Chapter I the Hoysalas
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(BA-II) Sub-Kannada
SHIVAJI UNIVERSITY, KOLHAPUR ***************** Accredided by NAAC ‘A’ Grade CHOICE BASED CREDIT SYATEM Syllabus for Bachelor of Arts (B.A-II) Sub-Kannada Sem-III&IV(DSC-C17 DSC-C18 DSC-C41 DSC-C42) (To be implemented from June, 2019 onwords) SHIVAJI UNIVERSITY, KOLHAPUR B.A-II ( Choice Base Credit System) (CBCS) (Academic Year 2019-20 Onwards) Semester –III (Paper-IV) (DSC-C18) Modern Kannada Poetry Detailed Syllabi Objectives: 1. To acquaint the students with modern Kannada Literature 2. To introduce the Students to Kannada Poems with reference to the text prescribed. 3. To develop literary competence among students. Text book Prescribed: 1.Hosagannada Kavya Sanchay – Edited by Dr.Gangambike k. Patil Published by Siddlingeshwar Prakashan Kalburagi. Unit-1) The Introduction of Modern Kannada Poets and peoms. Unit- 2) Jayadevi Tai Ligade :- 1. Summanaguve 2. Matadu Matanadu Atumad Lingave 3. Veera Vaniteyar 4. Maatu Unit-3) Siddayya Puranik 1. Basavana Bedake 2.Kannada Kal? 3.Jama Kharchu 4.Halliya Hadendu Hasya Madalu Bedi Unit-4) Channaveer Kanavi 1.Kannada Jyotiy Deepagalu 2. Nilambike 3. Hosabalu Nammadide 4. Lal Bhaddur Shastri Division Of Teaching Hours: Each Unit 15 Hours: Total 60 Hours Reference:- 1) Hosagannad Sahitya Charitre: L.S.Sheshgirirao 2) Hosagannad Sahitya Sangati: Keertinath Kurtkoti 3) Samanynige Sahitya Sampeetagalu: Bangaluru University SHIVAJI UNIVERSITY, KOLHAPUR B.A-II (Choice Base Credit System) (CBCS) (Academic Year 2019-20 Onwarda) Semester –III (Paper-III) (DSC-C17) Medieval Kannada Literature Detailed Syllabi Objectives: 1. To acquaint the students with medival Kannada Literature 2. To introduce the Students to forms of medival Kannada Literature. 3. To develop literary competence among students. -
Hoysala King Ballala Iii (1291-1342 A.D)
FINAL REPORT UGC MINOR RESEARCH PROJECT on LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA III (1291-1342 A.D) Submitted by DR.N.SAVITHRI Associate Professor Department of History Mallamma Marimallappa Women’s Arts and Commerce College, Mysore-24 Submitted to UNIVERSITY GRANTS COMMISSION South Western Regional Office P.K.Block, Gandhinagar, Bangalore-560009 2017 1 ACKNOWLEDGEMENT First of all, I would like to Express My Gratitude and Indebtedness to University Grants Commission, New Delhi for awarding Minor Research Project in History. My Sincere thanks are due to Sri.Paramashivaiah.S, President of Marimallappa Educational Institutions. I am Grateful to Prof.Panchaksharaswamy.K.N, Honorary Secretary of Marimallappa Educational Institutions. I owe special thanks to Principal Sri.Dhananjaya.Y.D., Vice Principal Prapulla Chandra Kumar.S., Dr.Saraswathi.N., Sri Purushothama.K, Teaching and Non-Teaching Staff, members of Mallamma Marimallappa Women’s College, Mysore. I also thank K.B.Communications, Mysore has taken a lot of strain in computerszing my project work. I am Thankful to the Authorizes of the libraries in Karnataka for giving me permission to consult the necessary documents and books, pertaining to my project work. I thank all the temple guides and curators of minor Hoysala temples like Belur, Halebidu. Somanathapura, Thalkad, Melkote, Hosaholalu, kikkeri, Govindahalli, Nuggehalli, ext…. Several individuals and institution have helped me during the course of this study by generously sharing documents and other reference materials. I am thankful to all of them. Dr.N.Savithri Place: Date: 2 CERTIFICATE I Dr.N. Savithri Certify that the project entitled “LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA iii (1299-1342 A.D)” sponsored by University Grants Commission New Delhi under Minor Research Project is successfully completed by me. -
Of 426 AUTO YEAR IVPR SRL PAGE DOB NAME ADDRESS STATE PIN
Page 1 of 426 AUTO YEAR IVPR_SRL PAGE DOB NAME ADDRESS STATE PIN REG_NUM QUALIF MOBILE EMAIL 7356 1994S 2091 345 28.04.49 KRISHNAMSETY D-12, IVRI, QTRS, HEBBAL, KARNATAKA VCI/85/94 B.V.Sc./APAU/ PRABHODAS BANGALORE-580024 KARNATAKA 8992 1994S 3750 425 03.01.43 SATYA NARAYAN SAHA IVRI PO HA FARM BANGALORE- KARNATAKA VCI/92/94 B.V.Sc. & 24 KARNATAKA A.H./CU/66 6466 1994S 1188 295 DINTARAN PAL ANIMAL NUTRITION DIV NIANP KARNATAKA 560030 WB/2150/91 BVSc & 9480613205 [email protected] ADUGODI HOSUR ROAD AH/BCKVV/91 BANGALORE 560030 KARNATAKA 7200 1994S 1931 337 KAJAL SANKAR ROY SCIENTIST (SS) NIANP KARNATAKA 560030 WB/2254/93 BVSc&AH/BCKVV/93 9448974024 [email protected] ADNGODI BANGLORE 560030 m KARNATAKA 12229 1995 2593 488 26.08.39 KRISHNAMURTHY.R,S/ #1645, 19TH CROSS 7TH KARNATAKA APSVC/205/94,VCI/61 BVSC/UNI OF 080 25721645 krishnamurthy.rayakot O VEERASWAMY SECTOR, 3RD MAIN HSR 7/95 MADRAS/62 09480258795 [email protected] NAIDU LAYOUT, BANGALORE-560 102. 14837 1995 5242 626 SADASHIV M. MUDLAJE FARMS BALNAD KARNATAKA KAESVC/805/ BVSC/UAS VILLAGE UJRRHADE PUTTUR BANGALORE/69 DA KA KARANATAKA 11694 1995 2049 460 29/04/69 JAMBAGI ADIGANGA EXTENSION AREA KARNATAKA 591220 KARNATAKA/2417/ BVSC&AH 9448187670 shekharjambagi@gmai RAJASHEKHAR A/P. HARUGERI BELGAUM l.com BALAKRISHNA 591220 KARANATAKA 10289 1995 624 386 BASAVARAJA REDDY HUKKERI, BELGAUM DISTT. KARNATAKA KARSUL/437/ B.V.SC./GAS 9241059098 A.I. KARANATAKA BANGALORE/73 14212 1995 4605 592 25/07/68 RAJASHEKAR D PATIL, AMALZARI PO, BILIGI TQ, KARNATAKA KARSV/2824/ B.V.SC/UAS S/O DONKANAGOUDA BIJAPUR DT. -
Dāsa Sāhitya: Some Notes on Early Publications, Commentaries and Concerns1 Abstract: Dāsa Sāhitya Is a Literary Genre In
Dāsa Sāhitya: Some Notes on Early Publications, Commentaries and Concerns1 Abstract: Dāsa Sāhitya is a literary genre in Kannada, beginning to be seen from the late- fifteenth century. Making its mark both in literature and in Indian classical music, Dāsa Sāhitya attracted the attention of missionaries and other colonial functionaries and was one of the first genres to be edited and published in Kannada in the mid-nineteenth century. Very soon, the native editors and publishers started working on the genre. Usually classified under Bhakti literature as part of modern Kannada literature, Dāsa Sāhitya got published by individuals of varying interests. This essay makes a survey of some of the early publications of the genre and attempts to segregate varying concerns and interests within what may be broadly and sometimes, urgently termed as either ‘colonial’ or ‘nationalist’, even as it makes certain interesting observations on the changing phase of the literary culture: from manuscript to print. Key Words: Dāsa Sāhitya, Dāsa, Pada, Kannada, literature, print Dāsa Sāhitya in Kannada seems to be a post late-fifteenth century phenomenon. It is largely perceived as Vaiṣṇava and Mādhva literature, eulogizing Puraṇic gods in the Vaiṣṇava pantheon and is considered part of Bhakti literature in Kannada. Travelling singers of medieval India who had a presence from Rajasthan in the north to north Karnataka in the south; Iyal and Isai traditions of Tamil and the Vārakarī tradition of Maharashtra seem to have had the foundational impacts on the Dāsa Sāhitya tradition apart from its own indigenous Kannada roots. Purandaradāsa, Kanakadāsa, Vijayadāsa, and Jagannathadāsa have been 1 I remain thankful for the comments and feedback during the presentation of this paper at the Conference, “Translating Oral/folk texts from Indian Languages into English” held in EFLU, Hyderabad, in March 2014. -
Durga Praveena MS Present Address : Assistant Professor, Department of Kannada Language and Translati
CURRICULUM VITAE Name : Durga Praveena M.S. Present Address : Assistant Professor, Department of Kannada Language and Translation Studies, Dravidian University, SrinivasaVanam, Kuppam-517426, Chittor Dist, Andhra Pradesh Ph: 9441997639 E-mail: [email protected] Permanent Address : Sri Durga Nilaya, Near GHP School Padnur, P. O. Padnur -574220, Puttur, Dakshina Kannada, Karnataka Sex : Male Date of Birth : 07.01.1981 Languages Known : Kannada, Tulu, English, Hindi and Telugu Educational Qualification : Ph.D(Kannada Literature), 2008, ‘Aadhunika Kannada Sahitya Haagu Janapriyateya Prashne’ (Modern Kannada Literature and the Question of Popularity), Kannada University Hampi UGC- NET (Kannada Literature), 2004 M.A. (Kannada Literature), 2004, 72%, Kannada University Hampi Prasara Bharati All India Radio (AIR) Vani Certificate (2007) Basic Computer Knowledge Career Profile : Assistant Professor in the Department of Kannada Language and Translation Studies, Dravidian University, from 01.10.2010 till date 1 Assistant Professor in the Department of Tulu Studies, Dravidian University (31.05.2008 to 30.09.2010) Project Assistant in the project ‘Tunga Mattu Bhadra Nadigala Huttu, Paatra, Jalacharagala Vishleshanatmaka Adhyayana’, 2006, Kannada University, Hampi Casual Announcer in All India Radio (AIR) Hospet F.M. (2003 to 2008) Research Interests : Tulu Literature and Culture, Popular Literature, Popular Culture, Writings of Missionary Period (19th C), Paper Manuscripts of 19th C, Dravidian Studies, Translation Studies. Research Guidance : M. Phil and PhD Teaching Experience : PG – Six Years Ongoing Research Projects : 1. UGC Major Research Project entitled A Survey of Indian Novel Genre in Kannada Periodicals from 1981 to 2000 with Special Reference to the Conflicts of Serious Vs Popular Literature has got financial assistance of Rs.4,51,500/-, w.ef.1 July 2012. -
Vijayanagar Art and Architecture an Overview
www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 4 November 2018 | ISSN: 2320-2882 Vijayanagar art and architecture an overview Dr Anand.B Asst Professor of History Govt First Grade College – Sunkalbidari Abstract The Vijayanagar Empire was a Hindu empire based in the Deccan plateau region of South India. Established in 1336 by Harihara I (who ruled from 1336–1356 CE), it enjoyed its greatest political and cultural prominence under Emperor Krishna Deva Raya (who ruled from 1509–1529 CE) and lasted until 1646, when it was conquered by the Muslim Sultans of Bijapur and Golkonda. The empire’s patronage enabled its fine arts and literature to rise to new heights, and its legacy of sculpture, painting, and architecture influenced the development of the arts in South India long after the empire came to an end. There were great innovations in Hindu temple construction during this period, and many diverse temple building traditions and styles in South India came together in the Vijayanagar style of architecture, the finest examples of which are to be found in the capital Hampi.Vijayanagar era architecture can be broadly classified into religious, courtly, and civic architecture. Its style is a harmonious combination of the Chalukya, Hoysala, Pandya, and Chola styles that evolved in earlier centuries and represents a return to the simplicity and serenity of the past. Preferred for its durability, local hard granite was the building material of choice, as it had been for the Badami Chalukyas; however, soapstone, which was soft and easily carved, was -
Annual Report 2013-14 Vikasa Soudha June 2014
GOVERNMENT OF KARNATAKA WATER RESOURCES DEPARTMENT (MAJOR, MEDIUM IRRIGATION AND CADA) ANNUAL REPORT 2013-14 VIKASA SOUDHA JUNE 2014 1 SL. PAGE CONTENTS NO. NO. 1 INTRODUCTION PREFACE VISION AND MISSION OF THE DEPARTMENT OBJECTIVES OF THE DEPARTMENT 2 ORGANISATIONAL STRUCTURE 3 ACHIEVEMENTS OF WATER RESOURCES DEPARTMENT DURING 2010-11 4 ACCELERATED IRRIGATION BENEFIT PROGRAMME (AIBP) 5 PRIME MINISTER’S SPECIAL PACKAGE 6 SPECIAL DEVELOPMENT PLAN (SDP) 7 WATER RESOURCES DEVELOPMENT ORGANISATION 8 CENTRAL MECHANICAL ORGANISATION (CMO) 9 KARNATAKA ENGINEERING RESEARCH STATION (KERS, K.R SAGAR) 10 WATER AND LAND MANAGEMENT INSTITUTE (WALMI, DHARWAD) NIGAM 11 KRISHNA BHAGYA JALA NIGAM LIMITED (KBJNL) 11.1 UPPER KRISHNA PROJECT (UKP) 11.2 BAGALKOT TOWN DEVELOPMENT AUTHORITY, BAGALKOT (BTDA) 12 KARNATAKA NEERAVARI NIGAMA LIMITED (KNNL) AN OVERVIEW OF PROJECTS UNDER THE CHIEF ENGINEER, IRRIGATION 12.1 (NORTH), BELGAUM 12.1.1 GHATAPRABHA PROJECT 12.1.2 HIPPARAGI IRRIGATION PROJECT 12.1.3 MARKANDEYA PROJECT 12.1.4 DUDHGANGA IRRIGATION PROJECT 12.1.5 HIRANYAKESHI LIS 12.1.6 SRI RAMESHWARA L.I. SCHEME SL. PAGE CONTENTS NO. NO. 12.1.7 KINAYE PROJECT 12.1.8 MALIKWADI LIS 12.1.9 KALLOL-YADUR BRIDGE CUM BARRAGE 12.1.10 SANGAM BARRAGE 12.1.11 FILLING OF SHIRGAON BASAVANNA TANK 12.1.12 FILLING OF KADAPUR TANK FILLING OF 18 TANKS OF HUKKERI TALUK & 4 TANKS OF CHIKKODI TALUK 12.1.13 (TOTAL 22 TANKS) FROM HIRANYAKESHI RIVER) 12.1.14 SRI MAHALAKSHMI LIS 12.1.15 TUBACHI-BABALESHWAR LIS 12.1.16 VEERABHADRESHWARA 12.1.17 KEMPWAD LIS AN OVERVIEW OF PROJECTS UNDER THE CHIEF ENGINEER, MALAPRABHA 12.2 PROJECT ZONE, DHARWAD. -
Miscellaneous a TRAGIC RAVANA
Miscellaneous A TRAGIC RAVANA I I have often pitied poor Ravana. His is no doubt a cursed name—Loka-kantaka, Scourge of the world—handed down the ages, branded—and who knows, wounded, none so human as to waste some sympathy on the Demon-Monster. Rishi and poet, Pouranik and dramatist, the Saint in the rapture of Bhakti and the Prakrit or vernacular minor or major versifier in ecstasy borne on the swelling tide of devotion, the Dasa who spins out his Hari-katha, and the village Bottom who roars you in Ercles’ vein— all, all have conspired to stamp on the imagination of India a repulsive Ravana, the terrible Rakshasa, the mighty Asura, ten-headed monster, cruel Devil, incarnation of the wicked principle, enemy of Gods and men, harasser of saints and sages, destroyer of sacrifices, violater of women—all have but one name to give him “Ravana,” thy name is Evil. It is all very edifying, impressive, sublime, undoubtedly. Black against white, evil against good, monstrosity against beauty, a simple law of contrast, the very trick of the early artist and primitive preacher of morals. Rama and Ravana! All is said. And now look on this picture! Charming boy, obedient son, loving brother, loyal husband, chivalrous prince, fearless warrior, merciful enemy, lover of truth, soul of sacrifice, beloved by subject, beloved by all—Ramachandra, Ramabhadra—perfect Man, nay, is he not perfect God? And between Rama and Ravana, Sita: to name her is to praise her, to call her blessed. Not in vain was Valmiki hailed Rishi, Adi Kavi, Holy Saint, Father of poets: and he wept for a shot bird! And in his wake, with whatever touches of individual genius, variety of incident or modification of character, not in vain, have followed Bhasa and Kalidasa, Bava-Bhuti and Tulsi Das. -
ANCIENT INDIA All Bights Reserved ANCIENT INDIA
CORNELL UNIVERSITY LIBRARY Date ANCIENT INDIA All Bights reserved ANCIENT INDIA BY S. KRISHNASWAMI AIYANGAE, M.A. Member of the Royal Asiatic Society of Oreal Britain and Ireland Fellow of the Roijal Bistorical Society, London. Member ol the Board of Studies, and Examiner in History and Economics. Vnirersity of Madras Mysore Education Serria: WITH AN INTRODUCTION BY VINCENT A. SMITH, M.A., I.C.S. (retired) ' Author of the ' Early History of India LONDON: LUZAC & Co., IC great kussell isteeet MADEAS: S.P.C.K. DEPOSITORY, VEPBEY 1911 1)5 4-04- /\fl 6 ^,©XKg^ PRINTED AT THE :. PKESS, VEPBKY, MADRAS 1911 "^QXYS^ ) INSCRIBED TO THE :ME:M0RY OP JOHN WEIE [Inspector-General op Education in JIybore] ( November 1, 1909—July 31, 1911 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022968840 PEEFACE The first chapter deals with the early portion of Indian History, and so the title ' Ancient India ' has been given to the book. The other chapters deal with a variety ot subjects, and are based on lectures given on different occa- sions. One was originally prepared as my thesis for the M.A. Degree Examination of the University of Madras. The favourable reception given to my early work by historical and oriental scholars encouraged me to put my researches into a more permanent form, which a liberal grant from the Madras School Book and Literature Society has enabled me to do. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
Kannada Literature Syllabus
Kannada Literature Syllabus UPSC Civil Services Mains Exam is of Optional Subject and consists of 2 papers. Each paper is of 250 marks with a total of 500 marks. KANNADA PAPER-I (Answers must be written in Kannada) Section-A History of Kannada Language What is Language? General charecteristics of Language. Dravidian Family of Languages and its specific features, Antiquity of Kannada Language, Different Phases of its Development. Dialects of Kannada Language : Regional and Social Various aspects of development of Kannada Language : phonological and Semantic changes. Language borrowing. History of Kannada Literature Ancient Kannada literature : Influence and Trends. Poets for study : Specified poets from Pampa to Ratnakara Varni are to be studied in the light of contents, form and expression : Pampa, Janna, Nagachandra. Medieval Kannada literature : Influence and Trends. Vachana literature : Basavanna, Akka Mahadevi. Medieval Poets : Harihara, Ragha-vanka, Kumar-Vyasa. Dasa literature : Purandra and Kanaka. Sangataya : Ratnakaravarni Modern Kannada literature : Influence, trends and idealogies, Navodaya, Pragatishila, Navya, Dalita and Bandaya. Section-B Poetics and literary criticism : Definition and concepts of poetry : Word, Meaning, Alankara, Reeti, Rasa, Dhwani, Auchitya. Interpretations of Rasa Sutra. Modern Trends of literary criticism : Formalist, Historical, Marxist, Feminist, Post-colonial criticism. Cultural History of Karnataka Contribution of Dynasties to the culture of Karnataka : Chalukyas of Badami and Kalyani, Rashtrakutas, Hoysalas, Vijayanagara rulers, in literary context. Major religions of Karnataka and their cultural contributions. Arts of Karnataka : Sculpture, Architecture, Painting, Music, Dance-in the literary context. Unification of Karnataka and its impact on Kannada literature. PAPER-II (Answers must be written in Kannada) The paper will require first-hand reading of the Texts prescribed and will be designed to test the critical ability of the candidates. -
Caste Politics and State Integration: a Case Study of Mysore State
MAHESH RAMASWAMY, ASHA S. Caste Politics and State Integration... 195 DOI: 10.1515/ijas-2015-0009 MAHESH RAMASWAMY DVS EVENING COLLEGE ASHA. S GOVERNMENT FIRST GRADE COLLEGE Caste Politics and State Integration: a Case Study of Mysore State Abstract: The subject of unifi cation is as vibrant as national movement even after 58 years of a fractured verdict. More than to achieve a physical conjugation it was an attempt for cultural fusion. The aspiration for linguistic unifi cation was a part of the national discourse. The movement, which began with mystic originations, later on turned out to become communal. Political changes during 1799 A.D. and 1857 A.D. changed the fortunes of Mysore state and ultimately led to its disintegration and became the reason for this movement. The concept of unifi cation is akin to the spirit of nationalism, against the background of colonial regime assigning parts of land to different administrative units without taking into consideration the historical or cultural aspects of that place. Kannadigas marooned in multi lingual states experient an orphaned situation got aroused with the turn of nineteenth century. The problem precipitated by the company was diluted by British when they introduced English education. Though the positive aspect like emergence of middle class is pragmatic, rise of communalism on the other hand is not idealistic. This research paper is designed to examine the polarization of castes during unifi cation movement of Mysore State (Presently called as State of Karnataka, since 1973, which was termed Mysore when integrated) which came into being in 1956 A.D.