The Christian Year in Review Significant Events of 1995
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El Visual Kei Como Producto Cultural Y Su Huella En La Cultura Popular
FACULTAD DE TRADUCCIÓN E INTERPRETACIÓN GRADO EN ESTUDIOS DE ASIA ORIENTAL TRABAJO DE FIN DE GRADO Curso 2015-2016 EL VISUAL KEI COMO PRODUCTO CULTURAL Y SU HUELLA EN LA CULTURA POPULAR Cecilia Isabel Sanz Martínez 1244795 TUTOR Roberto Figliulo Barcelona, junio de 2016 DATOS DEL TFG El Visual Kei como producto cultural y su huella en la cultura popular. El Visual Kei com a producte cultural i la seva empremta en la cultura popular. Visual Kei as a cultural product and its imprint on popular culture. Autor: Cecilia Isabel Sanz Martínez. Tutor: Roberto Figliulo. Centro: Facultad de Traducción e Interpretación. Universidad Autónoma de Barcelona. Estudios: Estudios de Asia Oriental. Curso Académico: 2015-2016 Palabras clave // Paraules clau // Key words Visual Kei, cultura popular, Japón, música, rock, metal // Visual Kei, cultura popular, Japó, música, rock, metal // Visual Kei, popular culture, Japan, music, rock, metal. Resumen del TFG El Visual Kei es una escena musical nacida en y casi exclusiva de Japón, cuya característica principal es que el componente visual o estético tiene tanto peso como el componente musical. Se trata de una escena muy activa y con mucha variedad tanto musical como estética. En este TFG se analiza el Visual Kei como producto cultural, siguiendo un esquema histórico. Empezando desde los movimientos musicales y culturales que han contribuido a su surgimiento como el heavy metal, el glam y el punk; observando la escena que sería su caldo de cultivo, hasta su nacimiento; y viendo las claves de cada etapa de su evolución, desde los años 90 hasta hoy. Además, se observa cuál ha sido el impacto del Visual Kei en la cultura popular japonesa, y cuál ha sido su recepción en el resto del mundo. -
Numero Kansi Arvostelut Artikkelit / Esittelyt Mielipiteet Muuta 1 (1/2005
Numero Kansi Arvostelut Artikkelit / esittelyt Mielipiteet Muuta -Full Metal Panic (PAN Vision) (Mauno Joukamaa) -DNAngel (ADV) (Kyuu Eturautti) -Final Fantasy Unlimited (PAN Vision) (Jukka Simola) -Kissankorvanteko-ohjeet (Einar -Neon Genesis Evangelion, 2s (Pekka Wallendahl) - Pääkirjoitus: Olennainen osa animen ja -Jin-Roh (Future Film) (Mauno Joukamaa) Karttunen) -Gainax, 1s (?, oletettavasti Pekka Wallendahl) mangan suosiota on hahmokulttuuri (Jari -Manga! Manga! The world of Japanese comics (Kodansha) (Mauno Joukamaa) -Idän ihmeitä: Natto (Jari Lehtinen) 1 -Megumi Hayashibara, 1s (?, oletettavasti Pekka Wallendahl) Lehtinen, Kyuu Eturautti) -Salapoliisi Conan (Egmont) (Mauno Joukamaa) -Kotimaan katsaus: Animeunioni, -Makoto Shinkai, 2s (Jari Lehtinen) - Kolumni: Anime- ja mangakulttuuri elää (1/2005) -Saint Tail (Tokyopop) (Jari Lehtinen) MAY -Final Fantasy VII: Advent Children, 1s (Miika Huttunen) murrosvaihetta, saa nähdä tuleeko siitä -Duel Masters (korttipeli) (Erica Christensen) -Fennomanga-palsta alkaa -Kuukauden klassikko: Saiyuki, 2s (Jari Lehtinen) valtavirta vai floppi (Pekka Wallendahl) -Duel Masters: Sempai Legends (Erica Christensen) -Animea TV:ssä alkaa -International Ragnarök Online (Jukka Simola) -Star Ocean: Till The End Of Time (Kyuu Eturautti) -Star Ocean EX (Geneon) (Kyuu Eturautti) -Neon Genesis Evangelion (PAN Vision) (Mikko Lammi) - Pääkirjoitus: Cosplay on harrastajan -Spiral (Funimation) (Kyuu Eturautti) -Cosplay, 4s (Sefie Rosenlund) rakkaudenosoitus (Mauno Joukamaa) -Hopeanuoli (Future Film) (Jari Lehtinen) -
J-Rockers * K-Poppers * C-Poppers Comunicação, Mídia, Cultura E Jovens
J-Rockers * K-Poppers * C-Poppers Comunicação, mídia, cultura e jovens Talita de Cássia Mota J-Rockers * K-Poppers * C-Poppers Comunicação, mídia, cultura e jovens Universidade Estadual Paulista “Júlio de Mesquita Filho” Campus Bauru Bauru 2009 Mota, Talita de Cássia. J-Rockers K-Poppers C-Poppers – Comunicação, mídia, cultura e jovens. / Talita de Cássia Mota, 2009. 97 f. : il. Orientador: Cláudio Bertolli Filho Monografia (Graduação)–Universidade Estadual Paulista “Júlio de Mesquita Filho”. Faculdade de Arquitetura, Artes e Comunicação, Bauru, 2009 1. Neotribalismo. 2. Cultura pop. 3. Iden- tidade. 4.Comunicação. 5.Mídia I. Universidade Estadual Paulista “Júlio de Mesquita Filho”, Faculdade de Arquitetura, Artes e Comunicação II. Título.Comunicação, mídia, cultura e jovens. Dedicado à minha avó Dagmar. [in memoria] Sumário Introdução 11 Parte 1 – A comunicação como instrumento de 13 estruturação social e cultural 1. Eu, eles e nós: um pouco de identificação 15 2. Influências Culturais 21 2.1 Imigração e cultura japonesa no Bra- 21 sil 2.2 A imigração coreana 25 2.3 Imigração chinesa 27 3. Comunicação, mídia e potência asiática no 29 Brasil 4. Comunicação e Cibercultura 39 5. Culturas pop e seus fãs: diferentes e genera- 45 lizados Parte 2 – Você já ouviu esse som? 53 1.Rock & Pop: música é fenômeno global 55 2.J-Music: introdução à música japonesa 59 2.1 J-rock e Visual kei: um histórico das 66 muitas variantes do rock japonês 3.K-pop, a qual geração você pertence? 91 4.C-pop, o som made in China 105 Parte 3 – Nesse nosso mundo paralelo 111 1.Neotribalismo: a cultura na pós-moderni- 113 dade 2.O Japão e o Grupo: a difícil sobrevivência da 119 individualidade 3.“Ei, seu otaku!” 125 3.1 “Vamos Fugir?” 127 4.Eles estão aqui 133 5.Considerações Finais 139 Glossário 141 Para acessar 171 Referências Bibliográficas 181 Lista de Imagens 189 8 Agradeço ao grupão querido, Marisa, Rafael, Bianca, Dani, Natália, Luana, Fouad, Aline, Lucas, Carla e Fábio e aos agregados Pátria, Neto e Tácia pelo apoio. -
Representations of Travel in Medieval Japan by Kendra D. Strand A
Aesthetics of Space: Representations of Travel in Medieval Japan by Kendra D. Strand A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in The University of Michigan 2015 Doctoral Committee: Emerita Professor Esperanza Ramirez-Christensen, Chair Associate Professor Kevin Gray Carr Professor Ken K. Ito, University of Hawai‘i Manoa Associate Professor Jonathan E. Zwicker © Kendra D. Strand 2015 Dedication To Gregory, whose adventurous spirit has made this work possible, and to Emma, whose good humor has made it a joy. ii Acknowledgements Kind regards are due to a great many people I have encountered throughout my graduate career, but to my advisors in particular. Esperanza Ramirez-Christensen has offered her wisdom and support unfalteringly over the years. Under her guidance, I have begun to learn the complexities in the spare words of medieval Japanese poetry, and more importantly to appreciate the rich silences in the spaces between those words. I only hope that I can some day attain the subtlety and dexterity with which she is able to do so. Ken Ito and Jonathan Zwicker have encouraged me to think about Japanese literature and to develop my voice in ways that would never have been possible otherwise, and Kevin Carr has always been incredibly generous with his time and knowledge in discussing visual cultural materials of medieval Japan. I am indebted to them for their patience, their attention, and for initiating me into their respective fields. I am grateful to all of the other professors and mentors with whom I have had the honor of working at the University of Michigan and elsewhere: Markus Nornes, Micah Auerback, Hitomi Tonomura, Leslie Pinkus, William Baxter, David Rolston, Miranda Brown, Laura Grande, Youngju Ryu, Christi Merrill, Celeste Brusati, Martin Powers, Mariko Okada, Keith Vincent, Catherine Ryu, Edith Sarra, Keller Kimbrough, Maggie Childs, and Dennis Washburn. -
The Tale of Matsura Michigan Monograph Series in Japanese Studies, Number 9
The Tale of Matsura Michigan Monograph Series in Japanese Studies, Number 9 Center for Japanese Studies The University of Michigan The Tale of Matsura Teika's Experiment in Fiction Translated with an Introduction and Notes by Wayne P. Lammers Ann Arbor Center for Japanese Studies The University of Michigan 1992 Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. © 1992 by the Center for Japanese Studies, The University of Michigan, 108 Lane Hall, Ann Arbor, MI 48109 The paper used in this publication meets the requirements of the ANSI Standard Z39.48-1984 (Permanence of Paper). Library of Congress Cataloging-in-Publication Data Matsura no Miya monogatari. English The tale of Matsura: Fujiwara Teika's experiment in fiction / translated with an introduction and notes by Wayne P. Lammers. p. cm.—(Michigan monograph series in Japanese studies ; no. 9) Translation of: Matsura no Miya monogatari. Includes bibliographical references and index. ISBN 0-939512-48-3 (alk. paper) I. Fujiwara, Sadaie, 1162-1241. II. Lammers, Wayne P., 1951-. III. Title. IV. Series. PL790.M34E5 1992 895.6'322—dc20 90-42197 CIP A Note on the Type This book was set in Caslon 540, a modern adaptation of a type designed by William Caslon (1692— 1766), greatest of English letter founders. The Caslon face, an artistic, easily read type, has enjoyed two centuries of ever-increasing popularity in our own country. The first copies of the Declaration of Independence and the first paper currency distributed to the citizens of the newborn nation were printed in this type face. -
URL &6Allein 【BD】&A
アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価(税抜) URL &6allein 【BD】&6allein 1st LIVE「With You」 MEXV0014 DVD J-POP DVD 5,500 https://tower.jp/item/4844321 &6allein 【DVD】&6allein 1st LIVE「With You」 MESV0135 DVD J-POP DVD 4,000 https://tower.jp/item/4844315 【_Vani;lla】 平成二十年度提出漏春夏秋冬狂声聴視覚集 <初回生産限定盤>(LTD) VNLV1 DVD J-POP DVD 2,809 https://tower.jp/item/2641212 24-7 TV 24-7 TV Vol.1 BMPB1001 DVD J-POP DVD 2,800 https://tower.jp/item/1677660 24-7 TV Vol.2 BMPB1002 DVD J-POP DVD 2,800 https://tower.jp/item/1684914 3 Majesty/X.I.P. 3 Majesty × X.I.P. LIVE -5th Anniversary Tour- <豪華版> [3DVD KEBH9068 DVD J-POP DVD 12,800 https://tower.jp/item/4862667 9mm Parabellum Bullet act VII COBA7080 DVD J-POP DVD 9,999 https://tower.jp/item/4891530 9mm Parabellum Bullet act VII(BRD) COXA1177 DVD J-POP DVD 12,000 https://tower.jp/item/4891528 9mm Parabellum Bullet act IV <初回生産限定盤> [Blu-ray Disc+フォトブックレット](LT TOXF5739 DVD J-POP DVD 6,000 https://tower.jp/item/3066118 9mm Parabellum Bullet act IV <通常盤> TOBF5740 DVD J-POP DVD 4,286 https://tower.jp/item/3066116 9nine クリスマスの9nine 2012~聖なる夜の大奏動♪~ SEBL158 DVD J-POP DVD 5,714 https://tower.jp/item/3221171 a flood of circle I'M FREE The Movie-形ないものを爆破する映像集- 2014.04.12 Live aTEBI48303 DVD J-POP DVD 4,500 https://tower.jp/item/3547902 a flood of circle THE BLUE MOVIE -青く塗れ!- 2016.06 04 Live at 新木場 STUDIO CTEBI48402 DVD J-POP DVD 4,500 https://tower.jp/item/4296259 A.B.C-Z A.B.C-Z 2018 Love Battle Tour <初回限定盤> [2Blu-ray Disc+フォPCXP50637 DVD J-POP DVD 6,800 https://tower.jp/item/4851417 A.B.C-Z A.B.C-Z 2018 Love Battle Tour <通常盤>(BRD) -
Visual Kei Tra Estetica, Gender, Fandom E Società
Corso di Laurea magistrale ( ordinamento ex D.M. 270/2004 ) in Lingue e civiltà dell'Asia e dell'Africa Mediterranea Tesi di Laurea Il visual kei tra estetica, gender, fandom e società. Relatore Prof.ssa Paola Scrolavezza Correlatore Prof. Pierantonio Zanotti Laureando Stefania Viol Matricola 818838 Anno Accademico 2012 / 2013 INDICE ヴィジュアル系 ― 美学、ジェンダー、ファン層と社会……… 5 INTRODUZIONE ………………………………………………………… 8 1. COS 'È IL VISUAL KEI ?.......................................................................... 13 1.1 IL TERMINE ………………………………………………………………… 13 1.2 LE CARATTERISTICHE ……………………………………………………… 16 2. NASCITA E SVILUPPO DEL VISUAL KEI ………………………………. 26 2.1 LE ORIGINI …………………………………………………………………. 26 2.1.1 Il sound………………………………………………………………. 27 2.1.2 L’estetica……………………………………………………………... 29 2.1.2.1 Correnti occidentali……………………………………… 30 2.1.2.1.1 Glam rock…………………………………. 30 2.1.2.1.2 Heavy metal……………………………….. 34 2.1.2.1.3 Punk……………………………………….. 38 2.1.2.2 l’influenza estetica della cultura giapponese……………. 39 2.1.2.2.1 Il teatro kabuki e Takarazuka……………… 40 2.1.2.2.2 Lo sh ōjo manga …………………………… 44 2.1.2.2.3 Lo heavy metal giapponese………………... 47 2.1.3 Lo spirito che anima il visual kei ……………………………………... 49 2.2 DA FENOMENO UNDERGROUND A BOOM : LO SVILUPPO DEL VISUAL KEI …. 51 2.2.1 Il boom degli anni Novanta…………………………………………… 52 2 2.2.2 Una fase di transizione: il ritorno all'underground................................ 61 2.2.3 La ribalta del visual kei : il neo visual kei .............................................. 63 2.2.3.1 Le caratteristiche delle band neo visual kei ........................ 66 2.2.3.2 L'espansione verso l'estero.................................................. 76 2.2.3.2.1 Il visual kei in America................................. -
Indie Visual Kei“
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Metal, Make-Up und High-Heels – Japanische Hardcore Fans und indie visual kei“ verfasst von / submitted by Lisa-Maria Maierhofer BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 843 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Japanologie degree programme as it appears on the student record sheet: Betreut von / Supervisor: ao. Univ.-Prof. Dr. Ingrid Getreuer-Kargl Vorwort An dieser Stelle möchte ich all jenen Dank aussprechen, ohne die diese Arbeit nie zustande gekommen wäre. Allen voran danke ich meinen Eltern, die mich, seit ich 15 Jahre alt war, mit Freunden nach Deutschland auf Konzerte fahren ließen und mich immer unterstützt haben. Selbst als ich nicht wie geplant nach der Matura Humanmedizin gemacht, sondern mich für ein Stuidum der Japanologie entschieden habe. Ich danke auch all den Freunden und Bekanntschaften, die ich im Laufe all dieser Jahre in Österreich, Deutschland und Japan auf Konzerten und während meines Studiums kennenlernen durfte. Besonderer Dank gilt auch Murai Chieko, der Managerin der Konzerthalle OSAKA MUSE, und ihren MitarbeiterInnen, die mir später im Zuge meiner Forschung meine Interviewpartner vermittelt haben. Natürlich bedanke ich mich auch bei meinen Interviewpartnern, die mir einen sehr tiefen Einblick in die japanische Szene verschafften. Ich danke meinem Betreuer Katō Hitoshi, der mir während meines zweiten Japanaufenthaltes an der Universität Ōsaka zur Seite stand, meine Forschung vorangetrieben hat und mir bei der Transkription meiner Interviews geholfen hat. -
THE EVOLUTION of TANIZAKI JUN'ichiro AS a NARRATIVE ARTIST S 1 By
THE EVOLUTION OF TANIZAKI JUN'ICHIRO AS A NARRATIVE ARTIST S 1 by KATHLEEN CHISATO MERKEN B.A., University of Toronto, 1959 M.A., University of California, 1961 Ph.D., University of California, 1966 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES Department of Asian Studies We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June, 1979 © Kathleen Chisato Merken, 1979 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date 0 UXUL )°(~\ ^ Research Supervisor: Professor Kinya Tsuruta ii ABSTRACT This thesis traces the growth of Tanizaki Jun'ichiro as a narra• tive artist through the three stages of his long career. A number of representative works are studied, with varying emphasis on narrative perspective, structure, character creation, and style, depending on the prominence.of these aspects of fiction in each work. Underlying the individual analyses is the basic question: how does the author resolve the problem of rendering himself in his fiction? Chapter I, covering the initial period (1910-1928), first deals with a split in the author's sensibility. -
Japanese Americans in New Mexico
Last Name First Name Middle Name meansDate money of Birth held atPlace Lordsburg. of Birth I.S.N. Location Date Arrested Occupation Alien Family Location Name of Next of Kin Relationship Address of next of Interned at Santa Dorm # Date File # Transferred from Comments Interned at Lordsburg Barrack Interned at Fort File # Type of Transfer Arrested/INS District Registration # kin, Fe Stanton (Born outside US) Abe Arakichi 4/17/1896 Ono, Fukuoka, Japan 24-4-J-47 CA/ Fort Missoula, MT Florist 2186502 Shikakichi Abe Father Ono, Fukuoka, Japan 6/30/1943 2/29/1944 PRISONER ROSTERS FOR CONFINEMENT SITES IN THE LAND OF ENCHANTMENT: Easy Abe Ezumi 2/21/1923 San Fernando, CA WRA Tule Lake, Giichi Abe Father 3/6/1946, JAPANESE AMERICANS IN NEW MEXICO CA renounced DURING WORLD WAR II citizenship Abe Frank Tomoo 2/17/1923 Portland, OR Asataro Abe Father Okayama-shi, yes, renounced Funded in part by National Japanese Okayama-ken, Japan citizenship American Citizens League – Legacy Fund Grant Abe Keiju 11/24/1891 Highashi-Koza, 5967218 Yone Abe Highashi-Koza, Fukushima, Japan Fukushima, Japan Information Resources provided Abe Kingo 5/28/1895 Okayama, Okayama, 20 W. 56th ST., New Cook 5344037 Juratsu Abe Okayama, Okayama, Ft. Meade, MD 12/11/1942 by National Archives & Records Japan York, NY Japan Administration thru Nicklason Research Abe Kogeo 3/10/1878 Japan CA Teacher Toho Ase Hiland, CA Lordsburg, NM Associates Mollie Pressler, Lordsburg Abe Kokichi 47 yrs old Onomura, Kasuga, Santa Barbara, CA Florist 7 Hidalgo County Museum, Gail Okawa, Fukuoka, Japan University of Hawaii Abe Manki 7/23/1884 Nakayama-mura, 25-4-J-1 Rt.