registers (1589
    Hilâl. Studi turchi e ottomani 4 — Venedik Baylosu’nun Defterleri The Venetian Baylo’s Registers (1589-1684) Serap Mumcu Edizioni Ca’Foscari Venedik Baylosu’nun Defterleri The Venetian Baylo’s Registers (1589-1684) Hilâl Studi turchi e ottomani Collana diretta da Maria Pia Pedani Elisabetta Ragagnin 4 Edizioni Ca’Foscari Hilâl Studi turchi e ottomani Direttori | General editors Maria Pia Pedani (Università Ca’ Foscari Venezia, Italia) Elisabetta Ragagnin (University of Cambridge, UK) Comitato scientifico | Advisory board Bülent Arı (TBMM Milli Saraylar, Müzecilik ve Tanıtım Bas¸kanı, ˙Istanbul, Türkiye) Önder Bayır (TC Bas¸bakanlık Devlet Ars¸ivi Daire Bas¸kanlıg˘ı, Osmanlı Ars¸ivi Daire Bas¸kanlıg˘ı, ˙Istanbul, Türkiye) Dejanirah Couto (École Pratique des Hautes Études «EPHE», Paris, France) Mehmet Yavuz Erler (Ondokuz Mayıs Üniversitesi, Samsun, Türkiye) Fabio Grassi (Università di Roma «La Sapienza», Italia) Figen Güner Dilek (Gazi Üniversitesi, Ankara, Türkiye) Stefan Hanß (Freie Universität, Berlin, Deutschland) Baiarma Khabtagaeva (Szegedi Tudományegyetem, Magyarország) Nicola Melis (Università degli Studi di Cagliari, Italia) Melek Özyetgin (Yildiz Üniversitesi, ˙Istanbul, Türkiye) Cristina Tonghini (Università Ca’ Foscari Venezia, Italia) Direzione e redazione Dipartimento di Studi sull’Asia sull’Africa Mediterranea Sezione Asia Orientale e Antropologia Università Ca’ Foscari Venezia Palazzo Vendramin dei Carmini Dorsoduro 3462 30123 Venezia http://edizionicafoscari.unive.it/col/exp/27/Hilal Venedik Baylosu’nun Defterleri The Venetian Baylo’s Registers (1589-1684) Serap Mumcu Venezia Edizioni Ca’ Foscari - Digital Publishing 2014 Venedik Baylosu’nun Defterleri | The Venetian Baylo’s Registers (1589-1684) Serap Mumcu © 2014 Serap Mumcu for the texts © 2014 Edizioni Ca’ Foscari - Digital Publishing for the edition Every part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission provided that the source is fully credited.
    [Show full text]
  • Nikola Ivanov Firentinac I Raka Sv. Nikole U Tolentinu
    NIKOLA IVANOV FIRENTINAC I RAKA SV. NIKOLE U TOLENTINU Sa mo štefanac UDK 73(451/459:497.13)"14" Na osnovi detaljne stilske analize autor 929 Nikola Firentinac pripisuje kiparu Nikoli Ivanovom Firentincu raku Izvorni znanstveni rad sv. Nikole u istoimenoj crkvi u Tolentinu (Marche). Samo štefanec Raka je izvedena 1474. godine po narudžbi rim­ Filozofijski fakultet, Ljubljana skog senatora Pietra Mellinija, a nastala je za vrije­ me Nikolinog boravka na Tremitima, gdje je radio s Andrijom Alešijem na pročelju i portalu S. Maria al Mare. Kiparski opus Nikole Ivanova Firentinca nije još do kraja proučen, a također nisu riješeni ni problemi u vezi s njegovim umjetničkim formiranjem te s njegovom dj e latnošću prije dolaska u Dalmaciju. Iako na ovom mjestu nećemo odgovoriti na ta pitanja, mislim da neće biti suvišan kratak osvrt na tu problematiku. Staru Ventu­ rijevu pretpostavku da je on identičan s Nikolom Coccarijcm, koji je djelovao u Donatellovo vrijeme u Padovi, l koju nisu prihvatili Frey2 i Folnesics 3 , dok su je smatrali prilično uvjerljivom Ljubo Karaman4 i Cvito F isković 5 , moramo danas na osnovi dokumenata konačno odbaciti. Iz jednog od brojnih dokumenata, koje je publicirao Antonio Sartori6 , naime, saznajemo da se je Coccarijev otac zvao Antonio, a ne Giovanni, kako često pro čitasmo u literaturi. 7 A. Venturi, La scultura dalmata nel XV secolo, L' Arte Xl, 1908. 114 ss. D. Frey, Der Dom von Sebenico und sein Baumeister Giorgio Orsini Jahrbuch des Kunsthistorisches Institutes der K. K. Zentralkommission fiir De~kmalpflege VII, 1913, 38-39. H Folnesics, Studien zur Entwicklungsgeschichte der Architektur und Plastik des XV.
    [Show full text]
  • Medieval Square in Trogir: Space and Society
    UDK: 711.523(497.5Trogir)’’12/14’’ Izvorni znanstveni članak Received: July 3, 2017 Accepted: September 26, 2018 MEDIEVAL SQUARE IN TROGIR: SPACE AND SOCIETY Irena BENYOVSKY LATIN * Planned structuring of Trogir’s main square in the period from the 13th to the 15th centuries can be traced based on the demolitions and construc- tions according to the concept of organized space and deliberate interven- tions. In this period, the most important secular and sacral buildings were situated there: the ecclesiastical ones traditionally and the communal ones to represent the new public functions of the main square. Th us, the square developed in accordance with the new “communal urbanity”: buildings that were seats of municipal institutions were now prominent points in urban structure and the city’s visual landmarks. Key words: Trogir, medieval square, Middle Ages, urban planning Introduction Before the 13th century, the main square in Trogir had a completely diff er- ent appearance and function than the one evolving aft er the transformation of the city owing to extensive demolitions in the 12th century and the subsequent development of the communal system. In the early Middle Ages, a basilica dedicated to St Laurence stood at the site of the later Romanesque cathedral.1 * Irena Benyovsky Latin, Ph.D., Croatian Institute of History, Zagreb, Croatia ** Th is study was fi nanced by the Croatian Science Foundation as part of the project “Towns and Cities of the Croatian Middle Ages: Urban Elites and Urban Space,” Nr. IP-2014-09-7235. 1 Archaeological research has revealed a wall of an apse, probably early Christian, which confi rms the continuity of this sacral place; cf.
    [Show full text]
  • La Dalmazia Monumentale
    ' /:lf^ ' ^>^^^^^^^i^-^^z^ c^ ^^'i-zr'y^^Z<* (^^È^-t^ <a-!^< y 2V ^^Z^^^-tr^^^^^ ^ ^ /fy licci ADOLFO VENTVRI - ETTORE PAIS POMPEO MOLMENTI LA DALMAZIA MONVMENTALE CON 100 TAVOLE FVORl TESTO RACCOLTE E ANNOTATE DA • TOMASO SILLANI • ,>^ y^iW'ì ^ V EDITORI - ALFIERI & LACROIX - MILANO MCMXVII PROPRIETÀ ARTISTICA E LETTERA- RIA RISERVATA - COPYRIGHT 1917 BY ALFIERI & LACROIX - MILANO INCISIONI E STAMPA DELLO STABILIMENTO PER LE ARTI GRAFICHE ALFIERI & LACROIX MILANO CAPITOLO 1 LA DALMAZIA MONUMENTALE 'intendimento di questa opera, alla quale hanno collabo- rato Ettore Pais, lo storico di Roma, Adolfo Venturi, il fervido storico dell'Arte nostra, e Pompeo Molmenti, lo storico della vita veneta, è chiaro ed immediato : si vuol con essa comporre il volto italico della Dalmazia così come resulta dalla organica mole de* suoi mirabili monumenti affacciati sulla riva dell'Adriatico mare. Per questo il testo ne è breve e molte sono, invece, le immagini che la documentano. 11 testo, in questo volume, vuol essere soltanto una rapida ed efficace preparazione dello spirito alla visione delle nobili bellezze raccolte più oltre. La dimostra- zione della nostra tesi deve esser compiuta dalla verità che ognuna delle immagini reca nel suo stile, nel suo spirito, nella sua forma O. Non dal sottile ragionamento degli eruditi. Mancavano, per la Dalmazia, libri di tal sorta, compiuti. Alcuni dei bellissimi che si possono vedere soltanto nelle biblioteche più ricche, non sono stati concepiti per una proporzionata documentazione. Vasti, pesanti, essi raccolgono talvolta, in prevalenza, particolari di un sol gruppo di monumenti appartenenti tutti ad una stessa epoca o ad un'e- poca derivante ; tale altra si limitano ad offrirci i caratteri anche minuti di una città sola.
    [Show full text]
  • Katalog Za Lanu.Indd
    Ivana Mance Kukuljevi}’s Lexicon of South Slavic Artists and Cultural History Ivan Kukuljevi} and the idea of cultural history “In my opinion, this last historical material has the same importance as the first, and the political activity of a nation can only be properly assessed if its social and cultural life are known, and without this final historical material cannot be done. Many phenomena in the political history of a nation are incomprehensible to us, and we cannot know their causes if we fail to consider the local religious, social and cultural relations between all classes of that nation”.1 These words were written by Ivan Kukuljevi} in 1873, in a newspaper article in which he pleaded for institutional coordination and systematization of the collection and publication of historical sources, while stressing the role of that type of historical material which is normally designated as the cultural or artistic heritage, which during Kukuljevi}’s career began to rapidly gain importance as a stronghold for identity in the 102 formation of historically aware national communities. By 1873, Kukuljevi} had already been active for over thirty years, and had already published most of his works in the fields of cultural and literary history and art history – not only the monumental Slovnik umjetnikah jugoslavenskih (Lexicon of South Slavic Artists), the first bibliographic lexicon for the South Slav lands, but also poetry anthologies in which the Early Modern poetry of Dalmatia and Dubrovnik were first treated as part of the Croatian national literary heritage, or even the series of monographs on old hillforts and fortified towns (boroughs) in continental Croatia.
    [Show full text]
  • Visualizing Past in a Foreign Country: Schiavoni/Illyrian Confraternities and Colleges in Early Modern Italy in Comparative Perspective
    Visualizing Past in a Foreign Country: Schiavoni/Illyrian Confraternities and Colleges in Early Modern Italy in comparative perspective UPPLEMENTI 07 S IL CAPITALE CULTURALE Studies on the Value of Cultural Heritage JOURNAL OF THE SECTION OF CULTURAL HERITAGE Department of Education, Cultural Heritage and Tourism University of Macerata eum IL CAPITALE CULTURALE Studies on the Value of Cultural Heritage Supplementi 07 / 2018 eum Il Capitale culturale Maurizio De Vita, Michela di Macco, Fabio Studies on the Value of Cultural Heritage Donato, Rolando Dondarini, Andrea Emiliani, Supplementi 07, 2018 Gaetano Maria Golinelli, Xavier Greffe, Alberto Grohmann, Susan Hazan, Joel Heuillon, ISSN 2039-2362 (online) Emanuele Invernizzi, Lutz Klinkhammer, ISBN 978-88-6056-565-5 Federico Marazzi, Fabio Mariano, Aldo M. Morace, Raffaella Morselli, Olena Motuzenko, Direttore / Editor Giuliano Pinto, Marco Pizzo, Edouard Massimo Montella Pommier, Carlo Pongetti, Adriano Prosperi, Angelo R. Pupino, Bernardino Co-Direttori / Co-Editors Quattrociocchi, Margherita Rasulo, Mauro Tommy D. Andersson, Elio Borgonovi, Renna, Orietta Rossi Pinelli, Roberto Rosanna Cioffi, Stefano Della Torre, Michela Sani, Girolamo Sciullo, Mislav Simunic, di Macco, Daniele Manacorda, Serge Noiret, Simonetta Stopponi, Michele Tamma, Frank Tonino Pencarelli, Angelo R. Pupino, Girolamo Vermeulen, Stefano Vitali Sciullo Web Coordinatore editoriale / Editorial Coordinator http://riviste.unimc.it/index.php/cap-cult Francesca Coltrinari e-mail [email protected] Coordinatore tecnico / Managing
    [Show full text]
  • Da Occidente a Oriente. Alcuni Casi Di Circolazione E Ricezione Di Modelli
    Da Occidente a Oriente. Alcuni casi di circolazione e ricezione di modelli nellÕarchitettura e nella scultura dellÕAlbania fra XII e XIV secolo.* Gianvito Campobasso UDC: 72.033.4(496.5)"11/13" G. Campobasso 730.033.4(496.5)"11/13" Université de Fribourg / Universität Freiburg Review Site Miséricorde, bureau 2022 Manuscript received: 02. 03. 2016. Av. de l'Europe, 20 Revised manuscript accepted: 21. 04. 2016. CH-1700 Fribourg, Switzerland DOI: 10.1484/J.HAM.5.111331 [email protected] is article aims to dene some dynamics about cultural/artistic links in the Southern Adriatic Sea, focusing on the Albanian territories in the Late Middle Ages. In this framework, not well known case studies are presented as emblematic of the circulation of ideas and models, hypothe- sizing the original background of workshops and commissioners where possible, to better understand some transfers. Sporadic and fragmentary evidences or ruins, in the best cases highly stratied, testify how much those territories where included in a network of relations with the Balkan coast as well with the oversea. ose settlements were scattered along the main routes, mostly dened by rivers dotted by harbors, at the very beginning of transbalkan axes, privileged places for cultural and economical encounters, into the cosmopolite and bi-confessional Albanian society. Keywords: Late Middle Ages Albania, Benedictines, Apulia, cultural transfers. Nell’ambito dei più recenti studi e nel contemporaneo Eppure dal secolo scorso si assiste allo sviluppo degli dibattito sull’arte balcanica e le sue radici, è molto marginale studi sulla regione storica della Dalmatia, in un’ottica globale l’interesse per l’Albania medievale.
    [Show full text]
  • Mapping Croatia in United Kingdom Collections
    MAPPING CROATIA IN UNITED KINGDOM COLLECTIONS by Flora Turner-Vučetić Juraj Čulinović also known as Giorgio Schiavone The Virgin and Child, tempera on wood, about 1456–60 The National Gallery © The National Gallery, London MAPPING CROATIA IN UNITED KINGDOM COLLECTIONS To find a work of art by one’s compatriot in a major world museum is always an exciting moment. It is a link with your homeland and it is also another link with the country you visit or in which you have settled. This was my experience back in 1977 when I was a visiting curator at the V&A. I was researching the work of Horacio Fortezza, a Renaissance artist, often described as Italian but who never left his Croatian hometown, Šibenik. His best works are in the British Museum and in the Victoria and Albert Museum. These two museums have in their collections some remarkable exhibits linked to Croatia. There are also masterpieces in the National Gallery, the Royal Collections and in museums and collections throughout the country. The presence of these works of art show us that links between Britain and Croatia are stronger and more pervasive that is generally known. The movement of artefacts and exchange of ideas has being ongoing for centuries. Even early British art collectors recognised the artistic value of Croatian Renaissance masters and collected their works. But some of them were then known – and some still today – only in association with Venice, or other European artistic centres where they worked and by their Italianate names. They were often called Schiavone, which simply means from the Slavic region, or Dalmata, from Dalmatia.
    [Show full text]