Season Two- Production Biographies
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Re-Thinking Water and Food Security
RE-THINKING WATER AND FOOD SECURITY Re-thinking Water and Food Security Fourth Botín Foundation Water Workshop Editors Luis Martínez-Cortina Spanish Geological Survey (IGME), Spain Alberto Garrido Research Centre for the Management of Agricultural and Environmental Risks (CEIGRAM), Spain; Technical University of Madrid (UPM), Spain; Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain Elena López-Gunn Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain; London School of Economics (LSE), UK Cover photo: Courtesy of M. Campos and M. Rica Izquierdo. CRC Press/Balkema is an imprint of the Taylor & Francis Group, an informa business © 2010 Taylor & Francis Group, London, UK Typeset by MPS Ltd. (A Macmillan Company), Chennai, India Printed and bound in Poland by Poligrafia Janusz Nowak, Poznán All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, by photocopying, recording or otherwise, without written prior permission from the publisher. Although all care is taken to ensure integrity and the quality of this publication and the information herein, no responsibility is assumed by the publishers nor the author for any damage to the property or persons as a result of operation or use of this publication and/or the information contained herein. Library of Congress Cataloging-in-Publication Data Marcelino Botín Water Forum (4th : 2009 : Santander, Spain) Re-thinking water and food security : fourth Marcelino Botín Foundation water workshop / editors, Luis Martínez-Cortina, Alberto Garrido, Elena López-Gunn. p. cm. Includes index. ISBN 978-0-415-58790-7 (hard cover : alk. -
1-3 Front CFP 10-4-10.Indd
Area/State Colby Free Press Monday, October 4, 2010 Page 3 Weather Gun rights, mental health on 2010 ballot Corner From “BALLOT,” Page 1 tional guarantees to the individual right to section of the law in the 1970s when the paign to let voters know why the revision bear arms, the federal constitution does, Constitution was last updated on a grand is needed. The U.S. Supreme Court ruled in a Dis- providing protection for citizens. scale, but left the mental health exception. “A voter with mental illness doesn’t trict Columbia case that individuals have “The federal constitutional right sets the Sweeney said had the changes been made mean someone who is in a state hospital,” the right to bear arms, striking down a ban minimum,” Levy said. “States might give later in the decade, the mental health excep- Sweeney said, “but someone with anxiety, on handguns. But the case was not viewed greater rights than the federal constitu- tion also would have been nixed. Mental depression, a soldier coming back with as far-reaching because of D.C.’s unique tion.” illness was just beginning to be understood, (post traumatic stress disorder). It’s our federal status. Then this June, the high For example, states may specify greater leading to changes in treatment and diagno- grandparents and our neighbors.” court struck down a Chicago handgun law, rights for carrying concealed weapons, li- sis that otherwise would have led to a “hos- Sweeney said Kansas isn’t the only state declaring that Americans have the right to censing of fi rearms or necessary training. -
How Democratic Is Jazz?
Accepted Manuscript Version Version of Record Published in Finding Democracy in Music, ed. Robert Adlington and Esteban Buch (New York: Routledge, 2021), 58–79 How Democratic Is Jazz? BENJAMIN GIVAN uring his 2016 election campaign and early months in office, U.S. President Donald J. Trump was occasionally compared to a jazz musician. 1 His Dnotorious tendency to act without forethought reminded some press commentators of the celebrated African American art form’s characteristic spontaneity.2 This was more than a little odd. Trump? Could this corrupt, capricious, megalomaniacal racist really be the Coltrane of contemporary American politics?3 True, the leader of the free world, if no jazz lover himself, fully appreciated music’s enormous global appeal,4 and had even been known in his youth to express his musical opinions in a manner redolent of great jazz musicians such as Charles Mingus and Miles Davis—with his fists. 5 But didn’t his reckless administration I owe many thanks to Robert Adlington, Ben Bierman, and Dana Gooley for their advice, and to the staffs of the National Museum of American History’s Smithsonian Archives Center and the New York Public Library’s Schomburg Center for Research in Black Culture. Copyright © 2020 by Benjamin Givan. 1 David Hajdu, “Trump the Improviser? This Candidate Operates in a Jazz-Like Fashion, But All He Makes is Unexpected Noise,” The Nation, January 21, 2016 (https://www.thenation.com/article/tr ump-the-improviser/ [accessed May 14, 2019]). 2 Lawrence Rosenthal, “Trump: The Roots of Improvisation,” Huffington Post, September 9, 2016 (https://www.huffpost.com/entry/trump-the-roots-of-improv_b_11739016 [accessed May 14, 2019]); Michael D. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Blake Anderson (American Football)
Blake Anderson (American football) For the American football coach, see Blake Anderson (American football).Blake Raymond Anderson (born March 2, 1984) is an American actor, comedian, producer, screenwriter and fashion designer. He was one of the stars and co-creators of the Comedy Central series Worka... Anderson was born in Sacramento County, California and attended Clayton Valley High School in Concord, California. He was ridiculed for his curly hair, so he shaved it off in 1998 due to peer pressure.[1] He later moved to Los Angeles to work with improvisational comedy troupes such as The Groundlings and Upright Citizens Brigade.[2] While working as a pizza delivery driver, he attended Orange Coast College in Costa Mesa, where he met future co-star Adam DeVine.[ 3]. Robert Blake Anderson (born March 24, 1969) is an American football coach and former player. Anderson is currently the head coach of the Arkansas State Red Wolves football team. He was the North Carolina Tar Heels offensive coordinator in 2012 and 2013. He was previously the offensive coordinator at Southern Miss. Anderson began his playing career as a quarterback and wide receiver at Baylor University from 1987 to 1989, but tore his ACL during practice. After his recovery he chose to transfer to Sam Houston State University where he played as a wide receiver for the Bearkats from 1989 to 1991. At Sam Houston State he was named to the Southland Conference All-Academic team as a senior. During his college days he played in the I-formation and Veer offenses popular at the time. -
Carbonite Operation Manual
Carbonite & Carbonite eXtreme OPERATION MANUAL v10.0 www.rossvideo.com times of company or customer crisis - do what you Thank You For Choosing know in your heart is right. (You may rent helicopters if necessary.) Ross You've made a great choice. We expect you will be very happy with your purchase of Ross Technology. Our mission is to: 1. Provide a Superior Customer Experience • offer the best product quality and support 2. Make Cool Practical Technology • develop great products that customers love Ross has become well known for the Ross Video Code of Ethics. It guides our interactions and empowers our employees. I hope you enjoy reading it below. If anything at all with your Ross experience does not live up to your expectations be sure to reach out to us at [email protected]. David Ross CEO, Ross Video [email protected] Ross Video Code of Ethics Any company is the sum total of the people that make things happen. At Ross, our employees are a special group. Our employees truly care about doing a great job and delivering a high quality customer experience every day. This code of ethics hangs on the wall of all Ross Video locations to guide our behavior: 1. We will always act in our customers' best interest. 2. We will do our best to understand our customers' requirements. 3. We will not ship crap. 4. We will be great to work with. 5. We will do something extra for our customers, as an apology, when something big goes wrong and it's our fault. -
The Problem with Borat
Taboo: The Journal of Culture and Education Volume 11 | Issue 1 Article 9 December 2007 The rP oblem with Borat Ghada Chehade Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Chehade, G. (2017). The rP oblem with Borat. Taboo: The Journal of Culture and Education, 11 (1). https://doi.org/10.31390/ taboo.11.1.09 Taboo, Spring-Summer-Fall-WinterGhada Chehade 2007 63 The Problem with Borat Ghada Chehade There is just something about Borat, Sacha Baron Cohen’s barbaric alter-ego who The Observer’s Oliver Marre (2006) aptly describes as “…homophobic, rac- ist, and misogynist as well as anti-Semitic.” While on the surface, Cohen’s Borat may seem to offend all races equally—the one group he offends the most is the very group he portrays as homophobic, racist, misogynist, and anti-Semitic. Or in other words, the real parties vilified by Cohen are not Borat’s victims but Borat himself. The humour is ultimately directed at this uncivilized buffoon-Borat. He is the butt of every joke. He is the one we laugh at, and are intended to laugh at, the most inasmuch as he is more vulgar, savage, ignorant, barbaric, and racist than any of the bigoted Americans “exposed” in the 2006 film Borat: Cultural Learn- ings of America for Make Benefit Glorious Nation of Kazakhstan. This would not be quite as problematic if the fictional Borat did not come from a very real place and did not so obviously (mis)represent Muslims. While the 2006 film has received coverage and praise for revealing the racism of Americans, very few people are asking whether Cohen’s caricature of a savage, homophobic, misogynist, racist, and hard core Jew-hating Muslim is not actually a form of anti-Muslim racism. -
Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
The Developmental Process of the Thread That Snapped
Southern Illinois University Carbondale OpenSIUC Theses Theses and Dissertations 9-1-2020 DIVING INTO ONE’S PAINFUL PAST AND DARKEST INTERNAL FEARS: THE DEVELOPMENTAL PROCESS OF THE THREAD THAT SNAPPED Austin Brian Harrison Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/theses Recommended Citation Harrison, Austin Brian, "DIVING INTO ONE’S PAINFUL PAST AND DARKEST INTERNAL FEARS: THE DEVELOPMENTAL PROCESS OF THE THREAD THAT SNAPPED" (2020). Theses. 2732. https://opensiuc.lib.siu.edu/theses/2732 This Open Access Thesis is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. DIVING INTO ONE’S PAINFUL PAST AND DARKEST INTERNAL FEARS: THE DEVELOPMENTAL PROCESS OF THE THREAD THAT SNAPPED by Austin Harrison M.A., Louisiana Tech University, 2017 B.S., Louisiana Tech University, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Fine Arts Degree Department of Theatre in the Graduate School Southern Illinois University Carbondale May 2020 Copyright by Austin Harrison, 2020 All Rights Reserved THESIS APPROVAL DIVING INTO ONE’S PAINFUL PAST AND DARKEST INTERNAL FEARS: THE DEVELOPMENTAL PROCESS OF THE THREAD THAT SNAPPED by Austin Harrison A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the field of Theatre Approved by: Dr. Jacob Juntunen, Chair Mark Varns Segun Ojewuyi Graduate School Southern Illinois University Carbondale April 10, 2020 AN ABSTRACT OF THE THESIS OF Austin Harrison, for the Master of Fine Arts degree in Theatre, presented on April 10, 2020, at Southern Illinois University Carbondale. -
Star Channels, March 18-24
MARCH 18 - 24, 2018 staradvertiser.com BY THE BOOK A killer takes a bestselling book about crime theory a little too literally in Instinct, a police procedural with a modern touch. In order to solve his murders, Det. Lizzie Needham (Bojana Novakovic) will need the author’s help. Watch as Dr. Dylan Reinhart (Alan Cumming), a former CIA operative-turned-professor and author, joins Needham in order to create a profi le and help catch the killer. Premiering Sunday, March 18, on CBS. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TOMORROW, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | INSTINCT The write wit Remixing police procedurals Without any motives or additional leads, following and firmly established the demand Needham reaches out to Reinhart for his help, for the police procedural drama. with ‘Instinct’ knowing that his unique perspective as author “Instinct” pulls from this transitory past, as — and former CIA operative — is her best hope the story began in the pages of a novel. The By K.A. Taylor at stopping this mysterious murderer. series is an adaptation of James Patterson’s TV Media To better prepare himself for the chase, novel “Murder Games,” with much of the Reinhart calls on some old friends for assis- series’ content staying true to Patterson’s olice procedural dramas are a staple of tance from his previous life, including Julian own words. Fans of literary, small-screen and North American television. Just mention- Cousins (Naveen Andrews, “Sense8”).