DOCSLIB.ORG

THAD LAWRENCE GAFFER E: [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THAD LAWRENCE GAFFER E: Thad@Fatlighting.Co.Nz FAT Lighting Ltd 306c Jervois Road, Herne Bay, Auckland p: 027 270 4456 [email protected] THAD LAWRENCE GAFFER e: [email protected] Australian born, I began my career in New Zealand on Utu, 1981. From here I trained in Lighting in both Australia and New Zealand. In 1992 I settled back in New ZealandI began mandy c arhaveeer beenas a GGafferingaffer in 19 mainly81. I tinrain thised country in lightin sinceg in thisboth time. Although myNew work Zeal continuesand and A tous taketral iame. In between 1992 I se thettle twod b accountries.k in New I Zhaveealan alsod a workednd in Europehave be anden G extensivelyaffering mainly through in thi thes coPacific.untry since this time. My work has taken me back to Australia, and also to France, Tahiti and Rarotonga . S THAD LAWRENCE - GAFFER FAT LIGHTING LTD 7/489 Rosebank Rd Avondale, Auckland. PH: +64 27 270 4456 [email protected] REFEREES: If you require a referee please feel free to contact the following. DOP REFEREES: PRODUCER REFEREES: Brad Turner Jessica Petelle Adam Arkapaw ACS [email protected] [email protected] [email protected] Nigel Bluck Michael Bonvillain ASC Tom Karnowski Tim Coddington [email protected] [email protected] [email protected] [email protected] COMMERCIALS: I have worked on thousands of television commercials both in New Zealand and internationally. These include both small and large budget productions. DRAMA FEATURES: Second Unit Gaffer 2016 ASH Vs EVIL DEAD SEASON 2 Director: Various STARZ EVIL DEAD Dop: Drew McGeorge Main Unit Gaffer 2015 CHRONICLES OF SHANNARA Director: Various MTV NZ LTD Dop: Michael Bonvillain ASC, Aaron Morton, Rodney Charters ASC Main Unit Gaffer 2014 THE LIGHT BETWEEN OCEANS Director: Derek Cianfrance DREAMWORKS Dop: Adam Arkapaw ACS Main Unit Gaffer 2013 THE DARK HORSE Director: James Napier Dop: Denson Baker FOUR KNIGHTS FILMS Director: Max Curry Main Unit Gaffer 2012 EVERYTHING WE LOVED Dop: Dave Garbett HIJINX PICTURES Main Unit Gaffer 2012 Director: Charlie Haskell PIRATES OF THE AIRWAYS Dop: Rob Marsh MAKING MOVIES Main Unit Gaffer 2012 Director: Jane Campion & Garth TOP OF THE LAKE Davis BBC Dop: Adam Arkapaw ACS Main Unit Gaffer 2011 SIONES WEDDING 2 Director: Simon Bennett SOUTH PACIFIC PICTURES Dop: Marty Smith Main Unit Gaffer 2011 ICE CAPTAIN Director: Leanne Pooley MAKING MOVIES LTD Dop: Simon Baumfield DRAMA FEATURES CONTINUED: Main Unit Gaffer 2011 TWO LITTLE BOYS Director: Rob Sarkies TENT POLE PRODUCTIONS LTD Dop:Jac Fitzgerald Main Unit Gaffer 2010 WRH - WAITANGI Director: Pete Burge EYEWORKS Dop: Adam Clarke Main Unit Gaffer 2010 LOVE BIRDS Director: Paul Murphy Dop: Alun Bollinger GENERAL FILM CORP (PIERRE) LTD Main Unit Gaffer 2009 HOPES AND DREAMS Director: Brendon Donovan HOPES AND DREAMS LTD Dop: Tristian Malani Main Unit Gaffer 2009 SKYRUNNERS Director: Ralph Helmecker WALT DISNEY PRODUCTIONS Dop: Rop Marsh Main Unit Gaffer 2008- RPM Director: Various 2009 VILLAGE ROADSHOW PRODUCTIONS Dop: Neil Cervin LTD Main Unit Gaffer 2008 UNDER THE MOUNTAIN Director: Jonathan King RED HEAD FILMS Dop: Richard Bluck Main Unit Gaffer 2006 Director: Richard Pierce FATAL CONTACT/ BIRD FLU Dop: Ivan Strausborgh FILM FACTORY LTD Main Unit Gaffer 2005 Director: Vincent Ward RIVER QUEEN Dop: Alun Bollinger SILVER SCREEN FILMS LTD Main Unit Gaffer 2004-05 Director: Roger Young HERCULES Dop: Donald M Morgan ASC COOTE HAYES PRODICTIONS LTD Main Unit Gaffer 2003-04 Director: Various NINJA STORM Dop: Simon Reira VILLAGE ROADWHOW PRODUCTIONS LTD Main Unit Gaffer 2003 Director: Geoff Murphy SPOOKED Dop: Rewa Harre SILVER SCREEN FILMS LTD Main Unit Gaffer 2002-03 Director: Various DINO THUNDER Dop:Simon Reira VILLAGE ROADWHOW PRODUCTIONS LTD Main Unit Gaffer 2001 SUPERFIRE Director: Steve Quale Dop: Bill Wages ASC SUPER PRODUCTIONS LTD Main Unit Gaffer 2000 VERTICAL LIMIT Director: Martin Campbell Dop: David Tattersal ASC SONY PICTURES USA Main Unit Gaffer 1998-99 FEARLESS Director: Charlie Haskell Dop: John Mahaffie US TELEVISION FEATURE Main Unit Gaffer 1996 ABBERATION Director: Mark Beesley Dop: Alun Guilford AUSTRALIAN FEATURE FILM Main Unit Gaffer 1996 THE CLIMB Director: Bob Swain Dop: Alun Guilford US TELEVISION FEATURE Main Unit Gaffer 1996 EVERY WOMAN’S DREAM Director:Stephen Schachter Dop: Bill Wages ASC US TELEVISION FEATURE DRAMA FEATURES CONTINUED: Main Unit Gaffer 1995-96 HERCULES SERIES II Director: Various Directors RENAISSANCE PICTURES Dop: John Mahaffie Main Unit Gaffer 1993-94 HERCULES SERIES 1 Director: Various Directors RENAISSANCE PICTURES Dop: John Mahaffie Main Unit Gaffer 1993 COVER STORY Director: Various US TELEVISION FEATURE Dop: Matt Bowkett Main Unit Gaffer 1992 BRAINDEAD Director: Peter Jackson US/NZ FEATURE FILM Dop: Murray Milne.
Load more

Recommended publications
  • T Kilmartin 19
    TERRI KILMARTIN 1st Assistant Director [email protected] 0274-302-703 TELEVISION DRAMA & FEATURE FILMS 2018 “The Wilds” Pilot ABC Signature NZ Susanna Fogel “Fresh Eggs” Eps 5 & 6 Warner Bros International Josh Frizzell “Alibi” fish.ent & PLUS6FOUR David De Lautour 2017 “Murder Is Forever” Stephen David Entertainment Colin Teague, David O'Neill “Ash vs Evil Dead” Season 3 Starz Evil Productions Ltd Daniel Nettheim, Mark Beesley 2016 “Wanted” Series 2 Match Box NZ Ltd Peter Salmon “1953 The Hugh Hefner Story” Stephen David Entertainment Johnny St Ours- X Unit “The Brokenwood Mysteries 3” South Pacific Pictures Murray Keane, Mark Beesley Richie McCaw Documentary Dark Doris One Ltd Justin Pemberton-drama shoot “Ash vs Evil Dead” Season 1 & 2 Publicity Shoot - Starz Frank Ockenfels III Photographer 2015 “Filthy Rich” Final Episode Filthy Productions Peter Berger “800 Words” 1st Season South Pacific Pictures Pino Amenta 2014 “Westside” 1st Season South Pacific Pictures Mark Beesley, Simon Bennett 2007 “We’re Here To Help” FF South Pacific Pictures Ltd Jonothan Cullinane 2006 “30 Days of Night” FF 2nd UNIT 30 Days of Night (NZ) Ltd Charlie Haskell 2005 “The Chronicles of Narnia-The Lion, the Witch & the Wardrobe” FF - Autumn UNIT & Lamp Post Productions Ltd Andrew Adamson 2004 - Greenscreen UNIT Lamp Post Productions Ltd Rpin Suwannath 2004 “River Queen” FF 2nd UNIT Silverscreen (RQ) Ltd Paul Grinder 2003-04 “Boogeyman” FF 2nd UNIT Pacific Renaissance Pictures Paul Grinder 2003 “Serial Killers” Landtry Films Mike Smith 2003 “Street Legal”
    [Show full text]
  • Models of Time Travel
    MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened.
    [Show full text]
  • Xavier Aldana Reyes, 'The Cultural Capital of the Gothic Horror
    1 Originally published in/as: Xavier Aldana Reyes, ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’, Journal of Italian Cinema and Media Studies, 5.2 (2017), 229–44. DOI link: 10.1386/jicms.5.2.229_1 Title: ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’ Author: Xavier Aldana Reyes Affiliation: Manchester Metropolitan University Abstract: Dario Argento is the best-known living Italian horror director, but despite this his career is perceived to be at an all-time low. I propose that the nadir of Argento’s filmography coincides, in part, with his embrace of the gothic adaptation and that at least two of his late films, The Phantom of the Opera (1998) and Dracula 3D (2012), are born out of the tensions between his desire to achieve auteur status by choosing respectable and literary sources as his primary material and the bloody and excessive nature of the product that he has come to be known for. My contention is that to understand the role that these films play within the director’s oeuvre, as well as their negative reception among critics, it is crucial to consider how they negotiate the dichotomy between the positive critical discourse currently surrounding gothic cinema and the negative one applied to visceral horror. Keywords: Dario Argento, Gothic, adaptation, horror, cultural capital, auteurism, Dracula, Phantom of the Opera Dario Argento is, arguably, the best-known living Italian horror director.
    [Show full text]
  • Dr Ruth Harley, CEO Screen Australia Address to 37° South, Melbourne International Film Festival 2013 Thursday 25 July 2013
    Ruth Harley 37° South address, Melbourne International Film Festival 2013 ‘The Power of Australian Film’ Dr Ruth Harley, CEO Screen Australia Address to 37° South, Melbourne International Film Festival 2013 Thursday 25 July 2013 I am very pleased to be here for the fifth year in a row to address the 37° South market. As many of you know, this will be my last as CEO of Screen Australia as my term ends in November. Now then, is an opportunity to reflect and to look forward. I will take you through some of the things I’ve learned in my time with the agency and some thoughts for the future. There is much to be proud of in Australian screen production over the last five years. We’ve seen the successful introduction of the Producer Offset and concurrent increase in overall film and TV production, up 58% to just under $3 billion according to ABS data released last month. We’ve seen an increase in employment in the sector of 23% to 13,414 people. 1 Ruth Harley 37° South address, Melbourne International Film Festival 2013 We’ve seen an increase of local box office of 64% compared to the previous five year average. And we’ve seen some amazing screen stories. I’d like to share with you now a reel of some of the Screen Australia slate from the past five years, with some familiar faces from our sector describing Australian content matters. The Power of Australian Storytelling clip [CLIP] We’ve also seen, in the last five years a shift in some of the commentary about Australian screen stories.
    [Show full text]
  • You Are the Cheese to My Macaroni Preserving the Archive of Australia’S Oldest Film School Donna L
    You are the cheese to my macaroni Preserving the archive of Australia’s oldest film school Donna L. Hensler It has been said that short films are In 2013, in my role as VCA screen just like cheese—they get better with production coordinator, I took on the age.1 Taking this analogy further, good role of distributing the FTV’s short cheese depends on proper care and films, which had generated a buzz storage. It needs to be housed in its beyond academia. It soon became own capacious, gloomy, cheesy cave, apparent that the general vibe among residing at just the right temperature. past and present students was that Attention needs to be given to the the films they directed and produced humidity, and the area should be at the school went into the VCA clean, free of dust, and checked often. vault and died. This is similar to storing celluloid Encouraged by the academic film and magnetic media; unlike chalk staff and the current head of school, and cheese, the moving image and Nicolette Freeman, I became manchego have much in common and interested in helping VCA FTV their similarities go far beyond taste distribute its films online. Following and enjoyment. These living, breathing current digital distribution processes, organisms will alter their state as a which are at the forefront of business consequence of temperature, humidity development in the motion picture and light. It is these reactions that graduates, including directors Gillian and television industries, and with make the preservation and digitisation Armstrong (Little women, Oscar and the aid of the school, I began to of the Victorian College of the Arts Lucinda), Robert Luketic (Legally investigate digital distribution as a Film and Television School (VCA blonde, Monster-in-law), Adam way to disseminate the VCA FTV FTV) audiovisual archive a most Elliot (Harvie Krumpet), Andrew archive holdings.
    [Show full text]
  • Macbeth Production Notes
    MACBETH PRODUCTION NOTES For UK Publicity Enquiries: [email protected] [email protected] [email protected] For International Publicity Enquiries: [email protected] [email protected] [email protected] Stills can be downloaded from: studiocanal.co.uk/press SHORT SYNOPSIS MACBETH is the story of a fearless warrior and inspiring leader brought low by ambition and desire. A thrilling interpretation of the dramatic realities of the times and a reimagining of what wartime must have been like for one of Shakespeare’s most famous and compelling characters, a story of all-consuming passion and ambition, set in war torn Scottish landscape. SYNOPSIS Ellon. Scotland. Following a fierce battle in which Macbeth, Thane of Glamis and loyal general of King Duncan’s forces, has finally killed Macdonwald, a traitor and leader of rebel forces, he and fellow soldier Banquo encounter three women scavenging among the fallen soldiers, who foretell that Macbeth will become Thane of Cawdor and King of Scotland, while Banquo will be the father of future kings. Both men are unnerved by the prophecies but for the moment appear not to believe them. At the battlefield campsite, Angus and Rosse arrive from the King’s court to pass on thanks from their royal master for the success in battle and to bestow Macbeth the title Thane of Cawdor. The previous holder of the title has been killed for treachery against the crown. When Macbeth goes to pay homage to the King, Duncan tells him that he has made arrangements to visit his home at Inverness to celebrate the victory.
    [Show full text]
  • THE ARMY of DARKNESS Property Of: Western Renaissance
    THE ARMY OF DARKNESS Property of: Western Renaissance Pictures, Inc. 6381 Hollywood Blvd., Suite 680 Hollywood, California 90028 THE ARMY OF DARKNESS Screenplay by Sam Raimi and Ivan Raimi January 3, 1991 Registered with the Writers Guild of America, 1991 c 1991 by Sam and Ivan Raimi. All rights reserved. Shooting Script 2/26/91 ------------------------------------------------------------------------------ 1 GRAINY BLACK AND WHITE - CLOSE-UP - A MAN'S DESPERATE FACE 1 This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fear. Ash speaks to the CAMERA with urgency: ASH Why would you say that I am insane? I wouldn't say that I've lost my mind simply because I've heard the voices and seen the godless things moving in the woods. If anything, I think more clearly now than ever before. I know now that there is such a thing as a living Evil. A dark and shapeless thing that lives not in the spaces we know, but between them. In the Dark. In the night. And it wants the exact same thing as you and I: a chance at warm life on this Earth. It doesn't care that is already had that chance ...once. Now listen closely because there isn't much time. Listen and believe, because it's all true. DISSOLVE TO: 2 EXT. A LOG CABIN - NIGHT 2 nestled in a dark forest. Through the window, we see the tiny figure of Ash picking up a book from a desk. ASH (V.O.) I first saw the damn thing at that blasted cabin.
    [Show full text]
  • Thad-Lawrence-CV-2020.Pdf
    THAD LAWRENCE - GAFFER BACKGROUND Gaffer Thirty plus years of experience on leading international film and television productions. Australian born, and trained in lighting in both Australia and New Zealand. Experience in Europe and extensively through the Pacific. Best known recent work as gaffer includes International Feature and Television productions such as The Power of the Dog (2021), Only Cloud Knows (2019), The Luminaries (2019) , Meg (2018), American Playboy (2017) The Light Between Oceans (2016), Chronicles of Shannara (2016), and the Emmy award winning Top of the Lake. In addition Local feature films such as The Dark Horse, and Siones Wedding 2. Also, gaffered thousands of television commercials both international and local small and large budget productions. Extensive gaffering experience internationally and locally with a renowned eye and friendly approach ensuring reliably outstanding results throughout the entire film making process. A level of local knowledge capable of making the seemingly impossible possible. CONTACT +64 27 270 4456 [email protected] REFEREES Adam Arkapaw ACS DOP Michael Bonvillain ASC DOP Nigel Bluck DOP Tom Karnowski Producer Tim Coddington Producer (for privacy reasons please contact us and we will provide referee contact details) Warehouse: 7/489 Rosebank Road, Avondale, Auckland, New Zealand. Ph + 64 27 274 7753 2 THAD LAWRENCE - GAFFER FEATURE AND DRAMA EXPERIENCE Gaffer Main Unit 2020 POWER OF THE DOG Director: Jane Campion DOP: Ari Wegner BAD GIRL PRODUCTIONS LTD Gaffer Main Unit 2019 BLACK
    [Show full text]
  • Luke CV June 21
    Luke Thomas 1st AC [email protected] Freelancers (VIC) +61 3 9682 2722 Top Technicians (NSW) +61 2 9958 1611 Personal +61 438 277 489 Selected drama @June 2021 Baz Luhrmann Musical Project 2020-2021 A Camera, Main Unit, Australia Dir: Baz Luhrmann DP: Mandy Walker, AM, ACS, ASC Alexa 65, “Elvis” 1.85x Anamorphic, Sphero 65 Mortal Kombat 2019 A Camera, Main Unit, Adelaide, Australia Dir: Simon McQuoid DP: Germain McMicking, ACS Alexa LF, Ultra-Vista, H-Series The King 2018 A Camera, Main Unit, UK, Hungary Dir: David Michôd DP: Adam Arkapaw, ACS Alexa 65, Ultra-Panavision 70 Armour 2018 Short Film, Melbourne, Tasmania Dir: Ben Briand DP: Jeremy Rouse, ACS DXL2, Primo Artiste Acute Misfortune 2017 A Camera, Main Unit, NSW, Australia Dir: Thomas M Wright DP: Germain McMicking, ACS Alexa, Panavision Spherical Light Of My Life 2017 A Camera, Main Unit, British Colombia, Canada Dir: Casey Affleck DP: Adam Arkapaw, ACS Alexa, Panavision Spherical Jungle 2016 A Camera, Main Unit, Colombia, Queensland Dir: Greg McLean DP: Stefan Duscio, ACS Alexa, Cooke Anamorphic Berlin Syndrome 2015 A Camera, Main Unit, Berlin, Melbourne Dir: Cate Shortland DP: Germain McMicking, ACS Alexa, Leica Summilux Pete’s Dragon 2015 Casual A Camera, Main Unit, New Zealand Dir: David Lowery DP: Bojan Bazelli ASC Alexa, Cooke Anamorphic, Master Anamorphic, Master Spherical The Light Between Oceans 2014 A Camera, Main Unit, Blenheim/Dunedin (NZ), Stanley (Tasmania) Dir: Derek Cianfrance DP: Adam Arkapaw, ACS Alexa, G-Series Anamorphic Top Of The Lake (Season 1) 2012 A
    [Show full text]
  • Warrior Princess Brian H
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 When Discourses Collide: Hegemony, Domestinormativity, and the Active Audience in Xena: Warrior Princess Brian H. Myers Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES WHEN DISCOURSES COLLIDE: HEGEMONY, DOMESTINORMATIVITY, AND THE ACTIVE AUDIENCE IN XENA: WARRIOR PRINCESS By BRIAN H. MYERS A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 The members of the Committee approve the Thesis of Brian H. Myers defended on March 26, 2008. Leigh Edwards Professor Directing Thesis Jennifer Proffitt Committee Member Caroline Joan Picart Committee Member Approved: R.M. Berry, Chair, Department of English Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This thesis is dedicated to my parents, who may not always understand my obsessions but have always encouraged me to pursue them, and to Nanny and Grandpa, who I hope will look down on this with pride. iii ACKNOWLEDGEMENTS As is the case with any work of this size, more people went into it than can possibly be included on a title page. My first thanks, of course, must go to the members of my thesis committee, whose advice and comments frequently saved me from myself in both the writing of this thesis and in the grander realm of life.
    [Show full text]
  • Download Full CV
    Mark Ferguson Hair Brown - Light Eyes Brown Height 6'3'' / 191 cm DOB 1961 FEATURE FILM 2010 My Wedding & Other Secrets, 'Mr White' South Pacific Pictures, Dir: Roseanne Liang 2003 Spooked, 'Bill Roberts' Silverscreen Productions, Dir: Geoff Murphy 2000 Lord of the Rings: The Fellowship of the Rings, 'Gil Galad' Universal Pictures, Dir: Peter Jackson 2000 Lord of the Rings: The Fellowship of the Rings, 'Witchking' Universal Pictures, Dir: Peter Jackson TELEVISION 2017 800 Words: season III, 'Steve' South Pacific Pictures/ Channel 7 (Australia), Dir: Various 2016 800 Words: season II, 'Steve' Weld Productions, Dir: Various directors 2013 The Blue Rose, 'Terry' South Pacific Pictures, Dir: Various directors 2011 Spartacus: Vengeance, 'Dominus' Pacific Renaissance Pictures, Dir: Various directors 2007 The Million Dollar Con Man, 'Barry Minkow' Isola Productions, Dir: Stephen McQuillan 2007 Amazing Extraordinary Friends, 'Mr Terrific' Greenstone Pictures, Dir: Various directors 2006 Orange Roughies, 'Foley' Screenworks, Dir: Chris Bailey 2004 P. E. T. Detectives, 'Nathan' Screentime Communicado, Dir: Various directors 2001 Spin Doctors: season I - III, 'Andrew' Comedia Pictures, Dir: Various directors 2000 Cleopatra 2525, 'Confessor' Pacific Renaissance Pictures, Dir: Various directors 1998 Xena: Warrior Princess, 'Dagnine' Pacific Renaissance Pictures, Dir: Various directors 96-97 Letter to Blanchy: season II - III, 'Morrie' Isambard, Dir: Various directors 1997 Double Booking, 'Neville' South Pacific Pictures, Dir: Various directors 1996
    [Show full text]
  • Tim Wong Sgnz:Hitz Resume 2020
    STUNT COORDINATOR & FIGHT COORDINATOR FEATURES TITLE COMPANY DESCRIPTION Blacklight Cosmos Pictures Stunt Coordinator The Suicide Squad Warner Bros. Stunt Coordinator Shadow in the Cloud Four Knights Film Stunt & Fight Choreographer The Legend of Baron Toa Brown Sugar Action Consultant Feng Shen Trilogy: Film 1 Wuxi Fengshen Pictures Co. Stunt & Fight Choreographer Triple Frontier NETFLIX Stunt Coordinator X-Men: Dark Phoenix 20th Century Fox Stunt Coordinator Ghost in the Shell Dreamworks SKG NZ Stunt Coordinator Fight Choreographer Pete's Dragon Walt Disney Pictures Assistant Stunt Coordinator Crouching Tiger Hidden Dragon 2 Netflix / Weinstein Company Assistant Stunt Coordinator Fight Choreographer Splinter Unit Gods of Egypt Summit Entertainment Fight Choreographer Outcast Midsummer Films Assistant Stunt Coordinator The Hobbit: Battle of the Five Armies Warner Bros. New Zealand Stunt Coordinator Fight Coordinator Realiti Index Films Stunt Coordinator The Hobbit: The Desolation of Smaug Warner Bros. Assistant Stunt / Fight Coordinator The Hobbit: An Unexpected Journey Warner Bros. Assistant Stunt / Fight Coordinator Yogi Bear Warner Bros. Additional Stunt Coordinator My Wedding & Other Secrets South Pacific Pictures Stunt Coordinator Tracker Eden Films Co-Stunt Coordinator Fight Coordinator The Adventures of Tintin Columbia Pictures Stunt Coordinator 2nd Unit Under the Mountain 120dB Films Stunt Coordinator The Warriors Way Rogue Assistant Stunt Coordinator Rain of the Children Wayward Films Stunt Coordinator The Water Horse Revolution
    [Show full text]