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PLACES, SPACES AND THE PRINTING PRESS: IMPRINTING REGIONAL IDENTITIES KRAJI, PROSTORI IN TISKARNE: ODTISI REGIONALNIH IDENTITET INTERNATIONAL SCIENTIFIC ONLINE CONFERENCE MEDNARODNA ZNANSTVENA KONFERENCA NA SPLETU 24. MAREC 2021 EDITORIAL BOARD dr. Ines Vodopivec dr. Caroline Archer-Parré Žiga Cerkvenik Maj Blatnik Jana Mahorčič Tomaž Bešter ORGANIZING COMMITTEE Žiga Cerkvenik Maj Blatnik ORGANIZERS Centre for Printing History and Culture at Birmingham City University at University of Birmingham, United Kingdom / Center za tiskarsko zgodovino in kulturo na Mestni univerzi Birmingham, Združeno kraljestvo National and University Library, Ljubljana, Slovenia / Narodna in univerzitetna knjižnica, Ljubljana, Slovenija. PUBLISHED BY NATIONAL AND UNIVERSITY LIBRARY, LJUBLJANA, SLOVENIA Publication is available online in PDF format at: Publikacija je dostopna v PDF formatu na spletni strani: http://www.dlib.si/details/URN:NBN:SI:doc-PDMSAPDI/ 24. 3. 2021 National and University Library, Ljubljana, copyright 2021 This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. 2 THE CONFERENCE THEME ‘Place’ is a physical entity and relates to specific locations—geographical or architectural—where particular activities are conducted. ‘Space’, on the other hand, is abstract; it is the intellectual, cultural and experiential environment in which individuals or groups congregate and collaborate. Place and space are significant to the progress of all trades, but, with the exception of the James Raven’s Bookscape: geographies of printing and publishing in London, these concepts have generally been overlooked when it comes to printing and the products of the press. -
Truly Miscellaneous Sssss
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Roger Fry and the art of the book: Celebrating the centenary of the Hogarth Press 1917-2017 Author(s) Byrne, Anne Publication Date 2018 Publication Byrne, Anne. (2018). Roger Fry and the Art of the Book: Information Celebrating the Centenary of the Hogarth Press 1917-2017. Virginia Woolf Miscellany, 92 (Winter/Fall), 25-29. Publisher International Virginia Woolf Society Link to https://virginiawoolfmiscellany.wordpress.com/virginia-woolf- publisher's miscellany-archive-issue-84-fall-2013-through-issue-92-fall- version 2017-winter-2018/ Item record http://hdl.handle.net/10379/15951 Downloaded 2021-09-25T22:35:05Z Some rights reserved. For more information, please see the item record link above. Space Consumes Me The hoop dancer dance...demonstrating how the people live in motion within the circling...spirals of time and space. They are no more limited than water and sky. Byrne, Anne. 2018. Roger Fry and the Paula Gunn Allen, The Sacred Hoop Truly Miscellaneous Art of the Book, Virginia Woolf Life is not a series of gig lamps symmetrically arranged, life is a luminous halo sssss Miscellany, No 92, Winter/Spring a semi-transparent envelope surrounding us from the 2018, 25-29. beginning of consciousness to the end.” Virginia Woolf, “Modern Fiction” Roger Fry and the Art of the Book: Celebrating the Centenary of the Hogarth Press 1917-20171 The earliest SPACE WAS MOTHER Making an Impression I join the friendly, excited queue around the hand-operated press, Her womb a circle of all waiting in line for an opportunity to experience the act of inking the And entry as well, a circle haloed by freshly inked plate. -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
A Dictionary of Typography and Its Accessory Arts. Presented to the Subscribers of the "Printers' Register," 1870
: Supplement to tin- "^rtnters 1 Register," September vt, mdccclxxi. "*>. > % V V .. X > X V X V * X X V s X X X V S X S X V X X S X X V X .X X X\x X X .X X X N .N .X X S A t. y littimrarg uprjrajjlur i f / / 4 / / / AND / I '/ ITS ACCESSORY ARTS /• - I / / i 7 ': BY / / I /; r JOHN SOUTHWARD. / /. / / / i ^rescntcb to the Subscribers of the "^printers' T^cgistcr. 1870-1871. / n V / gonfcon JOSEPH M. POWELL, "PRINTERS' REGISTER" OFFICE, 3, BOUVERIE STREET, E.( . / PRINTED 9Y DANIEL & CO., ST. LEONARDS-ON-SEA j — 2? 113 %\%\ of JutjiOUtlCS. Among the various works on the Art of Printing, consulted in the compilation ol this Dictionary, may be named the following : Abridgments of Specifications relating to Printing. Johnson's Typographia. Andrews's History of British Journalism. Knight's Caxton. Annales de la Typographic Francaise et etrangere. Knight's Knowledge is Powei Annales de ITmprimerie. knight's Old Printer and the Modern Pres> xviii. Annals of Our Time. London Encyclopedia. Printing— vol. p , Annuaire de la Librairie et de ITmprimerie. Mi' {Cellar's American Printer. Cabbage's Economy of Machinery and Manufactures. Marahren's Handbuch der Typographic Bullhorn's Grammatography. Maverick's Henry J. Raymund and the New York IV---. Beadnell's Guide to Typography. McCreery's Press, a Poem. Biographical Memoirs of William (Jed. Morgan's Dictionary of Terms u.sed in Printing. Buckingham's Personal Memoirs and Recollections of Editorial Life. Moxon's Mechanick Exercis Buckingham's Specimens of Newspaper Literature. -
IBM Selectric IT, with Manual, Ribbon, and Correction Tape
BART Q2B2 No. 1-2 Typewriters. No.1 Manual typewriter: Remington, 1965 with library keyboard. 23 x 36 x 49 em. No. 2 Electric typewriter: IBM Selectric IT, with manual, ribbon, and correction tape. 19 X 39 X 52 Cffi., in box, 32 X 46 X 66 CIDo BART Q2C3 No.1 Computers No. la Apple lie computer, CPU with drives 1 and 2, and cable connections No. lal Owner's manual No. la2 Installation manual No. la3 DOS User's manual No. la4 DOS Programmer's manual No. laS Appleworks Tutorial No. la6 80-Column Text card manual No. la7 Extended SO-Column Text and supplement No. laS Applesoft Tutorial No. la9 Appleworks startup training discs No. lalO Screenwriter II word processing manual No. lall Hayes Micro-modem lie manual No. 1b Apple Monitor ill No. lbl Owner's manual No. lc Daisy wheel printer: Brother HR 15, with tractor feed, cable, and ribbons No. lcl Instruction manual No. lc2 Instruction manual model HR 15 No. lc3 User's manual No. lc4 Tractor Feeder instruction manual I ART c No. la- lb in box, 54x49x56 em. Q2(il3 No. le in box, 19x39x48 em. No.1 Gift ofRiehard Ogar. BART Q2C34 No.1 Computer software manuals. No.1 WordPerfect. No.la Reference version 5.2 No.lb Shared applications version 1.3 No.lc Workbook for Windows version 5.2 No. ld Program discs In box, 23 x 10 x 20 em. BART Q2S2 No.1 Supplies. No.1 Carbon paper, black, standard weight and size, 8 x 11 inches/Middletown, CT.: Remington Rand, 1960? On manufacturer's box: reproduction in blue of seal bearing legend: THE UNNERSITY OF CALIFORNIA 1868 LET THERE BE LIGHT. -
Printing Presses in the Graphic Arts Collection
Printing Presses in the Graphic Arts Collection THE NATIONAL MUSEUM OF AMERICAN HISTORY 1996 This page blank Printing Presses in the Graphic Arts Collection PRINTING, EMBOSSING, STAMPING AND DUPLICATING DEVICES Elizabeth M. Harris THE NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION WASHINGTON D.C. 1996 Copies of this catalog may be obtained from the Graphic Arts Office, NMAH 5703, Smithsonian Institution, Washington D.C. 20560 Contents Type presses wooden hand presses 7 iron hand presses 18 platen jobbers 29 card and tabletop presses 37 galley proof and hand cylinder presses 47 printing machines 50 Lithographic presses 55 Copperplate presses 61 Braille printers 64 Copying devices, stamps 68 Index 75 This page blank Introduction This catalog covers printing apparatus from presses to rubber stamps, as well as some documentary material relating to presses, in the Graphic Arts Collection of the National Museum of American History. Not listed here are presses outside the accessioned collections, such as two Vandercook proof presses (a Model 4T and a Universal III) that are now earning an honest living in the office printing shop. At some future time, no doubt, they too will be retired into the collections. The Division of Graphic Arts was established in 1886 as a special kind of print collection with the purpose of representing “art as an industry.” For many years collecting was centered around prints, together with the plates and tools that made them. Not until the middle of the twentieth century did the Division begin to collect printing presses systematically. Even more recently, the scope of collecting has been broadened to include printing type and type-making apparatus. -
Horn Printing Chappel. Records. 1960-1994
http://oac.cdlib.org/findaid/ark:/13030/tf1w1004kd No online items Horn Printing Chappel. Records. 1960-1994. Finding aid prepared by University Archives staff, 2001; reprocessed by Katharine A. Lawrie, 2011; machine-readable finding aid created by Katharine A. Lawrie, 2013 June. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2001 Horn Printing Chappel. Records. University Archives Record Series 704 1 1960-1994. Title: Horn Printing Chappel. Records. Identifier/Call Number: University Archives Record Series 704 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 3.2 linear ft.(8 boxes) Date: 1960-1994 Abstract: Record Series 704 contains records about the activities of UCLA's Horn Printing Chappel, which include the history of the Chappel, activities, related coursework within the Graduate School of Library and Information Science, and relevant lecture series. Records and printing work of Professor Andrew H. Horn, his colleague Professor Diana M. Thomas, and their students are featured. Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Publication Rights Copyright of portions of this collection has been assigned to The Regents of the University of California. The UCLA University Archives can grant permission to publish for materials to which it holds the copyright. All requests for permission to publish or quote must be submitted in writing to the UCLA University Archivist. Processing Information The Horn Printing Chappel Files were preliminarily processed in 2001 by University Archives Staff. -
MTP-1530II Modular Thermal Printer User Manual
MTP-1530II Modular Thermal Printer User Manual Telpar 800-872-4886 Fax: 603-742-9938 Website: www.telpar.com E-mail: [email protected] © 2012 Telpar (Rev.20120510) Telpar MTP-1530II Receipt Thermal Printer User Manual Warranty Telpar — Printer Limited Warranty .WARRANTIES AND DISCLAIMERS. Products manufactured by Telpar are warranted against defects in workmanship and materials for a period of twelve (12) months from the date of shipment to the original user, provided the Product (a) remains unmodified, (b) is used only in the United States or Canada, (c) is operated under normal and proper conditions, as Telpar determines in its sole discretion, and (d) Customer provides prompt written notice Telpar of any defects as to parts and/or workmanship to. Telpar may provide an extended warranty on certain Products or components thereof for an additional price determined solely by Telpar and such extended warranty shall only be effective to the extent memorialized in writing by Telpar. Telpar’s sole obligation and Customer’s exclusive remedy for defective Telpar-manufactured Products is limited to repair or replacement, as Telpar determines in its sole discretion. The warranty described above does not include any labor or service costs for removing or replacing parts, or any shipping charges. Any repair performed by Telpar under this warranty does not extend the original warranty period of any Product. This warranty shall not apply to any Product which has: (i) been repaired or altered, except by Telpar; (ii) not been maintained in accordance with all of the operating or handling instructions supplied by Telpar, or (iii) been subjected to misuse, willful acts, abuse, tampering, negligence or accident, unusual physical or electrical stress, as Telpar determines in its sole discretion. -
Chapter 1 Lesson 4 Technology in the 1500S
GL5 History Teacher Text Chapter 1 Lesson 4 Technology in the 1500s Student Objectives: • Review the invention, design, and uses of the printing press. • Describe how the printing press works and its importance in history. • Discuss the astrolabe and its use in navigation in the 1500s. • Make, use, and test an astrolabe. Worldview Integration: • God wants us to read, circulate, and explain his Word to others. (Acts 8:26-40; letters of Paul) • God is the maker of the heavens and the Earth. (Genesis 1:1). • God gave us the stars and constellations to help us navigate here on Earth. (Matthew 2:1-12). Materials: • C1L4 “John Gutenberg and the Invention of the Printing Press” from Great Inventors and Their Inventions by Frank P. Bachman, teacher resource • C1L4 Making a Simple Astrolabe • C1L4 An Instrument with a Past and a Future, teacher resource • C1L4 Printing Press Illustrations, teacher resource • Potatoes or soft objects that can be formed into letters • Paper for printing press messages • Ink or paint to dip letters into to “print” their messages Introduction: Two important inventions made possible what we call the Age of Discovery (AD 1400-1799). One was the application of an ancient tool called the astrolabe—a compact instrument used to observe sun, moon, stars, and other celestial bodies. The other was the invention of the printing press by Johannes (John) Gutenberg. He figured out the use of movable type. Because of the printing press and the travel journals of the explorers, people across Europe were able to read about a new world and its potential for trade and wealth to Europeans. -
52Nd California International Antiquarian Book Fair List
52nd California International Antiquarian Book Fair List February 8 thru 10, 2019 John Howell for Books John Howell, member ABAA, ILAB, IOBA 5205 ½ Village Green, Los Angeles, CA 90016-5207 310 367-9720 www.johnhowellforbooks.com [email protected] THE FINE PRINT: All items offered subject to prior sale. Call or e-mail to reserve, or visit us at www.johnhowellforbooks.com, where all the items offered here are available for purchase by Credit Card or PayPal. Checks payable to John Howell for Books. Paypal payments to: [email protected]. All items are guaranteed as described. Items may be returned within 10 days of receipt for any reason with prior notice to me. Prices quoted are in US Dollars. California residents will be charged applicable sales taxes. We request prepayment by new customers. Institutional requirements can be accommodated. Inquire for trade courtesies. Shipping and handling additional. All items shipped via insured USPS Mail. Expedited shipping available upon request at cost. Standard domestic shipping is $ 5.00 for a typical octavo volume; additional items $ 2.00 each. Large or heavy items may require additional postage. We actively solicit offers of books to purchase, including estates, collections and consignments. Please inquire. This list prepared for the 52nd California International Antiquarian Book Fair, coming up the weekend of February 4 thru 11, 2019 in Oakland, California, contains 36 items including fine press material, leaf books, typography, and California history. Look for me in Booth 914, for more interesting material. John Howell for Books !3 1 [Ashendene Press] ASSISI, Francesco di (1181-1226). I Fioretti del Glorioso Poverello di Cristo S. -
Lahor and Technology in the Book Trades
The Quest for Autonomy and Discipline: Lahor and Technology in the Book Trades WILLIAM S. PRETZER JLHERE IS MUCH to be learned about the history of labor and technology in the book trades. There is also much to be learned/rom the history of labor and technology in the book trades. Understanding the production of printed goods and their components will not only help us understand the changing nature of demand, distribution, circulation, and impact of print, but these investigations will also increase our knowledge of general aspects of the American Industrial Revolution. Indeed, the history of the book trades should be seen as part of the larger history of American labor and technology. Much of this larger history is composed of the evolving character of conflict and conciliation in the workplace. And while the role of the plebeian classes as participants in the cul- ture of the printed word is a topic well worth exploring, the focus here is on the role of the producers of printed culture. Continuing through the third quarter of the nineteenth century, two themes stand out in this history. First is the quest for autonomy pursued by master artisans and capitalist employers in terms of their control over raw materials, product markets. This is a revised version of a paper presented at a needs-and-opportunities conference on the history of the book in American culture held at the American Antiquarian Society, November 1-3, 1984. I am grateful to Rollo G. Silver and Steven Rosswurm for their comments and to Kevin S. Baldwin for his research assistance. -
Evolutionary Changes in Persian and Arabic Scripts to Accommodate the Printing Press, Typewriting, and Computerized Word Processing
TUGboat, Volume 40 (2019), No. 2 179 Evolutionary Changes in Persian and Arabic Scripts to Accommodate the Printing Press, Typewriting, and Computerized Word Processing Behrooz Parhami Department of Electrical and Computer Engineering University of California Santa Barbara, CA 93106-9560, USA [email protected] 1. Introduction 2. The Persian Script I have been involved in Iran’s computing scene for five Throughout this paper, my use of the term “Persian decades, first as an engineering student and instructor for script” is a shorthand for scripts of a variety of Persian five years, then as a faculty member at Tehran’s Sharif forms (Farsi/Parsi, Dari, Pashto, Urdu), as well of Arabic, (formerly Arya-Mehr) University of Technology for 14 which shares much of its alphabet with Persian. Work on years (1974-1988), and finally, as an interested observer adapting the Arabic script to modern technology has and occasional consultant since joining the University of progressed in parallel with the work on Persian script, California, Santa Barbara, in 1988. Recently, I put with little interaction between the two R&D communities, together a personal history of efforts to adapt computer until fairly recently, thanks to the Internet. technology to the demands and peculiarities of the Persian language, in English [1] and Persian [2], in an effort to The Persian language has a 2600-year history, but the update my earlier surveys and histories [3-6] for posterity, current Persian script was adapted from Arabic some archiving, and educational purposes. 1200 years ago [7]. For much of this period, texts were handwritten and books were copied manually, or In this paper, I focus on a subset of topics from the just- reproduced via primitive printing techniques involving cited publications, that is, the three key transition periods etching of the text on stone or wood, covering it with a in the interaction of Persian script with new technology.