The Revitalization of an Icon an Elevated Level
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Salvador Dalí. De La Inmortal Obra De Cervantes
12 YEARS OF EXCELLENCE LA COLECCIÓN Salvador Dalí, Don Quijote, 2003. Salvador Dalí, Autobiografía de Ce- llini, 2004. Salvador Dalí, Los ensa- yos de Montaigne, 2005. Francis- co de Goya, Tauromaquia, 2006. Francisco de Goya, Caprichos, 2006. Eduardo Chillida, San Juan de la Cruz, 2007. Pablo Picasso, La Celestina, 2007. Rembrandt, La Biblia, 2008. Eduardo Chillida, So- bre lo que no sé, 2009. Francisco de Goya, Desastres de la guerra, 2009. Vincent van Gogh, Mon cher Théo, 2009. Antonio Saura, El Criti- cón, 2011. Salvador Dalí, Los can- tos de Maldoror, 2011. Miquel Bar- celó, Cahier de félins, 2012. Joan Miró, Homenaje a Gaudí, 2013. Joaquín Sorolla, El mar de Sorolla, 2014. Jaume Plensa, 58, 2015. Artika, 12 years of excellence Índice Artika, 12 years of excellence Index Una edición de: 1/ Salvador Dalí – Don Quijote (2003) An Artika edition: 1/ Salvador Dalí - Don Quijote (2003) Artika 2/ Salvador Dalí - Autobiografía de Cellini (2004) Avenida Diagonal, 662-664 2/ Salvador Dalí - Autobiografía de Cellini (2004) Avenida Diagonal, 662-664 3/ Salvador Dalí - Los ensayos de Montaigne (2005) 08034 Barcelona, Spain 3/ Salvador Dalí - Los ensayos de Montaigne (2005) 08034 Barcelona, España 4/ Francisco de Goya - Tauromaquia (2006) 4/ Francisco de Goya - Tauromaquia (2006) 5/ Francisco de Goya - Caprichos (2006) 5/ Francisco de Goya - Caprichos (2006) 6/ Eduardo Chillida - San Juan de la Cruz (2007) 6/ Eduardo Chillida - San Juan de la Cruz (2007) 7/ Pablo Picasso - La Celestina (2007) Summary 7/ Pablo Picasso - La Celestina (2007) Sumario 8/ Rembrandt - La Biblia (2008) A walk through twelve years in excellence in exclusive art book 8/ Rembrandt - La Biblia (2008) Un recorrido por doce años de excelencia en la edición de 9/ Eduardo Chillida - Sobre lo que no sé (2009) publishing, with unique and limited editions. -
PRELIMINARY WORKING DRAFT – Work-In-Progress IV.C Visual Resources
IV. ENVIRONMENTAL IMPACT ANALYSIS C. VISUAL RESOURCES 1. INTRODUCTION New development can affect the aesthetic quality of a community. This section will address the potential impacts that could result from the proposed Project with regard to aesthetics, views, light and glare, and shade/shadow. Aesthetics refers to the overall visual qualities of an area or within a given field of view. Aesthetics includes aspects such as size, shape, color, texture, and general composition, as well as the relationships between these elements. Aesthetic features often consist of unique or prominent natural or man-made attributes or several small features that, when viewed together, create a whole that is visually interesting or appealing. The degree of visual access to an aesthetic resource contributes to the value of aesthetic features. The analysis of aesthetics as presented below addresses the Project's visual relationship with existing and future known land uses in the surrounding area, as well as consistency of the proposed Project with the applicable regulatory environment (e.g., West Los Angeles Community Plan). The analysis of views focuses on the extent to which the Project may interfere with visual access to aesthetic features. Viewsheds are those areas that can be seen from a particular location. Existing views may be partially obstructed or entirely blocked by modifications to the environment. Conversely, modifications to the natural or man-made landscape of an area may create or enhance view opportunities. In general, visual access is closely tied to topography and distance from a visual resource (i.e., something that someone wants to look at). Light impacts are typically associated with the use of artificial light during the evening and nighttime hours. -
DCASE Public Art Self-Guided Tour Packet (PDF)
DCASE Public Art Tour Works of art: Randolph/Garland Ct. (We Will) Millennium Park: Boeing Gallery North (Screenhouse) (Cloud Gate) Boeing Gallery South (Christine Tarkowski) (Crown Fountain) Chicago Cultural Center: 78 E. Washington (Bronze Cow) Garland Court (Rushmore) SW corner of Randolph & Garland Ct. • Title: We Will (2005) • Artist: Richard Hunt, (born 1935, Chicago.) • Artist info: o Graduated from School of the Art Institute of Chicago. o Over 150 commissioned works. o 1st African-American sculptor to have a major solo exhibition at the Museum of Modern Art in New York o 1968 appointed by Pres. Lyndon Johnson to serve on the National Council on the Arts. o In 2015 (his 80th bday) CCC exhibited 60 pieces of his work, representing his career. • About the work: o Welded stainless steel o 35’H x 8’W x 8’D o Commissioned by the developers of the Heritage building (condos/retail) o “Leaps from its stippled metal pedestal like a flame dancing in the breeze.”--Blogger o Artist quote: “In some works it is my intention to develop the kind of forms Nature might create if only heat and steel were available to her.” o The artist is currently creating a monument to Ida B. Wells, an early leader in the Civil Rights movement and a founder of the NAACP. (Walk to E side of CCC and cross Michigan Ave. at Washington to Boeing Gallery North, S. of Randolph, E. of Michigan) Millennium Park • Opened in 2004, the 24.5 acre Millennium Park was an industrial wasteland transformed into a world- class public park. -
Vornado Realty Trust
SECURITIES AND EXCHANGE COMMISSION FORM 8-K Current report filing Filing Date: 2017-06-05 | Period of Report: 2017-06-05 SEC Accession No. 0001104659-17-037358 (HTML Version on secdatabase.com) FILER VORNADO REALTY TRUST Mailing Address Business Address 888 SEVENTH AVE 888 SEVENTH AVE CIK:899689| IRS No.: 221657560 | State of Incorp.:MD | Fiscal Year End: 0317 NEW YORK NY 10019 NEW YORK NY 10019 Type: 8-K | Act: 34 | File No.: 001-11954 | Film No.: 17889956 212-894-7000 SIC: 6798 Real estate investment trusts VORNADO REALTY LP Mailing Address Business Address 888 SEVENTH AVE 210 ROUTE 4 EAST CIK:1040765| IRS No.: 133925979 | State of Incorp.:DE | Fiscal Year End: 1231 NEW YORK NY 10019 PARAMUS NJ 07652 Type: 8-K | Act: 34 | File No.: 001-34482 | Film No.: 17889957 212-894-7000 SIC: 6798 Real estate investment trusts Copyright © 2017 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, DC 20549 FORM 8-K CURRENT REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of Report (Date of earliest event reported): June 5, 2017 VORNADO REALTY TRUST (Exact Name of Registrant as Specified in Charter) Maryland No. 001-11954 No. 22-1657560 (State or Other (Commission (IRS Employer Jurisdiction of File Number) Identification No.) Incorporation) VORNADO REALTY L.P. (Exact Name of Registrant as Specified in Charter) Delaware No. 001-34482 No. 13-3925979 (State or Other (Commission (IRS Employer Jurisdiction of -
Manhattan Year BA-NY H&R Original Purchaser Sold Address(Es)
Manhattan Year BA-NY H&R Original Purchaser Sold Address(es) Location Remains UN Plaza Hotel (Park Hyatt) 1981 1 UN Plaza Manhattan N Reader's Digest 1981 28 West 23rd Street Manhattan Y NYC Dept of General Services 1981 NYC West Manhattan * Summit Hotel 1981 51 & LEX Manhattan N Schieffelin and Company 1981 2 Park Avenue Manhattan Y Ernst and Company 1981 1 Battery Park Plaza Manhattan Y Reeves Brothers, Inc. 1981 104 W 40th Street Manhattan Y Alpine Hotel 1981 NYC West Manhattan * Care 1982 660 1st Ave. Manhattan Y Brooks Brothers 1982 1120 Ave of Amer. Manhattan Y Care 1982 660 1st Ave. Manhattan Y Sanwa Bank 1982 220 Park Avenue Manhattan Y City Miday Club 1982 140 Broadway Manhattan Y Royal Business Machines 1982 Manhattan Manhattan * Billboard Publications 1982 1515 Broadway Manhattan Y U.N. Development Program 1982 1 United Nations Plaza Manhattan N Population Council 1982 1 Dag Hammarskjold Plaza Manhattan Y Park Lane Hotel 1983 36 Central Park South Manhattan Y U.S. Trust Company 1983 770 Broadway Manhattan Y Ford Foundation 1983 320 43rd Street Manhattan Y The Shoreham 1983 33 W 52nd Street Manhattan Y MacMillen & Co 1983 Manhattan Manhattan * Solomon R Gugenheim 1983 1071 5th Avenue Manhattan * Museum American Bell (ATTIS) 1983 1 Penn Plaza, 2nd Floor Manhattan Y NYC Office of Prosecution 1983 80 Center Street, 6th Floor Manhattan Y Mc Hugh, Leonard & O'Connor 1983 Manhattan Manhattan * Keene Corporation 1983 757 3rd Avenue Manhattan Y Melhado, Flynn & Assocs. 1983 530 5th Avenue Manhattan Y Argentine Consulate 1983 12 W 56th Street Manhattan Y Carol Management 1983 122 E42nd St Manhattan Y Chemical Bank 1983 277 Park Avenue, 2nd Floor Manhattan Y Merrill Lynch 1983 55 Water Street, Floors 36 & 37 Manhattan Y WNET Channel 13 1983 356 W 58th Street Manhattan Y Hotel President (Best Western) 1983 234 W 48th Street Manhattan Y First Boston Corp 1983 5 World Trade Center Manhattan Y Ruffa & Hanover, P.C. -
Bay Area Economics Draft Report – Study Of
DRAFT REPORT Study of Alternatives to Housing For the Funding of Brooklyn Bridge Park Operations Presented by: BAE Urban Economics Presented to: Brooklyn Bridge Park Committee on Alternatives to Housing (CAH) February 22, 2011 Table of Contents Executive Summary ....................................................................................................... i Introduction and Approach ........................................................................................... 1 Committee on Alternatives to Housing (CAH) Process ............................................................ 1 Report Purpose and Organization ............................................................................................. 2 Topics Outside the Scope of the CAH and this Report ............................................................. 3 Report Methodology ................................................................................................................. 4 Limiting Conditions .................................................................................................................. 4 Park Overview and the Current Plan ............................................................................ 5 The Park Setting and Plan ......................................................................................................... 5 Park Governance ....................................................................................................................... 6 The Current Financing Plan ..................................................................................................... -
Masters Thesis
WHERE IS THE PUBLIC IN PUBLIC ART? A CASE STUDY OF MILLENNIUM PARK A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Corrinn Conard, B.A. ***** The Ohio State University 2008 Masters Examination Committee: Approved by Dr. James Sanders III, Advisor Advisor Professor Malcolm Cochran Graduate Program in Art Education ABSTRACT For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. To reveal public opinion, I have conducted a total of 165 surveys at Millennium Park with both Chicago residents and tourists. I have also collected the voices of Chicagoans as I found them in Chicago’s major media source, The Chicago Tribune . The collection of data from my research reveal a glimpse of the Chicago public’s opinion on public art, its value to them, and their rights and roles in the creation of such endeavors. -
LUCAS CULTURAL ARTS MUSEUM MAYOR’S TASK FORCE REPORT | CHICAGO May 16, 2014
THE LUCAS CULTURAL ARTS MUSEUM MAYOR’S TASK FORCE REPORT | CHICAGO May 16, 2014 Mayor Rahm Emanuel City Hall - 121 N LaSalle St. Chicago, IL 60602 Dear Mayor Emanuel, As co-chairs of the Lucas Cultural Arts Museum Site Selection Task Force, we are delighted to provide you with our report and recommendation for a site for the Lucas Cultural Arts Museum. The response from Chicagoans to this opportunity has been tremendous. After considering more than 50 sites, discussing comments from our public forum and website, reviewing input from more than 300 students, and examining data from myriad sources, we are thrilled to recommend a site we believe not only meets the criteria you set out but also goes beyond to position the Museum as a new jewel in Chicago’s crown of iconic sites. Our recommendation offers to transform existing parking lots into a place where students, families, residents, and visitors from around our region and across the globe can learn together, enjoy nature, and be inspired. Speaking for all Task Force members, we were both honored to be asked to serve on this Task Force and a bit awed by your charge to us. The vision set forth by George Lucas is bold, and the stakes for Chicago are equally high. Chicago has a unique combination of attributes that sets it apart from other cities—a history of cultural vitality and groundbreaking arts, a tradition of achieving goals that once seemed impossible, a legacy of coming together around grand opportunities, and not least of all, a setting unrivaled in its natural and man-made beauty. -
Robert Gorton Partner EXPERIENCE Robert Gorton Has Been Engaged
Robert Gorton Partner EXPERIENCE Robert Gorton has been engaged in Construction Management and Owner's Representation since 1972. He has been responsible for all aspects of the building development process as a senior executive. Through the 1970's Mr. Gorton worked with Tishman Realty and Construction developing his skills in estimating, purchasing, scheduling and project management. In early 1980 Mr. Gorton joined the newly formed construction management firm, Lehrer McGovern (Bovis), starting as a Project Manager and leaving in 1988as the Senior Vice President-Director of Domestic Operations. During his tenure, the firm had grown from a small New York City construction management firm of 10 employees to the fourth largest construction management firm in the country with over 1,200 employees. After leaving Lehrer McGovern, Mr. Gorton joined Edward J. Minskoff Equities, Inc., New York City Developer (EJME), as Senior Vice President/Construction. During his tenure at EJME, he was responsible for the commercial office building known as 1325 Avenue of the Americas, 101 Avenue of the Americas, a 412,000 sf commercial office building, and 712 Fifth Avenue, a 500,000 sf commercial office building. In 1994, Mr. Gorton founded Gorton Associates, Inc., a full service Project Management Consulting firm headquartered in New York City. Mr. Gorton has consulted on numerous renovation and new construction projects in New York City and throughout the East Coast, specializing in residential, commercial, tenant and retail spaces. REPRESENTATIVE ASSIGNMENTS . Metropolitan Museum of Art- Multiple Projects, New York, NY . Sotheby’s, New York, NY . Private Residence, Fifth Avenue, New York, NY . Columbia University, New York, NY . -
730 Fifth Avenue
730 Fifth Avenue LUXURY RETAIL OPPORTUNITY SPRING 2018 - 3 - 730 Fifth Avenue A LOCATION LIKE NO OTHER The Crown Building offers a flagship opportunity at the most prestigious corner in the world. Fifth Avenue and 57th Street is the crossroads of the Plaza District, Billionaires’ Row, and the Fifth Avenue Luxury Retail Corridor. This location is surrounded by New York’s premier Class A office buildings, four diamond hotels, world-class restaurants and upscale residential towers. · 200,000 pedestrians per day · 40,000,000 people visit area per year · $4 Billion in Annual Sales on Fifth Avenue Corridor - 4 - CENTRAL PARK A LA VIEILLE RUSSIE 59TH ST THE RITZ-CARLTON THE PLAZA HOTEL 58TH ST BERGDORF GOODMAN VAN CLEEF & ARPELS BERGDORF GOODMAN FENDI 57TH ST COMING SOON MIKIMOTO TRUMP TOWER ABERCROMBIE AND FITCH 56TH ST GIORIO ARMANI FIFTH AVENUE PRESBYTERIAN CHURCH 55TH ST PENINSULA HOTEL WEMPE 730 Fifth Avenue FIFTH AVENUE LINDT 54TH ST CONTEXT MAP 53RD ST 52ND ST COMING SOON VICTORIA’S SECRET 51ST ST ROCKEFELLER CENTER ST. PATRICK’S CATHEDRAL 50TH ST COLE HAAN ROCKEFELLER CENTER 49TH ST ROCKEFELLER CENTER - 5 - 730 Fifth Avenue CONCEPTUAL RENDERING - 6 - THIRD LEVEL 22,279 SF SECOND LEVEL 23,462 SF 730 Fifth Avenue CONCEPTUAL PLAN MEZZANINE LEVEL APPROXIMATE FLOOR-TO-FLOOR HEIGHTS 3,428 SF (EXPANDABLE) CELLAR LEVEL 12’-1” STREET LEVEL 10’ / 20’ MEZZANINE LEVEL 10’-0” SECOND LEVEL 14’-0” THIRD LEVEL 12’-10” STREET LEVEL 17,801 SF TOTAL SQUARE FOOTAGE 77,053 SF 3rd 2nd MEZZANINE STREET CELLAR LEVEL ENTRANCES 10,083 SF ENTRANCES FIFTH AVENUE th STREET C O NFID E NTI AL O FFE57RIN G MEM O R A N D U M * Plans and square footage are conceptual and will need additional verification. -
“It's Not What You Know, It's Who You Know.”
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The Crown Fountain in Chicago's Millennium Park Is an Ingenious
ACrowning Achievement The Crown Fountain in Chicago’s Millennium Park is an ingenious fusion of artistic vision and high-tech water effects in which sculptor Jaume Plensa’s creative concepts were brought to life by an interdisciplinary team that included the waterfeature designers at Crystal Fountains. Here, Larry O’Hearn describes how the firm met the challenge and helped give Chicago’s residents a defining landmark in glass, light, water and bright faces. 50 WATERsHAPES ⅐ APRIL 2005 ByLarry O’Hearn In July last year, the city of Chicago unveiled its newest civic landmark: Millennium Park, a world-class artistic and architec- tural extravaganza in the heart of downtown. At a cost of more than $475 million and in a process that took more than six years to complete, the park transformed a lakefront space once marked by unsightly railroad tracks and ugly parking lots into a civic showcase. The creation of the 24.5-acre park brought together an unprecedented collection of world-class artists, architects, urban planners, landscape architects and designers including Frank Gehry, Anish Kapoor and Kathryn Gustafson. Each con- tributed unique designs that make powerful statements about the ambition and energy that define Chicago. One of the key features of Millennium Park is the Crown Fountain. Designed by Jaume Plensa, the Spanish- born sculptor known for installations that focus on human experiences that link past, present and fu- ture and for a philosophy that says art should not simply decorate an area but rather should trans- form and regenerate it, the Crown Fountain began with the notion that watershapes such as this one need to be gathering places.