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Ethics for Digital Journalists
ETHICS FOR DIGITAL JOURNALISTS The rapid growth of online media has led to new complications in journalism ethics and practice. While traditional ethical principles may not fundamentally change when information is disseminated online, applying them across platforms has become more challenging as new kinds of interactions develop between jour- nalists and audiences. In Ethics for Digital Journalists , Lawrie Zion and David Craig draw together the international expertise and experience of journalists and scholars who have all been part of the process of shaping best practices in digital journalism. Drawing on contemporary events and controversies like the Boston Marathon bombing and the Arab Spring, the authors examine emerging best practices in everything from transparency and verifi cation to aggregation, collaboration, live blogging, tweet- ing, and the challenges of digital narratives. At a time when questions of ethics and practice are challenged and subject to intense debate, this book is designed to provide students and practitioners with the insights and skills to realize their potential as professionals. Lawrie Zion is an Associate Professor of Journalism at La Trobe University in Melbourne, Australia, and editor-in-chief of the online magazine upstart. He has worked as a broadcaster with the Australian Broadcasting Corporation and as a fi lm journalist for a range of print publications. He wrote and researched the 2007 documentary The Sounds of Aus , which tells the story of the Australian accent. David Craig is a Professor of Journalism and Associate Dean at the University of Oklahoma in the United States. A former newspaper copy editor, he is the author of Excellence in Online Journalism: Exploring Current Practices in an Evolving Environ- ment and The Ethics of the Story: Using Narrative Techniques Responsibly in Journalism . -
The State of Multimedia Newsrooms in Europe
MIT 2002 The State of Multimedia Newsrooms in Europe Martha Stone, Jan Bierhoff Introduction The media landscape worldwide is changing rapidly. In the 1980s, the “traditional” mass media players were in control: TV, newspapers and radio. Newspaper readers consumed the paper at a specified time of the day, in the morning, over breakfast or after work. Radio was listened to on the way to and from work. Television news was watched in the morning mid-day and/or evening. Fast forward to 2002, and the media landscape is fragmented. The consumption of news has changed dramatically. News information is all around, on mobile phones, newspapers, PDAs, TV, Interactive TV, cable, Internet, teletext, kiosks, radio, video screens in hotel elevators, video programming for airlines and much more. Meanwhile, also the concept of news has changed to be more personalised, more service-oriented and less institutional. The sweeping market changes have forced media companies to adapt. This new challenge explains why Dow Jones Company, owner of the Wall Street Journal, now considers itself “a news provider of any news, all the time, everywhere.” In the frame of the MUDIA project (see annex 1), an international team of researchers has taken stock of the present situation concerning media and newsroom convergence in Europe. The various routes taken to this ideal have been mapped in a number of case studies. In total 24 leading European media (newspapers, broadcasters, netnative newscasters) were approached with a comprehensive questionnaire and later visited to interview key representatives of the editorial and commercial departments (see annex 2). The study zoomed in on four countries: the United Kingdom, Spain, France and Sweden; viewpoints from other media elsewhere in Europe were added on the basis of existing literature, and throughout the study a comparison with the USA is made where possible and relevant. -
Spring 2019 Umass Journalism Courses Confirm Classes, Time and Location on SPIRE
Spring 2019 UMass Journalism Courses Confirm classes, time and location on SPIRE. This is a guide, and courses may change. Journal 201: Introduction to Journalism (4 cr.) Cap. 100 Open to first-year and sophomores of any major. Gen Ed: SB DU TTH 8:30 a.m. - 9:45 a.m. Sibii ILC S140 Introduction to Journalism is a survey class that covers the basic principles and practices of contemporary journalism. By studying fundamentals like truth telling, fact checking, the First Amendment, diversity, being a watchdog to the powerful and public engagement, students will explore the best of what journalists do in a democratic society. Students will also assess changes in the production, distribution, and consumption of journalism as new technologies are introduced to newsrooms. Toward the end of the semester, students look at case studies across the media and learn how different audiences, mediums, and perspectives affect the news. Journal 250: News Literacy (4 cr.) Cap. 40 Open to any major. Gen Ed: SB TTh 10:00 a.m. - 11:15 a.m. Fox ILC N255 What is fact? What is fiction? Can we even tell the difference anymore? Today’s 24-hour news environment is saturated with a wide array of sources ranging from real-time citizen journalism reports, government propaganda and corporate spin to real-time blogging, photos, and videos from around the world, as well as reports from the mainstream media. In this class, students will become more discerning consumers of news. Students will use critical-thinking skills to develop the tools needed to determine what news sources are reliable in the digital world. -
Porting Transmedia Storytelling to Journalism
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2011 Porting Transmedia Storytelling to Journalism Kevin Timothy Moloney University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Digital Humanities Commons, and the Journalism Studies Commons Recommended Citation Moloney, Kevin Timothy, "Porting Transmedia Storytelling to Journalism" (2011). Electronic Theses and Dissertations. 440. https://digitalcommons.du.edu/etd/440 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. PORTING TRANSMEDIA STORYTELLING TO JOURNALISM __________ A Thesis Presented to the Faculty of Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Kevin T. Moloney August 2011 Advisor: Dr. Adrienne Russell © Copyright Kevin T. Moloney, 2011 All Rights Reserved Author: Kevin T. Moloney Title: PORTING TRANSMEDIA STORYTELLING TO JOURNALISM Advisor: Dr. Adrienne Russell Degree Date: August 2011 ABSTRACT This thesis examines how the methods of transmedia storytelling emerging in the entertainment industry might be used in a journalism context. Journalism is facing many crises, not the least of which is a loss of readership and perceived relevance to its public. Presented with an ever-expanding array of media with which to interact, the public is more difficult to attract to a socially relevant issue or a politically important story. -
NEW/CHANGE PROGRAM REQUEST Undergraduate Programs
NEW/CHANGE PROGRAM REQUEST UUPC Approval _________________ UFS Approval ___________________ Undergraduate Programs Banner Posted __________________ FLORIDA Department School of Communication and Multimedia Studies Catalog __________________________ ATLANTIC UNIVERSITY College Arts and Letters Program Name New Program Effective Date (TERM & YEAR) Multimedia Studies Journalism ✔ Change Program Fall 2021 Please explain the requested change(s) and offer rationale below or on an attachment See attached memo. Faculty Contact/Email/Phone Consult and list departments that may be affected by the change(s) and attach documentation Aaron Veenstra / [email protected] / 7-3851 N/A Approved by Date Department Chair College Curriculum Chair 11.23.20 College Dean 11-30-2020 UUPC Chair Undergraduate Studies Dean UFS President Provost Email this form and attachments to [email protected] one week before the UUPC meeting so that materials may be viewed on the UUPC website prior to the meeting. FAUprogramchangeUG, created December 2017 Memo for Multimedia Journalism Program Changes: 1. In an effort the streamline the curriculum, decrease time to degree, and maintain curricular rigor, the MMSJ program proposes several changes. We will reduce the required number of credits from 50 credits to a minimum of 38 (can be more depending on focus courses selected). 2. We are also dividing the MMSJ Curriculum into three parallel streams: Core (13 required credits), Production (13 required credits), Focus (12 required credits minimum). This entails renaming: a. the “Disciplinary Core” into “Core,” b. renaming the “Performance and Production” category to “Production” and, c. remove/collapse all remaining current sections, Focus, Theory/History/Criticism, and Performance and Production Emphasis”, to “Focus” resulting the categories as listed below: Core The following courses are required (13 credits): MMC 1540 Introduction to Multimedia Studies (3 credits) JOU 4004 U.S. -
University of Calicut Board of Studies (Ug) In
[Type text] UNIVERSITY OF CALICUT BOARD OF STUDIES (UG) IN JOURNALISM Restructured Curriculum and Syllabi as per CBCSSUG Regulations 2019 (2019 Admission Onwards) PART I B.A. Journalism and Mass Communication PART II Complementary Courses in 1. Journalism, 2. Electronic Media 3. Mass Communication (for BA West Asian Studies) 4. Complementary Courses in Media Practices for B.A LRP Programmes in Visual Communication, Multimedia, and Film and Television for Non-Journalism UG Programmes [Type text] GENERAL SCHEME OF THE PROGRAMME Sl No Course No of Courses Credits 1 Common Courses (English) 6 22 2 Common Courses (Additional Language) 4 16 3 Core Courses 15 61 4 Project (Linked to Core Courses) 1 2 5 Complementary Courses 2 16 6 Open Courses 1 3 Total 120 Audit course 4 16 Extra Credit Course 1 4 Total 140 [Type text] PART I B.A. JOURNALISM AND MASS COMMUNICATION Distribution of Courses A - Common Courses B - Core Courses C - Complementary Courses D - Open Courses Ability Enhancement Course/Audit Course Extra Credit Activities [Type text] A. Common Courses Sl. No. Code Title Semester 1 A01 Common English Course I I 2 A02 Common English Course II I 3 A03 Common English Course III II 4 A04 Common English Course IV II 5 A05 Common English Course V III 6 A06 Common English Course VI IV 7 A07 Additional language Course I I 8 A08 Additional language Course II II 9 A09 Additional language Course III III 10 A10 Additional language Course IV IV Total Credit 38 [Type text] B. Core Courses Sl. No. Code Title Contact hrs Credit Semester 11 JOU1B01 Fundamentals -
What Drives Hyper-Partisan News Sharing: Exploring the Role of Source, Style, and Content
University of Massachusetts Amherst ScholarWorks@UMass Amherst Communication Department Faculty Publication Series Communication 2020 What drives hyper-partisan news sharing: Exploring the role of source, style, and content Weiai Wayne Xu Yoonmo Sang Christopher Kim Follow this and additional works at: https://scholarworks.umass.edu/communication_faculty_pubs 1 What drives hyper-partisan news sharing: Exploring the role of source, style, and content Weiai Wayne Xu Assistant Professor N334 Integrative Learning Center, Department of Communication University of Massachusetts – Amherst Amherst, MA 01003-1100 Phone: +001-(414)688-3059 Email: [email protected] Yoonmo Sang Assistant Professor Faculty of Arts & Design University of Canberra Email: [email protected] Christopher Kim Ph.D. Candidate Faculty of Arts and Design, University of Canberra Email: [email protected] 2 A growing number of hyper-partisan alternative media outlets have sprung up online to challenge mainstream journalism. However, research on news sharing in this particular media environment is lacking. Based on the virality of sixteen partisan outlets’ coverage of immigration and using the latest computational linguistic algorithm, the present study probes how hyper- partisan news sharing is related to source transparency, content styles, and moral framing. The study finds that the most shared articles reveal author names, but not necessarily other types of author information. The study uncovers a salient link between moral frames and virality. In particular, audiences are more sensitive to moral frames that emphasize authority/respect, fairness/reciprocity, and harm/care. Keywords: news sharing, news diffusion, partisan media, Facebook, social media, moral framing, moral foundations theory 3 What drives hyper-partisan news sharing: Exploring the role of source, style, and content The 2016 U.S. -
Copyrighted Material
1 The Role of the Storyteller It ’ s one day after the death of Michael Jackson, June 25th, 2009. All across the country, newsrooms have expended the level of resources once reserved for covering political con- ventions, presidential elections, and the passing of heads of state. In our burgeoning celebrity - fi rst culture, that part is not surprising. What is remarkable is the path the story takes, not through any one news medium, but across many: newspapers, radio, television, the Internet, and social media. The fi rst contact with the story of Michael Jackson ’ s death was, for many, through social media followed by the web, then radio and television, and, fi nally, newspapers – and by extension, other print media, such as magazines. Within an hour of the pop icon ’ s death, the message was being received and relayed by people with cell phones, Facebook or MySpace pages, and Twitter accounts. For the current generation, there will always be the memory of where they were when they got the news that Jackson had died; in many ways, it is similar to those of another generation who will never forget the details surrounding how they learned of the death of President John F. Kennedy over four decades earlier. For the news media, the difference was palatable. It wasn ’t so long ago that when a major news story broke, the path to an audience was fi rst and foremost through a traditional medium: print, radio, or television; then and only then would thought be given to posting it for the web, and social media weren ’ t even on the horizon. -
Journalism (JOUR) 1
Journalism (JOUR) 1 JOUR 2712. Intermediate Print Reporting. (4 Credits) JOURNALISM (JOUR) This is an intermediate reporting course which focuses on developing investigative skills through the use of human sources and computer- JOUR 1701. Introduction to Multimedia Journalism With Lab. (4 Credits) assisted reporting. Students will develop beat reporting skills, source- A course designed to introduce the student to various fundamentals building and journalism ethics. Students will gather and report on actual of journalism today, including writing leads; finding and interviewing news events in New York City. Four-credit courses that meet for 150 sources; document, database and digital research; and story minutes per week require three additional hours of class preparation per development and packaging. The course also discusses the intersection week on the part of the student in lieu of an additional hour of formal of journalism with broader social contexts and questions, exploring the instruction. changing nature of news, the shifting social role of the press and the Attribute: JWRI. evolving ethical and legal issues affecting the field. The course requires a JOUR 2714. Radio and Audio Reporting. (4 Credits) once weekly tools lab, which introduces essential photo, audio, and video A survey of the historical styles, formats and genres that have been used editing software for digital and multimedia work. This class is approved for radio, comparing these to contemporary formats used for commercial to count as an EP1 seminar for first-year students; students need to and noncommercial stations, analyzing the effects that technological, contact their class dean to have the attribute applied. Note: Credit will not social and regulatory changes have had on the medium. -
AJR Retreating from the World.Pdf
In the face of heightened globalization and with the U.S. engaged in two wars, many mainstream news organizations have turned their backs on foreign news. Newspapers and television networks alike provide much less of it. Many outlets have shut- tered overseas bureaus. But a handful of promis- ing startups offer some hope for the future. Retreating from theWorld By Jodi Enda tori soper Former foreign correspondent Colin McMahon oversees the international news report for the Chicago Tribune and six other Tribune Co. newspapers. This arTiCle was Funded by a granT FroM The open soCieTy insTiTuTe. uring more than two decades at the Chicago to describe a modern, industrialized, assembly line approach to DTribune, Colin McMahon reported from bureaus in Mexico foreign (and sometimes national) news. And while the chain’s City, Moscow, Baghdad and Buenos Aires. He served as foreign particular method of providing identical pages for a variety of editor, directing a cadre of correspondents as they covered the papers might not be the national norm, its pared-down vision invasion of Iraq, the war in Afghanistan, the Palestinian upris- of foreign reporting is. ing. He was dispatched to Jerusalem for six months. It was Eighteen newspapers and two chains have shuttered every a heady life of globe-trotting that not only allowed him to be one of their overseas bureaus in the dozen years since AJR a witness to history, but to bring stories from the far corners first surveyed foreign coverage for the Project on the State of of the globe home to readers in America’s third-largest city, the American Newspaper (see “Goodbye, World,” November readers who live in Chicago’s distinctively ethnic neighbor- 1998). -
Journalism (JOUR) San Francisco State University Bulletin 2020-2021
Journalism (JOUR) San Francisco State University Bulletin 2020-2021 JOUR 300GW Reporting - GWAR (Units: 3) JOURNALISM (JOUR) Prerequisites: Restricted to upper-division Journalism majors and minors; GE Area A2; JOUR 205* and JOUR 221* or equivalents with grades of C or JOUR 205 Social Impact of Journalism (Units: 3) better. History, organization, social role and function of journalism. A grade of C or better required for Journalism majors and minors. Advanced concepts of news gathering, interviewing, and writing. Cover Course Attributes: San Francisco and Oakland neighborhoods. A grade of C or better is required for Journalism majors and minors. (ABC/NC grading only) • C2: Humanities Course Attributes: JOUR 221 Newswriting (Units: 3) • Graduation Writing Assessment Prerequisites: GE Areas A2 and A3. Typing speed of 25 wpm or better. JOUR 304 Cultural Diversity and News Media (Units: 3) Development of news judgment and clear writing skills. A grade of C or Prerequisites: Restricted to upper-division standing; GE Area A2*. better required for Journalism majors and minors. (Plus-minus letter grade only) Exploration of how the practice of newsgathering influences social reality. Exploration of issues facing U.S. news media as they struggle to JOUR 222 Newswriting Lab (Unit: 1) understand an increasingly diverse society. Historical overview of the Prerequisites: GE Areas A2 and A3. problem and discussion on current obstacles facing journalists' efforts to Associated Press style writing, English grammar, and punctuation. A improve coverage and newsroom representation. A grade of C or better grade of C or better required for Journalism majors and minors. (Plus- required for Journalism majors and minors. -
December 2011
The Poly ptimist John H. Francis Polytechnic High School Vol. XCVIII, No. 5 Serving the Poly Community Since 1913 December 2011 ELECTION 2012 CANDIDATES, Parrots Get 20K+ at ISSUES AND Aca Deca Scrimmage POSSIBILITIES Smart squad hopes score is By Nam Woo Staff Writer good enough for state. Many people are anxious for The LAUSD competition is the 2012 presidential race to begin. By Yenifer Rodriguez more difficult than two thirds of the Editor In Chief Barack Obama is obviously the state competitions. Last year’s team candidate for the Democratic would have won state anywhere else Party. For the Republicans, the top Poly’s Academic Decathlon team if they weren’t in California. nominees for now are Mitt Romney, scored 20,622 points in an official Last year ten teams were chosen Newt Gingrich, and Herman Cain. scrimmage against all 70 LAUSD to go to the state competition. Poly Romney, former governor of Aca Deca teams. The scrimmage came in 11. Massachusetts, ran in 2008, but lost was held in the cafetoruim on “The team has the ability, but is to Arizona Senator John McCain November 19. short on experience,” said Block, after changing stances on key issues “For the third year in a row, “and in any competition experience numerous times. Or so his critics we appear to be right on the line is a crucial factor.” said. between just getting in and just Block said the best person on the Romney’s positions are fairly missing,” said Aca Deca coach Brian team is the Captain, senior Kathy simple.