Dictionary of Typography and Its Accessory Arts
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Abstracts Povzetki
PLACES, SPACES AND THE PRINTING PRESS: IMPRINTING REGIONAL IDENTITIES KRAJI, PROSTORI IN TISKARNE: ODTISI REGIONALNIH IDENTITET INTERNATIONAL SCIENTIFIC ONLINE CONFERENCE MEDNARODNA ZNANSTVENA KONFERENCA NA SPLETU 24. MAREC 2021 EDITORIAL BOARD dr. Ines Vodopivec dr. Caroline Archer-Parré Žiga Cerkvenik Maj Blatnik Jana Mahorčič Tomaž Bešter ORGANIZING COMMITTEE Žiga Cerkvenik Maj Blatnik ORGANIZERS Centre for Printing History and Culture at Birmingham City University at University of Birmingham, United Kingdom / Center za tiskarsko zgodovino in kulturo na Mestni univerzi Birmingham, Združeno kraljestvo National and University Library, Ljubljana, Slovenia / Narodna in univerzitetna knjižnica, Ljubljana, Slovenija. PUBLISHED BY NATIONAL AND UNIVERSITY LIBRARY, LJUBLJANA, SLOVENIA Publication is available online in PDF format at: Publikacija je dostopna v PDF formatu na spletni strani: http://www.dlib.si/details/URN:NBN:SI:doc-PDMSAPDI/ 24. 3. 2021 National and University Library, Ljubljana, copyright 2021 This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. 2 THE CONFERENCE THEME ‘Place’ is a physical entity and relates to specific locations—geographical or architectural—where particular activities are conducted. ‘Space’, on the other hand, is abstract; it is the intellectual, cultural and experiential environment in which individuals or groups congregate and collaborate. Place and space are significant to the progress of all trades, but, with the exception of the James Raven’s Bookscape: geographies of printing and publishing in London, these concepts have generally been overlooked when it comes to printing and the products of the press. -
Truly Miscellaneous Sssss
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Roger Fry and the art of the book: Celebrating the centenary of the Hogarth Press 1917-2017 Author(s) Byrne, Anne Publication Date 2018 Publication Byrne, Anne. (2018). Roger Fry and the Art of the Book: Information Celebrating the Centenary of the Hogarth Press 1917-2017. Virginia Woolf Miscellany, 92 (Winter/Fall), 25-29. Publisher International Virginia Woolf Society Link to https://virginiawoolfmiscellany.wordpress.com/virginia-woolf- publisher's miscellany-archive-issue-84-fall-2013-through-issue-92-fall- version 2017-winter-2018/ Item record http://hdl.handle.net/10379/15951 Downloaded 2021-09-25T22:35:05Z Some rights reserved. For more information, please see the item record link above. Space Consumes Me The hoop dancer dance...demonstrating how the people live in motion within the circling...spirals of time and space. They are no more limited than water and sky. Byrne, Anne. 2018. Roger Fry and the Paula Gunn Allen, The Sacred Hoop Truly Miscellaneous Art of the Book, Virginia Woolf Life is not a series of gig lamps symmetrically arranged, life is a luminous halo sssss Miscellany, No 92, Winter/Spring a semi-transparent envelope surrounding us from the 2018, 25-29. beginning of consciousness to the end.” Virginia Woolf, “Modern Fiction” Roger Fry and the Art of the Book: Celebrating the Centenary of the Hogarth Press 1917-20171 The earliest SPACE WAS MOTHER Making an Impression I join the friendly, excited queue around the hand-operated press, Her womb a circle of all waiting in line for an opportunity to experience the act of inking the And entry as well, a circle haloed by freshly inked plate. -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
A Dictionary of Typography and Its Accessory Arts. Presented to the Subscribers of the "Printers' Register," 1870
: Supplement to tin- "^rtnters 1 Register," September vt, mdccclxxi. "*>. > % V V .. X > X V X V * X X V s X X X V S X S X V X X S X X V X .X X X\x X X .X X X N .N .X X S A t. y littimrarg uprjrajjlur i f / / 4 / / / AND / I '/ ITS ACCESSORY ARTS /• - I / / i 7 ': BY / / I /; r JOHN SOUTHWARD. / /. / / / i ^rescntcb to the Subscribers of the "^printers' T^cgistcr. 1870-1871. / n V / gonfcon JOSEPH M. POWELL, "PRINTERS' REGISTER" OFFICE, 3, BOUVERIE STREET, E.( . / PRINTED 9Y DANIEL & CO., ST. LEONARDS-ON-SEA j — 2? 113 %\%\ of JutjiOUtlCS. Among the various works on the Art of Printing, consulted in the compilation ol this Dictionary, may be named the following : Abridgments of Specifications relating to Printing. Johnson's Typographia. Andrews's History of British Journalism. Knight's Caxton. Annales de la Typographic Francaise et etrangere. Knight's Knowledge is Powei Annales de ITmprimerie. knight's Old Printer and the Modern Pres> xviii. Annals of Our Time. London Encyclopedia. Printing— vol. p , Annuaire de la Librairie et de ITmprimerie. Mi' {Cellar's American Printer. Cabbage's Economy of Machinery and Manufactures. Marahren's Handbuch der Typographic Bullhorn's Grammatography. Maverick's Henry J. Raymund and the New York IV---. Beadnell's Guide to Typography. McCreery's Press, a Poem. Biographical Memoirs of William (Jed. Morgan's Dictionary of Terms u.sed in Printing. Buckingham's Personal Memoirs and Recollections of Editorial Life. Moxon's Mechanick Exercis Buckingham's Specimens of Newspaper Literature. -
IBM Selectric IT, with Manual, Ribbon, and Correction Tape
BART Q2B2 No. 1-2 Typewriters. No.1 Manual typewriter: Remington, 1965 with library keyboard. 23 x 36 x 49 em. No. 2 Electric typewriter: IBM Selectric IT, with manual, ribbon, and correction tape. 19 X 39 X 52 Cffi., in box, 32 X 46 X 66 CIDo BART Q2C3 No.1 Computers No. la Apple lie computer, CPU with drives 1 and 2, and cable connections No. lal Owner's manual No. la2 Installation manual No. la3 DOS User's manual No. la4 DOS Programmer's manual No. laS Appleworks Tutorial No. la6 80-Column Text card manual No. la7 Extended SO-Column Text and supplement No. laS Applesoft Tutorial No. la9 Appleworks startup training discs No. lalO Screenwriter II word processing manual No. lall Hayes Micro-modem lie manual No. 1b Apple Monitor ill No. lbl Owner's manual No. lc Daisy wheel printer: Brother HR 15, with tractor feed, cable, and ribbons No. lcl Instruction manual No. lc2 Instruction manual model HR 15 No. lc3 User's manual No. lc4 Tractor Feeder instruction manual I ART c No. la- lb in box, 54x49x56 em. Q2(il3 No. le in box, 19x39x48 em. No.1 Gift ofRiehard Ogar. BART Q2C34 No.1 Computer software manuals. No.1 WordPerfect. No.la Reference version 5.2 No.lb Shared applications version 1.3 No.lc Workbook for Windows version 5.2 No. ld Program discs In box, 23 x 10 x 20 em. BART Q2S2 No.1 Supplies. No.1 Carbon paper, black, standard weight and size, 8 x 11 inches/Middletown, CT.: Remington Rand, 1960? On manufacturer's box: reproduction in blue of seal bearing legend: THE UNNERSITY OF CALIFORNIA 1868 LET THERE BE LIGHT. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
The J Ournal of Typographic Research Volume III, Number 2, April 1969
The J ournal of T ypographic Research Volume III, Number 2, April 1969 115- 126 Letterform R esearch Needs Definition and Direction A Report from the Editor 127- 144 Type Variation and the Problem of Cartographic Type Legibility-Part One Barbara S. Bartz 145-168 Clues to a Letter's Recognition: Implications for the Design of Characters Paul A. K olers 169- 182 Visual-motor Skills: Response Characteristics and Pre-reading Behavior Katherine P. DiMeo 183- 192 A Standard Code for Special Typographic Character Identification Stanley Rice 193- 196 Excerpt: Typography That Makes the Reader Work Joel A. Roth 197-208 Book R eviews Fernand Baudin: H. D. L. Vervliet, Sixteenth-century Printing Types of the Low Countries Colin Banks: J an Tschichold, Asymmetric Typography Ruari McLean: David Diringer, The Alphabet 209-212 Correspondence 213- 215 Abstracts ofj ournal Articles in French and German 216 The Authors The Journal of Typographic Research, Volume III, Number 2, April 1969. Published quarterly (January, April, july, and October) by theJoumal, c/o The Cleveland Museum of Art, Cleveland, Ohio, USA 44106. Copyright © 1969 by The Journal of Typographic Research. Second-class postage paid at Cleveland, Ohio, and at additional mailing offices. Dr. Merald E. Wrolstad, Editor and Publisher Correspondence on editorial matters should be addressed to the editor, cfo The Cleveland Museum of Art, Cleveland, Ohio, USA, 44 106. EDITO RIAL B OARD Fernand Baudin, Bonlez par Grez-Doiceau, Belgium Pieter Brattinga, Form Mediation International, Amsterdam John Dreyfus, M ono type Corporation, et al. Dr. William T. H agestad, Saint Louis University Dr. -
Gutenbergs Europe: the Book and the Invention of Western Modernity Pdf, Epub, Ebook
GUTENBERGS EUROPE: THE BOOK AND THE INVENTION OF WESTERN MODERNITY PDF, EPUB, EBOOK Frederic Barbier | 320 pages | 19 Dec 2016 | Polity Press | 9780745672588 | English | Oxford, United Kingdom Gutenbergs Europe: The Book and the Invention of Western Modernity PDF Book And the more dangerous a book was claimed to be, the more the people wanted to read it. Effects of the Mass Production of Books The post— Gutenberg world was revolutionized by the advent of the printed book. Benjamin Franklin and associates at Franklin's printing press in Introduction to the Literature of Europe. Jonathon Green and Nicholas J. Shipped from UK. Thanks in part to the spread of dissenting ideas, the Roman Catholic Church, the dominant institution of medieval Europe, found its control slipping. Movable type printing had been invented in China during the Song dynasty. Medieval manuscripts were so highly valued that some scribes placed so-called book curses at the front of their manuscripts, warning that anyone who stole or defaced the copy would be cursed. Crick; Alexandra Walsham Gutenberg is also credited with the introduction of an oil-based ink which was more durable than the previously used water-based inks. Born in in Mainz, Germany,. These prints were produced in very large numbers from about onward. During the s, the U. Buy It Now. Tracing the developments through the sixteenth century, Barbier analyses the principal features of this first media revolution: the growth of technology, the organization of the modern literary sector, the development of surveillance and censorship and the invention of the process of 'mediatization'. -
Francis Grose, Ed.] Classical Dictionary of the Vulgar Tongue
A landmark in the lexicography of slang in its first edition [Francis Grose, ed.] Classical Dictionary of the Vulgar Tongue. London: S.[Samuel] Hooper, 1785. 8vo, [208] pages. Francis Grose (ca. 1730–1791) was the son of the Swiss jeweler who created the coronation crown of George II. With assistance from his father, Grose (who developed a precocious interest in antiquities) was appointed to be Richmond Herald in the College of Arms, a post he held from 1755 to 1763. After attaining the rank of captain in the military, Grose set out to research and produce drawings for his first book, The Antiquities of England and Wales (1773–87), which was commercially successful. Grose’s next work, A Guide to Health, Beauty, Riches, and Honour (1783) contained a collection of contemporary quack advertisements with a satirical preface. In the compilation of his Classical Dictionary of the Vulgar Tongue, Grose, accompanied by his amanuensis and fellow artist Tom Cocking, collected slang terms during late-night visits to London’s roughest neighborhoods and drinking establishments. Grose went on to author A Provincial Glossary (1787) “with a collection of local proverbs and popular superstitions,” Rules for Drawing Caricatures (1788), The Antiquities of Scotland (1789–91), and A Treatise on Ancient Armour and Weapons (1791). While traveling in Scotland making preparations for The Antiquities of Scotland, Grose made the acquaintance of poet Robert Burns and was subsequently immortalized in Burns’ “Verses on Captain Grose” and “On the late Captain Grose’s Peregrinations.” Francis Grose was a corpulent and convivial person who took great pleasure in food and drink; it is fitting that in 1791, soon after traveling to Dublin to start a book on Irish antiquities, he died at the dinner table (reputedly by choking). -
Press Glossary.Numbers
A Helpful List of Terms Used at the Bow & Arrow Press Anti-Skin Spray Spray solvent in the magenta cans that keeps the ink from drying in the can and forming a skin. Use each time you put a can away Apron Wear this to keep from getting ink on your nice clothes, or don’t wear nice clothes to the Press. Awl Metal implement for punching holes in paper. Band-Aids Use for cuts, scrapes and slices. In the closet near the big flammables cabinet. Beeswax Rectangular lumps of beeswax used to lubricate and waterproof the bookbinder’s thread for making booklets. Bench Hook A simple tool that hooks onto a table and allows you to cut linoleum blocks without using your hands to brace the block. Helpful for avoiding cuts, scrapes and slices. Big Black Barrel This is where rags go to die. Put them here when there is no white left on them. Biohazard Can This is where rags go when they can be used again. Always pull from the Biohazard Can before you pull from the box in the closet. Blankets Soft woolen pieces of felt that protect the intaglio press and your plate from pressure. See Starch Catcher, Pusher Felt, Pressure Felt Bone A bookbinder’s implement for making sharp creased folds. Brayer A roller with a handle. Always place metal-side down, never rest on the rubber. Broken Type Can Next to the end of the No. 4 Press. Put broken type in here to be melted down into new type. Burin Engraving tool made of tool steel. -
Antiquarian Prints1
Antiquarian Topographical Prints 1550-1850 (As they relate to castle studies) Bibliography Antiquarianism - General Peter N. Miller, (2017). History and Its Objects: antiquarianism and material culture since 1500. NY: Cornell Univ Press. David Gaimster, Bernard Nurse, Julia Steele (eds.), (2007), Making History: Antiquaries in Britain 1707-2007 (London, the Royal Academy of Arts & the Society of Antiquaries, Exhibition Catalogue).* Susan Pearce, (ed) (2007). Visions of Antiquity: The Society of Antiquaries of London 1707–2007. (Society of Antiquaries).* Jan Broadway (2006). "No Historie So Meete": gentry culture and the development of local history in Elizabethan and early Stuart England. Manchester: Manchester University Press. R. Sweet, (2004). Antiquaries: the discovery of the past in eighteenth-century Britain. (London: Hambledon Continuum). Daniel Woolf (2003). The Social Circulation of the Past: English historical culture 1500–1730. Oxford: Oxford University Press. Anthony Griffiths, (1998) The Print in Stuart Britain: 1603-1689,[Exhibition Cat.] British Museum Press.* Philippa Levine, (1986). The Amateur and the Professional: antiquarians, historians and archaeologists in Victorian England, 1838–1886. (Cambridge: Cambridge University Press). J. Evans, (1956), A history of the Society of Antiquaries, (Oxford University Press for the Society of Antiquaries) D. J. H Clifford (2003), The Diaries of Lady Anne Clifford (The History Press Ltd). Topographical Prints and Painting - General Ronald Russell, (2001), Discovering Antique Prints (Shire Books)* Julius Bryant, (1996), Painting the Nation - English Heritage properties as seen by Turner, (English Heritage, London)* Peter Humphries, (1995), On the Trail of Turner in North and South Wales, (Cadw, Cardiff). Andrew Wilton & Anne Lyles (1993), The Great Age of British Watercolours, (Prestel - Exhibition catalogue)* Lindsay Stainton, (1991) Nature into Art: English Landscape Watercolours, (British Museum Press)* Especially Section II ‘Man in the Landscape’ pp. -
Caricature in the Novel, 1740-1840 a Dissertation Submitted in Part
UNIVERSITY OF CALIFORNIA Los Angeles Sentiment and Laughter: Caricature in the Novel, 1740-1840 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Leigh-Michil George 2016 © Copyright by Leigh-Michil George 2016 ABSTRACT OF THE DISSERTATION Sentiment and Laughter: Caricature in the Novel, 1740-1840 by Leigh-Michil George Doctor of Philosophy in English University of California, Los Angeles, 2016 Professor Jonathan Hamilton Grossman, Co-Chair Professor Felicity A. Nussbaum, Co-Chair This dissertation examines how late eighteenth- and early nineteenth-century British novelists—major authors, Laurence Sterne and Jane Austen, and lesser-known writers, Pierce Egan, Charles Jenner, and Alexander Bicknell—challenged Henry Fielding’s mid-eighteenth-century critique of caricature as unrealistic and un-novelistic. In this study, I argue that Sterne, Austen, Egan, and others translated visual tropes of caricature into literary form in order to make their comic writings appear more “realistic.” In doing so, these authors not only bridged the character-caricature divide, but a visual- verbal divide as well. As I demonstrate, the desire to connect caricature with character, and the visual with the verbal, grew out of larger ethical and aesthetic concerns regarding the relationship between laughter, sensibility, and novelistic form. ii This study begins with Fielding’s Joseph Andrews (1742) and its antagonistic stance towards caricature and the laughter it evokes, a laughter that both Fielding and William Hogarth portray as detrimental to the knowledge of character and sensibility. My second chapter looks at how, increasingly, in the late eighteenth century tears and laughter were integrated into the sentimental experience.