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TERRI KILMARTIN

1st Assistant Director

[email protected] 0274-302-703

TELEVISION DRAMA & FEATURE FILMS

2018

“The Wilds” Pilot “Fresh Eggs” Eps 5 & 6 “Alibi”

ABC Signature NZ Warner Bros International fish.ent & PLUS6FOUR
Susanna Fogel Josh Frizzell David De Lautour

2017

2016

“Murder Is Forever” “Ash vs Evil Dead” Season 3

Stephen David Entertainment Starz Evil Productions Ltd
Colin Teague, David O'Neill Daniel Nettheim, Mark Beesley

“Wanted” Series 2

  • Match Box NZ Ltd
  • Peter Salmon

“1953 The Hugh Hefner Story”

  • Stephen David Entertainment
  • Johnny St Ours- X Unit

“The Brokenwood Mysteries 3” South Pacific Pictures Richie McCaw Documentary Dark Doris One Ltd

“Ash vs Evil Dead” Season 1 & 2 Publicity Shoot - Starz
Murray Keane, Mark Beesley Justin Pemberton-drama shoot Frank Ockenfels III Photographer

2015

“Filthy Rich” Final Episode

Filthy Productions South Pacific Pictures
Peter Berger Pino Amenta

“800 Words” 1st Season

2014 2007 2006 2005 2004 2004

“Westside” 1st Season

  • South Pacific Pictures
  • Mark Beesley, Simon Bennett

Jonothan Cullinane

“We’re Here To Help” FF “30 Days of Night” FF 2nd UNIT

South Pacific Pictures Ltd

  • 30 Days of Night (NZ) Ltd
  • Charlie Haskell

“The Chronicles of Narnia-The Lion, the Witch & the Wardrobe”

- Autumn UNIT &
- Greenscreen UNIT
FF
Lamp Post Productions Ltd Lamp Post Productions Ltd
Andrew Adamson Rpin Suwannath

“River Queen” FF 2nd UNIT

  • Silverscreen (RQ) Ltd
  • Paul Grinder

Paul Grinder

2003-04 “Boogeyman” FF 2nd UNIT

Pacific Renaissance Pictures
2003 2003 2003

“Serial Killers” “Street Legal” Series IV “The Strip” Series III

Landtry Films Screen Works Gibson Group
Mike Smith Peter Sharp Peter Burger

2000/03 “Mercy Peak” Series I & II & III

  • South Pacific Pictures
  • Geoff Cawthorn, Simon Bennett,

Mark Beesley, Peter Sharp, Mark Piper

  • Gaylene Preston
  • 2002

“Perfect Strangers”

Sam Neill, Rachael Blake

“Terror Peak”

FF

Preston/Laing Productions

  • 2002
  • Daybreak Pacific Pictures Dale Bradley

Lynda Carter, Parker Stevenson

2000/02“Street Legal” Series II & III

  • Screen Works
  • Chris Bailey, Chris Graves

2001 2000

“Dark Knight” Ep7 “Cleopatra 2525” & TV “Jack of All Trades”

Palana Productions Pacific Renaissance Pictures
Charlie Haskell, Chris Graves, Andy Merrifield ,Michael Hurst, Josh Becker
Keith Claxton Rick Jacobson, John Laing, TJ Scott

1998-99 “The Possum Hunter” TV Film
“Staunch” TV Film

Touchdown Productions Morrison Grieve Gibson Group
Mike Smith Keith Hunter Mike Smith, John Reid Chris Bailey, John Laing

“Duggan” Eps 2, 3, 7, 10 “Greenstone”

Communicado

Matthew Rhys, Richard Coyle

COMMERCIALS

EXIT Films Finch

  • 2018
  • Adam Gunser (DOP Germain McMicking) - Tower Insurance

Glendyn Ivin (DOP Sam Chiplin) - BNZ Alex Roberts – AAI Dave Ma - TSB
The Producers Co Buddy Fiilms TripleDouble
Mitch Kennedy-Kieran Read Swisse Filip Tellander - Nutro Brand Andy Morton- All Blacks Rexona Jason Bock-Colgate
2017

  • 2016
  • Fish

Thick as Thieves Big Pictures
Michelle Saville-Spark Tommaso Berte-Yili Milk Pure Nutra Thunderlips-Spark Hero Project Gary John-KFC Alex Sutherland-KFC Barry Fawcett-Lazy Boy
Thick as Thieves Waitemata Films Thick as Thieves InMotion Post Ltd Plaza Films
2015 2014
Paul Middleditch-Meridian
Bunker Films FSP Zealand Film Connection Finch The Story Board New Zealand Film Connection Finch
Luke Sharlpe-Vodafone Jessica Justice-Bay Audiology Lukas Hammar-Cuprinol Nic Finlayson-All Blacks Powerade Brian Challis-All Blacks Rexona William Dhawan-NZ Milk Brian Aldrich-Strongbow Cider - Nick Ball-Burger King Luke Savage-AA Insurance, Holden Trax Michael Humphrey- Cure Kids Telethon Campaign Gary Sims-Countdown “What Week Is It?” Greg Page- Z Campaign “Launch” & “What Do You Reckon” David Wood-Codral
2013
Flying Fish Film Construction Film 360 Ogilvy Flying Fish Film Construction InMotion Post Ltd The Story Board Film 360 Ogilvy Waitemata Films Flying Fish Robber's Dog The Sweet Shop Film Construction Prodigy
Jessica Justice-AA Life Miles Murphy-Massey University Matt Holmes-Briscoes, Gary Sims-Purina Gary John-McDonald's Paper Plates & Countdown Luke Savage-Sydney Herald & Sony Bravia, Adam Blaiklock-Huggies Susan Stitt-Farmers Mark Lever-ASB Andrew Morton-Treasures Felicity Morgan-Rhind-Sunbeam Shannon Flavall-Fonterra
2012 2011
TVNZ
2000-10 Flying Start
GoodLife Films Prodigy
Miles Murphy, Danny Pope, Jessica Justice Chris Graham-Quitline, Telecom Felicity Morgan-Rhind
Jealous Lovers Robber's Dog
Dennis Hitchcock-Huggies x 2 Chris Dudman
Film Construction Flying Fish Pearl Productions The Sweet Shop Luscious International Silverscreen
Mark Lever, Felicity Morgan-Rhind, Eden Diebel,Toa Fraser Grant Lahood, Greg Page, Nic Finlayson Gaylene Preston Steve Ayson-MTV Promo James Holt Adam Stevens, Chris Dudman Simon Mark Brown, Darren Ashton Grant Marshall
Republic Films Marshall Arts

  • Motion Pictures
  • Dennis Hitchcock

FEATURE FILMS New York

1996-97“Jane Doe”

igLoo/Golden Fox Films

1st AD

Paul Beditto

Calsita Flockhart, Victor Argo

“Bury The Evidence”

Andrew Miller, Karen Black

“Artful Dodgers”

Issei Ishida, Hidetoshi Nishijima

“April V”

  • Yellow Duck Productions
  • J. Greg De Felice

Takuo Yasuda

1st AD

Bitters End America Inc

1st AD

  • Surf ‘n’ Turf Films
  • Holly Angell Hardman

Wonsuk Chin

Susan Gibney, Liam Waite

“Too Tired To Die”

1st AD

3TD L.L.C.

Michael Imperioli, Mira Sorvino, Ben Gazzara, Drena De Niro

“On The Run”

2nd AD

  • On The Run Pictures, Inc
  • Bruno De Almeida

Tom Avitable

Michael Imperioli, John Ventimiglia 2nd AD

“Silent Prey”

Carol Shaya, Donna Mitchell Jaid Barrymore

NBC Productions 2nd AD

“Puzzles of Blue”

Keri Meoni, Gary West

“Love God”

Luv Ya Mum Pictures Ltd 2nd AD
Christian Giornelli

  • Frank Grow
  • Good Machine Inc

Will Keenan, Kim Ghee

2nd 2nd AD

“The President’s Christmas Tree”Shochiko Films America

Assistant Production Co-ordinator
Atsushi Muroga

www.imdb.com/name/nm0453256/?ref_=nv_sr_1

Recommended publications
  • Models of Time Travel

    Models of Time Travel

    MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened.
  • Xavier Aldana Reyes, 'The Cultural Capital of the Gothic Horror

    Xavier Aldana Reyes, 'The Cultural Capital of the Gothic Horror

    1 Originally published in/as: Xavier Aldana Reyes, ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’, Journal of Italian Cinema and Media Studies, 5.2 (2017), 229–44. DOI link: 10.1386/jicms.5.2.229_1 Title: ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’ Author: Xavier Aldana Reyes Affiliation: Manchester Metropolitan University Abstract: Dario Argento is the best-known living Italian horror director, but despite this his career is perceived to be at an all-time low. I propose that the nadir of Argento’s filmography coincides, in part, with his embrace of the gothic adaptation and that at least two of his late films, The Phantom of the Opera (1998) and Dracula 3D (2012), are born out of the tensions between his desire to achieve auteur status by choosing respectable and literary sources as his primary material and the bloody and excessive nature of the product that he has come to be known for. My contention is that to understand the role that these films play within the director’s oeuvre, as well as their negative reception among critics, it is crucial to consider how they negotiate the dichotomy between the positive critical discourse currently surrounding gothic cinema and the negative one applied to visceral horror. Keywords: Dario Argento, Gothic, adaptation, horror, cultural capital, auteurism, Dracula, Phantom of the Opera Dario Argento is, arguably, the best-known living Italian horror director.
  • THE ARMY of DARKNESS Property Of: Western Renaissance

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    THE ARMY OF DARKNESS Property of: Western Renaissance Pictures, Inc. 6381 Hollywood Blvd., Suite 680 Hollywood, California 90028 THE ARMY OF DARKNESS Screenplay by Sam Raimi and Ivan Raimi January 3, 1991 Registered with the Writers Guild of America, 1991 c 1991 by Sam and Ivan Raimi. All rights reserved. Shooting Script 2/26/91 ------------------------------------------------------------------------------ 1 GRAINY BLACK AND WHITE - CLOSE-UP - A MAN'S DESPERATE FACE 1 This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fear. Ash speaks to the CAMERA with urgency: ASH Why would you say that I am insane? I wouldn't say that I've lost my mind simply because I've heard the voices and seen the godless things moving in the woods. If anything, I think more clearly now than ever before. I know now that there is such a thing as a living Evil. A dark and shapeless thing that lives not in the spaces we know, but between them. In the Dark. In the night. And it wants the exact same thing as you and I: a chance at warm life on this Earth. It doesn't care that is already had that chance ...once. Now listen closely because there isn't much time. Listen and believe, because it's all true. DISSOLVE TO: 2 EXT. A LOG CABIN - NIGHT 2 nestled in a dark forest. Through the window, we see the tiny figure of Ash picking up a book from a desk. ASH (V.O.) I first saw the damn thing at that blasted cabin.
  • Warrior Princess Brian H

    Warrior Princess Brian H

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 When Discourses Collide: Hegemony, Domestinormativity, and the Active Audience in Xena: Warrior Princess Brian H. Myers Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES WHEN DISCOURSES COLLIDE: HEGEMONY, DOMESTINORMATIVITY, AND THE ACTIVE AUDIENCE IN XENA: WARRIOR PRINCESS By BRIAN H. MYERS A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 The members of the Committee approve the Thesis of Brian H. Myers defended on March 26, 2008. Leigh Edwards Professor Directing Thesis Jennifer Proffitt Committee Member Caroline Joan Picart Committee Member Approved: R.M. Berry, Chair, Department of English Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This thesis is dedicated to my parents, who may not always understand my obsessions but have always encouraged me to pursue them, and to Nanny and Grandpa, who I hope will look down on this with pride. iii ACKNOWLEDGEMENTS As is the case with any work of this size, more people went into it than can possibly be included on a title page. My first thanks, of course, must go to the members of my thesis committee, whose advice and comments frequently saved me from myself in both the writing of this thesis and in the grander realm of life.
  • Download Full CV

    Download Full CV

    Mark Ferguson Hair Brown - Light Eyes Brown Height 6'3'' / 191 cm DOB 1961 FEATURE FILM 2010 My Wedding & Other Secrets, 'Mr White' South Pacific Pictures, Dir: Roseanne Liang 2003 Spooked, 'Bill Roberts' Silverscreen Productions, Dir: Geoff Murphy 2000 Lord of the Rings: The Fellowship of the Rings, 'Gil Galad' Universal Pictures, Dir: Peter Jackson 2000 Lord of the Rings: The Fellowship of the Rings, 'Witchking' Universal Pictures, Dir: Peter Jackson TELEVISION 2017 800 Words: season III, 'Steve' South Pacific Pictures/ Channel 7 (Australia), Dir: Various 2016 800 Words: season II, 'Steve' Weld Productions, Dir: Various directors 2013 The Blue Rose, 'Terry' South Pacific Pictures, Dir: Various directors 2011 Spartacus: Vengeance, 'Dominus' Pacific Renaissance Pictures, Dir: Various directors 2007 The Million Dollar Con Man, 'Barry Minkow' Isola Productions, Dir: Stephen McQuillan 2007 Amazing Extraordinary Friends, 'Mr Terrific' Greenstone Pictures, Dir: Various directors 2006 Orange Roughies, 'Foley' Screenworks, Dir: Chris Bailey 2004 P. E. T. Detectives, 'Nathan' Screentime Communicado, Dir: Various directors 2001 Spin Doctors: season I - III, 'Andrew' Comedia Pictures, Dir: Various directors 2000 Cleopatra 2525, 'Confessor' Pacific Renaissance Pictures, Dir: Various directors 1998 Xena: Warrior Princess, 'Dagnine' Pacific Renaissance Pictures, Dir: Various directors 96-97 Letter to Blanchy: season II - III, 'Morrie' Isambard, Dir: Various directors 1997 Double Booking, 'Neville' South Pacific Pictures, Dir: Various directors 1996

  • Tim Wong Sgnz:Hitz Resume 2020

    STUNT COORDINATOR & FIGHT COORDINATOR FEATURES TITLE COMPANY DESCRIPTION Blacklight Cosmos Pictures Stunt Coordinator The Suicide Squad Warner Bros. Stunt Coordinator Shadow in the Cloud Four Knights Film Stunt & Fight Choreographer The Legend of Baron Toa Brown Sugar Action Consultant Feng Shen Trilogy: Film 1 Wuxi Fengshen Pictures Co. Stunt & Fight Choreographer Triple Frontier NETFLIX Stunt Coordinator X-Men: Dark Phoenix 20th Century Fox Stunt Coordinator Ghost in the Shell Dreamworks SKG NZ Stunt Coordinator Fight Choreographer Pete's Dragon Walt Disney Pictures Assistant Stunt Coordinator Crouching Tiger Hidden Dragon 2 Netflix / Weinstein Company Assistant Stunt Coordinator Fight Choreographer Splinter Unit Gods of Egypt Summit Entertainment Fight Choreographer Outcast Midsummer Films Assistant Stunt Coordinator The Hobbit: Battle of the Five Armies Warner Bros. New Zealand Stunt Coordinator Fight Coordinator Realiti Index Films Stunt Coordinator The Hobbit: The Desolation of Smaug Warner Bros. Assistant Stunt / Fight Coordinator The Hobbit: An Unexpected Journey Warner Bros. Assistant Stunt / Fight Coordinator Yogi Bear Warner Bros. Additional Stunt Coordinator My Wedding & Other Secrets South Pacific Pictures Stunt Coordinator Tracker Eden Films Co-Stunt Coordinator Fight Coordinator The Adventures of Tintin Columbia Pictures Stunt Coordinator 2nd Unit Under the Mountain 120dB Films Stunt Coordinator The Warriors Way Rogue Assistant Stunt Coordinator Rain of the Children Wayward Films Stunt Coordinator The Water Horse Revolution
  • Benedict Paxton-Crick: Script Supervisor

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    Benedict Paxton-Crick - Continuity / Script Supervisor Email: [email protected] Agent: Top Technicians Management Web: www.thatcontinuityguy.com [email protected] Phone: +64 22 687 7128 (New Zealand) +61 2 9958 1611 +61 402 282 797 (Australia) Nationality: Australian / British Dual Citizenship Residency: NSW / Victoria - on Victorian Electoral Roll ___________________ FEATURE 2016 SAFE NEIGHBORHOOD (2ND UNIT) – Storm Vision / Best Medicine. Dir Chris Peckover, Prod Shane Abbess / Brion Hambel / Brett Thornquest. DP Carl Robertson. Line Prod Jacqui Fifer. Editor Julie-Anne de Ruvo. 2015 BAD GIRL – Curious Films. Dir Fin Edquist, Prod Bruno Charlesworth / Steve Kearney / Tenille Kennedy. DP Gavin Head. Line Prod Ann Folland. Editor Simon Njoo. 1st AD Brad Holyoake. DOWN UNDER – Riot Films / StudioCanal. Dir Abe Forsythe, Prod Jodi Matterson, DP Lachlan Milne. Editor Drew Thompson, 1st AD Hamish Gough, PM Ilana Lazar. 2014 TERMINUS – Storm Alley / Contrarian Vision. Dir Marc Furmie, Prod Brett Thornquest / Tim Maddocks, DP Kieran Fowler. Editor Gabriel Dowrick, 1st AD Marc Ashton, PM Margaret Tillson. 2013 THE INFINITE MAN – Hedone Productions. Dir Hugh Sullivan, Prod Kate Croser / Sandy Cameron. DP Marden Dean, 1st AD Drew Bailey. 2012 AROUND THE BLOCK – Tree / Kick Pictures. Dir Sarah Spillane, Prod Su Armstrong / Brian Rosen, DP Martin McGrath. Editor Veronika Jenet, 1st AD Matt Enfield, PM Mim Davis. 2010 THE REEF – Prodigy Movies / Lightning Entertainment. Dir Andrew Traucki, Prod Michael Robertson, DP Daniel Ardilley. Line Prod Tiare Tomaszewski, Editor Peter Crombie, 1st AD Drew Bailey. 2009 CONCEALED – New Thought Productions. Dir Shane T. Hall, Prod Jacqui Fifer / Lyall Sumner, DP Oliver Lawrance. 2008 THREE BLIND MICE – Dirty Rat Films / Odin’s Eye Entertainment.
  • Season Two- Production Biographies

    Season Two- Production Biographies

    -SEASON TWO- PRODUCTION BIOGRAPHIES SAM RAIMI (EXECUTIVE PRODUCER) Sam Raimi has directed one the industry’s most successful film franchises ever—the blockbuster Spider-Man trilogy, which has grossed $2.5 billion at the global box office. All three films reside in the industry’s top 25 highest grossing titles of all time. In addition to the franchise’s commercial success, Spider-Man (2002) won that year’s People’s Choice Award as Favorite Motion Picture, earned a pair of Oscar® nominations (for VFX and Best Sound) and also collected two Grammy® nominations (for Best Score and Chad Kroeger’s song, “Hero”). The sequel, Spider-Man 2 (2004) won the Academy Award® for Best Visual Effects (with two more nominations, Best Sound and Sound Editing) and two BAFTA nominations (for VFX and Best Sound), among dozens of other honors. Most recently, Raimi is known for directing Oz the Great and the Powerful, a commanding prequel to one of Hollywood’s most beloved stories. Grossing nearly a quarter of a billion dollars at the worldwide box office, Oz has also been elected for awards across the board, including a nomination at the People’s Choice Awards for Favorite Family Movie, and winning Film Music at the BMI Film & TV Awards. Apart from creating one of Hollywood’s landmark film series, Raimi’s eclectic resume includes the gothic thriller The Gift, starring Cate Blanchett, Hilary Swank, Keanu Reeves, Greg Kinnear, and Giovanni Ribisi; the acclaimed suspense thriller A Simple Plan, which starred Bill Paxton, Billy Bob Thornton, and Bridget Fonda (for which Thornton earned an Academy Award® nomination for Best Supporting Actor and Scott B.
  • PRODUCTION BIOGRAPHIES SAM RAIMI (Executive Producer/Director, Episode 101)

    PRODUCTION BIOGRAPHIES SAM RAIMI (Executive Producer/Director, Episode 101)

    PRODUCTION BIOGRAPHIES SAM RAIMI (Executive Producer/Director, Episode 101) Sam Raimi has directed one the industry’s most successful film franchises ever—the blockbuster Spider-Man trilogy, which has grossed $2.5 billion at the global box office. All three films reside in the industry’s Top 25 highest grossing titles of all time. In addition to the franchise’s commercial success, Spider-Man (2002) won that year’s People’s Choice Award as Favorite Motion Picture, earned a pair of Oscar® nominations (for VFX and Best Sound) and also collected two GRAMMY® nominations (for Best Score and Chad Kroeger’s song “Hero”). The sequel (2004) won the Academy Award® for Best Visual Effects (with two more nominations, Best Sound and Sound Editing) and two BAFTA nominations (for VFX and Best Sound), among dozens of other honors. Most recently, Raimi is known for directing Oz the Great and the Powerful, a commanding prequel to one of Hollywood’s most beloved stories. Grossing nearly a quarter of a billion dollars at the worldwide box office, Oz has also been elected for awards across the board, including a nomination at the People’s Choice Awards for Favorite Family Movie, and winning Film Music at the BMI Film & TV Awards. Apart from creating one of Hollywood’s landmark film series, Raimi’s eclectic resume includes the gothic thriller The Gift, starring Cate Blanchett, Hilary Swank, Keanu Reeves, Greg Kinnear and Giovanni Ribisi; the acclaimed suspense thriller A Simple Plan, which starred Bill Paxton, Billy Bob Thornton and Bridget Fonda (for which Thornton earned an Academy Award® nomination for Best Supporting Actor and Scott B.

  • Exevildeade91.Pdf

    “A ridiculous amount of fun.” —Variety “Wickedly campy good time.” —Associated Press “Good, clean, dirty fun: hilariously bloody and bloody hilarious.” —The Toronto Star Musical comedy Book and lyrics by George Reinblatt. Music by Frank Cipolla, Christopher Bond, Melissa Morris and George Reinblatt. Music supervision by Frank Cipolla. Additional lyrics by Christopher Bond. Additional music by Rob Daleman. © Dramatic Publishing Company “Fan-freaking-tastic.” —Ain’t It Cool News “A demented delight.” —NOW Magazine Musical comedy. Book and lyrics by George Reinblatt. Music by Frank Cipolla, Christopher Bond, Melissa Morris and George Reinblatt. Music supervision by Frank Cipolla. Additional lyrics by Christopher Bond. Additional music by Rob Daleman. Cast: 4m., 3w., 1 either gender. This hilarious show takes all the elements of the cult classic films The Evil Dead, Evil Dead 2 and Army of Darkness and combines them into one of the craziest theatrical experiences of all time. Five college students go to an abandoned cabin in the woods and accidentally unleash an evil force that turns them all into demons. It’s all up to Ash (a housewares employee turned demon-killing hero) and his chainsaw to save the day. Blood flies. Limbs are dismembered. Demons tell bad jokes … and all to music. Titles like “All the Men in My Life Keep Getting Killed by Candarian Demons” will have audiences rolling in their seats. This show has fun with the horror genre, and it appeals to a wide audience. It’s the only show with a “splatter zone”—a section of the audience that gets covered in fake blood.
  • OMC | Data Export

    OMC | Data Export

    Joel Gordon, "Entry on: Hercules: The Legendary Journeys (Series, S00E02): Hercules and the Lost Kingdom by Sam Raimi, Robert Tapert, Christian Williams ", peer-reviewed by Elizabeth Hale and Elzbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2019). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/753. Entry version as of October 05, 2021. Sam Raimi , Robert Tapert , Christian Williams Hercules: The Legendary Journeys (Series, S00E02): Hercules and the Lost Kingdom TAGS: Deianeira Hera Hercules Lydia Omphale Sacrifice Sea-Serpent Troy Zeus We are still trying to obtain permission for posting the original cover. General information Hercules: The Legendary Journeys (Series, S00E02): Hercules Title of the work and the Lost Kingdom Studio/Production Company MCA Television, Renaissance Pictures Country of the First Edition New Zealand, United Kingdom Country/countries of popularity USA, New Zealand, Australia Original Language English Hercules and the Lost Kingdom. Directed by Harley Cokeliss; First Edition Details written by Christian Williams. USA, (Universal) Action Pack Weds 8-10pm (syndicated television); 2 May 1994. 91 mins. Running time 90-91 mins. Format TV; also VHS, DVD and digital streaming (Amazon) Date of the First DVD or VHS VHS June 17, 1997; DVD June 24, 2003 Action and adventure fiction, B films, Mythological fiction, Genre Television series Target Audience Crossover Joel Gordon, University of Otago (Classics), Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood..
  • Mediating Relationships with Parasocial Others: Relating, Connecting, and Making

    Mediating Relationships with Parasocial Others: Relating, Connecting, and Making

    Mediating Relationships with Parasocial Others: Relating, Connecting, and Making Meanings A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy John Marc Cuellar August 2020 © 2020 John Marc Cuellar. All Rights Reserved. This dissertation titled Mediating Relationships with Parasocial Others: Relating, Connecting, and Making Meanings by JOHN MARC CUELLAR has been approved for the School of Communication Studies and the Scripps College of Communication by William K. Rawlins Professor of Communication Studies Scott Titsworth Dean, Scripps College of Communication ii Abstract CUELLAR, JOHN MARC, Ph.D., August 2020, Communication Studies Mediating Relationships with Parasocial Others: Relating, Connecting, and Making Meanings Director of Dissertation: William K. Rawlins I explore connections made with mediated others, parasocial relationships, in this study. I was guided by Bakhtinian understandings of mediation between consummated parties. To investigate, I interviewed participants who connected with a parasocial figure(s). Engaging in crystallization, I layered my story onto the stories of others who make mediated connections, using autoethnography as an additional methodological tool. I interpretively categorized the themes using Rawlins’ dialectical perspective as a lens through which to analyze the findings. The themes that emerged included three overarching dialectical features: The Dialectic of the Freedom to be Independent and the Freedom to be Dependent, the Dialectic of Judgment and Acceptance, and the Dialectic of the Ideal and the Real. The first overarching dialectic encompassed three subthemes: the Dialectic of Pride and the Need for Recognition, the Dialectic of Availability and Disengagement, and the Dialectic of Stalker and Fan (Stan).