GEORGE HADDAD Supervising Sound Editor

Total Page：16

File Type：pdf, Size：1020Kb

GEORGE HADDAD Supervising Sound Editor SUPERVISING SOUND EDITOR | SELECT TELEVISION CREDITS & AWARDS PRODIGAL SON Greg Berlanti WBTV MIRACLE WORKERS Simon Rich/Lorne Michaels TBS LINCOLN RHYME: HUNT FOR THE BONE Mark Bianculli/VJ Boyd Universal Television COLLECTOR PENNYWORTH Bruno Heller Warner Horizon Television Steven Lilien/Bryan GOD FRIENDED ME WBTV Wynbrandt Brandon Margolis/Brandon L.A.’s FINEST Sonnier Sony Pictures Television Bruno Heller GOTHAM (2015-17/2019) (2018) WBTV Jody Hill/Danny McBride HBO VICE PRINCIPALS (2018) (2018) Craig Silverstein TURN: WASHINGTON SPIES (2016) AMC Studios THE TOMORROW PEOPLE Greg Berlanti WBTV Craig Silverstein NIKITA (2011/2013) WBTV THOSE WHO KILL (Pilot) Glen Morgan Fox 21 DROP DEAD DIVA Josh Berman Sony Pictures Television BIG LOVE Mark V. Olsen/Will Scheffer Playtone Productions ELEVENTH HOUR Stephen Gallagher WBTV RAISING THE BAR Steven Bochco TNT Ralph Hemecker SKYRUNNERS (2010) Walt Disney Productions Ann Donahue/Carol CSI: NEW YORK (2005-07/2009) Mendelsohn CBS Productions MAD MEN Matthew Weiner Lionsgate Television Steven Bochno/Chris OVER THERE Gerolmo 20th Century Fox THE SOPRANOS David Chase HBO XENA: WARRIOR PRINCESS Sam Raimi Universal Television HERCULES: THE LEGENDARY JOURNEYS Christian Williams Universal Television Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS YOUNG HERCULES (1999) Andrew Dettmann Renaissance Pictures IF THESE WALLS COULD TALK Cher/Nancy Savoca HBO MANDELA AND DE KLERK Joseph Sargent Showtime Networks ELVIS MEETS NIXON Allan Arkush Showtime Networks Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS .

Copy Link

Recommended publications

T Kilmartin 19
TERRI KILMARTIN 1st Assistant Director [email protected] 0274-302-703 TELEVISION DRAMA & FEATURE FILMS 2018 “The Wilds” Pilot ABC Signature NZ Susanna Fogel “Fresh Eggs” Eps 5 & 6 Warner Bros International Josh Frizzell “Alibi” fish.ent & PLUS6FOUR David De Lautour 2017 “Murder Is Forever” Stephen David Entertainment Colin Teague, David O'Neill “Ash vs Evil Dead” Season 3 Starz Evil Productions Ltd Daniel Nettheim, Mark Beesley 2016 “Wanted” Series 2 Match Box NZ Ltd Peter Salmon “1953 The Hugh Hefner Story” Stephen David Entertainment Johnny St Ours- X Unit “The Brokenwood Mysteries 3” South Pacific Pictures Murray Keane, Mark Beesley Richie McCaw Documentary Dark Doris One Ltd Justin Pemberton-drama shoot “Ash vs Evil Dead” Season 1 & 2 Publicity Shoot - Starz Frank Ockenfels III Photographer 2015 “Filthy Rich” Final Episode Filthy Productions Peter Berger “800 Words” 1st Season South Pacific Pictures Pino Amenta 2014 “Westside” 1st Season South Pacific Pictures Mark Beesley, Simon Bennett 2007 “We’re Here To Help” FF South Pacific Pictures Ltd Jonothan Cullinane 2006 “30 Days of Night” FF 2nd UNIT 30 Days of Night (NZ) Ltd Charlie Haskell 2005 “The Chronicles of Narnia-The Lion, the Witch & the Wardrobe” FF - Autumn UNIT & Lamp Post Productions Ltd Andrew Adamson 2004 - Greenscreen UNIT Lamp Post Productions Ltd Rpin Suwannath 2004 “River Queen” FF 2nd UNIT Silverscreen (RQ) Ltd Paul Grinder 2003-04 “Boogeyman” FF 2nd UNIT Pacific Renaissance Pictures Paul Grinder 2003 “Serial Killers” Landtry Films Mike Smith 2003 “Street Legal”
[Show full text]
Dance Design & Production Drama Filmmaking Music
Dance Design & Production Drama Filmmaking Music Powering Creativity Filmmaking CONCENTRATIONS Bachelor of Master of Fine Arts Fine Arts The School of Filmmaking is top ranked in the nation. Animation Cinematography Creative Producing Directing Film Music Composition Picture Editing & Sound Design No.6 of Top 50 Film Schools by TheWrap Producing BECOME A SKILLED STORYTELLER Production Design & Visual Effects Undergraduates take courses in every aspect of the moving image arts, from movies, series and documentaries to augmented and virtual reality. Screenwriting You’ll immediately work on sets and experience firsthand the full arc of film production, including marketing and distribution. You’ll understand the many different creative leadership roles that contribute to the process and discover your strengths and interests. After learning the fundamentals, you’ll work with faculty and focus on a concentration — animation, cinematography, directing, picture editing No.10 of Top 25 American and sound design, producing, production design and visual effects, or Film Schools by The screenwriting. Then you’ll pursue an advanced curriculum focused on your Hollywood Reporter craft’s intricacies as you hone your leadership skills and collaborate with artists in the other concentrations to earn your degree. No.16 of Top 25 Schools for Composing for Film and TV by The Hollywood Reporter Filmmaking Ranked among the best film schools in the country, the School of Filmmaking produces GRADUATE PROGRAM experienced storytellers skilled in all aspects of the cinematic arts and new media. Students Top 50 Best Film Schools direct and shoot numerous projects alongside hands-on courses in every aspect of modern film Graduate students earn their M.F.A.
[Show full text]
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened.
[Show full text]
LELAND SEXTON Editor !
! LELAND SEXTON Editor ! Television PROJECTS DIRECTOR STUDIO/PRODUCTION CO. LANGDON (season 1) Various NBC / Imagine Entertainment Prod: Anna Culp, Samie Kim Falvey, Brian Grazer, Ron Howard GOTHAM (seasons 2-5) Various Fox Prod: Danny Cannon, John Stephens, Bruno Heller ONCE UPON A TIME IN WONDERLAND Various ABC (season 1) Prod: Edward Kitsis, Jane Espenson, Adam Horowitz, Zack Estrin BENCHED (season 1) Various USA Prod: Michaela Watkins, John Enbom, Damon Jones, Andrea Shay WEDDING BAND (season 1, 1 episode) Peter Lauer TBS Prod: Josh Lobis, Mile Tollin, Darin Moiselle, Jon Wallace NTSF:SD:SUV PSA’s (digital series) Curtis Gwinn Funny or Die Prod: Paul Scheer, Jon Stern Assistant Editor PROJECTS DIRECTOR STUDIO/PRODUCTION CO. A MILLION LITTLE THINGS (season 3) Various ABC LIMITLESS (season 1) Various CBS HOME SWEET HELL* Anthony Burns Darko Entertainment / Vertical Entertainment Editor: Robert Hoffman OUTSIDERS (season 1) Various WGN America GOTHAM (pilot/season 1) Various Fox ONCE UPON A TIME IN WONDERLAND Various ABC (season 1) GO ON (season 1) Various NBC WEDDING BAND (season 1) Various TBS FREE AGENTS (season 1) Various NBC NTSF:SD:SUV (season 1) Various Adult Swim / Funny or Die FUNNY OR DIE PRESENTS… (season 2) Various HBO HUMAN TARGET (season 2) Various Fox CHILDRENS HOSPITAL (seasons 1-2) Various Adult Swim PARTY DOWN* (seasons 1-2) Various TBS SECRET GIRLFRIEND (season 1) Various Comedy Central HEAD CASE (season 3) Various Starz CHASING THE LIGHT (documentary) Louie Schwartzberg PBS * 1st Assistant Editor 1645 Vine Street #402, Los Angeles, CA 90028 | p 323.856.3000 | [email protected] | www.easterntalent.net !.
[Show full text]
Comment Devenir Mentaliste
Un art de la manipulation l y a deux ans à peine, avant que la série conçue aux États-Unis par Bruno Heller ne devienne un I succès mondial, le mentalisme était uniquement connu des cercles d’initiés, des férus de magie, de communication extrasensorielle ou même de joueurs invétérés de poker, rois du bluff et de l’esbroufe. Mais voilà : avec plus de 10 millions de téléspecta- teurs en moyenne presque toutes les semaines sur les chaînes TPS Star, puis TF1 à chaque épisode, l’engoue- ment pour ces talents de compréhension ont mis au jour les techniques et autres avantages de mener les discus- sions ou la parole d’autrui dans son sens. Plutôt intéressant ! Si, dans la série The Mentalist, Patrick Jane, le sédui- sant consultant du CBI, s’amuse à dévoiler la vérité dans des affaires de meurtre, force est de constater qu’il est tout à fait possible d’utiliser ses techniques d’entour- loupe pour également s’imposer dans la vie quotidienne. Voici quelques pistes de travail, tirées de nombreux ouvrages sur le sujet, mais aussi de la fréquenta- 7 Comment devenir mentaliste tion assidue de la série. Que cela reste un loisir avant tout. Ne vous mettez pas en tête de pouvoir manipu- ler quiconque en fermant ce livre. Que nenni ! On ne cherche à montrer que, bien loin d’être de la pure magie, le mentalisme fait appel à toutes les forces de votre cerveau, de la concentration à la mémoire, en passant par votre sens de l’observation, votre discours et vos talents hypnotiques.
[Show full text]
Understanding and Negotiating the Secondary Vice-Principal Role: Perspectives of Secondary Principals
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-24-2016 12:00 AM Understanding and Negotiating the Secondary Vice-Principal Role: Perspectives of Secondary Principals Louis Lim The University of Western Ontario Supervisor Dr. Katina Pollock The University of Western Ontario Graduate Program in Education A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Education © Louis Lim 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Educational Leadership Commons Recommended Citation Lim, Louis, "Understanding and Negotiating the Secondary Vice-Principal Role: Perspectives of Secondary Principals" (2016). Electronic Thesis and Dissertation Repository. 4039. https://ir.lib.uwo.ca/etd/4039 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. ABSTRACT This dissertation explores how secondary principals understand and negotiate the secondary vice-principal role. The principal assigns vice-principal duties so there is no standard description for the vice-principal role (Ontario Ministry of Education, 1990). My conceptual framework, based on the notions of role and work, informed the study. Using an interpretive basic, generic qualitative study approach, I conducted single 60 to 90 minute semi-structured interviews with 13 secondary principals from four Ontario district school boards. Data analysis was on-going and used a modified version of the constant comparative method for themes to emerge. Findings indicated that secondary principals expect their vice-principals to perform both operational and instructional tasks, although the school day remains dominated by operational duties related to supporting students and staff.
[Show full text]
Oecd Project
Improving School Leadership Activity Education and Training Policy Division http://www.oecd.org/edu/schoolleadership DIRECTORATE FOR EDUCATION IMPROVING SCHOOL LEADERSHIP COUNTRY BACKGROUND REPORT FOR NORTHERN IRELAND May 2007 This report was prepared for the OECD Activity Improving School Leadership following common guidelines the OECD provided to all countries participating in the activity. Country background reports can be found at www.oecd.org/edu/schoolleadership. Northern Ireland has granted the OECD permission to include this document on the OECD Internet Home Page. The opinions expressed are not necessarily those of the national authority, the OECD or its Member countries. The copyright conditions governing access to information on the OECD Home Page are provided at www.oecd.org/rights 1 OECD Report – Improving School Leadership Northern Ireland R J FitzPatrick - 2007 IMPROVING SCHOOL LEADERSHIP – COUNTRY BACKGROUND REPORT (NORTHERN IRELAND) CONTENTS Page 1. NATIONAL CONTEXT (Northern Ireland) 4 1.1 Introduction 4 1.2 The Current Economic and Social Climate 4 1.3 The Northern Ireland Economy 4 1.4 Society and Community 5 1.5 Education as a Government Priority for Northern Ireland 6 1.6 Priorities within Education and Training 7 1.7 Major Education Reforms 8 1.8 Priority Funding Packages 9 1.9 Early Years 10 1.10 ICT 10 1.11 Special Educational Needs and Inclusion 10 1.12 Education and Skills Authority 10 1.13 Targets and outcomes for the Education System 11 1.14 Efficiency 11 2. THE SCHOOL SYSTEM AND THE TEACHING WORKFORCE 13
[Show full text]
Chris Norr Director of Photography
CHRIS NORR DIRECTOR OF PHOTOGRAPHY www.chrisnorr.com TELEVISION PRODUCER NETWORK/STUDIO SUCCESSION (Season 1 - 3) Adam McKay, Jesse Armstrong HBO/Gary Sanchez Prods. THE RIGHT STUFF (Season 1) David Nutter, Mark Lafferty NatGeo/WarnerHorizon GODFATHER OF HARLEM (Season 1) Chris Brancato, Paul Eckstein EPIX/ABC Signature Studios GOTHAM (Season 1 – 3) Bruno Heller FOX/Warner Bros. 2017 ASC Nomination for Outstanding Achievement in Cinematography on a Television Series 2016 ASC Nomination for Outstanding Achievement in Cinematography on a Television Series 2015 ASC Nomination for Outstanding Achievement in Cinematography on a Television Series YOU (Season 1 – Tandem Unit) Sera Gamble Lifetime/Warner Horizon TV BELIEVE (Season 1) J.J. Abrams, Jonas Pate NBC/Warner Bros. GLEE (Season 4 – NY Unit) Eric Stoltz, Brad Falchuck FOX/20th Century Fox ROYAL PAINS (Season 4 – Tandem Unit) Michael Rauch Universal Television/USA BLUE BLOODS (Season 2 – 2ND Unit) Jane Raab CBS/CBS Television PERSON OF INTEREST Dir: David Semel, CBS/Warner Bros. (Pilot – Opening Sequence) Bryan Burk, J.J. Abrams FEATURES DIRECTOR STUDIO/PROD.CO. GODMOTHERED Sharon Maguire Walt Disney Pictures BASHIRA Nickson Fong Bashira New York, Inc. PUZZLE Marc Turtletaub Big Beach Films/ Sundance Film Festival – Official Selection Sony Pictures Classics ROB THE MOB Raymond De Felitta The Exchange GIRLHOUSE Jon Knautz Brookstreet Pictures SINISTER Scott Derrickson Summit Ent. FAMILY WEEKEND Benjamin Epps Summit Ent/Footprint Features SYMPATHY FOR DELICIOUS Mark Ruffalo Maya Entertainment
[Show full text]
ALEX NEPOMNIASCHY, ASC Director of Photography Alexnepomniaschy.Com
ALEX NEPOMNIASCHY, ASC Director of Photography alexnepomniaschy.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE MARVELOUS MRS. MAISEL Daniel Palladino AMAZON STUDIOS / Nick Thomason Season 4 Amy Sherman-Palladino MIXTAPE Ti West ANNAPURNA PICTURES Series NETFLIX / Chip Vucelich, Josh Safran L.A.’S FINEST Eagle Egilsson SONY PICTURES TELEVISION Series Mark Tonderai Scott White, Jerry Bruckheimer WISDOM OF THE CROWD Adam Davidson CBS Series Jon Amiel Ted Humphrey, Vahan Moosekian Milan Cheylov Adam Davidson GILMORE GIRLS: A YEAR IN THE LIFE Amy Sherman- WARNER BROS. TV / NETFLIX Mini-series Palladino Daniel Palladino Daniel Palladino Amy Sherman-Palladino THE AMERICANS Thomas Schlamme DREAMWORKS / FX Season 4 Chris Long Mary Rae Thewlis, Chris Long Daniel Sackheim Joe Weisberg, Joel Fields THE MENTALIST Chris Long WARNER BROS. / CBS Season 7 Simon Baker Matthew Carlisle, Bruno Heller Nina Lopez-Corrado Chris Long STANDING UP D.J. Caruso ALDAMISA Janet Wattles, Jim Brubaker Ken Aguado, John McAdams BLUE BLOODS David Barrett CBS Seasons 4 & 5 John Behring Jane Raab, Kevin Wade Alex Chapple Eric Laneuville I AM NUMBER FOUR D.J. Caruso DREAMWORKS Add’l Photography Sue McNamara, Michael Bay BIG LOVE Daniel Attias HBO Season 4 David Petrarca Bernie Caulfield THE EDUCATION OF CHARLIE BANKS Fred Durst Marisa Polvino, Declan Baldwin TAKE THE LEAD Liz Friedlander NEW LINE Diane Nabatoff, Michelle Grace CRIMINAL MINDS Pilot Richard Shepherd CBS / Peter McIntosh NARC Joe Carnahan PARAMOUNT PICTURES Nomination, Best Cinematography – Ind. Spirit
[Show full text]
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper.
[Show full text]
Xavier Aldana Reyes, 'The Cultural Capital of the Gothic Horror
1 Originally published in/as: Xavier Aldana Reyes, ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’, Journal of Italian Cinema and Media Studies, 5.2 (2017), 229–44. DOI link: 10.1386/jicms.5.2.229_1 Title: ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’ Author: Xavier Aldana Reyes Affiliation: Manchester Metropolitan University Abstract: Dario Argento is the best-known living Italian horror director, but despite this his career is perceived to be at an all-time low. I propose that the nadir of Argento’s filmography coincides, in part, with his embrace of the gothic adaptation and that at least two of his late films, The Phantom of the Opera (1998) and Dracula 3D (2012), are born out of the tensions between his desire to achieve auteur status by choosing respectable and literary sources as his primary material and the bloody and excessive nature of the product that he has come to be known for. My contention is that to understand the role that these films play within the director’s oeuvre, as well as their negative reception among critics, it is crucial to consider how they negotiate the dichotomy between the positive critical discourse currently surrounding gothic cinema and the negative one applied to visceral horror. Keywords: Dario Argento, Gothic, adaptation, horror, cultural capital, auteurism, Dracula, Phantom of the Opera Dario Argento is, arguably, the best-known living Italian horror director.
[Show full text]
Printable Stuntman Resume
JOHN COPEMAN STUNTMAN MEMBER SAG-AFTRA/ DGA MEMBER OF THE ACADEMY OF TELEVISION ARTS AND SCIENCES NOMINEE- 2005 TAURUS WORLD STUNT AWARDS- BEST HIGH WORK “ THE FORGOTTEN” MOBILE: 910-616-9466 WWW.C-4STUNTSINC.COM FEATURES/ TV/ COMMERICIAL SLEEPY HOLLOW- 3 SEASONS TURN- SEASON 2 VAMPIRE DIARIES VICE PRINCIPALS DEATH OF EVA SOFIA VALDEZ EASTBOUND AND DOWN THE FORGOTTEN ALONG CAME A SPIDER UNDER THE DOME SOLVING CHARLIE ONE TREE HILL SURFACE TWENTY QUESTIONS DAWSON’S CREEK GATORADE SHE’S OUT OF MY LEAGUE NIGHTS IN RODANTHE CABIN FEVER 1 & 2 COLD STORAGE AMERICA’S MOST WANTED NATIONAL LAMPOONS PUCKED BROOKLYN RULES THE CHOICE PIRANHA 3DD SECRETS AND LIES BODY OF LIES KATE & LEOPOLD THE LOVELY BONES DAMAGES THE THOMAS CROWN AFFAIR THE CRAZIES THE MAIDEN HEIST THE HOAX THE BOUNTY HUNTER BEETHOVEN 4 NAILED RIGHT IN ALTERED ZOMBIELAND CHERRY FALLS SONG CATCHER BODY SNATCHERS 2 DIARY OF A HITMAN CARRIE 2 YOU’VE GOT MAIL HUDSON HAWK BLACK DOG VIRUS LOLITA BEAUTIFUL GIRLS PAVILLION KIMBERLY 12 MONKEYS DEAD PRESIDENTS MAXIMUM RISK NEW BEST FRIEND OFFICE KILLER A FURTHER GESTURE THE CROW EMPIRE RECORDS BULLET ( 1995) RADIOLAND MURDERS THE ROAD TO WELLVILLE CHASERS SUPER AMRIO BROS. THE HUDSUCKER PROXY LAST OF THE MOHICANS AMOS & ANDREW TRICK OR TREAT TUNE IN TOMORROW HACK BURNING VENGEANCE SHORT RIDE TURN OF FAITH THE SOPRANOS TARGET EARTH HOLY JOE GOING TO CALIFORNIA TECUMSEH BLACK MAGIC JOHN ADAMS THE DAY LINCOLN WAS SHOT THE INVISIBLE MAN THE TWILIGHT MAN BIONIC BREAKDOWN AMERICAN GOTHIC SHATTERED DREAMS *NY UNDERCOVER IN A CHILDS NAME BASTARD
[Show full text]