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The Mohawk Post the Voice of Millis High School
The Mohawk Post The Voice of Millis High School SENIOR EDITION: Congratulations Class of 2018 Millis High School Announces Valedictorian Nick Steiner and Salutatorian Elana Carleton From Millis High School Principal Robert Mullaney: Millis High School is proud to announce the Valedictorian and Salutatorian for its graduating Class of 2018. Nicholas Steiner will be recognized at graduation ceremonies as the Class Valedictorian. Nicholas achieved the highest cumulative grade point average for the class. He is a member of Millis High School’s Chorus and National Honor Society. He has been the recipient of the Harvard Book Award and the George Washington University Medal for Excellence in Science. Nicholas is very active at the Franklin School for the Performing Arts where he has been a member of the Broadway Lads and Broadway Light Musical Theater Troupe. He has performed in various musicals including Shrek, The Little Mermaid, Beauty and the Beast, Spamalot, and Les Miserables, and has served as accompanist for a number of shows. Nick will be attending Northeastern University where he will study engineering and also pursue vocal performance. Nicholas is the son of Brian and Christine Steiner of Millis. Elana Carleton is Millis High School’s Salutatorian. Elana has been an active member of Leo’s Club, Amnesty Club, and Chemistry Club. She is president of Common Ground and secretary of National Honor Society. She was the recipient of the Barnard College Book Award. She has also been involved as a tutor and has participated in over two hundred hours of community service in high school. Elana will be majoring in Biochemistry and Molecular Biology at the Commonwealth College of the University of Massachusetts at Amherst. -
2010/8/6,7,8 Hitachi Sea Side Park
2010/8/6,7,8 HITACHI SEA SIDE PARK 9:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 21:30 END 10:30~ 11:45~ 13:00~ 14:15~ 15:30~ 16:45~ 18:00~ 19:15~ くるり BEAT CRUSADERS 10-FEET Perfume KREVA MONGOL800 RADWIMPS the HIATUS 14:45~ 18:15~ 11:15~ 12:25~ 13:35~ 15:55~ 17:05~ 19:25~ LOW IQ 01 & フラワー Base Ball Bear SEAMO PUFFY The Birthday dustbox サカナクション MASTER LOW カンパニーズ 10:30~ 11:40~ 12:50~ 14:00~ 15:10~ 16:20~ 17:30~ 18:40~ RHYMESTER 安藤裕子 ホフディラン ASPARAGUS Cocco YO-KING monobright capsule 11:05~ 13:25~ 18:05~ 19:20~ 8 12:15~ 14:35~ 15:45~ 16:55~ GOING UNDER OVERGROUND FRONTIER COMEBACK ・ 阿部真央 ACOUSTIC People In The Box 清 竜人 黒猫チェルシー 6 GROUND UNDERGROUND BACKYARD MY DAUGHTERS Fri. 10:45~ 11:55~ 13:05~ 14:15~ 15:25~ 16:35~ 17:45~ 18:55~ 世界の終わり ONE OK ROCK [Champagne] 真空ホロウ NUBO SCOOBIE DO SISTER JET KING BROTHERS 11:20~ 12:35~ 13:50~ 15:05~ 16:20~ 17:35~ 18:50~ miwa cutman-booche LITTLE 小林太郎 磯部正文BAND sleepy.ab MCU 9:00~ 9:40~ 10:30~ 11:20~ 15:00~ 16:50~ G 12:20~ 13:10~ G 14:00~ G 16:00~ G 17:50~ 18:40~ G 20:10~ 20:50~ 片平実 保坂壮彦 前田博章 小堀裕之 クボタマサヒコ TAKUMA 片平実 RAM RIDER 保坂壮彦 前田博章 片平実 ダイノジ 保坂壮彦 前田博章 (Getting Better) (soultoday) (puke!) (2丁拳銃) (BEAT CRUSADERS) (10-FEET) G GUEST DJ 9:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 21:30 END 10:30~ 11:45~ 14:15~ 16:45~ 18:00~ 19:15~ 13:00~ 15:30~ 氣志團 吉川晃司 9mm Parabellum Bullet トータス松本Band エレファントカシマシ ACIDMAN スピッツ ユニコーン 11:15~ 12:25~ 13:35~ 14:45~ 15:55~ 17:05~ 18:15~ 19:25~ NICO Touches HiGE SHAKALABBITS 椿屋四重奏 flumpool 筋肉少女帯 ORANGE RANGE サンボマスター the Walls 10:30~ 11:40~ 12:50~ 14:00~ 15:10~ 16:20~ 17:30~ 18:40~ BIGMAMA 曽我部恵一BAND BENNIE BECCA YUI セシル・コルベル 音速ライン トクマルシューゴ YOUR SONG IS GOOD 15:45~ 8 11:05~ 12:15~ 13:25~ 14:35~ 16:55~ 18:05~ 19:20~ school food ・ ザ50回転ズ GOOD 4 NOTHING serial TV drama J DOES andymori THE BAWDIES 7 punishment 16:35~ Sat. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
40M+ of the Iconic, Animatronic, Plush Pet "Furby" Sold Worldwide!
Over 40 million For Immediate Release sold worldwide! The American Sensation is Back! The Amazing Pet with “a Mind of its Own” Animatronic Plush Pet with English Version on Sale Next Generation Technology Furby in Japan Oct. 20 (Sat.) LCD Eyes for Amazing Expression! More Furbish & English than Ever! Furby, there’s an App for that! Pop Idol Group, “Momoiro Clover Z” Tapped for TV Commercials & Original Theme Song Note: This release updates our September 4 release, clarifying that Furby’s eyes are lighted LCD displays, which was unclear in some portions of the earlier release. Tokyo, Japan, September 7, 2012: On October 20, 2012 TOMY Company, Ltd. (President & CEO, Kantaro Tomiyama) will launch the new Furby in Japan, with the up-to-date digital technology. Furby will be available at the SRP of JPY 7,140 (incl. 5% tax), in ten color-design variations, wherever toys are sold throughout Japan. Furby in 10 different designs: Each JPY 7,140 (incl. tax) Furby was first introduced by Hasbro in 1998 and was launched in Japan by TOMY in 1999. It became a popular sensation as a huggable pet you can talk to and play with that chats and matures, speaking more and more words as you play with it, and in its first year on sale in Japan it sold 3.3 million units. The beloved electronic plush pet went on to sell an incredible 40 million+ units worldwide over the first three years. Now, Furby is back, with the tagline, “a mind of its own.” It will be available in a wide range of 10 colorful designs along with other new features including: changing personalities depending on how it is treated and how much attention it gets from its owner; a wide and entertaining vocabulary of Furbish and English across the many personalities; a penchant for singing and dancing along with music; its own smartphone application; and super-expressive lighted LCD eyes, rounding out the up-to-date technology. -
U.S. Department of Transportation Federal Motor Carrier Safety Administration REGISTER
U.S. Department of Transportation Federal Motor Carrier Safety Administration REGISTER A Daily Summary of Motor Carrier Applications and of Decisions and Notices Issued by the Federal Motor Carrier Safety Administration DECISIONS AND NOTICES RELEASED January 10, 2012 -- 10:30 AM NOTICE Please note the timeframe required to revoke a motor carrier's operating authority for failing to have sufficient levels of insurance on file is a 33 day process. The process will only allow a carrier to hold operating authority without insurance reflected on our Licensing and Insurance database for up to three (3) days. Revocation decisions will be tied to our enforcement program which will focus on the operations of uninsured carriers. This process will further ensure that the public is adequately protected in case of a motor carrier crash. Accordingly, we are adopting the following procedure for revocation of authority; 1) The first notice will go out three (3) days after FMCSA receives notification from the insurance company that the carrier's policy will be cancelled in 30 days. This notification informs the carrier that it must provide evidence that it is in full compliance with FMCSA's insurance regulations within 30 days. 2) If the carrier has not complied with FMCSA's insurance requirements after 30 days, a final decision revoking the operating authority will be issued. NAME CHANGES NUMBER TITLE DECIDED MC-209547 KAPSTONE CONTAINER CORPORATION - ATLANTA, GA 01/05/2012 MC-248522 ARDSLEY BUS LLC - ARDSLEY, NY 01/05/2012 MC-268083 PACHECO CONSTRUCTION & TRUCKING, INC. - TUCUMCARI, NM 01/05/2012 MC-322001 JES WOOD PRODUCTS LLC - CALLAWAY, MN 01/05/2012 MC-340668 MOUNTAIN WEST LOGISTICS, LLC - SEATTLE, WA 01/05/2012 MC-365417 JOHN GLASS EXPRESS LLC - EDMONTON, KY 01/05/2012 MC-411845 H.M.C.E.J CORPORATION - LA PUENTE, CA 01/05/2012 MC-427514 C.W. -
Norfolk of Nature Festival
Norfolk Festival ofo Natureatu e Monday 13th - Saturday 18th June THE ARTS AT GRESHAM'S | SUMMER | 2016 AUDEN THEATRE book on line at: www.audentheatre.co.uk Space to perform. Set in 200 acres of beautiful countryside and just 4 miles from the breathtaking North Norfolk coast, Gresham’s gives your children all the time and space they need to develop into confi dent, well-rounded young individuals. www.audentheatre.co.uk online 01263 713444 Open Mornings – Autumn 2016 An opportunity to meet our pupils and staff, explore our facilities and see the school in action. Forbox office dates and further details, visit www.greshams.com/opendays Gresham’s is an independent co-educational day and boarding school for children aged between 3 and 18. 2 Director of Drama’s Welcome Space to perform. At the heart of this season’s brochure is our annual Nature Festival. A week - long series of talks, walks, AUDEN lectures and exhibitions led by leading professionals Set in 200 acres of beautiful countryside and just 4 miles explores nature in all its diversity from saffron to from the breathtaking North Norfolk coast, moths, puffi ns to otters, a true celebration of wildlife Gresham’s gives your children all the THEATRE and landscape. time and space they need to develop The Subscription Concert series ends in impressive Once again, welcome to our new look arts brochure. style with internationally acclaimed musicians, into confi dent, well-rounded violinist Tasmin Little and pianist Piers Lane and in young individuals. Please take the time to read through the booking stylistic contrast we have our very own rock concert, information. -
Factors Behind Demon Slayer Becoming a Blockbuster
*Notice: This English version is provisional translation by FPCJ. Factors Behind Demon Slayer Becoming a Blockbuster From Psychological and Sociological Perspectives Department of Sociology, Daito Bunka University Yuka Ijima Briefer Introduction • Yuka Ijima -Assistant Professor at Daito Bunka University Department of Sociology -Academic PhD -Psychological and Career Counselor -Focus: Career psychology, educational psychology, manga psychology -Life-career research, manga research -Holds workshops for businesses and local governments What is Demon Slayer: Kimetsu no Yaiba? • Ran in Weekly Shonen Jump for 205 chapters, now ended. February 15, 2016-May 18, 2020 • Sword-action manga by Koyoharu Gotoge set in the Taisho period (1912-1926) • Dramatic battles against demons by using breathing styles, special moves, and katanas • TV anime aired on 20 channels (such as Tokyo MX) starting in April 2019 • “Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train” opened in October 2020 A total of 23 collected volumes • Credit: Total printing for volumes 1 to 22 Koyoharu Gotoge have reached over 100 million (including digital sales) Why Has Demon Slayer Become Popular with Both Children and Adults? ・Initial reasons for popularity and progress to blockbuster hit ・Opinions of children, opinions of adults Factors Behind Popularity 1. Anime Series 2. Simple Setup, Appealing Background ① Became available in multiple formats/mediums ① Goal: Defeat demons—Make the world a better place (Close to being good versus evil) ② Detailed, beautiful, and dramatic animation -
Babymetal Trilogy - Metal Resistance Episode III - Apocalypse Mp3, Flac, Wma
Babymetal Trilogy - Metal Resistance Episode III - Apocalypse mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Trilogy - Metal Resistance Episode III - Apocalypse Country: Japan Released: 2016 Style: J-pop, Heavy Metal MP3 version RAR size: 1566 mb FLAC version RAR size: 1721 mb WMA version RAR size: 1607 mb Rating: 4.9 Votes: 101 Other Formats: AA RA TTA MP2 MPC VOC DXD Tracklist Babymetal Legend "2015" ~新春キツネ祭り~ (2015.1.10 Saitama Super Arena) BD1-1 メギツネ BD1-2 いいね! BD1-3 あわだまフィーバー BD1-4 紅月 - アカツキ - BD1-5 おねだり大作戦 BD1-6 Catch Me If You Can BD1-7 ウ・キ・ウ・キ★ミッドナイト BD1-8 4の歌 BD1-9 悪夢の輪舞曲 BD1-10 ヘドバンギャー!! BD1-11 ギミチョコ!! BD1-12 イジメ、ダメ、ゼッタイ BD1-13 Babymetal Death BD1-14 ド・キ・ド・キ☆モーニング BD1-15 Road Of Resistance Babymetal World Tour 2015 ~巨大天下一メタル武道会~ (2015.6.21 Makuhari Messe) BD2-1 Babymetal Death BD2-2 ギミチョコ!! BD2-3 ド・キ・ド・キ☆モーニング BD2-4 ウ・キ・ウ・キ★ミッドナイト BD2-5 あわだまフィーバー BD2-6 Catch Me If You Can BD2-7 おねだり大作戦 BD2-8 紅月 - アカツキ - BD2-9 悪夢の輪舞曲 BD2-10 4の歌 BD2-11 ヤバッ! BD2-12 いいね! BD2-13 メギツネ BD2-14 イジメ、ダメ、ゼッタイ BD2-15 ヘドバンギャー!! BD2-16 Road Of Resistance Babymetal World Tour 2015 In Japan - The Final Chapter Of Trilogy - Act II (2015.12.13 Yokohama Arena) BD3-1 Babymetal Death BD3-2 ギミチョコ!! BD3-3 いいね! BD3-4 あわだまフィーバー BD3-5 Catch Me If You Can BD3-6 ウ・キ・ウ・キ★ミッドナイト BD3-7 ド・キ・ド・キ☆モーニング BD3-8 悪夢の輪舞曲 BD3-9 おねだり大作戦 BD3-10 Karate BD3-11 ヤバッ! BD3-12 メギツネ BD3-13 イジメ、ダメ、ゼッタイ BD3-14 ヘドバンギャー!! BD3-15 Road Of Resistance BD3-16 The One Companies, etc. -
Idols and Celebrity in Japanese Media Culture, Edited by Patrick W
Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin This page intentionally left blank Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Edited by Patrick W. Galbraith and Jason G. Karlin University of Tokyo, Japan Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Introduction, selection -
El Visual Kei Como Producto Cultural Y Su Huella En La Cultura Popular
FACULTAD DE TRADUCCIÓN E INTERPRETACIÓN GRADO EN ESTUDIOS DE ASIA ORIENTAL TRABAJO DE FIN DE GRADO Curso 2015-2016 EL VISUAL KEI COMO PRODUCTO CULTURAL Y SU HUELLA EN LA CULTURA POPULAR Cecilia Isabel Sanz Martínez 1244795 TUTOR Roberto Figliulo Barcelona, junio de 2016 DATOS DEL TFG El Visual Kei como producto cultural y su huella en la cultura popular. El Visual Kei com a producte cultural i la seva empremta en la cultura popular. Visual Kei as a cultural product and its imprint on popular culture. Autor: Cecilia Isabel Sanz Martínez. Tutor: Roberto Figliulo. Centro: Facultad de Traducción e Interpretación. Universidad Autónoma de Barcelona. Estudios: Estudios de Asia Oriental. Curso Académico: 2015-2016 Palabras clave // Paraules clau // Key words Visual Kei, cultura popular, Japón, música, rock, metal // Visual Kei, cultura popular, Japó, música, rock, metal // Visual Kei, popular culture, Japan, music, rock, metal. Resumen del TFG El Visual Kei es una escena musical nacida en y casi exclusiva de Japón, cuya característica principal es que el componente visual o estético tiene tanto peso como el componente musical. Se trata de una escena muy activa y con mucha variedad tanto musical como estética. En este TFG se analiza el Visual Kei como producto cultural, siguiendo un esquema histórico. Empezando desde los movimientos musicales y culturales que han contribuido a su surgimiento como el heavy metal, el glam y el punk; observando la escena que sería su caldo de cultivo, hasta su nacimiento; y viendo las claves de cada etapa de su evolución, desde los años 90 hasta hoy. Además, se observa cuál ha sido el impacto del Visual Kei en la cultura popular japonesa, y cuál ha sido su recepción en el resto del mundo. -
Financial Results Briefing Material for the Third Quarter of the Fiscal Year 2021
Financial Results Briefing Material for the Third Quarter of the Fiscal Year 2021 Bushiroad Inc. Securities code: 7803 June 14, 2021 Ⓒbushiroad All Rights Reserved. Table of Contents ・ Third Quarter of the Fiscal Year 2021 Financial Results Summary/Overview - Summary Income Statement NOTICE - Financial Performance Trend The Company has changed its fiscal year end - Sales Trend by Segments from July 1 to June 30 since FY2021. - Topics Now FY2021 is 11 months from ・ Upcoming Activities August 1, 2020 to June 30, 2021. ・ Appendix 1Q: Aug.-Oct. 2Q: Nov.-Jan. 3Q: Feb.-Apr. 4Q: May and June Ⓒbushiroad All Rights Reserved. 2 FY2021 Third Quarter Financial Results Summary/Overview Ⓒbushiroad All Rights Reserved. 3 3Q of FY2021: Financial Results Summary Higher revenues and earnings YonY/QonQ Quarterly record-high sales was achieved due to contributions from TCG Dept. ・Sales exceeded the earlier quarterly record-high in FY20 2Q, achieving substantially higher revenues and earnings YonY, as well as QonQ. ・In the Digital IP business segment, TCG Dept. greatly contributed to both sales and profit. This segment achieved record-high sales in three quarters in a row since 1Q, and also increased segment profit. ・In the Live IP business segment, both sales and profit decreased QonQ, because events were held with limited audience capacity due to State of Emergency and other factors. ・As equity in losses of affiliates (non-operating expenses), impairment of goodwill of 41 million yen was allocated with respect to the affiliate company (Lingua franca, Inc.) to which the equity method was applied. In addition, extraordinary loss of 272 million yen was allocated as loss on valuation of investment securities.