Printing History News 26

Total Page:16

File Type:pdf, Size:1020Kb

Printing History News 26 Printingprinting History history news 26 News 1 The Newsletter of the National Printing Heritage Trust, Printing Historical Society and Friends of St Bride Library Number 26 Spring 2010 EVENTS of type, paper and other printing sun- publisher) are available, meaning that dries; printers will also be selling second- those interesting in aquiring the book hand type and printing equipment. should be able to find a better price. Or Printing Historical Burford is easily accessible by car or one could, of course, always borrow it Society AGM bus from Oxford, and there is ample from a library (see the entry on lending parking at the school. For those who libraries, vol. 2, pp. 870–872), or The 2010 Annual General Meeting of do not know Burford, it is a charming consult it at the Bodleian (vol. 1, pp. the Printing Historical Society will be Cotswold town, with numerous places 539–540) . held on Tuesday 27 April 2010 at 5:30 to eat and shop (including antique p.m. at the St Bride Foundation, Lon- shops). Some readers may recall the don. Following the formal business, at 2008 Wayzgoose, held (to considerable 6:00 p.m., Dr John Hinks will speak acclaim) at the nearby market-town of on Printing: a revolutionary history. Witney. For more information, or to book a stall, please contact Louisa Hare, Old Park Cottage, Winderton St Bride events Road, Lower Brailes, Oxfordshire ox15 5jb. Tel: 01608 685924. E-mail: DIY Design [email protected]. The Ninth Annual St Bride Library Conference, DIY Design, will be held NEW BOOKS at the St Bride Library on 27 and 28 May 2010. Contributors will include OXFORD COMPANION Mette D. Ambeck, Martin Andrews, Paul Antonio, Hudson Bec, Petr van TO THE BOOK Detail of the ‘Rambaud’ phonetic type Blokland, Mark Frith, Linzie Hunter, The latest in Oxford University Press’s (1578) from Hendrik Vervliet’s new Helen Ingham, Michael Johnson, Ann series of Oxford companions is to the book (see below). Pillar, Teal Triggs and Wolfgang Wein- book, edited by Michael F. Suarez and gart. Full price £120.00, concessions Henry R. Woudhuysen. Published in £50.00, Friends £90.00 / £35.00. February, it consists of two volumes FRENCH RENAISSANCE Further details can be found on the bound in quarter red leather, and con- website at www.stbride.org. PRINTING TYPES tains a series of essays, followed by an encyclopaedia of publishing and print- Hendrik D.L. Vervliet’s French Renais- In June, the Friends will hold a design ing history, including much on type, sance printing types: a conspectus auction and November will see a major printing processes and machinery, paper (London: Bibliographical Society and letterpress event, a combined confer- and its manufacture, editorial practices, Printing Historical Society, and New ence and book fair. Further details will publishing, book-collecting, libraries, Castle: Oak Knoll Press, 2010) has be mounted on the Library website at book-illustration and binding. There just been posted out free to all P H S www.stbride.org. are numerous biographical entries for members; it is in lieu of two of the important figures in these areas, notably issues of the Journal that the Society for publishers, printers and artists. should have published since 2000. Oxford Guild of Printers’ The Companion contains around a Wayzgoose million words, compiled by some 400 contributors, including many names BOOK-MAKING AT The Oxford Guild of Printers will hold which will be familair to readers of DARTINGTON HALL its biannual ‘Wayzgoose’, a fair for PHN, such as Martin Andrews, Nicolas printers and collectors of fine printing, Barker, Sebastian Carter, Christopher Mary Bartlett’s Inky rags: letterpress at Burford School, Cheltenham Road, de Hamel, Mirjam Foot, Lotte Hellinga, printing & bookbinding on the Burford, Oxfordshire ox18 4pl, on John Hinks, John Lane, James Mosley, Dartington Hall Estate 1935–2010 Saturday 10 July 2010, 10:00 a.m. to Paul W. Nash, David Pearson and (Buckfastleigh: Itinerant Press, 2010), 6:00 p.m. Admission is free. Stalls will Peggy Smith. has just appeared. Its production was be held by fine and private press printers, Copies are available from the OU P aided by a PHS research grant. The specialist booksellers, societies (includ- at £175.00, although various deals and copy sent to the PHS will be placed in ing the Friends of St Bride) and suppliers special offers (including some from the the St Bride Library. 2 printing history news 26 The National Printing Newspaper Makers); Dr Derek Nuttall team of six enthusiastic Young Man- (retired Head of Printing, Chester aging Printers from Lancashire under Heritage Trust: twenty School of Art); Michael Passmore the leadership of Martin Kerry. A (retired Chairman of Passmore Inter- short video of the press in use after years old (part II) national); and Professor Michael Twy- being restored can be seen by entering Derek Nuttall man (Department of Typography and ‘Englesea Brook’ into an internet search- Graphic Communication at Reading engine. Another of the Trust’s earliest The first part of this account appeared University). achievements was the re-location and in PHN 25 in December 2009. In addition to the Trust’s Patron, restoration of a large Columbian press Bamber Gascoigne, Vice-Presidents for the Atkinson Art Gallery, Southport, The formal launch of the Printing Heri- nominated were William and Margaret in 1995. Regrettably, it has recently tage Trust was held at 11 Bedford Row, Sessions (of York) and Mrs Whittaker been made known that the Atkinson the office of the British Printing Federa- (Peter’ widow). From the start many wishes to dispose of this fine press. Over tion, on the evening of Monday 13 people had offered their services or the years many hand-presses have been April 1992. The event was well attended advice and to utilise them an Advisory restored into working order for various with some sixty people present. The Committee was established. The orig- museums, including help with the reno- main purposes of the launch were to inal members were: Dennis Arnold; vation of a rare eighteenth-century publicize the Trust, to outline its aims Sebastian Carter; Rev. Eric Chambers; wooden press for Chetham’s Library, and to encourage support, both mat- Roy Coxhead; Desmond Field; Alan Manchester. erially and financially, from the indus- Morris; Richard Russell; and Lawrence A further stimulus to get printers in try, organisations and individuals who Wallis. the north of England interested in the could become ‘Friends of the NPHT’ Although formed in the hope that a N P H T was a lecture by Lawrence for the modest fee of £10.00 per year – national museum of printing would Wallis entitled ‘A history of typograph- a sum that has never been increased. result, several other objectives were ical composition’, given at Manchester A great deal of preparation had pursued. One of these was to establish Metropolitan University in October taken place prior to the launch. Michael a close liaison with every museum in 1993. About the same time, the Trust Passmore and Lawrence Wallis used England and Wales that had any items became involved in a campaign to save their many contacts in the printing connected with printing and its related the Stephenson Blake Collection of world to draw up a list of people to trades. Valiant work on this was under- punches, matrices etc., when the old- invite. The evening started at 6:30 with taken by Desmond Field (of the John established typefoundry in Sheffield a short welcome from the Chairman, Jarrold Museum, Norwich), who began ceased production. Michael Passmore, who was followed to compile a database of museum hold- An unexpected outcome of the by Bamber Gascoigne, the Trust’s ings. This resulted in the Directory, pub- Trust’s Newsletter was the establishing Patron. After his speech, there were lished in 1997, with a revised edition in of links with similar bodies abroad, short talks by the members of a panel 2000. To extend the Trust’s work with including the U.S.A., Canada, Ireland, consisting of Michael Twyman, James museums, approaches were made to Australia, Germany and New Zealand. Mosley and Lawrence Wallis. David inform and involve the Museums’ As the remit of the Trust only applied Padbury of the BPIF then told the Association and the Science Museum. to England and Wales, informal links meeting about a ‘time capsule’ of A close relationship was formed with were also forged with the Scottish printed specimens that had been com- the Manchester Museum of Science and Printing Archive Trust and the Robert piled in 1953. The evening concluded Industry, which acquired Peter Whit- Smail Printing Museum. with Michael Passmore outlining the taker’s fine collection of line-casters. In July 1994, Friends of the NPHT, aims of the Trust and what needed to As the Trust’s funds began to grow, now numbering around 150, were in- be done in order to preserve for it became possible to offer not just ad- vited to visit the new Oxford University posterity the skills and technology that vice but also financial help to museums Press Museum and the Alembic Press. were rapidly disappearing. He showed seeking grants to obtain, restore or Following the success of this double a video, made by Oxford University display printing artefacts. To publicise visit, others were arranged including to Press, which recorded the hand-casting this, over 100 museums and libraries, the Science Museum’s storage ware- of metal types. and a few other institutions, were house, near Olympia, the British Library One of the first innovations after added to the Trust’s Newsletter mailing. and the Type Museum.
Recommended publications
  • Abstracts Povzetki
    PLACES, SPACES AND THE PRINTING PRESS: IMPRINTING REGIONAL IDENTITIES KRAJI, PROSTORI IN TISKARNE: ODTISI REGIONALNIH IDENTITET INTERNATIONAL SCIENTIFIC ONLINE CONFERENCE MEDNARODNA ZNANSTVENA KONFERENCA NA SPLETU 24. MAREC 2021 EDITORIAL BOARD dr. Ines Vodopivec dr. Caroline Archer-Parré Žiga Cerkvenik Maj Blatnik Jana Mahorčič Tomaž Bešter ORGANIZING COMMITTEE Žiga Cerkvenik Maj Blatnik ORGANIZERS Centre for Printing History and Culture at Birmingham City University at University of Birmingham, United Kingdom / Center za tiskarsko zgodovino in kulturo na Mestni univerzi Birmingham, Združeno kraljestvo National and University Library, Ljubljana, Slovenia / Narodna in univerzitetna knjižnica, Ljubljana, Slovenija. PUBLISHED BY NATIONAL AND UNIVERSITY LIBRARY, LJUBLJANA, SLOVENIA Publication is available online in PDF format at: Publikacija je dostopna v PDF formatu na spletni strani: http://www.dlib.si/details/URN:NBN:SI:doc-PDMSAPDI/ 24. 3. 2021 National and University Library, Ljubljana, copyright 2021 This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. 2 THE CONFERENCE THEME ‘Place’ is a physical entity and relates to specific locations—geographical or architectural—where particular activities are conducted. ‘Space’, on the other hand, is abstract; it is the intellectual, cultural and experiential environment in which individuals or groups congregate and collaborate. Place and space are significant to the progress of all trades, but, with the exception of the James Raven’s Bookscape: geographies of printing and publishing in London, these concepts have generally been overlooked when it comes to printing and the products of the press.
    [Show full text]
  • Kemble Z3 Ephemera Collection
    http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research.
    [Show full text]
  • A Dictionary of Typography and Its Accessory Arts. Presented to the Subscribers of the "Printers' Register," 1870
    : Supplement to tin- "^rtnters 1 Register," September vt, mdccclxxi. "*>. > % V V .. X > X V X V * X X V s X X X V S X S X V X X S X X V X .X X X\x X X .X X X N .N .X X S A t. y littimrarg uprjrajjlur i f / / 4 / / / AND / I '/ ITS ACCESSORY ARTS /• - I / / i 7 ': BY / / I /; r JOHN SOUTHWARD. / /. / / / i ^rescntcb to the Subscribers of the "^printers' T^cgistcr. 1870-1871. / n V / gonfcon JOSEPH M. POWELL, "PRINTERS' REGISTER" OFFICE, 3, BOUVERIE STREET, E.( . / PRINTED 9Y DANIEL & CO., ST. LEONARDS-ON-SEA j — 2? 113 %\%\ of JutjiOUtlCS. Among the various works on the Art of Printing, consulted in the compilation ol this Dictionary, may be named the following : Abridgments of Specifications relating to Printing. Johnson's Typographia. Andrews's History of British Journalism. Knight's Caxton. Annales de la Typographic Francaise et etrangere. Knight's Knowledge is Powei Annales de ITmprimerie. knight's Old Printer and the Modern Pres> xviii. Annals of Our Time. London Encyclopedia. Printing— vol. p , Annuaire de la Librairie et de ITmprimerie. Mi' {Cellar's American Printer. Cabbage's Economy of Machinery and Manufactures. Marahren's Handbuch der Typographic Bullhorn's Grammatography. Maverick's Henry J. Raymund and the New York IV---. Beadnell's Guide to Typography. McCreery's Press, a Poem. Biographical Memoirs of William (Jed. Morgan's Dictionary of Terms u.sed in Printing. Buckingham's Personal Memoirs and Recollections of Editorial Life. Moxon's Mechanick Exercis Buckingham's Specimens of Newspaper Literature.
    [Show full text]
  • IBM Selectric IT, with Manual, Ribbon, and Correction Tape
    BART Q2B2 No. 1-2 Typewriters. No.1 Manual typewriter: Remington, 1965 with library keyboard. 23 x 36 x 49 em. No. 2 Electric typewriter: IBM Selectric IT, with manual, ribbon, and correction tape. 19 X 39 X 52 Cffi., in box, 32 X 46 X 66 CIDo BART Q2C3 No.1 Computers No. la Apple lie computer, CPU with drives 1 and 2, and cable connections No. lal Owner's manual No. la2 Installation manual No. la3 DOS User's manual No. la4 DOS Programmer's manual No. laS Appleworks Tutorial No. la6 80-Column Text card manual No. la7 Extended SO-Column Text and supplement No. laS Applesoft Tutorial No. la9 Appleworks startup training discs No. lalO Screenwriter II word processing manual No. lall Hayes Micro-modem lie manual No. 1b Apple Monitor ill No. lbl Owner's manual No. lc Daisy wheel printer: Brother HR 15, with tractor feed, cable, and ribbons No. lcl Instruction manual No. lc2 Instruction manual model HR 15 No. lc3 User's manual No. lc4 Tractor Feeder instruction manual I ART c No. la- lb in box, 54x49x56 em. Q2(il3 No. le in box, 19x39x48 em. No.1 Gift ofRiehard Ogar. BART Q2C34 No.1 Computer software manuals. No.1 WordPerfect. No.la Reference version 5.2 No.lb Shared applications version 1.3 No.lc Workbook for Windows version 5.2 No. ld Program discs In box, 23 x 10 x 20 em. BART Q2S2 No.1 Supplies. No.1 Carbon paper, black, standard weight and size, 8 x 11 inches/Middletown, CT.: Remington Rand, 1960? On manufacturer's box: reproduction in blue of seal bearing legend: THE UNNERSITY OF CALIFORNIA 1868 LET THERE BE LIGHT.
    [Show full text]
  • Printing Presses in the Graphic Arts Collection
    Printing Presses in the Graphic Arts Collection THE NATIONAL MUSEUM OF AMERICAN HISTORY 1996 This page blank Printing Presses in the Graphic Arts Collection PRINTING, EMBOSSING, STAMPING AND DUPLICATING DEVICES Elizabeth M. Harris THE NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION WASHINGTON D.C. 1996 Copies of this catalog may be obtained from the Graphic Arts Office, NMAH 5703, Smithsonian Institution, Washington D.C. 20560 Contents Type presses wooden hand presses 7 iron hand presses 18 platen jobbers 29 card and tabletop presses 37 galley proof and hand cylinder presses 47 printing machines 50 Lithographic presses 55 Copperplate presses 61 Braille printers 64 Copying devices, stamps 68 Index 75 This page blank Introduction This catalog covers printing apparatus from presses to rubber stamps, as well as some documentary material relating to presses, in the Graphic Arts Collection of the National Museum of American History. Not listed here are presses outside the accessioned collections, such as two Vandercook proof presses (a Model 4T and a Universal III) that are now earning an honest living in the office printing shop. At some future time, no doubt, they too will be retired into the collections. The Division of Graphic Arts was established in 1886 as a special kind of print collection with the purpose of representing “art as an industry.” For many years collecting was centered around prints, together with the plates and tools that made them. Not until the middle of the twentieth century did the Division begin to collect printing presses systematically. Even more recently, the scope of collecting has been broadened to include printing type and type-making apparatus.
    [Show full text]
  • Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS 310 Delaware Street, New Castle, DE 19720
    Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books has handled many examples of type specimen catalogues over the years. One would think that interest in old books showing type faces would have gone by the wayside long ago but nothing could be further from the truth. I was recently give a book by Tony Cox, a bookseller friend of mine, for bedside reading while I was visiting him in England and found the stories of type and their development fascinating (Simon Garfield. Just My Type). For those of you who have seen the film Helvetica you can relate to the impact type faces have on our lives. We are now offering you a selection of interesting specimen books and booklets that might inspire those of you doing design work or educate those of you that are doing research. And go back and reread McGrew’s American Metal Type Faces of the 20th Century and Annenberg’s Type Foundries of America and Their Catalogues (both Oak Knoll Press publications) for their invaluable information (see last page of our catalogue for more details). Happy hunting! Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books.
    [Show full text]
  • Horn Printing Chappel. Records. 1960-1994
    http://oac.cdlib.org/findaid/ark:/13030/tf1w1004kd No online items Horn Printing Chappel. Records. 1960-1994. Finding aid prepared by University Archives staff, 2001; reprocessed by Katharine A. Lawrie, 2011; machine-readable finding aid created by Katharine A. Lawrie, 2013 June. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2001 Horn Printing Chappel. Records. University Archives Record Series 704 1 1960-1994. Title: Horn Printing Chappel. Records. Identifier/Call Number: University Archives Record Series 704 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 3.2 linear ft.(8 boxes) Date: 1960-1994 Abstract: Record Series 704 contains records about the activities of UCLA's Horn Printing Chappel, which include the history of the Chappel, activities, related coursework within the Graduate School of Library and Information Science, and relevant lecture series. Records and printing work of Professor Andrew H. Horn, his colleague Professor Diana M. Thomas, and their students are featured. Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Publication Rights Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Processing Information The Horn Printing Chappel Files were preliminarily processed in 2001 by University Archives Staff.
    [Show full text]
  • The Building of a Book
    •^. f. THE BUILDING OF A BOOK THE BUILDING OF A BOOK A SEKIES OF PRACTICAL ARTI- CLES WRITTEN BY EXPERTS IN THE VARIOUS DEPARTMENTS OF BOOK MAKING AND DISTRIBUTING WITH AN INTRODUCTION BY THEODORE L. DE VINNE EDITED BY FREDERICK H. HITCHCOCK THE GRAITON PRESS PUBLISHERS NEW YORK COPTEIGHT, 1906, Bt the GRAFTON PRESS. Published December, 1906. ©etiicatctj TO RE.VDERS AND LOVERS OF BOOKS THROUGHOUT THE COUNTRY FOREWORD " The Building of a Book " had its origin in the wish to give practical, non-technical infor- mation to readers and lovers of books. I hope it will also be interesting and valuable to those persons who are actually engaged in book mak- ing and selUng. All of the contributors are experts in thoir respective departments, and hence write with authority. I am exceedingly grateful to them for their very generous efforts to make the book a success. THE EDITOR. vU ARTICLES AND CONTRIBUTORS Introduction 1 By Theodore L. De Vinne, of Theodore L. De Vinne & Company, Printers, New York. The Author 4 By George W. Cable, Author of " Grandissimes," "The Cavalier," and other books. Resident of Northampton, Massachusetts. The Literary Agent 9 By Paul R. Reynolds, Literary Agent, New York, representing several English publishing houses and American authors. The Literary Adviser 16 By Francis W. Halsey, formerly Editor of the Nexo York Times Saturday Itevieio of Books, and literary adviser for D. Appleton & Company. Now literary adviser for Funk & Wagnalls Company, New York. The Manufacturing Department ... 25 By Lawton L. Walton, in charge of the manu- facturing department of The Macmillan Company, Publishers, New York.
    [Show full text]
  • Progress in Printing and the Graphic Arts During the Victorian
    CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Ik Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924032192373 Sir G. Hayter, R./l. Bet* Majesty Queen Tictorta in Coronation Robes. : progress in printing and the 6raphic Hrts during the Victorian Gra. "i BY John Southward, Author of "Practical Printing"; "Modern Printing"; "The Principles and Progress of Printing Machinery"; the Treatise on "Modern Typography" in the " EncyclopEedia Britannica" Cgtii Edition); "Printing" and "Types" in "Chambers's Encyclopaedia" (New Edition); "Printing" in "Cassell's Storehouse of General Information"; "Lessons on Printing" in Cassell's New Technical Educator," &c. &c. LONDON SiMPKiN, Marshall, Hamilton, Kent & Co. Ltd. 1897. X^he whole of the Roman Cypc in tbta Booh has been set up by the Linotj^pe Composing Machine, and machined direct from the Linotj'pc Bars by 6eo. CH. loncs, Saint Bride Rouse, Dean Street, fetter Lane, London, e.C. ^ ^ ^ ^ ^ ^ ^ W Contents. ^^ Progress in Jobbing Printing Chapter I. Progress in Newspaper Printing Chapter II. Progress in Book Printing - Chapter III. Printing by Hand Press Chapter IV. Printing by Power Press Chapter V. The Art of the Compositor Chapter VI. Type-Founding Chapter VII. Stereotyping and Electrotyping Chapter VIII. Process Blocks Chapter IX. Ink Manufacture Chapter X. Paper-Making Chapter XI. Description of the Illustrations Chapter XII. ^pj progress in printing peculiarity about it It is not paid for by the person who is to become its possessor.
    [Show full text]
  • Mechanization of the Printing Press Robin Roemer Western Oregon University, [email protected]
    Western Oregon University Digital Commons@WOU History of the Book: Disrupting Society from Student Scholarship Tablet to Tablet 6-2015 Chapter 08 - Mechanization of the Printing Press Robin Roemer Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/history_of_book Part of the Critical and Cultural Studies Commons, Cultural History Commons, and the History of Science, Technology, and Medicine Commons Recommended Citation Roemer, Robin. "Mechanization of the Printing Press." Disrupting Society from Tablet to Tablet. 2015. CC BY-NC. This is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in History of the Book: Disrupting Society from Tablet to Tablet by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. 8 Mechanization of the Printing Press - Robin Roemer - One of the important leaps in the technology of copying text was the mechanization of printing. The speed and efficiency of printing was greatly improved through mechanization. This took several forms including: replacing wooden parts with metal ones, cylindrical printing, and stereotyping. The innovations of printing during the 19th century affected the way images were reproduced for illustrations as well as for type. These innovations were so influential on society because they greatly increased the ability to produce large quantities of work quickly. This was very significant for printers of newspapers, who were limited by the amount their press could produce in a short amount of time. Iron Printing Press One major step in improving the printing press was changing the parts from wood to metal.
    [Show full text]
  • The Practice of Typography; a Treatise on the Processes of Type-Making
    W^UIBRARV.;. aMUBRA oCii LA- ^OFCAllFOff^ ^OFl. o ^^ ^ !!]? '^)i mm ^/yaiAINH, •''^A'jvas , \WtUNIVr >10SAN( 5- -c, CO -n «-j O u_ %ojiiv3jo^ %o\\mi^^ <rii33NYsoi^'^ '^•/mmi •UIFOMi^ i;niver5/a v^lOSANC o -n O •re: <rjl30NV ^10SANC[I^ ^iLlBRARY(2^ -^ILIBRA mo ?Hii!M ir.'v'.Aurci r,- , r TAii I nn. ^ H\ m\ym/A C3 Cc DN^SOl^"^ - r\rrA'iFn'?j.. f^ *- J 30 O II1V3W^ Mm<^ ''<imm{\\'^' f^. "^^ '^imhrn'm' INfl3WV THE PRACTICE OF TYPOGRAPHY THE PRACTICE OF TYPOGRAPHY A TEEATISE ON THE PEOCESSES OF TYPE-MAKING, THE POINT SYSTEM, THE NAMES, SIZES STYLES AND PEICES OF PLAIN PRINTING TYPES BY THEODORE LOW DE VINNE, AM. SECOND EDITION fi f^.ni'Ai-'^. NEW YORK THE CENTURY CO. 1902 Copyright, 1899, by Theodork Low DeVinne. The DeVinne Press. 1 9 OS. PREFACE THIS treatise is a summary of detached notes collected by the writer since 1860. A desire to make it complete and exact has prevented its earlier publication. As an aid to this result each chapter has been revised recently by experts in different branches of printing. In its present cor- rected form it is believed that it will be found of use to all who seek for information about types which cannot be compressed within the ordinary manual of printing, or be gleaned quickly from the specimen books of many type-founders. The scope of the book has to be limited to plain types. Re- marks concerning newspaper types, typographic decorations, and recent fashions in book-work, have to be postponed. The composition of title- pages may be the subject of another treatise.
    [Show full text]
  • Royal Craft , but Rather the Collective Genius of the Many , Homo Ge N Eo Usly Combined and Collectively Superior To
    A RO YAL C RAFT ; Not e s o n t he H i stm y a n d P ro g r e s s o f ROYAL C R AFT : B EI NG NOTE S . ON T he H i s t o r y P r o gr e s s o f P r i n t i n g F. H . S E . LLIS V ‘ ‘ V II H P R E FACE B Y M R . E . R ALE XANDE R LO N DO N R IT H BY L WR E N C E C o A , A LTD . , T H AN E T H U E O S , 2 1 AN D 2 2 ST R AN D 3 3 , , W . C . PRINT E D AT TH E A45 £79 7gb E PREFAC . H AT is a nation witho ut a hi story i Wha t i s an art without a h story , an d what is that history without progres s ? In our public elementary schools we teach the history of o ur own and other countries . so ha of the world . We te a ch also, but mew t e th r r h imp rfectly, of e rise, p og es s , and istory of l e hi but that art which has not on y mad story , has m ade also for liberty of thought and the elevation of huma ni ty . With the adven t of the r has e i z p ess dawned a high r civil ation , and a.
    [Show full text]