Five Fully-Funded Films in Two Years
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Dr Ruth Harley, CEO Screen Australia Address to 37° South, Melbourne International Film Festival 2013 Thursday 25 July 2013
Ruth Harley 37° South address, Melbourne International Film Festival 2013 ‘The Power of Australian Film’ Dr Ruth Harley, CEO Screen Australia Address to 37° South, Melbourne International Film Festival 2013 Thursday 25 July 2013 I am very pleased to be here for the fifth year in a row to address the 37° South market. As many of you know, this will be my last as CEO of Screen Australia as my term ends in November. Now then, is an opportunity to reflect and to look forward. I will take you through some of the things I’ve learned in my time with the agency and some thoughts for the future. There is much to be proud of in Australian screen production over the last five years. We’ve seen the successful introduction of the Producer Offset and concurrent increase in overall film and TV production, up 58% to just under $3 billion according to ABS data released last month. We’ve seen an increase in employment in the sector of 23% to 13,414 people. 1 Ruth Harley 37° South address, Melbourne International Film Festival 2013 We’ve seen an increase of local box office of 64% compared to the previous five year average. And we’ve seen some amazing screen stories. I’d like to share with you now a reel of some of the Screen Australia slate from the past five years, with some familiar faces from our sector describing Australian content matters. The Power of Australian Storytelling clip [CLIP] We’ve also seen, in the last five years a shift in some of the commentary about Australian screen stories. -
Ftonews#202 2
24 November 2006 Subject: FTONEWS#202 Date: 24 November 2006 From: ftonews <[email protected]> Conversation: FTONEWS#202 --------------------------------------------------------------------------------------------------------------------- FTONEWS #202: --------------------------------------------------------------------------------------------------------------------- FTO ANNUAL REPORT 05/06 AVAILABLE ONLINE The NSW Film and Television Office (FTO) Annual Report 2005/2006 can be downloaded from the FTO website or a hardcopy can be obtained from the office. PH: 9264 6400 http://www.fto.nsw.gov.au/content.asp?content=5&Id=23 --------------------------------------------------------------------------------------------------------------------- FTO CONGRATULATES NSW INSIDE FILM AWARD WINNERS The FTO congratulates the cast and crew of the feature film SUBURBAN MAYHEM, winner of three Inside Film Awards. SUBURBAN MAYHEM, supported by the FTO with development and production investment and a Regional Filming Fund grant, won major three awards - Best Actress (Emily Barclay), Best Music (Mick Harvey, Norman Parkhill) and Best Editing (Stephen Evans). SUBURBAN MAYHEM was filmed entirely on location in New South Wales, in and around the regional centre of Newcastle. The FTO would also like to congratulate NSW producer and former FTO Board Member Jan Chapman who received the Living Legend IF Award for her contribution to the Australian screen industry. --------------------------------------------------------------------------------------------------------------------- -
Fat Tony__Co Final D
A SCREENTIME production for the NINE NETWORK Production Notes Des Monaghan, Greg Haddrick Jo Rooney & Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler, Adam Todd, Jeff Truman & Michaeley O’Brien SERIES WRITERS Peter Andrikidis, Andrew Prowse & Karl Zwicky SERIES DIRECTORS MEDIA ENQUIRIES Michelle Stamper: NINE NETWORK T: 61 3 9420 3455 M: 61 (0)413 117 711 E: [email protected] IMPORTANT LEGAL NOTIFICATION TO MEDIA Screentime would like to remind anyone reporting on/reviewing the mini-series entitled FAT TONY & CO. that, given its subject matter, the series is complicated from a legal perspective. Potential legal issues include defamation, contempt of court and witness protection/name suppression. Accordingly there are some matters/questions that you may raise which we shall not be in a position to answer. In any event, please note that it is your responsibility to take into consideration all such legal issues in determining what is appropriate for you/the company who employs you (the “Company”) to publish or broadcast. Table of Contents Synopsis…………………………………………..………..……………………....Page 3 Key Players………….…………..…………………….…….…..……….....Pages 4 to 6 Production Facts…………………..…………………..………................Pages 7 to 8 About Screentime……………..…………………..…….………………………Page 9 Select Production & Cast Interviews……………………….…….…Pages 10 to 42 Key Crew Biographies……………………………………………...….Pages 43 to 51 Principal & Select Supporting Cast List..………………………………...….Page 52 Select Cast Biographies…………………………………………….....Pages 53 to 69 Episode Synopses………………………….………………….………..Pages 70 to 72 © 2013 Screentime Pty Ltd and Nine Films & Television Pty Ltd 2 SYNOPSIS FAT TONY & CO., the brand-new production from Screentime, tells the story of Australia’s most successful drug baron, from the day he quit cooking pizza in favour of cooking drugs, to the heyday of his $140 million dollar drug empire, all the way through to his arrest in an Athens café and his whopping 22-year sentence in Victoria’s maximum security prison. -
You Are the Cheese to My Macaroni Preserving the Archive of Australia’S Oldest Film School Donna L
You are the cheese to my macaroni Preserving the archive of Australia’s oldest film school Donna L. Hensler It has been said that short films are In 2013, in my role as VCA screen just like cheese—they get better with production coordinator, I took on the age.1 Taking this analogy further, good role of distributing the FTV’s short cheese depends on proper care and films, which had generated a buzz storage. It needs to be housed in its beyond academia. It soon became own capacious, gloomy, cheesy cave, apparent that the general vibe among residing at just the right temperature. past and present students was that Attention needs to be given to the the films they directed and produced humidity, and the area should be at the school went into the VCA clean, free of dust, and checked often. vault and died. This is similar to storing celluloid Encouraged by the academic film and magnetic media; unlike chalk staff and the current head of school, and cheese, the moving image and Nicolette Freeman, I became manchego have much in common and interested in helping VCA FTV their similarities go far beyond taste distribute its films online. Following and enjoyment. These living, breathing current digital distribution processes, organisms will alter their state as a which are at the forefront of business consequence of temperature, humidity development in the motion picture and light. It is these reactions that graduates, including directors Gillian and television industries, and with make the preservation and digitisation Armstrong (Little women, Oscar and the aid of the school, I began to of the Victorian College of the Arts Lucinda), Robert Luketic (Legally investigate digital distribution as a Film and Television School (VCA blonde, Monster-in-law), Adam way to disseminate the VCA FTV FTV) audiovisual archive a most Elliot (Harvie Krumpet), Andrew archive holdings. -
Macbeth Production Notes
MACBETH PRODUCTION NOTES For UK Publicity Enquiries: [email protected] [email protected] [email protected] For International Publicity Enquiries: [email protected] [email protected] [email protected] Stills can be downloaded from: studiocanal.co.uk/press SHORT SYNOPSIS MACBETH is the story of a fearless warrior and inspiring leader brought low by ambition and desire. A thrilling interpretation of the dramatic realities of the times and a reimagining of what wartime must have been like for one of Shakespeare’s most famous and compelling characters, a story of all-consuming passion and ambition, set in war torn Scottish landscape. SYNOPSIS Ellon. Scotland. Following a fierce battle in which Macbeth, Thane of Glamis and loyal general of King Duncan’s forces, has finally killed Macdonwald, a traitor and leader of rebel forces, he and fellow soldier Banquo encounter three women scavenging among the fallen soldiers, who foretell that Macbeth will become Thane of Cawdor and King of Scotland, while Banquo will be the father of future kings. Both men are unnerved by the prophecies but for the moment appear not to believe them. At the battlefield campsite, Angus and Rosse arrive from the King’s court to pass on thanks from their royal master for the success in battle and to bestow Macbeth the title Thane of Cawdor. The previous holder of the title has been killed for treachery against the crown. When Macbeth goes to pay homage to the King, Duncan tells him that he has made arrangements to visit his home at Inverness to celebrate the victory. -
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road. -
Animal Kingdom Press
A Sony Pictures Classics Release BEN MENDELSOHN JOEL EDGERTON and GUY PEARCE LUKE FORD JACKI WEAVER SULLIVAN STAPLETON and introducing JAMES FRECHEVILLE Written & Directed by DAVID MICHÔD Produced by LIZ WATTS A Porchlight Films Production Winner - Grand Jury Prize World Cinema- 2010 Sundance Film Festival Winner: Best Supporting Actress – Jacki Weaver, National Board of Review 2010 Winner: Best First Feature, 2010 New York Film Critics Circle Awards Winner: Best Supporting Actress, Jacki Weaver, 2010 Los Angeles Film Critics Association Awards Winner, Best Supporting Actress – Jacki Weaver, 2010 San Francisco Film Critics Circle Golden Globe® Award Nominee, Best Supporting Actress – Jacki Weaver Academy Award® Nominee, Best Supporting Actress – Jacki Weaver NY & Los Angeles Release: August 13, 2010 | TRT: 112 min | MPAA: Rated R East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Judy Chang Carmelo Pirrone 34 East 39th Street 2A Melody Korenbrot Lindsay Macik New York, NY 10016 110 S. Fairfax Ave, #310 550 Madison Ave 347-254-7054, ext 101 Los Angeles, CA 90036 New York, NY 10022 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax 2 Screen Australia and Porchlight Films presents In association with Film Victoria, Screen NSW, Fulcrum Media Finance and Showtime Australia A Porchlight Films Production BEN MENDELSOHN JOEL EDGERTON and GUY PEARCE ANIMAL KINGDOM LUKE FORD JACKI WEAVER SULLIVAN STAPLETON and introducing JAMES FRECHEVILLE DAN WYLLIE ANTHONY -
Thad-Lawrence-CV-2020.Pdf
THAD LAWRENCE - GAFFER BACKGROUND Gaffer Thirty plus years of experience on leading international film and television productions. Australian born, and trained in lighting in both Australia and New Zealand. Experience in Europe and extensively through the Pacific. Best known recent work as gaffer includes International Feature and Television productions such as The Power of the Dog (2021), Only Cloud Knows (2019), The Luminaries (2019) , Meg (2018), American Playboy (2017) The Light Between Oceans (2016), Chronicles of Shannara (2016), and the Emmy award winning Top of the Lake. In addition Local feature films such as The Dark Horse, and Siones Wedding 2. Also, gaffered thousands of television commercials both international and local small and large budget productions. Extensive gaffering experience internationally and locally with a renowned eye and friendly approach ensuring reliably outstanding results throughout the entire film making process. A level of local knowledge capable of making the seemingly impossible possible. CONTACT +64 27 270 4456 [email protected] REFEREES Adam Arkapaw ACS DOP Michael Bonvillain ASC DOP Nigel Bluck DOP Tom Karnowski Producer Tim Coddington Producer (for privacy reasons please contact us and we will provide referee contact details) Warehouse: 7/489 Rosebank Road, Avondale, Auckland, New Zealand. Ph + 64 27 274 7753 2 THAD LAWRENCE - GAFFER FEATURE AND DRAMA EXPERIENCE Gaffer Main Unit 2020 POWER OF THE DOG Director: Jane Campion DOP: Ari Wegner BAD GIRL PRODUCTIONS LTD Gaffer Main Unit 2019 BLACK -
VICE Studios and Screen Australia Present in Association with Film Victoria and Create NSW a Blue-Tongue Films and Pariah Production
VICE Studios and Screen Australia present In association with Film Victoria and Create NSW A Blue-Tongue Films and Pariah Production Written and Directed by Mirrah Foulkes Starring Mia Wasikowska and Damon Herriman Produced by Michele Bennett, Nash Edgerton and Danny Gabai Run Time: 105 Minutes Press Contact Samuel Goldwyn Films [email protected] SYNOPSES Short Synopsis In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering, but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge. Long Synopsis In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering, but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge. In a visceral and dynamic live-action reinterpretation of the famous 16th century puppet show, writer director MIRRAH FOULKES turns the traditional story of Punch and Judy on its head and brings to life a fierce, darkly comic and epic female-driven revenge story, starring MIA WASIKOWSKA and DAMON HERRIMAN. 2 DIRECTOR’S STATEMENT JUDY AND PUNCH is a dark, absurd fable treading a line between fairy-tale, fantasy and gritty realism, all of which work together to establish a unique tone while upsetting viewer expectations. When Vice Studios’ Eddy Moretti and Danny Gabai approached me with the idea of making a live action, feminist revenge film about Punch and Judy, they encouraged me to let my imagination go wild and take the story wherever I felt it needed to go. -
Luke CV June 21
Luke Thomas 1st AC [email protected] Freelancers (VIC) +61 3 9682 2722 Top Technicians (NSW) +61 2 9958 1611 Personal +61 438 277 489 Selected drama @June 2021 Baz Luhrmann Musical Project 2020-2021 A Camera, Main Unit, Australia Dir: Baz Luhrmann DP: Mandy Walker, AM, ACS, ASC Alexa 65, “Elvis” 1.85x Anamorphic, Sphero 65 Mortal Kombat 2019 A Camera, Main Unit, Adelaide, Australia Dir: Simon McQuoid DP: Germain McMicking, ACS Alexa LF, Ultra-Vista, H-Series The King 2018 A Camera, Main Unit, UK, Hungary Dir: David Michôd DP: Adam Arkapaw, ACS Alexa 65, Ultra-Panavision 70 Armour 2018 Short Film, Melbourne, Tasmania Dir: Ben Briand DP: Jeremy Rouse, ACS DXL2, Primo Artiste Acute Misfortune 2017 A Camera, Main Unit, NSW, Australia Dir: Thomas M Wright DP: Germain McMicking, ACS Alexa, Panavision Spherical Light Of My Life 2017 A Camera, Main Unit, British Colombia, Canada Dir: Casey Affleck DP: Adam Arkapaw, ACS Alexa, Panavision Spherical Jungle 2016 A Camera, Main Unit, Colombia, Queensland Dir: Greg McLean DP: Stefan Duscio, ACS Alexa, Cooke Anamorphic Berlin Syndrome 2015 A Camera, Main Unit, Berlin, Melbourne Dir: Cate Shortland DP: Germain McMicking, ACS Alexa, Leica Summilux Pete’s Dragon 2015 Casual A Camera, Main Unit, New Zealand Dir: David Lowery DP: Bojan Bazelli ASC Alexa, Cooke Anamorphic, Master Anamorphic, Master Spherical The Light Between Oceans 2014 A Camera, Main Unit, Blenheim/Dunedin (NZ), Stanley (Tasmania) Dir: Derek Cianfrance DP: Adam Arkapaw, ACS Alexa, G-Series Anamorphic Top Of The Lake (Season 1) 2012 A -
Blackballoonstudy Guide
A STUDY GUIDE BY MARGUERITE O’HARA www.metromagazine.com.au www.theeducationshop.com.au THE BLACK BALLOON Introduction wooden spoon and wailing on the front lawn. Charlie doesn’t The Black Balloon (Elissa Down, speak. He’s autistic and has 2007) is an Australian film ADD. He’s also unpredictable, about a family dealing with the sometimes unmanageable, and day-to-day challenges of living often disgusting. Thomas hates with an autistic son. Charlie his brother but wishes he didn’t. is seventeen and presents all kinds of embarrassing The Mollisons are an army situations for Thomas, his 15 family; but it’s not what you’d (going on 16)-year-old brother. call a regimented life, or even The film deals with a number a regular household. Thomas’s It’s hard to of issues about family life and cricket-obsessed father, Simon, the difficulties, challenges and talks to his teddy. Simon and fit in, when rewards faced by families in Maggie are openly intimate, and which one of the members has now Maggie is going to have you’re the a disability. another baby. The warmth, humour, love and One morning, the semi-naked generosity of the Mollison family Charlie escapes the house odd one out. makes for a very engaging film and leads Thomas on a chase that is neither sentimental nor across the neighbourhood. grim in its depiction of growing Charlie bursts into a stranger’s up with a family member with house to use the toilet; and autism. It is an inspiring story Thomas finds himself face to about the power of love, family face with Jackie Masters, his and friendship. -
Anthony Hayes (Born 21 September 1977) Is an Australian Actor
Anthony Hayes – Australian Actor Anthony Hayes (born 21 September 1977), who is one of the great great grand children of Peter Carrucan and Hannah Woods, is an Australian actor, best known for his role as Jack McLeod in the acclaimed Australian series McLeod's Daughters. Anthony at the 2008 Movie Extra FilmInk Awards at the State Theatre on March 12, 2008 in Sydney, Australia (photo from http://www.life.com/image/80214853) The following notes are taken from various websites and give a good rundown of what is a stellar career both behind the camera and in front of it. An actor since the age of nine, Anthony has appeared on film and television screens for over 20 years, with credits including Rabbit Proof Fence with Kenneth Branagh, Bootmen alongside Avatar star Sam Worthington, Ned Kelly with Heath Ledger and Orlando Bloom , Heroes Mountain, Changi and The Last Bullet with Jason Donovan. He co-starred in The Boys with Toni Collette and Lord of the Rings and 300 star David Wenham, earning him AFI and Film Critics Circle award nominations. Apart from acting in numerous films and television shows, he also wrote, directed and produced the films Ten Empty (2008), New Skin (2002) and Sweet Dreams (2002). Ten Empty had its World Premiere at the Sydney Film Festival (2008). The screenplay was nominated for 2007 Queensland Premier's Literary Awards and 2008 Victorian Premier's Literary Award. New Skin (2002) won the Dendy Award at the 2002 Sydney Film Festival and won Hayes an IF Award as best emerging director.