„Märchen, Mythen Und Moderne – 200 Jahre Kinder- Und Hausmärchen Der Brüder Grimm“, 17.12

Total Page:16

File Type:pdf, Size:1020Kb

„Märchen, Mythen Und Moderne – 200 Jahre Kinder- Und Hausmärchen Der Brüder Grimm“, 17.12 „Märchen, Mythen und Moderne – 200 Jahre Kinder- und Hausmärchen der Brüder Grimm“, 17.12. - 20.12.2012 an der Universität Kassel Inhaltsverzeichnis Álvarez, Mónica Martín (Segovia/Spanien) ........................................................................................... 12 Geschichten, die bezaubern. Spuren der Märchen der Brüder Grimm in der jetzigen deutschen Jugendliteratur: Reckless - Steinernes Fleisch von Cornelia Funke ............................................... 12 Arnds, Peter (Dublin/Irland) .................................................................................................................. 12 Representation, Liminality, and the Third Reich in Literary Adaptations of the Grimm Tales ..... 12 Bauer, Manuel (Marburg) ...................................................................................................................... 13 Wie wird aus einem Grimmschen Kinder- und Hausmärchen ein Kunstmärchen aus Zamonien? Walter Moers’ Ensel und Krete und die Transformation eines romantischen Märchenmodells . 13 Beck, Andreas (Bochum) ....................................................................................................................... 13 Die ›Gattung Grimm‹ wird zum ›Volksmärchen‹ – Ludwig Richters Illustrationen zu Johann Carl August Musäus’ Volksmährchen der Deutschen ........................................................................... 13 Becker-Cantarino, Barbara (Columbus (Ohio)/USA) ............................................................................. 14 Bettina von Arnims Märchenwelt und die Brüder Grimm ............................................................ 14 Bieber, Ada (Kassel) ............................................................................................................................... 14 Zyklisches Erzählen in Tiecks Märchen .......................................................................................... 14 Blazic, Milena Mileva (Ljubljana/Slowenien)......................................................................................... 15 Reception of Grimm’s Fairy Tales in Slovenia (1849-2012) ........................................................... 15 Bleckwenn, Helga (Flensburg) ............................................................................................................... 15 Das Forschungsprogramm der Grimms am Beispiel des Finnen Elias Lönnrot ............................. 15 Block, Friedrich W. (Kassel) ................................................................................................................... 16 „Ich rieche, rieche – Menschenfleiß“Grimms Märchen im Spiegel avancierter Poesie ................ 16 Bluhm, Lothar (Koblenz) ........................................................................................................................ 16 Die Kinder- und Hausmärchen zwischen Philologie und Spekulation. Möglichkeiten und Grenzen der Forschung ................................................................................................................................ 16 Blümer, Agnes (Frankfurt a. M.) ............................................................................................................ 17 Märchen und Übersetzungstheorie .............................................................................................. 17 Bogoljubowa, Victoria (Moskau/Russland) ........................................................................................... 17 The Present Day of the Brothers Grimm Fairy-tales, or Intertextuality in the Contemporary German Children’s Literature ........................................................................................................ 17 Boitor, Kinga und Melinda Ersze (Sibiu/Rumänien) .............................................................................. 18 Die Brüder Grimm als Brückenbauer ............................................................................................. 18 Boothe, Brigitte (Zürich/Schweiz)) ........................................................................................................ 18 Erzähldynamik und Psychodynamik im Grimmschen Märchenmodell ......................................... 18 1 „Märchen, Mythen und Moderne – 200 Jahre Kinder- und Hausmärchen der Brüder Grimm“, 17.12. - 20.12.2012 an der Universität Kassel Borghese, Lucia (Florenz/Italien) ........................................................................................................... 19 Gramsci als Übersetzer Grimmscher Märchen ............................................................................. 19 Bottigheimer, Ruth B (Stony Brooks (New York)/USA) ......................................................................... 19 Analysis of the 1812 First Edition .................................................................................................. 19 Braun, Raphaela (Marburg) ................................................................................................................... 20 Märchen als Volkspoesie – ein gattungstypologischer Versuch zum deutschen und spanischen Umgang mit Traditionsbegriffen an Hand ausgewählter Grimmscher Märchen und Bécquerscher „Leyendas“ .................................................................................................................................... 20 Bunzel, Wolfgang (Frankfurt a. M.) ....................................................................................................... 20 Kooperation und Konkurrenz. Konzepte der Märchennarration und -illustration bei Clemens Brentano und den Brüdern ........................................................................................................... 20 Busch, Nathanael (Marburg) ................................................................................................................. 21 „Was halten Sie vom tz?“ Grimm, Lachmann und die Grundlegung der Deutschen Philologie ... 21 Büttner, Urs (Bath/Großbritannien/Hannover) .................................................................................... 21 Medien der ‚Volksliteratur‘ Zur Pragmatik von Arnim und Brentanos „Des Knaben Wunderhorn“ und Grimms „Kinder- und Hausmärchen“..................................................................................... 21 Chakramakkil, Anto Thomas (Kerala/Indien) ........................................................................................ 22 Missionaries OR Mimics? : Brothers Grimm & 19th Century Protestant German Missionaries in India ............................................................................................................................................... 22 Chang, Young-Eun (Seoul/Südkorea) .................................................................................................... 22 Die Mittelalterrezeption in den Märchensammlungen der Brüder Grimm und Ludwig Tiecks .... 22 Choi, Moon Sun (Seoul/Südkorea) ........................................................................................................ 23 Aktuelle Adaptionen der Kinder- und Hausmärchen in Korea ...................................................... 23 Clairmont, Heinrich (Castrop-Rauxel) .................................................................................................... 23 Märchen und Volk im Denken Johann Gottfried Herders ............................................................. 23 Connan-Pintado, Christiane (Bordeaux/Frankreich) ............................................................................. 24 On the reception of the Brothers Grimm’s Rapunzel in Contemporary French Children’s literature ........................................................................................................................................ 24 Cortez, Maria Teresa (Aveiro/Portugal) ................................................................................................ 24 Grimms Märchen, „Naturpoesie“ und kindgerechte Erziehung - zum Paradigma-Wechsel der portugiesischen Kinderliteratur im ausgehenden 19. Jahrhundert .............................................. 24 De Blécourt, Willem (Amsterdam/Niederlande) ................................................................................... 25 The Brothers Grimm and Witchcraft ............................................................................................. 25 De Rosa, Alessandra (Frankfurt a.M.) .................................................................................................... 25 Märchen als historische Quellen: Die Rezeption des Pentamerone von Giambattista Basile im Werk der Brüder Grimm ................................................................................................................ 25 2 „Märchen, Mythen und Moderne – 200 Jahre Kinder- und Hausmärchen der Brüder Grimm“, 17.12. - 20.12.2012 an der Universität Kassel Deist, Tina (Kaufungen) ......................................................................................................................... 26 Nicht nur Kinder brauchen „Lauter Märchen, nichts als Märchen“ — Zum Einsatz kabarettistisch verfremdeter Figuren der Grimm’schen Kinder- und Hausmärchen im kompetenzorientierten Deutschunterricht der Oberstufe .................................................................................................. 26 Dettmar, Ute (Oldenburg) ..................................................................................................................... 26 Die Rotkäppchen-Verschwörung ..................................................................................................
Recommended publications
  • Elk Grove Unified School District K-12 Adopted
    ELK GROVE UNIFIED SCHOOL DISTRICT K-12 ADOPTED TEXTBOOK LIST Revised October 2008 SORT TITLE PUBLISHER COPY- GRADE BASIC / AUTHOR SUBJECT DATE SCHOOL CODE RIGHT LEVEL SUPP 1984 Holt Rinehart Winston 2002 9-12 Splml George Orwell Novels Mar-06 District A toda vela (AP Spanish) EMC Publishing 2008 11-12 Basic Carmen Herrera & Paul World Language Aug-08 District Lamontagne L/NF Abe Lincoln's Hat (OC leveled library) Perma Bound ONLY! 2 Splml Novels Apr-03 District Abriendo puertas: antologia de literaturea en espanol, McDougal/Littell 2003 11-12 Basic Neruda, Borges, Marques, World Language Jul-02 Sheldon HS Tomo 1 (Honors, Spanish V) Otros Abriendo puertas: antologia de literaturea en espanol, McDougal/Littell 2003 11-12 Basic Cervantes, Lorca, Unamuno, World Language Jul-02 Sheldon HS Tomo 2 (Honors, Spanish v) Otros L/NF Abuelita's Heart (OC leveled library) Perma Bound ONLY! 6 Splml Novels Apr-03 District Accidental Theorist, The (AP Economics) W.W. Norton & Co. 1998 12 Splml Paul Krugman Social Science Feb-00 Sheldon HS L/NF Acorn People Bantam Books 1976 8 Splml Ron Jones Novels Apr-96 Joseph Kerr MS Actor's Playbook National Textbook Co. 1997 9-12 Basic Dennis Caltagirone Visual and Performing Arts Jan-99 District Acting with Style (0-205-29585-7) (Adv. Theatre Honors) Prentice Hall 2000 11-12 Basic John Harrop/Sabin R. Visual and Performing Arts Nov-00 All High Schools Epstiene L/NF Adam of the Road Puffin Books 1988 5 Splml Elizabeth Janet Gray Novels Jun-00 Arthur C. Butler T Addendum-Recommended, Reading in Literature K-8 CH Dept.
    [Show full text]
  • The Tales of the Grimm Brothers in Colombia: Introduction, Dissemination, and Reception
    Wayne State University Wayne State University Dissertations 1-1-2012 The alest of the grimm brothers in colombia: introduction, dissemination, and reception Alexandra Michaelis-Vultorius Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the German Literature Commons, and the Modern Languages Commons Recommended Citation Michaelis-Vultorius, Alexandra, "The alet s of the grimm brothers in colombia: introduction, dissemination, and reception" (2012). Wayne State University Dissertations. Paper 386. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE TALES OF THE GRIMM BROTHERS IN COLOMBIA: INTRODUCTION, DISSEMINATION, AND RECEPTION by ALEXANDRA MICHAELIS-VULTORIUS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: MODERN LANGUAGES (German Studies) Approved by: __________________________________ Advisor Date __________________________________ __________________________________ __________________________________ __________________________________ © COPYRIGHT BY ALEXANDRA MICHAELIS-VULTORIUS 2011 All Rights Reserved DEDICATION To my parents, Lucio and Clemencia, for your unconditional love and support, for instilling in me the joy of learning, and for believing in happy endings. ii ACKNOWLEDGEMENTS This journey with the Brothers Grimm was made possible through the valuable help, expertise, and kindness of a great number of people. First and foremost I want to thank my advisor and mentor, Professor Don Haase. You have been a wonderful teacher and a great inspiration for me over the past years. I am deeply grateful for your insight, guidance, dedication, and infinite patience throughout the writing of this dissertation.
    [Show full text]
  • Ann Schmiesing Service Research
    Ann Schmiesing Executive Vice Provost for Academic Resource Management Professor of German University of Colorado Boulder Boulder, CO 80309-0040USA [email protected]; 303 492-5537 Education Cambridge University, Ph.D., German, 1996 University of Oslo, 1991-92 University of Washington, M.A., Comparative Literature, 1991 Georg August University of Göttingen, Germany, 1988-89 Willamette University, B.A. magna cum laude, German and English (Honors), 1989 Employment Professor, University of Colorado 2015-present Associate Professor, University of Colorado 2005-2015 Assistant Professor, University of Colorado 1996-2005 Instructor, University of Colorado 1995-96 Service Administrative Experience Executive Vice Provost for Academic Resource Management Jan. 2019-present Interim Senior Vice Provost for Academic Resource Management July-Dec. 2018 Dean of the Graduate School and Vice Provost for Graduate Affairs Jan. 2017-Dec. 2018 Interim Dean of the Graduate School and Vice Provost for Graduate Affairs June-Dec. 2016 Director, Sewall Residential Academic Program June 2015-June 2016 Department Chair, Germanic and Slavic Languages & Literatures May 2007-Dec. 2011 Graduate Associate Chair Aug. 2012-May 2015 Undergraduate Associate Chair 2004-05, 2006-07, 2015-16 University Service Awards and Honors Boulder Faculty Assembly Excellence in Leadership and Service Award 2016 University of Colorado Excellence in Leadership Program Fellow 2011-2012 Research Refereed Books 1. Disability, Deformity, and Disease in the Grimms’ Fairy Tales. Detroit: Wayne State 2 University Press (Series in Fairy-Tale Studies), 2014. 225 pages. Reviewed in: Journal of Folklore Research (April 2015); Choice 52:7 (March 2015); Marvels & Tales 29:2 (2015); Folklorica 19 (2015) 2. Norway’s Christiania Theatre, 1827-1867: From Danish Showhouse to National Stage.
    [Show full text]
  • Georgetown University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in German
    “‘ON THE VERGE OF HEARING’: EPISTEMOLOGY AND THE POETICS OF LISTENING IN THE HUMAN-NIXIE ENCOUNTER IN GERMAN LITERATURE” A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German By Deva Fall Kemmis Hicks, M.A. Washington, DC April 18, 2012 Copyright 2012 by Deva Fall Kemmis Hicks All Rights Reserved ii “‘ON THE VERGE OF HEARING’: EPISTEMOLOGY AND THE POETICS OF LISTENING IN THE HUMAN-NIXIE ENCOUNTER IN GERMAN LITERATURE” Deva Fall Kemmis Hicks, M.A. Thesis Advisor: G. Ronald Murphy, Ph.D. ABSTRACT This dissertation examines selected texts of German literature in which a human being gains access to knowledge outside human scope by means of an encounter with the water nixie, seen in her mythological variations as siren, water sprite, undine, melusine, nymph, or mermaid. Texts to be considered include Das Nibelungenlied (ca. 1200), Johann Wolfgang von Goethe’s “Der Fischer” (ca. 1779), Franz Kafka’s “Das Schweigen der Sirenen” (1917), Ingeborg Bachmann’s “Undine Geht” (1961), and Johannes Bobrowski’s “Undine” (1964). In each of these texts it is not the eyes that play the central role in the epistemological character of the human-nixie encounter, but the ears. In this project I argue that the human posture of attentive listening that precedes the encounter with the nixie indicates a state of readiness that leads to a moment of extraordinary awareness, in which the epistemological experience is transformational. Further, I suggest that poetry plays a pivotal role in the moment of epiphany, or of transformational knowing, for the reader.
    [Show full text]
  • The Vibrant Body of the Grimms' Folk and Fairy Tales, Which Do Not
    INTRODUCTION The Vibrant Body of the Grimms’ Folk and Fairy Tales, Which Do Not Belong to the Grimms The example of the Brothers Grimm had its imitators even in Russia, including the person of the first editor of Russian Folk Tales, A. N. Afanasyev. From the viewpoint of contemporary folkloristics, even a cautious reworking and stylization of the texts, written down from their performers, is considered absolutely inadmissible in scientific edi- tions. But in the era of the Brothers Grimm, in the world of romantic ideas and principles, this was altogether permissible. To the credit of the Brothers Grimm, it must be added that they were almost the first to establish the principle of publication of the authentic, popular oral poetic productions. — Y. M. Sokolov, Russian Folklore (1966)1 It is the brothers Jacob and Wilhelm Grimm who illustrate the connec- tion between folklore and textual criticism most powerfully, just as they demonstrate the continuing influence of Herder on thought. Nationalist politics and folkloric endeavours intertwine throughout all the Grimm brothers’ projects, but the Europe-wide significance of the Kinder- und Hausmärchen (first edition 1812) was the inspiration it provided to proto- folklorists to go out and collect “vom Volksmund,” that is from the mouth of the people (whether or not this was the Grimms’ own practice). — Timothy Baycroft and David Hopkin, Folklore and Nationalism in Europe During the Long Nineteenth Century (2012)2 Just what is a legacy, and what was the corpus of folk and fairy tales that the Broth- ers Grimm passed on to the German people—a corpus that grew, expanded, and eventually spread itself throughout the world? What do we mean when we talk about cultural legacy and memory? Why have the Grimms’ so- called German 1 2 INTRODUCTION tales spread throughout the world and become so universally international? Have the Grimms’ original intentions been betrayed? Did they betray them? If we fail to address these questions, the cultural legacy of the Grimms’ tales and their relevance cannot be grasped.
    [Show full text]
  • The Legend of Frau Holle
    HA VE GERMAN WILL TRA VEL Sagen DEUTSCHE SAGEN UND LEGENDEN FRAU HOLLE Frau Holle di, Witwe, -n: eine Frau, deren Mann gestorben ist - die Stieftochter, I!.: hier: die Tochter des Mannes aus erster Ehe - beide: die zwei - die Sp:tle, -n: ein Gerät zum Aufwickeln von Garn, Faden usw. - das Garn, -e: ein gesponnener Faden - tüchtig: ordentlich, gut - das Heimweh : die Sehnsucht nach der .Heimat - eben­ falls: auch, genauso - sich Mühe geben: aufmerksam arbeiten - faulenz.en: faul sein - einem den Dienst kündigen: einen aus der Arbeit entlassen - das Pe.h: ein klebriger Stoff aus Harz· und Teer (vgl. idiomatisch: er hat Pech - er hat Unglück) - auJ/eeren: hier: ausgießen The Legend of Frau Holle • The Grimms' original version of tbis tale, as published in their first edition ( I 8 I 2), was told to them by Henriette Dorotbea (Dortchen) Wild. (Wilhelm Grimm married Dortchen Wild in 1825.) In the second edition (1819) they added some details, most prominently the rooster's greetings, provided by a correspondent Georg August Friedrich Goldmann from Hannover. ' • Frau Holle, known in different regions as Holla, Holda, Perchta, Berchta, Berta, or Bertha -- to give the most common variants of her name -- is one of Germany's most durable female legendary figures and one who without doubt represents a pre-Christian heathen diety who survived in popular belief and in the memory of common people well into the nineteenth century. lnterestingly, Frau Holle is mentioned in the story of , as compiled by the Grimm brothers. In this In some Scandinavian context -- that of a Germanic Cinderella-type traditions.
    [Show full text]
  • Brothers Grimm
    April 28–June 25, 2010 Once upon a time... – On the one hand Jacob and Wilhelm Grimm tried to document the “ethnic” poetry of the people (“Volkspoesie”) and on the other hand this collection of fairy tales was The supposed to serve as an “educational book”. The fairy tale appears to have a simple structure with clearly defined divisions of being: good and evil, bright and dark, Life & Work conscious and subconscious. Brothers The exhibition presents for the first time in North America, the life and the work of the brothers Jacob and Wilhelm Grimm and attaches special value to the fairy tales. Grimm Dr. Bernhard Lauer, The Association of the Brothers Grimm n ACKOWLEDnGEMENTS n Scott McDonell, Chair; DANE COUNTY BOard OF SupervisOrs Kathleen Falk, DANE COUNTY EXecutive Brad Livingston, Director, DANE COUNTY RegiONal AirpOrt Rodney F. Knight, AirpOrt COUNsel DANE COUNTY REGIONAL AIRPORT COMMISSION Dennis O’Laughlin, Chair SUPErvISORS CITIZEN MEMBERS *ART ADVISORS Perry J. Armstrong David de Felice William F. White Duane Gau Diane Everson* Judy Sidran John Hendrick Bill Haight Diane Everson Paul Rusk Sally Probasco* Sally Probasco The exhibition was curated by Dr. Bernhard Lauer, International Association of the Brothers Grimm (Brüder Grimm-Gesellschaft e. V.) as part of the Dane County–Landkreis Kassel, Germany Sister County Partnership. It was coordinated by Paula Panczenko and the staff of Tandem Press, UW–Madison on behalf of the Dane County Regional Airport. Special thanks to Karin Peterson Thurlow and Gabriele Haberland. n A DANE COUNTY REGIONAL AIRPORT EXHIBITION BROCHURE DESIGN: Linda Endlich, MERIT (Media, Education Resources & Information COOrdINATED BY TaNDEM PrESS UW–MadISON Technology), School of Education, UW–Madison.
    [Show full text]
  • Rodgers + Hammerstein's Cinderella
    EDUCATIONAL GUIDE Welcome to the enchanting world of Rodgers + Hammerstein’s Cinderella, a beloved tale retold around the world. Everyone knows a version of the story, but now Rodgers + Hammerstein’s Cinderella is waltzing onto Broadway with a makeover by book writer Douglas Carter Beane (Sister Act, Xanadu) with the same classic elements and some surprising new twists! Recommended for the whole family, Rodgers + Hammerstein’s Cinderella is a timeless tale where dreams really do come true. The actors are at places, the orchestra is tuning, and the curtain is just about to rise! Before the musical begins and even after the TABLE OF CONTENTS final bows, this guide will provide great ideas on how to keep the magic alive for both the theater and the classroom. Jam-packed inside are character descriptions, a synopsis of the show, information about the origins of the musical, and a brief history of fairy tales. Also included are recommended pre-show and post-show discussion prompts and activities that will help your students explore the major themes and elements of the production. The experience of the theater extends beyond the pages of the script or even the theater’s exits. With this guide, students can carry the magic of Rodgers + Hammerstein’s Cinderella and the arts into the classroom! TABLE OF CONTENTS Character Descriptions������������������������������ 2 Post-Performance Activities������������������15 Plot Synopsis����������������������������������������������� 3 IdeastoDiscuss:AftertheBall������������������������15 From Page to Stage:
    [Show full text]
  • In the Marchen and Beyond an Analysis of the Figure Frau Holle in the Grimm Brothers Fairy Tale and Germanic Mythology
    FRAU HOLLE: IN THE MARCHEN AND BEYOND AN ANALYSIS OF THE FIGURE FRAU HOLLE IN THE GRIMM BROTHERS FAIRY TALE AND GERMANIC MYTHOLOGY Kerby Lynn Boschee B.A., California State University, Sacramento, 2006 THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in SPECIAL MAJOR (GERMAN STUDIES) at CALIFORNIA STATE UNIVERSITY, SACRAMENTO SUMMER 2009 FRAU HOLLE: IN THE MARCHEN AND BEYOND AN ANALYSIS OF THE FIGURE FRAU HOLLE IN THE GRIMM BROTHERS FAIRY TALE AND GERMANIC MYTHOLOGY A Thesis by Kerby Lynn Boschee Approved by: -, Sponsor Cindi SturtzSreetharan, PhD. -, Committee Member Marjoie/ade, PhD. , Committee Member Marjorie Qjls, PhD. I'llS;N Date v iii Student: Kerby Lynn Boschee I certify that this student has met the requirements for format contained in the University format manual, and that this Thesis is suitable for shelving in the Library and credit is to be awarded for the Thesis. auV -01 Dr. Chevelle Newsome, Dean, Office of Graduate Studies Date Department of Interdisciplinary Studies iv Abstract of FRAU HOLLE: IN THE MARCHEN AND BEYOND AN ANALYSIS OF THE FIGURE FRAU HOLLE IN THE GRIMM BROTHERS FAIRY TALE AND GERMANIC MYTHOLOGY by Kerby Lynn Boschee Statement of Problem Known internationally through the Aarne-Thompson Tale Type Index as AT-480, and also known in the fairy tale world of the Grimm Brothers as Frau Holle, the fairy tale Frau Holle is arguably one of the most well known tales in all of Germany. How is the figure Frau Holle in the Grimm Brothers' fairy tale the same as the figure Frau Holle in Germanic mythology and what is the relationship between the two.
    [Show full text]
  • Who Were the Brother Grimm? Pdf, Epub, Ebook
    WHO WERE THE BROTHER GRIMM? PDF, EPUB, EBOOK Avery Reed | 112 pages | 26 Aug 2015 | Grosset and Dunlap | 9780448483146 | English | New York, United States Who Were the Brother Grimm? PDF Book Try Again. Seuss or something like that. German Romanticism was popular during the late 18th and early 19th centuries. What Was the Gold Rush? By Wendy Mead. Plants and Other Living Things. Drag a word to its definition. Hans in Luck. Tales like Hansel and Gretel and Little Red Riding Hood were considered didactic in nature as their culture educated obedience through fear. Fairy Tale Graduate. Although some work in the rediscovery and editing of medieval from the Middle Ages, — German literature had already been started in the eighteenth century, it was the poets and theorists of the next century who first focused national attention on the origins of German culture and literature. Penguin Young Readers Licenses. Toggle navigation. Allow Cookies. Fairy tales are popular with kids of all ages…and that includes adults! Other articles you might like:. Who was Abraham Lincoln? Help spread the wonder of families learning together. As small children they spent most of their time together; aside from a brief period of living apart, they were to remain together for the rest of their lives. Why are the Brothers Grimm famous? Stay in Touch Sign up. Sleeping Beauty. Here are lots of Wonders related to books. Also by Who HQ. The years to come brought them the biggest project of compilation of a comprehensive dictionary in German. Be the first to know! Norton, External Websites.
    [Show full text]
  • DEUTSCHE SAGEN UND LEGENDEN 1. R~=
    HA YE GERMAN WILL TRA YEL Sagen DEUTSCHE SAGEN UND LEGENDEN . , ·· - HISTORICAL GERMANIC 1 l FRAU HOLLA r~=1. t 1' •.. ,., .. ),,. .' . , : J 4 { ., .,.. ' ' ' 11 1 ~1 ,l "ffe ~ Holle is known throughout northern Europe. She is also known as Holda or Hulda. A triple goddess, Holle is the Maiden, the Mother and the Crone--the embodiment of the three stages of womanhood. As Maiden, she is the ash girl, whose face is half black with soot. Destined to marry Holler, King of Winter and Frost, he tested her with a riddle tobe sure of Holle's worthiness. She had to come to his palace neither naked nor clothed, neither riding nor walking, neither alone nor with companions, in neither light nor darkness. Holle answered by arriving wrapped in a fishing net, sitting on a donkey with one toe dragging on the ground, surrounded by twenty-four wolves at twilight. Holle as Mother is said to be seen as a woman from the front and a tree form the back. Representing fertility and growth she guards and nurtures all the green growing things of the forest. As Crone, Holle is viewed as the wise Queen of Winter. She shakes her bed till the feathers fly to·make it snow. When it snows in Holland, people still say, 'Dame Holle is shaking her bed'. Frau Holle, as she is known in Germany, was called The Queen of the Witches. The brothers Grimm teil a story of step-sisters who both go to visit Frau Holle in the 'nether realms'. They begin their journey to her by falling in a well.
    [Show full text]
  • Memory of the World
    MEMORY OF THE WORLD Kinder- und Hausmärchen (Children’s and Household Tales) (Germany) REF N° 2004-10 revised version of July 2011 SUMMARY The “Kinder- und Hausmärchen” (Children’s and Household Tales; hereafter CHT) of the Brothers Grimm are, next to the Luther Bible, the most well-known and the most widely distributed book that has emerged in the course of German cultural history. It is, at once, the first systematic compilation of any fairy tale tradition undertaken in the European or Oriental realm as well as the first scholarly documentation of such a tradition. Translations exist in over 160 languages and cultural dialects from all continents. The Grimms’ great work is like a concave mirror that captures a fairy tale tradition shaped by several cultures, compiles it in a new form, and reflects it in such a way that a new tradition emerges which subsequently unfolds with worldwide impact. The global distribution of the Grimm fairy tales is also a demonstration of their exemplary character, which, rooted in German romanticism, takes up the poetry of the human imagination and sets it down in a universally valid form. The uniqueness and global impact of this collection may be ascribed to the fact that the Brothers Grimm, in their literary encoding of a pre-literary tradition, moved beyond the German and European frame of reference and created a universal pattern for the cross-cultural fairy tale tradition. The most significant preserved historical source documenting the origins and effect of the Grimms’ fairy tales are the Annotated Reference Copies of the CHT, the so-called Kassel Handexemplare.
    [Show full text]