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Words You Should Know How to Spell by Jane Mallison.Pdf
WO defammasiont priveledgei Spell it rigHt—everY tiMe! arrouse hexagonnalOver saicred r 12,000 Ceilling. Beleive. Scissers. Do you have trouble of the most DS HOW DS HOW spelling everyday words? Is your spell check on overdrive? MiSo S Well, this easy-to-use dictionary is just what you need! acheevei trajectarypelled machinry Organized with speed and convenience in mind, it gives WordS! you instant access to the correct spellings of more than 12,500 words. YOUextrac t grimey readallyi Also provided are quick tips and memory tricks, such as: SHOUlD KNOW • Help yourself get the spelling of their right by thinking of the phrase “their heirlooms.” • Most words ending in a “seed” sound are spelled “-cede” or “-ceed,” but one word ends in “-sede.” You could say the rule for spelling this word supersedes the other rules. Words t No matter what you’re working on, you can be confident You Should Know that your good writing won’t be marred by bad spelling. O S Words You Should Know How to Spell takes away the guesswork and helps you make a good impression! PELL hoW to spell David Hatcher, MA has taught communication skills for three universities and more than twenty government and private-industry clients. He has An A to Z Guide to Perfect SPellinG written and cowritten several books on writing, vocabulary, proofreading, editing, and related subjects. He lives in Winston-Salem, NC. Jane Mallison, MA teaches at Trinity School in New York City. The author bou tique swaveu g narl fabulus or coauthor of several books, she worked for many years with the writing section of the SAT test and continues to work with the AP English examination. -
Swedish Pop Mafia: How a Culturally Conservative Effort in the 1940S Backfired to Create the Greatest Engine of Pop Music in the World
Swedish Pop Mafia: How a culturally conservative effort in the 1940s backfired to create the greatest engine of pop music in the world BY WHET MOSER • March 24, 2014 • At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden. Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.) If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record- breaking string of hits, but he began his career as a producer for Ace of Base. -
1971 MA (California State University, F
Ellipsis in Japanese Discourse By Shigeko Okamoto. A.B. (Kyoto Prefectural university) 1971 M.A. (California State university, Fresno) 1976 C.Phil. (university of California) 1979 DISSERTATION Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Linguistics in the GRADUATE DIVISION OF THE UNIVERSITY OF CALIFORNIA, BERKELEY Approve* Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Ellipsis in Japanese Discourse Copyright © 1985 by Shigeko Okamoto Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. To My Mother Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Acknowledgments I am greatly indebted to Professor Charles Fillmore, chairman of my doc toral committee, for his patient guidance and kind support. He has given me freely of his time at different stages of this dissertation and provided me with profound and insightful comments and suggestions which always made me enjoy thinking and rethinking the subject matter. It has been a privilege to have had him as my graduate adviser. My special thanks also go to Professor Wallace Chafe for his useful sugges tions which led to improvements of my dissertation as well as for his general guidance in my graduate work which brought a wider perspective to my under standing of linguistics. I would also like to express my sincere gratitude to Professor Haruo Aoki for his constant support without which this dissertation would not have been possible. He has always generously given me his precious time and has provided valuable comments and suggestions. I appreciate his wisdom, kindness, and patience. -
CSU Now Mandates Reporting Policy
INSIDE | photo | P. 2 | opinion | P. 6 | sports | P. 8 International linguistics Color-blindness is just Kansas City and San student finds ways to another form of racism Francisco both win in de-stress on campus Alex Smith deal FREE CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THURSDAY, FEBRUARY 28, 2013 | VOL. 54, ISS. 82 | WWW.DAILYSUNDIAL.COM CSU now THIRD-PARTY MONEY mandates Candidates sign pledge to prevent any outsider influence from receiving contribu- reporting LUCY GUANUNA tions, which for city coun- DAILY SUNDIAL cil candidates is capped at $700 per contribution, but policy prevents independent expenses where supporters, specifically Employees must relay special interest groups, find a loophole in that maximum child abuse to officials A Los Angeles City Council contribution. candidate for the 13th District L.A. Council candidates who signed the People’s Pledge have not signed the pledge have col- early February, a vow to HANSOOK OH lectively raised more than $140,000 deny independent third party SENIOR STAFF in independent expenditures. contributions in local cam- “You can’t stop people from paigns, and has urged other spending money on your behalf; it’s candidates to do the same. an expression of free speech rights,” The People’s Pledge said Martin Saiz, political science pro- started during the 2012 fessor and department chair at CSUN. CSUN will implement a new CSU pol- Massachusetts Senate race “It’s basically done for symbolic rea- icy called the “Mandatory Reporting of Child between Democrat Elizabeth sons, to create an image of being inde- Abuse and Neglect,” which requires all CSU Warren and Republican Scott pendent. -
Kookoo | 40 Years | 1981 - 2021 Artwork by Hr Giger Photographs by Chris Stein
KOOKOO | 40 YEARS | 1981 - 2021 ARTWORK BY HR GIGER PHOTOGRAPHS BY CHRIS STEIN July 4 - October 31, 2021 Museum HR Giger is delighted to invite you to the exhibition KOOKOO | 40 YEARS In 1981, shortly after winning the Academy Award for Visual Effects for his work on “Alien” (1979), HR Giger collaborated with Debbie Harry to produce artwork for the cover of her debut solo album “KooKoo” (Chrysalis, 1981). Debbie Harry and guitarist Chris Stein spent a few weeks at HR Giger’s home and studio in Zürich in 1981 to create videos for two of the album’s singles, “Backfired,” released July 1981 and “Now I Know You Know,” released later the same year. During the course of their stay, Chris Stein documented the process through hundreds of photographs capturing the creative process behind the scenes and Debbie Harry and HR Giger in candid moments. Many of these photographs have never been presented before in public. Museum HR Giger proudly presents the original artworks by HR Giger for the album cover as well as an extensive collection of Chris Stein’s original photographs and will also be showing a recently restored 1982 behind-the- scenes documentary film “A new Face of Debbie Harry” filmed by Fredi M. Murer. The exhibition will be open to the public July 4 - October 31, 2021. Debbie Harry, HR Giger, 1981 Photo by Chris Stein. Museum HR Giger Freuen Sie zur Ausstellung einzuladen KOOKOO | 40 JAHRE Im Jahr 1981, kurz nachdem HR Giger den Academy Award für Visuelle Effekte (“Oscar”) für seine Arbeiten am Film “Alien” (1979) erhalten hatte, schlug Debbie Harry dem Schweizer Künstler eine Zusammenarbeit betreffend das Cover ihres ersten Soloalbums “KooKoo” (Chrysalis, 1981) vor. -
The Dial 1925
\ Framingham State College Framingham, Massachusetts *-'• ^'Ji&'i H^^-S^H '-'Z'Us^Sz 9 mW i 11In PISjs^B 1 a : U i- '."H--'-fl i* 1 '' ^apLJ ^ >v H fl^uV* Si $i*Mm?: fillla t-h STATE NORMAL SCHOOL FRAMINGHAM MASSACHUSETTS PROLOGUE The Caravan hath started on its Journey, The Goal is still beyond the Vision Dim: The Pen is at the Top of That Which Follows And the Spirit moving, we must now Begin. JAMES CHALMERS. A.B.. Ph.D. D.D.. L.L.D., Principal A SONNET By Dr. James Chalmers Written for the Dial as a Benediction to the Class of 1925. When all man's days are numbered with the past, When the sun of life is sinking in the West, And fast the falling shadows speak of rest, When care and toil and pain are o'er at last, And Gabriel with his trumpet blows the blast That starts the waking wretch and calls the blest Alike to judgment; then at His behest Who rules the world and made the heavens fast, May thou receive the plaudit of "Well done, Thou good and faithful servant." And may none Who make the world seem brighter by their stay, Be aught but stars revolving round that Sun Who taught to man that "He and I are One, And who believes shall have eternal day." HONORARY MEMBER 1925 CLASS To the Class of 1925 "As a rule we like the man who thinks the weather is going to clear up, better than we do the one who is sure it has set in for a long rainy spell." —NIXON WATERMAN. -
Rush Rush Debbie Harry Mp3 Download Free
rush rush debbie harry mp3 download free Télécharger Debbie Harry - Rush Rush (Extended Version) Download and listen online Rush, Rush Extended Version by Debbie Harry. Genre - Synthpop. Duration 04:44. Format mp3. Music video. On this page you can download song Debbie Harry - Rush, Rush Extended Version in mp3 and listen online. Synthpop Disco. Debbie Harry. Rush, Rush Special Extended Remix. Rush Rush is a song by American singer Debbie Harry. Released as a single in 1983, it is taken from the soundtrack album of the film Scarface 1983. Rush Rush was the first single Harry released after Blondie broke up in 1982, and was one of the several projects she worked on in between her first and second solo albums. It was Harry's second collaboration with Italian producer Giorgio Moroder, the first being Blondie's 1980 number-one hit Call Me from the 1980 movie American Gigolo. The song. Eurythmics - Love Is A Stranger Ultra Traxx 12 Mix Version - Продолжительность: 9: about Rush, Rush Extended Version from Deborah Harry's Rush Rush Special Extended Remix and see the artwork, lyrics and similar artists. A new version of is available, to keep everything running smoothly, please reload the site. Deborah Harry. Rush, Rush Extended Version. Love this track. Deborah Harry - Rush Rush 1983 Scarface Soundtrack produced by Giorgio Moroder. Debbie Harry Giorgio Moroder Rush Scarface Soundtrack Score Hi-NRG New Wave Electronic 80s 1983 Tony Montana film Brian De Palma song Yeyo original music Al Pacino Blondie Extended Mix Pop. 2020 40th Anniversary. The Studio Albums 1989-2007. Vapor Trails. -
Hybrid Gangs and the Hyphy Movement: Crossing the Color Line in Sacramento County
HYBRID GANGS AND THE HYPHY MOVEMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY Antoinette Noel Wood B.S., California State University, Sacramento, 2008 THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF SCIENCE in CRIMINAL JUSTICE at CALIFORNIA STATE UNIVERSITY, SACRAMENTO SPRING 2011 © 2011 Antoinette Noel Wood ALL RIGHTS RESERVED ii HYBRID GANGS AND THE HYPHY MOVEMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY A Thesis by Antoinette Noel Wood Approved by: __________________________________, Committee Chair Dimitri Bogazianos, Ph.D. __________________________________, Second Reader Dan Okada, Ph.D. ____________________________ Date iii Student: Antoinette Noel Wood I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Graduate Coordinator ________________ Yvette Farmer, Ph.D. Date Division of Criminal Justice [Thesis Abstract Form] iv [Every thesis or project mustracts for some creative works such as in art or creative writing may vary somewhat, check with your Dept. Advisor.] Abstract of HYBRID GANGS AND THE HYPHY MOVMENT: CROSSING THE COLOR LINE IN SACRAMENTO COUNTY by Antoinette Noel Wood [Use of the next optional as long as te content is supplied.]three headings is Statement of Problem Crips and Bloods-traditional gangs whose mere names conjure up fearful images of violence and destruction-are no longer at the forefront of the gang reality in Sacramento. Instead, influenced by the Bay Area-based rap music subculture of Hyphy, gangs calling themselves "Families," "Mobbs," and "Camps" are believed to be creating a new, hybridized gang culture. -
Fall Winter 2020
Fall Winter 2020 Chrome Trench Multi Check/Camel-Check Sunday Girl Dress / Cognac Debbie Shirt / White Debbie Shirt / Beige Rapture Trench Faux Leather/Black Rapture Wool Coat Faux Leather Collar / Olive Laura Silk Blouse / Avocado Debbie Skirt / Moss Green Sunday Girl Merino Wool Sweater / Grey Melange Oblique Pleated Skirt Faux Leather / Black Small Chrome Clutch Bag / Silver Rapture Trench Coat / Ecru Rapture Wool Coat Faux Leather Collar/Powder Pink Chrome Wool Coat / Otmmeal Melange Chrome Coat Grey Mix / Grey Call Me Wool Coat / Butter Call Me Wool Coat / Tobacco Brown Rockbird Coat / Black Kookoo Trench Coat / Black Vittoria Trench Coat / Cold Beige Full Check Trench Coat / Check Vittoria Suede Trench Coat / Coffee Brown Kookoo Trench Coat / Dark Green Sunday Girl Dress Vanilla Yellow Heart of Glass Coat / Black Denis Coat / Beige Four Pockets Jacket / Chalk The Female Touch Skinny Pants / Burgundy Four Pockets Jacket / Brown Oblique Pleated Skirt Faux Leather / Brown Furry Hoodie Coat / Grey Sunday Girl Pants / Brown Iggy Pants / Black Sunday Girl Merino Wool Sweater / Cream Rock Bird Skirt Merino Wool Pullover with Scarf / Buttermilk Pleated Denim Skirt / Blue Merino Wool Pullover with Scarf / Sand Melange Merino Wool Pullover with Scarf / Oatmeal Melange Offender Jacket / Black Backfred Blazer Coat / Black Backfred Blazer Coat / Vanilla Yellow Backfred Blazer Coat Suede / Moss Green Dumb and Blonde Fur Coat / grey Sunday Girl Pants / Black Lilac Faux Fur Coat Blondie Fur Coat / Brown The Female Touch Top / Black Carla Reversible -
A Critique of the Transformative Fair Use Test in Practice and the Need for a New Music Fair Use Exception
“Distinctive Sounds”: A Critique of the Transformative Fair Use Test in Practice and the Need for a New Music Fair Use Exception Kristin Bateman INTRODUCTION For centuries, copying a master or revered teacher has been the primary method for all artists—musicians, painters, sculptures, poets, playwrights, and the like—to learn their respective crafts.1 Copying and modifying the work of venerated artists has also been a traditional point of departure for new generations to innovate beyond the achievements of their predecessors.2 The Constitution gives Congress the power “[t]o promote the Progress of Science and useful Arts,”3 resulting in our modern regime of patent, trademark, and copyright law. Over time, however, this artistic tradition of copying has collided with more modern concepts of intellectual property rights, especially copyright protections.4 The advent of the internet as well as state-of-the-art recording and mixing software 1. See generally HAROLD BLOOM, THE ANXIETY OF INFLUENCE (2d ed. 1997). Poetic Influence—when it involves two strong, authentic poets—always proceeds by a misreading of the prior poet, an act of creative correction that is actually and necessarily a misinterpretation. The history of fruitful poetic influence, which is to say the main traditions of Western poetry since the Renaissance, is a history of anxiety and self-saving caricature of distortion, of perverse, willful revisionism without which modern poetry as such could not exist. Id. at 30. 2. Id. 3. U.S. CONST. art. I, § 8, cl. 8. 4. See Gregory N. Mandel, To Promote the Creative Process: Intellectual Property Law and the Psychology of Creativity, 86 NOTRE DAME L. -
A Year in the Life of Bottle the Curmudgeon What You Are About to Read Is the Book of the Blog of the Facebook Project I Started When My Dad Died in 2019
A Year in the Life of Bottle the Curmudgeon What you are about to read is the book of the blog of the Facebook project I started when my dad died in 2019. It also happens to be many more things: a diary, a commentary on contemporaneous events, a series of stories, lectures, and diatribes on politics, religion, art, business, philosophy, and pop culture, all in the mostly daily publishing of 365 essays, ostensibly about an album, but really just what spewed from my brain while listening to an album. I finished the last essay on June 19, 2020 and began putting it into book from. The hyperlinked but typo rich version of these essays is available at: https://albumsforeternity.blogspot.com/ Thank you for reading, I hope you find it enjoyable, possibly even entertaining. bottleofbeef.com exists, why not give it a visit? Have an album you want me to review? Want to give feedback or converse about something? Send your own wordy words to [email protected] , and I will most likely reply. Unless you’re being a jerk. © Bottle of Beef 2020, all rights reserved. Welcome to my record collection. This is a book about my love of listening to albums. It started off as a nightly perusal of my dad's record collection (which sadly became mine) on my personal Facebook page. Over the ensuing months it became quite an enjoyable process of simply ranting about what I think is a real art form, the album. It exists in three forms: nightly posts on Facebook, a chronologically maintained blog that is still ongoing (though less frequent), and now this book. -
Music 18068 Songs, 47.6 Days, 99.18 GB
Music 18068 songs, 47.6 days, 99.18 GB Name Time Album Artist A. F. U. (Naturally Wired) 4:31 Ou812 Van Halen A.B.C. 3:52 Coolin' At The Playground Ya' Know! Another Bad Creation ABC 2:56 The Ultimate Collection The Jackson 5 Abi Gezundt (A Bee Gezindt) 2:48 The King Of Hi-De-Ho 1934-1937 Cab Calloway Abigail Beecher 2:25 The EP Collection Freddy Cannon Abilene 2:15 Billboard Top Country Hits - 1963 George Hamilton IV About You (Feat. Will.I.Am and Nina Sim... 4:05 The Breakthrough Mary J. Blige Above the Rim 3:38 Hootie Mack Bell Biv DeVoe Abracadabra 3:39 Now That's What I Call The 80s Steve Miller Abracadabra 5:06 Steve Miller Band Abscretions 7:03 Music, Inc. Big Band Music Inc. Absolutely Nothing's Changed 3:43 Twenty Four Seven Tina Turner AC 3e 7:1010000 Days Tool Acapulco 1922 2:42 Definitive Hits Herb Alpert Accidentally In Love 3:09 Shrek 2 Counting Crows Accidently On Purpose 2:23 Best of Vol. 1: Hardcore Honky George Jones According To You (Top 40 Edit) 3:20 Promo Only Mainstream Radio December Orianthi Ace in the Hole 2:35 50 Number Ones Disc 1 George Strait Ace in the Hole 5:44 One Trick Pony Paul Simon Ace Of Hearts 3:06 Here In The Real World Alan Jackson Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Aching, Breaking, Heart 2:49 Best of Vol.