Khusus Minangkabau
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THE TRANSFORMATION of TRADITIONAL MANDAILING LEADERSHIP in INDONESIA and MALAYSIA in the AGE of GLOBALIZATION and REGIONAL AUTONOMY by Abdur-Razzaq Lubis1
THE TRANSFORMATION OF TRADITIONAL MANDAILING LEADERSHIP IN INDONESIA AND MALAYSIA IN THE AGE OF GLOBALIZATION AND REGIONAL AUTONOMY by Abdur-Razzaq Lubis1 THE NOTION OF JUSTICE IN THE ORIGIN OF THE MANDAILING PEOPLE The Mandailing people, an ethnic group from the south-west corner of the province of North Sumatra today, went through a process of cultural hybridization and creolization centuries ago by incorporating into its gene pool the diverse people from the archipelago and beyond; adopting as well as adapting cultures from across the continents. The many clans of the Mandailing people have both indigenous as well as foreign infusions. The saro cino or Chinese-style curved roof, indicates Chinese influence in Mandailing architecture.(Drs. Z. Pangaduan Lubis, 1999: 8). The legacy of Indian influences, either direct or via other peoples, include key political terms such as huta (village, generally fortified), raja (chief) and marga (partilineal exogamous clan).(J. Gonda, 1952) There are several hypotheses about the origin of the Mandailing people, mainly based on the proximity and similarity of sounds. One theory closely associated with the idea of governance is that the name Mandailing originated from Mandala Holing. (Mangaraja Lelo Lubis, : 3,13 & 19) Current in Mandailing society is the usage 'Surat Tumbaga H(K)oling na so ra sasa' which means that the 'Copper H(K)oling cannot be erased'. What is meant is that the adat cannot be wiped out; in other words, the adat is everlasting. Both examples emphasises that justice has a central role in Mandailing civilization, which is upheld by its judicial assembly, called Na Mora Na Toras, the traditional institution of 1 The author is the project leader of The Toyota Foundation research grant on Mandailing migration, cultural heritage and governance since 1998. -
Tengkolok As a Traditional Malay Work of Art in Malaysia: an Analysis Of
ISSN- 2394-5125 VOL 7, ISSUE 19, 2020 TENGKOLOK AS A TRADITIONAL MALAY WORK OF ART IN MALAYSIA: AN ANALYSIS OF DESIGN Salina Abdul Manan1, Hamdzun Haron2,Zuliskandar Ramli3, Mohd Jamil Mat Isa4, Daeng Haliza Daeng Jamal5 ,Narimah Abd. Mutalib6 1Institut Alam dan Tamadun Melayu, Universiti Kebangsaan Malaysia. 2Pusat Citra Universiti, Universiti Kebangsaan Malaysia. 3Fakulti Seni Lukis & Seni Reka, Universiti Teknologi MARA 4Fakulti Teknologi Kreatif dan Warisan, Universiti Malaysia Kelantan 5Bukit Changgang Primary School, Banting, Selangor Email: [email protected], [email protected], [email protected], [email protected], [email protected], [email protected] Received: May 2020 Revised and Accepted: August 2020 ABSTRACT: The tengkolok serves as a headdress for Malay men which have been made infamous by the royal families in their court. It is part of the formal attire or regalia prominent to a Sultan, King or the Yang DiPertuan Besar in Tanah Melayu states with a monarchy reign. As such, the tengkolok has been classified as a three-dimensional work of art. The objective of this research is to analyses the tengkolok as a magnificent piece of Malay art. This analysis is performed based on the available designs of the tengkolok derived from the Malay Sultanate in Malaysia. To illustrate this, the author uses a qualitative method of data collection in the form of writing. Results obtained showed that the tengkolok is a sublime creation of art by the Malays. This beauty is reflected in its variety of names and designs. The name and design of this headdress has proved that the Malays in Malaysia have a high degree of creativity in the creation of the tengkolok. -
Songket Minangkabau Sebagai Kajian Seni Rupa: Bentuk, Makna Dan Fungsi Pakaian Adat Masyarakat Minangkabau
Songket Minangkabau Sebagai Kajian Seni Rupa: Bentuk, Makna dan Fungsi Pakaian Adat Masyarakat Minangkabau Oleh Budiwirman Songket Minangkabau Sebagai Kajian SR i ii Budiwirman Songket Minangkabau Sebagai Kajian Seni Rupa: Bentuk, Makna dan Fungsi Pakaian Adat Masyarakat Minangkabau Dr. Budiwirman, M. Pd. 2018 Songket Minangkabau Sebagai Kajian SR iii Undang-Undang Republik Indonesia No 19 Tahun 2002 Tentang Hak Cipta Pasal 72 Ketentuan Pidana Saksi Pelanggaran 1. Barangsiapa dengan sengaja dan tanpa hak mengumum- kan atau memperbanyak suatu Ciptaan atau memberi izin untuk itu, dipidana dengan pidana penjara palng singkat 1 (satu) bulan dan/atau denda paling sedikit Rp 1.000.000,00 (satu juta rupiah), atau pidana penjara paling lama 7 (tu- juh) tahun dan / atau denda paling banyak Rp. 5.000.000.000,00 (lima milyar rupiah) 2. Barangsiapa dengan sengaja menyerahkan, menyiarkan, memamerkan, mengedarkan, atau menjual kepada umum suatu Ciptaan atau barang hasil pelanggaran Hak Cipta atau Hak Terkait sebagaimana dimaksud dalam ayat (1), dipidana dengan pidana penjara paling lama 5 (lima) ta- hun dan/atau denda paling banyak Rp 500.000.000,00 (li- ma ratus juta rupiah). iv Budiwirman Dr. Budiwirman, M. Pd Songket Minangkabau Sebagai Kajian Seni Rupa Penerbitan dan Percetakan. CV Berkah Prima Alamat: Jalan Datuk Perpatih Nan Sabatang, 287, Air Mati, Solok Email: [email protected]; [email protected] Editor, Nasbahry C., & Rahadian Z. Penerbit CV. Berkah Prima, Padang, 2018 1 (satu) jilid; total halaman 236 + xvi hal. ISBN: 978-602-5994-04-3 1. Tekstil, Songket 2. Seni Rupa 3. Pakaian Adat 1. Judul Songket Minangkabau Sebagai Kajian Seni Rupa Hak Cipta dilindungi oleh undang-undang. -
135 Vol. XIII No.2 Th. 2014 STRUKTUR GARAPAN GANDANG
Vol. XIII No.2 Th. 2014 STRUKTUR GARAPAN GANDANG TAMBUA SEBAGAI PERWUJUDAN KEARIFAN LOKAL MASYARAKAT DESA CUBADAK AIA KECAMATAN PARIAMAN UTARA KOTA PARIAMAN Irfi Sri Wahyuni1 & Indrayuda2 1SMK Perbankan Pariaman 2Fakultas Bahasa dan Seni Universitas Negeri Padang Abstract This article aims to reveal the structure of arrangement of Gandang Tambua and the function of Gandang Tambua in the communities in terms of local wisdom. This study examines the values in local wisdom that are represented in the arrangement of Gandang Tambua in Cubadak Aia village, Pariaman Utara district, Pariaman City. This research is qualitative using descriptive method. Data is collected through interview, observation with direct participation, documentation, and literature review. Data is then analysed according to 0iles and Huberman‘s. The result shows that the arrangement structure of Gandang Tambua consists of parts related to each other. ”Tasa‘ plays as the main role in leading the performance of Gandang Tambua, while Gandang Tambua follows Tasa. It means, based on the local wisdom, the leaders are one step in front and one level higher. It also refers to the social structure of Minangkabau community where the children see their uncles as kings, the unces see ”pangulu‘ (tribal leaders) as kings, pangulu see the truth as king, and the truth stands on its own. Gandang Tambua also serves as the media for social integration, entertainment, and communication. Keywords: Gandang Tambua, local wisdom, function and structure of arrangement Abstrak Artikel ini bertujuan untuk mengungkapkan struktur garapan Gandang Tambua dan fungsinya dalam kehidupan masyarakat yang dikait dengan kearifan lokal. Kajian ini melihat nilai-nilai kearifan lokal yang diwujudkan dalam stuktur garapan Gandang Tambua di Desa Cubadak Aia, Kecamatan Pariaman Utara, Kota Pariaman. -
The Influence of Religious Purification Tuanku Nan Renceh Movement Against Minangkabau Culture in the Sub-District of Agam District Tilatang Kamang 1803-1838
1 THE INFLUENCE OF RELIGIOUS PURIFICATION TUANKU NAN RENCEH MOVEMENT AGAINST MINANGKABAU CULTURE IN THE SUB-DISTRICT OF AGAM DISTRICT TILATANG KAMANG 1803-1838 Ifni Aulia Nisa TM *, Isjoni **, Bunari*** Email:[email protected] (085356611275), [email protected], [email protected] Faculty History Education Study Program FKIP-University of Riau Abstrak : The district Tilatang Kamang there are various traditions that deviate from religion norms. Customs and traditions have clung so hard so to be abolished. The ulama seeks to advise the public to follow the Islmanic Shari’a, but the fact is many people who do not want to listen to that advice, until a religious figure Tuanku Nan Renceh initiate new ideas to change people’s traditions with harsh and radical teachings.This study aims to determine the background (biography) Tuanku Nan Renceh, to know the culture and traditions of Tilatang Kamang society before and after the entry of the renewal, to know the cultures deviant who eradicated by Tuanku Nan Renceh, to know mindset Tuanku Nan Renceh about the culture to deviate, to find out what Tuanku Nan Renceh efforts in making changes to the system and habits of the people who have strayed of religious norms and customs norms prevailing in society.The theory used in this study is religious purification movement theory, the theory of religion, forms of movement of religious purification, and cultural theory. This study uses historical and documentary research. Data collection techniques in this study is the literature, documentation, comparative studies will then be deduced.The results showed that Tuanku Nan Renceh is known as the man who led a religious movement in Tilatang Kamang to change the tradition and culture of the people who deviate. -
SEJARAH MASUKNYA HABAIB KE INDRAMAYU Shaleh Afif : Guru SMA-IT Madinatul Ulum Email :[email protected]
Al-Tsaqafa: Jurnal Peradaban Islam Vol. 15 No.2, Desember 2018, hlm. 283-302 ISSN (Cetak): 0216-5937 SEJARAH MASUKNYA HABAIB KE INDRAMAYU Shaleh Afif : Guru SMA-IT Madinatul Ulum Email :[email protected] Abstrak Penelitian terkait Sejarah Masuknya Habaib Ke Indramyu yang dilakukan oleh habaib yang berada di Kabupaten Indramayu serta perannya dalam dakwah agama Islam dalam kurun waktu 1998 sampai 2014. Adapun mayoritas habaib yang berada di Nusantara didominasi berasal dari Hadralmaut dan cukup besar penyebarannya, sementara itu penelitian ini lebih khusus hanya membahas habaib di wilayah Indramayu.Penelitian ini dilakukan bertujuan untuk mengetahui Kondisi keagamaan di Indramayu serta sejarah masuknya habaib di Indramayu yang tentunya memiliki beragam kegiatan untuk mensyiarkan dakwah Islam, juga menguatkan keislaman masyarakat di Indramayu.Metode penelitian yang digunakan penulis adalah metode penelitian sejarah, yaitu penelitian yang mempelajari peristiwa atau kejadian masa lampau berdasarkan jejak-jejak yang dihasilkan, melalui empat tahap yaitu: heuristik (pengumpulan sumber), kritik (kritik intern dan kritik ektern), interpretasi, dan historiografi (penulisan sejarah). Penelitian tersebut dapat disimpulkan bahwa: pertama, kondisi keagaman di Indrmayu sama halnya dengan kondisi keagamaan yang lain yaitu memgang teguh agama Hindu-Budha Kedua, komunitas habaib ini datang dari Hadhramaut (Yaman) pada abad ke 18. Awalnya komunitas habaib yang ada di Indramayu masih tergolong komunitas Arab di Cirebon, akan tetapi pada tahun 1872 komunitas Indramayu memisahkan diri dari komunitas Arab Cirebon, dan menyebar ke seluruh daerah di Indramayu. Meskipun komunitas Arab-Indramayu lebih muda daripada komunitas Arab Cirebon, tetapi komunitas Arab di Indramayu lebih berkembang daripada komunitas Arab di Cirebon. Kata kunci : Habib, Dakwah Islam, Ulama, Indramayu A. -
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Advances in Social Science, Education and Humanities Research, volume 463 Proceedings of the Eighth International Conference on Languages and Arts (ICLA-2019) Inventory, Identification, and Analysis of Randai Performing Arts Elements for the Development of Minangkabau Theatrical Dance Tulus Handra Kadir1 1 Universitas Negeri Padang, Padang, Indonesia, (email), [email protected] ABSTRACT This article describes the inventory, identification and analysis of elements of Randai performing art for the development of the Minangkabau theatrical dance based on Randai in the context of developing the Minangkabau performing arts. The development of contemporary performing arts, Randai and Minangkabau dance are not able to compete with modern performing arts. On the other hand, Randai has elements of performance that can be used in the development of theatrical dance, as a new form of Minangkabau performing art that combines elements of Randai and dance in Minangkabau. It is expected to be able to keep abreast of developments of contemporary performing arts. Development is based on research conducted qualitatively (the first phase of research) and experimentally (the second phase of research). Qualitative research was used to inventory and analyze data of Randai performance who were unable to compete in the realm of contemporary performing arts as well as inventory and analyze data, especially the elements of the performance that will be used in the development of the Minangkabau theatrical dance. Experimental research was used to create innovative dance that refers to the results of the first phase of research. This research uses an interdisciplinary approach (sociology /anthropology of dance and music, theater, choreography/dance composition, as well as the artistic performances). -
The Genealogy of Muslim Radicalism in Indonesia A
The Genealogy of Muslim Radicalism in Indonesia THE GENEALOGY OF MUSLIM RADICALISM IN INDONESIA A Study of the Roots and Characteristics of the Padri Movement Abd A’la IAIN Sunan Ampel Surabaya, Indonesia Abstract: This paper will trace the roots of religious radicalism in Indonesia with the Padri movement as the case in point. It argues that the history of the Padri movement is complex and multifaceted. Nevertheless, it seems to be clear that the Padri movement was in many ways a reincarnation of its counterpart in the Arabian Peninsula, the Wahhabi> > movement, even though it was not a perfect replica of the latter. While the two shared some similarities, they were also quite different in other respects. The historical passage of the Padris was therefore not the same as that of the Wahhabi> s.> Each movement had its own dimensions and peculiarities according to its particular context and setting. Despite these differences, both were united by the same objective; they were radical in their determination to establish what they considered the purest version of Islam, and both manipulated religious symbols in pursuit of their political agendas. Keywords: Padri movement, fundamentalism, radicalism, Minangkabau, Wahhabism.> Introduction Almost all historians agree that Islam in the Malay Archipelago – a large part of which subsequently became known as Indonesia – was disseminated in a peaceful process. The people of the archipelago accepted the religion of Islam wholeheartedly without any pressure or compulsion. To a certain extent, these people even treated Islam as belonging to their own culture, seeing striking similarities between the new religion and existing local traditions. -
Upaya Meningkatkan Hasil Belajar Siswa Dalam
UPAYA MENINGKATKAN HASIL BELAJAR SISWA DALAM MENDESKRIPSIKAN RANGKIANG DISAMPING RUMAH GADANG DALAM MATA PELAJARAN BAM MELALUI MODEL PEMBELAJARAN KOOPERATIVE TIPE TIME TOKEN PADA SISWA KELAS VIII.1 SMPN 4 PASAMAN Tita Sulastri SMPN 4 Pasaman Email: [email protected] ABSTRACT Based on the learning outcomes of Class VIII.1 Pasaman Junior High School 4 in the BAM sub subject, describing the rangkiang beside rumah gadang, it was found that the student learning outcomes in BAM subjects were still very low. The average student learning outcomes are still below the KKM. The purpose of this study was to describe and obtain information about efforts to improve student learning outcomes in BAM sub subjects. Describe the rangkiang next to the rumah gadang through the cooperative learning model of Time Token Type in Class VIII.1 Pasaman Middle School 4 West Pasaman Regency. This research is a classroom action research. The research procedure in this study includes planning, action, observation and reflection. This study consisted of two cycles with four meetings. The research subjects consisted of 23 students of Class VIII.1 Pasaman 4 Middle School. Research data was collected using observation sheets and daily tests. Data is analyzed using percentages. Based on the results of the research and discussion that has been raised, it can be concluded that the cooperative learning model of Time Token Type can improve student learning outcomes in BAM sub subjects. Describe the addition of a traditional house in Pasaman 4 Middle School. Student learning outcomes from cycle I to cycle II. Student learning outcomes in cycle I was 52.84 (Enough) increased to 84.26 (Good) with an increase of 32.42%. -
INDO 16 0 1107129329 39 80.Pdf (6.209Mb)
Roadside village between Malang and Selecta NOTES ON CONTEMPORARY INDONESIAN POLITICAL COMMUNICATION Benedict R. OfG. Anderson With the appearance in 1970 of Indonesian Political Thinking, students of Indonesian society and politics were for the first time presented with a wide-ranging collection of writings and speeches by important Indonesian politicians and intellectuals in the post-1945 period.1 The timing of its publication was not fortuitous: it clearly reflected a steadily growing scholarly interest in Indonesian ideology and political discourse.2 Recent work by Dahm, Weatherbee, Legge and Mortimer has been devoted to pioneering analysis of important segments of Indonesian political thought.3 Their writings show not only how rich this field of enquiry is, but also how much m m m research still needs to be done. At the same time it is useful to recognize that the materials used in this genre of research haewsssa specialized represent a particular type of political communication. In general, they take the form of more or less studied, quasi-literary and printed 1. Herbert Feith and Lance Castles, eds., Indonesian Political Thinking, 1945-1965 (Ithaca, N.Y.: Cornell University Press, 1970). For a useful critique, see Alfian, "Indonesian Political Thinking’: A Review," Indonesia, 11 (April 1971), pp. 193-200. 2. In addition, a number of translations of important individual texts by Indonesian political leaders have been published. These include: Sutan Sjahrir, Out of Exile, trans. Charles Wolf, Jr. (New York: John Day, 1949); Mohammad Hatta, Past and Future (Ithaca, N.Y.: Cornell Modern Indonesia Project, 1960); Sukarno, Mar- haen and Proletarian, trans. -
State and Religion: Considering Indonesian Islam As Model of Democratisation for the Muslim World
CORE Metadata, citation and similar papers at core.ac.uk Provided by eDoc.VifaPol OccasionalPaper 122 State and Religion: Considering Indonesian Islam as Model of Democratisation for the Muslim World Syafi q Hasyim If you wish to support our work: Commerzbank Berlin BIC 100 400 00 Donations account: 266 9661 04 Donations receipts will be issued. Imprint: Published by the Liberal Institute Friedrich-Naumann-Stiftung für die Freiheit Reinhardtstraße 12 D–10117 Berlin Phone: +49 30.28 87 78-35 Fax: +49 30.28 87 78-39 [email protected] www.freiheit.org COMDOK GmbH Office Berlin First Edition 2013 STATE AND RELIGION: CONSIDERING INDONESIAN IsLAM AS MODEL OF DEMOCRATISATION FOR THE MUSLIM WORLD Syafiq Hasyim Paper prepared for the Colloquium on Models of Secularism, hosted by the Friedrich Naumann Stiftung, Berlin, July 31, 2013. Contents Introduction 5 Compatibility between Islam and Modern State 6 History of Indonesian Islam 10 Pancasila State 13 Indonesian Islam in Public Sphere and the State 16 Islam in the Political Sphere 19 Reform Era: Revitalisation of Islamic Ideology? 21 Indonesian Salafi-Wahhabi Groups and their Question on the Pancasila State 25 Conclusion 27 Bibliography 27 About the author 32 4 5 Introduction Since the fall of Suharto in 1998, Indonesia has been noticed by the interna- tional community as the largest Muslim country in the world (Mujani & Liddle 2004, pp. 110-11; Ananta et al. 2005). This recognition is because Indonesia has hinted more progress and improvement in democracy and human rights than other Muslim countries such as Turkey, Egypt and Pakistan. Freedom of press, the implementation of fair general elections, the distribution of power among the state institutions (trias politica) and some many others are main indicators depicting the rapid democratisation of Indonesia. -
Sijobang: Sung Narrative Poetry of West Sumatra
SIJOBANG: SUNG NARRATIVE POETRY OF WEST SUMATRA Thesis submitted for the degree of Doctor of Philosophy of the University of London by Nigel Godfrey Phillips ProQuest Number: 10731666 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731666 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 ABSTRACT In the sphere of Malay and Indonesian literature, it is only re cently that students of oral narratives have paid attention to their character as oral performances, and this thesis is the first study of a West Sumatran metrical narrative to take that aspect of it into account. Versions of the story of Anggun Nan Tungga exist in manuscript and printed form, and are performed as dramas and sung narratives in two parts of West Sumatra: the coastal region of Tiku and Pariaman and the inland area around Payakumbuh. Stgobang is the sung narrative form heard in the Payakumbuh area. It is performed on festive occasions by paid story-tellers called tukang s'igobang,, who le a r n th e s to r y m ainly from oral sources.