JAZZ a JUAN » from 12Th to 22Nd July 2018 PRESS FILE 20:30 - Pinède Gould Thursday 12/07 Charles PASI Lenny KRAVITZ
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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Endless Summer Song List
ENDLESS SUMMER BAND MASTER SONG LIST 30's-40's continued… continued… B FLAT BLUES BEGIN THE BEGUINE GET READY SIXTEEN CANDLES BUGLE BOY GIVE ME SOME LOVING SOUL & INSPIRATION CAB DRIVER GREAT BALLS O FIRE SOUL MEDLEY CHATANOOGA CHO CHO GREEN RIVER SOULMAN DANNY BOY HAND JIVE STAND BY ME FLY ME TO THE MOON HANG ON SLOOPY STOP IN THE NAME OF LOVE GIRL FROM IPANEMA HANKY PANKY SUMMER TIME BLUES HELLO DOLLY HARD DAYS NIGHT SURFIN USA HIT THE ROAD JACK HEAR U KNOCKIN SWEET SOUL MUSIC IN THE MOOD HOLD ON IM COMING TEDDY BEAR MACK THE KNIFE HOUNDOG TEQUILA MISTY I FALL TO PIECES THE LETTER MONA LISA I FEEL GOOD THE STROLL MOONLIGHT SERENADE I FOUGHT THE LAW THE WANDERER MR SANDMAN I GET AROUND THE WAY YOU LOOK TONIGHT ON BROADWAY I HEARD IT THROUGH THE GRAPEVINE THINK SATIN DOLL I SAW HER STANDING THERE TICKET TO RIDE SAVE THE LAST DANCE FOR ME ITS MY PARTY TRAVELING BAND SENTIMENTAL JOURNEY ITS ALL RIGHT TUTTI FRUTTI SHADOW OF YOUR SMILE JAILHOUSE ROCK TWIST STRING OF PEARLS JENNY TAKE A RIDE UNCHAINED MELODY TAKE THE A - TRAIN JIM DANDY VIVA LAS VEGAS THAT SUNDAY THAT SUMMER JOHNNY B GOOD WAKE UP LIL SUSIE THAT’S LIFE KANSAS CITY WHAT A WONDERFUL WORLD UNFORGETTABLE KNOCK ON WOOD WHEN A MAN LOVES A WOMAN WHY HAVENT I LA BAMBA WHOLE LOTTA SHAKING GOIN' ON 50's-60's LAND OF 1000 DANCES WILD THING All SHOOK UP LETS TWIST AGAIN WOOLY BULLY ARE YOU LONESOME TONIGHT LION SLEEPS TONIGHT AT THE HOP LOCOMOTION BABY LOVE LOUIE LOUIE BARBARA ANN LOVIN FEELIN BLACK IS BLACK LUCILLE BORN TO BE WILD MIDNIGHT HOUR BOYFRIENDS BACK MONY MONY BROWN EYED GIRL -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Hitchhiking: the Travelling Female Body Vivienne Plumb University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2012 Hitchhiking: the travelling female body Vivienne Plumb University of Wollongong Recommended Citation Plumb, Vivienne, Hitchhiking: the travelling female body, Doctorate of Creative Arts thesis, School of Creative Arts, University of Wollongong, 2012. http://ro.uow.edu.au/theses/3913 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Hitchhiking: the travelling female body A thesis submitted in fulfillment of the requirements for the award of the degree Doctorate of Creative Arts from UNIVERSITY OF WOLLONGONG by Vivienne Plumb M.A. B.A. (Victoria University, N.Z.) School of Creative Arts, Faculty of Law, Humanities & the Arts. 2012 i CERTIFICATION I, Vivienne Plumb, declare that this thesis, submitted in partial fulfillment of the requirements for the award of Doctor of Creative Arts, in the Faculty of Creative Arts, School of Journalism and Creative Writing, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Vivienne Plumb November 30th, 2012. ii Acknowledgements I would like to acknowledge the support of my friends and family throughout the period of time that I have worked on my thesis; and to acknowledge Professor Robyn Longhurst and her work on space and place, and I would also like to express sincerest thanks to my academic supervisor, Dr Shady Cosgrove, Sub Dean in the Creative Arts Faculty. Finally, I would like to thank the staff of the Faculty of Creative Arts, in particular Olena Cullen, Teaching and Learning Manager, Creative Arts Faculty, who has always had time to help with any problems. -
Kathy Sledge Press
Web Sites Website: www.kathysledge.com Website: http: www.brightersideofday.com Social Media Outlets Facebook: www.facebook.com/pages/Kathy-Sledge/134363149719 Twitter: www.twitter.com/KathySledge Contact Info Theo London, Management Team Email: [email protected] Kathy Sledge is a Renaissance woman — a singer, songwriter, author, producer, manager, and Grammy-nominated music icon whose boundless creativity and passion has garnered praise from critics and a legion of fans from all over the world. Her artistic triumphs encompass chart-topping hits, platinum albums, and successful forays into several genres of popular music. Through her multi-faceted solo career and her legacy as an original vocalist in the group Sister Sledge, which included her lead vocals on worldwide anthems like "We Are Family" and "He's the Greatest Dancer," she's inspired millions of listeners across all generations. Kathy is currently traversing new terrain with her critically acclaimed show The Brighter Side of Day: A Tribute to Billie Holiday plus studio projects that span elements of R&B, rock, and EDM. Indeed, Kathy's reached a fascinating juncture in her journey. That journey began in Philadelphia. The youngest of five daughters born to Edwin and Florez Sledge, Kathy possessed a prodigious musical talent. Her grandmother was an opera singer who taught her harmonies while her father was one-half of Fred & Sledge, the tapping duo who broke racial barriers on Broadway. "I learned the art of music from my father and my grandmother. The business part of music was instilled through my mother," she says. Schooled on an eclectic array of artists like Nancy Wilson and Mongo Santamaría, Kathy and her sisters honed their act around Philadelphia and signed a recording contract with Atco Records. -
Corporate Reputation and Competitiveness
Corporate Reputation and Competitiveness Reputation is at the heart of a company’s success. This unique book, from four of the world leaders in reputation research, reveals the very latest thinking about how organ- izations can improve, whether they are in the public, commercial or not-for-profit sector. The philosophy is to match the external (customer) perception of the organization and what they value, to the internal (customer-facing employee) perception and their organ- izational values. Only when these are ‘harmonized’ can the firm be truly competitive. Corporate Reputation and Competitiveness takes the subject of Reputation Management further than any previous text. It covers some familiar ground: dealing with the media, crisis management, the use of logos and other aspects of corporate identity. But it also argues for Reputation Management to be seen as a way of managing the long-term strat- egy of an organization. It presents a new approach to measuring reputation, one that relies on surveying customers and employees on their view of the corporate character. It carries detailed results of studies showing the interaction of customer–employee per- spectives and how and why customer views influence commercial performance. The book introduces the Corporate Reputation Chain – the potential to link staff and customer satisfaction via the organization’s reputation, and to the Corporate Personality Scale – a way of measuring what customers and staff feel about the organization itself. Detailed case studies from a variety of different companies and sectors reveal the prac- tice of Reputation Management. Corporate Reputation and Competitiveness is intended to be useful to both managers and students on postgraduate courses. -
Jazzflitsmedewerker Herman Te Loo, Die Ook “Dat Moesten We Wel Doen
1 16de JAARGANG, NR. 301 25 JULI 2018 IN DIT EXTRA DIKKE ZOMERNUMMER: 1 NIEUWS 5 JAZZ OP PAPIER 6 JAZZ OP DE PLAAT Dexter Gordon, Daan Kleijn, Roelofs/Bennink, Jin Jim, Marius Beets, Ad Colen e.a. 11 NORTH SEA JAZZ FESTIVAL 16 GENT JAZZ FESTIVAL 18 JAZZ OP DE PLANKEN EN VERDER: 22 Bestsellers en tips Jazzcenter 24 Downbeat Critics Poll 2018 winnaars 26 Bijlage: Jazz in Beeld JAZZ FLITS 302 KOMT 20 AUGUSTUS UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 NIEUWS BOY EDGAR PRIJS 2018 VOOR JASPER VAN ‘T HOF Fay Claassen op Nederlandse tournee met Dutch Songbook Samen met het Jazz Orchestra of the Concertgebouw maakt zangeres Fay Claassen in het najaar een tournee door Nederland met haar programma ‘Dutch Songbook’. Dat is een ode aan het Ne- derlandse lied met werk van onder ande- ren Herman van Veen, Doe Maar, Ram- ses Shaffy en Rogier van Otterloo. In totaal twaalf concerten staan op de rol. De première met gasten is op 1 oktober in het Concertgebouw A’dam. Claassen voerde het ‘Songbook’ twee jaar geleden al uit in Duitsland – in het Nederlands - met de WDR Big Band. In september komt daar een live-cd van uit. Fay Claassen in Henny Vrientens ‘Is dit alles’: https://bit.ly/2ISdzfo Jasper van ‘t Hof bij de bekendmaking van de Boy Edgar Prijs in LantarenVenster, Rotterdam. (Foto: Joke Schot) Jazzmozaïek wordt Jazz & Mo’ Het Vlaamse blad Jazzmozaïek gaat Toetsenist Jasper van ’t Hof (70) krijgt de Boy Edgar Prijs voortaan door het leven als Jazz & Mo’. 2018. Dit werd 29 juni bekendgemaakt tijdens het eve- Het blad werd vorig jaar herfst volledig nement inJazz in LantarenVenster, Rotterdam. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Review of Barre Phillips and Motoharu Yoshizawa, Oh My, Those Boys
which issued a string of quality recordings in the ‘90s dialogue between saxophone and trumpet, in stop- and returned in more recent years, notably for a series time, provides the envoi to this album. Backing the of co-productions with Universal Japan in 2015 titled co-leaders is a muscular, hard-driving rhythm section “Free Jazz Japan in Zepp”. Lately, Chap Chap has been anchored by drummer Billy Drummond, who worked collaborating with NoBusiness, helping to cement the with Nat Adderley, bassist Nat Reeves and pianist Lithuanian label as a premier destination for archival David Hazeltine. avant garde material. Along with “Work Song”, this quintet also essays Oh My, Those Boys! adds to an early Chap Chap Cannonball’s “Sack O’Woe”, another soul jazz down- CD, Motaharu Yoshizawa’s Live “Okidoki”, which home classic with a fat backbeat, notable here for Pelt’s Laid Black contained 40 minutes of the bass duet with Barre driving solo and Hazeltine’s interaction with Marcus Miller (Blue Note) Phillips featured here, recorded in 1994 at Café Amores Drummond during the pianist’s solo turn. Soul jazz by Anna Steegmann in the Southwest Japan city of Hōfu. The release birthed various rhythms, among them the boogaloo contains two long free improvisations, the first one shuffle. Rather than reprise one of Cannonball’s Laid Black, bassist Marcus Miller’s 23rd album, is as abridged to 30 minutes on the LP version, which would boogaloos, Pelt has written his own, “Party Time”, an laid-back as it gets—the perfect soundtrack for an therefore be recommended only to hardened vinyl original that opens this CD and introduces us to easygoing summer. -
Words You Should Know How to Spell by Jane Mallison.Pdf
WO defammasiont priveledgei Spell it rigHt—everY tiMe! arrouse hexagonnalOver saicred r 12,000 Ceilling. Beleive. Scissers. Do you have trouble of the most DS HOW DS HOW spelling everyday words? Is your spell check on overdrive? MiSo S Well, this easy-to-use dictionary is just what you need! acheevei trajectarypelled machinry Organized with speed and convenience in mind, it gives WordS! you instant access to the correct spellings of more than 12,500 words. YOUextrac t grimey readallyi Also provided are quick tips and memory tricks, such as: SHOUlD KNOW • Help yourself get the spelling of their right by thinking of the phrase “their heirlooms.” • Most words ending in a “seed” sound are spelled “-cede” or “-ceed,” but one word ends in “-sede.” You could say the rule for spelling this word supersedes the other rules. Words t No matter what you’re working on, you can be confident You Should Know that your good writing won’t be marred by bad spelling. O S Words You Should Know How to Spell takes away the guesswork and helps you make a good impression! PELL hoW to spell David Hatcher, MA has taught communication skills for three universities and more than twenty government and private-industry clients. He has An A to Z Guide to Perfect SPellinG written and cowritten several books on writing, vocabulary, proofreading, editing, and related subjects. He lives in Winston-Salem, NC. Jane Mallison, MA teaches at Trinity School in New York City. The author bou tique swaveu g narl fabulus or coauthor of several books, she worked for many years with the writing section of the SAT test and continues to work with the AP English examination. -
Carla Bruni Announces New Album 434.61 Kb
Carla Bruni Announces New Album ‘French Touch’ To Be Released on October 6th via Decca Records First Single, Cover of Depeche Mode’s ‘Enjoy The Silence’ Available Now Photo credit: Matthieu Zazzo Internationally acclaimed singer-songwriter Carla Bruni announces the release of her 5th studio album, an English-language collection of cover songs produced by legendary producer, composer and musician David Foster entitled ‘French Touch’, released on October 6th via Decca Records. Click Here for the stunning video (directed by Fabienne Berthaud) for first single ‘Enjoy The Silence’, a stripped down and intimate rendition of the Depeche Mode classic, which premiered on Billboard.com accompanied by an interview with Carla. The song is available now on all digital and streaming services carlabruni.lnk.to/EnjoyTheSilence Since her youth, Carla has assembled a trove of all-time sentimental favourites—pop songs forever associated with a person or place or moment in time, the sort of records that she says, borrowing the French term for love at first sight, “have been a coup de foudre.” The album gives credence to its title, richly melodic, warm yet minimal, and often slyly playful – all the covers in this collection have been given that ‘French Touch’, and still have all the universal appeal of their originals, albeit with a sultry flavour all their own. 7 Broadbent Close, Highgate Village, London, N6 5JW t 020 3213 0135 f 020 8348 7776 e [email protected] www.republicmedia.net @republic_media Take the lead single, ‘Enjoy the Silence’. Depeche Mode’s dark yet soaring 1990 pop classic is the sort of anthem most musicians wouldn’t dare mess with—“a song that doesn’t need a cover,” as Carla puts it—yet the ‘French Touch’ take is something else altogether. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.