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Stochastic Model of Stroke Order Variation
2009 10th International Conference on Document Analysis and Recognition Stochastic Model of Stroke Order Variation Yoshinori Katayama, Seiichi Uchida, and Hiroaki Sakoe Faculty of Information Science and Electrical Engineering, Kyushu University, 819-0395, Japan fyosinori,[email protected] Abstract “ ¡ ” under an unnatural stroke correspondence which max- imizes their similarity. Note that the correct stroke order of A stochastic model of stroke order variation is proposed “ ” is (“—” ! “j' ! “=” ! “n” ! “–”) and that of “ ¡ ” and applied to the stroke-order free on-line Kanji character is (“—” ! “–” ! “j' ! “=” ! “n” ). Thus if we allow any recognition. The proposed model is a hidden Markov model stroke order variation, those two characters become almost (HMM) with a special topology to represent all stroke order identical. variations. A sequence of state transitions from the initial One possible remedy to suppress the misrecognitions is state to the final state of the model represents one stroke to penalize unnatural i.e., rare stroke order on optimizing order and provides a probability of the stroke order. The the stroke correspondence. In fact, there are popular stroke distribution of the stroke order probability can be trained orders (including the standard stroke order) and there are automatically by using an EM algorithm from a training rare stroke orders. If we penalize the situation that “ ¡ ” is set of on-line character patterns. Experimental results on matched to an input pattern with its very rare stroke order large-scale test patterns showed that the proposed model of (“—” ! “j' ! “=” ! “n” ! “–”), we can avoid the could represent actual stroke order variations appropriately misrecognition of “ ” as “ ¡ .” and improve recognition accuracy by penalizing incorrect For this purpose, a stochastic model of stroke order vari- stroke orders. -
Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
Nushu and the Writing of Religious
NOSHU AND RELIGIOUS CULTURE IN CHINA "MY MOTHER WATCHED OVER AN EMPTY HOUSE AND',WAS SEPARATED FROM THE HEA VENL Y FEMALE": NUSHU AND THE WRITING OF RELIGIOUS CULTURE IN CHINA By STEPHANIE BALK WILL, B.A. (H.Hons.) A Thesis Submitted to the School of Graduate Studies in Partial FulfiHment ofthe Requirements for the Degree Master of Arts McMaster University © Copyright by Stephanie Balkwill, August 2006 MASTER OF ARTS (2006) McMaster University (Religious Studies) Hamilton, Ontario TITLE: "My Mother Watched Over an Empty House and was Separated From the Heavenly Female": Nushu and the Writing IOf Religious Culture in China. AUTHOR: Stephanie Balkwill, B.A. (H.Hons.) (University of Regina) SUPERVISOR: Dr. James Benn NUMBER OF PAGES: v, 120 ii ]rll[.' ' ABSTRACT Niishu, or "Women's Script" is a system of writing indigenous to a small group of village women in iJiangyong County, Hunan Province, China. Used exclusively by and for these women, the script was developed in order to write down their oral traditions that may have included songs, prayers, stories and biographies. However, since being discovered by Chinese and Western researchers, nushu has been rapidly brought out of this Chinese village locale. At present, the script has become an object of fascination for diverse audiences all over the world. It has been both the topic of popular media presentations and publications as well as the topic of major academic research projects published in Engli$h, German, Chinese and Japanese. Resultantly, niishu has played host to a number of mo~ern explanations and interpretations - all of which attempt to explain I the "how" and the "why" of an exclusively female script developed by supposedly illiterate women. -
Chinese Script Generation Panel Document
Chinese Script Generation Panel Document Proposal for the Generation Panel for the Chinese Script Label Generation Ruleset for the Root Zone 1. General Information Chinese script is the logograms used in the writing of Chinese and some other Asian languages. They are called Hanzi in Chinese, Kanji in Japanese and Hanja in Korean. Since the Hanzi unification in the Qin dynasty (221-207 B.C.), the most important change in the Chinese Hanzi occurred in the middle of the 20th century when more than two thousand Simplified characters were introduced as official forms in Mainland China. As a result, the Chinese language has two writing systems: Simplified Chinese (SC) and Traditional Chinese (TC). Both systems are expressed using different subsets under the Unicode definition of the same Han script. The two writing systems use SC and TC respectively while sharing a large common “unchanged” Hanzi subset that occupies around 60% in contemporary use. The common “unchanged” Hanzi subset enables a simplified Chinese user to understand texts written in traditional Chinese with little difficulty and vice versa. The Hanzi in SC and TC have the same meaning and the same pronunciation and are typical variants. The Japanese kanji were adopted for recording the Japanese language from the 5th century AD. Chinese words borrowed into Japanese could be written with Chinese characters, while Japanese words could be written using the character for a Chinese word of similar meaning. Finally, in Japanese, all three scripts (kanji, and the hiragana and katakana syllabaries) are used as main scripts. The Chinese script spread to Korea together with Buddhism from the 2nd century BC to the 5th century AD. -
A Comparative Analysis of the Simplification of Chinese Characters in Japan and China
CONTRASTING APPROACHES TO CHINESE CHARACTER REFORM: A COMPARATIVE ANALYSIS OF THE SIMPLIFICATION OF CHINESE CHARACTERS IN JAPAN AND CHINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ASIAN STUDIES AUGUST 2012 By Kei Imafuku Thesis Committee: Alexander Vovin, Chairperson Robert Huey Dina Rudolph Yoshimi ACKNOWLEDGEMENTS I would like to express deep gratitude to Alexander Vovin, Robert Huey, and Dina R. Yoshimi for their Japanese and Chinese expertise and kind encouragement throughout the writing of this thesis. Their guidance, as well as the support of the Center for Japanese Studies, School of Pacific and Asian Studies, and the East-West Center, has been invaluable. i ABSTRACT Due to the complexity and number of Chinese characters used in Chinese and Japanese, some characters were the target of simplification reforms. However, Japanese and Chinese simplifications frequently differed, resulting in the existence of multiple forms of the same character being used in different places. This study investigates the differences between the Japanese and Chinese simplifications and the effects of the simplification techniques implemented by each side. The more conservative Japanese simplifications were achieved by instating simpler historical character variants while the more radical Chinese simplifications were achieved primarily through the use of whole cursive script forms and phonetic simplification techniques. These techniques, however, have been criticized for their detrimental effects on character recognition, semantic and phonetic clarity, and consistency – issues less present with the Japanese approach. By comparing the Japanese and Chinese simplification techniques, this study seeks to determine the characteristics of more effective, less controversial Chinese character simplifications. -
Course Catalog 2021–2022 Brooksb School
ACADEMIC POLICIES AND COURSE CATALOG 2021 –2022 BROOKSB SCHOOL B R O O K S S C H O O L ACADEMIC POLICIES & COURSE CATALOG 2021-2022 Brooks School does not discriminate on the basis of race, gender, color, sexual orientation, disability, or religion in the administration of its education policies, admission policies, employment policies, financial aid and loan programs, athletic programs, and other School-administered programs and activities. Last updated: April 19, 2021 by Susanna Waters, Academic Dean Questions or comments? Email: [email protected] INDEX Introduction ................................. 2 ACADEMIC POLICIES Requirements ............................... 3 Diploma Requirements Departmental Graduation Requirements Course Load Promotion Requirements General Policies ........................... 5 Grading System Effort Marks Policies Regarding Course Assignments Pass/Fail Status Credit Policies Adding/Dropping Courses AP Courses & Exams Independent Study Online Learning Winter Term Sixth Form Spring Projects Summer Course Work Academic Honors .......................... 8 Honor Roll Cum Laude Society Academic Probation ..................... 8 Academic Integrity ....................... 9 Class Attendance .......................... 10 The Learning Center ................... 10 COURSE CATALOG Arts ................................................ 11 Music Theater Visual Arts World Languages …..................... 18 Latin Mandarin Chinese French Spanish English .......................................... 24 History ......................................... -
Exploration of the Unique Aspects of Chinese Rhetoric Xiūcí 修辞
Vassar College Digital Window @ Vassar Senior Capstone Projects 2021 Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞 Spencer D. McGrath Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Part of the Chinese Studies Commons, and the Rhetoric Commons Recommended Citation McGrath, Spencer D., "Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞" (2021). Senior Capstone Projects. 1099. https://digitalwindow.vassar.edu/senior_capstone/1099 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞 Senior Project for the Chinese major Spencer Di Pasquale McGrath 唐沅希 Advisor: Wenwei Du Date: May 2021 Table of Contents 1. Introduction………………………………………………………………………………………………3 1.1 Presenting Purpose of Study…………………………………………………………………...4 1.2 Introducing Different Types of Rhetoric Xiūcí 修辞…………………………………………..5 1.3 Introducing Different Types of Idioms Shúyǔ 熟语……………………………………………6 2. Characteristics of the Different Types of Idioms………………………………………………………...7 2.1 Characteristics of Shúyǔ 熟语………………………………………………………………….7 2.2 Characteristics of Chéngyǔ 成语………………………………………………………………8 2.2.1 Presence of Numbers in Chéngyǔ 成语……………………………………………..9 2.2.2 Usage of Negation in Chéngyǔ 成语………………………………………………11 2.3 Characteristics of Xiēhòuyǔ 歇后语………………………………………………………….12 3. Cultural Elements in Different Types of Idioms………………………………………………………..13 3.1 Cultural Elements in Shúyǔ 熟语……………………………………………………………..13 3.2 Cultural Elements in Chéngyǔ 成语………………………………………………………….14 3.2.1 Five Categories of Metaphor………………………………………………………16 3.3 Cultural Elements in Xiēhòuyǔ 歇后语………………………………………………………17 4. -
The Perception of Simplified and Traditional Chinese Characters in the Eye of Simplified and Traditional Chinese Readers
The perception of simplified and traditional Chinese characters in the eye of simplified and traditional Chinese readers Tianyin Liu ([email protected]) Janet Hui-wen Hsiao ([email protected]) Department of Psychology, University of Hong Kong 604 Knowles Building, Pokfulam Road, Hong Kong SAR Abstract components and have better ability to ignore some unimportant configural information for recognition, such as Expertise in Chinese character recognition is marked by analytic/reduced holistic processing (Hsiao & Cottrell, 2009), exact distances between features (Ge, Wang, McCleery, & which depends mainly on readers’ writing rather than reading Lee, 2006) compared with novices (Ho, Ng, & Ng., 2003; experience (Tso, Au, & Hsiao, 2011). Here we examined Hsiao & Cottrell, 2009). Consequently, expert readers may whether simplified and traditional Chinese readers process process Chinese characters less holistically than novices. characters differently in terms of holistic processing. When There are currently two Chinese writing systems in use processing characters that are distinctive in the simplified and in Chinese speaking regions, namely simplified and traditional scripts, we found that simplified Chinese readers were more analytic than traditional Chinese readers in traditional Chinese. The simplified script was created during perceiving simplified characters; this effect depended on their the writing reform initiated by the central government of the writing rather than reading/copying performance. In contrast, People’s Republic of China in the 1960s for easing the the two groups did not differ in holistic processing of learning process. Today the majority of Chinese speaking traditional characters, regardless of their performance regions including Mainland China, Singapore, and Malaysia difference in writing/reading traditional characters. -
Read the Petition
Irvine International Academy TK – 6th For a term of July 1, 2021- June 30, 2026 Reason 解析 Truth 真理 Edify 啟迪 “Creating a Legacy” Respectfully submitted to Orange County Department of Education October 7, 2020 Charter Petition Page 2 of 186 TABLE OF CONTENTS Charter School Intent and Charter Requirements..........................................................................4 Affirmations and Declaration..........................................................................................................5 Executive Summary........................................................................................................................8 Founding Group..............................................................................................................................9 Element A (1:) Description of the Educational Program...............................................................17 Element B (2): Measurable Student Outcomes.............................................................................90 Element C (3): Methods of Assessing Pupil Outcomes................................................................112 Element D (4): Governance….…………..........................................................................................122 Element E (5): Qualifications of School Employees.....................................................................129 Element F (6): Health and Safety……………………...........................................................................137 Element G (7): Means of Achieve Racial -
Chinese, Dutch, and Japanese in the Introduction of Western Learning in Tokugawa Japan
_full_alt_author_running_head (neem stramien B2 voor dit chapter en dubbelklik nul hierna en zet 2 auteursnamen neer op die plek met and): 0 _full_articletitle_deel (kopregel rechts, vul hierna in): Polyglot Translators _full_article_language: en indien anders: engelse articletitle: 0 62 Heijdra Chapter 6 Polyglot Translators: Chinese, Dutch, and Japanese in the Introduction of Western Learning in Tokugawa Japan Martin J. Heijdra The life of an area studies librarian is not always excitement. Yes, one enjoys informing bright graduate students of the latest scholarship, identifying Chi- nese rubbings of Egyptological stelae, or discussing publishing gaps in the cur- rent scholarship with knowledgeable editors; but it involves sometimes the mundane, such as reshelving a copy of a nineteenth-century Japanese transla- tion of a medical work by Johannes de Gorter.1 It was while performing the latter duty that I noticed something odd. The characters used to write Gorter were 我爾德兒, which indeed could be read as Gorter. That is, if read in modern Chinese; if read in the usual Sino-Japanese, it would be *Gajitokuji, something far from the Dutch pronunciation. A quick perusal of some scholars of rangaku 蘭學, “Dutch Studies,” revealed a general lack of awareness of this question, why a Dutch name in a nineteenth-century Japanese book would be read in modern Chinese. Prompted to write an article in honor of a Dutch editor of East and South Asian Studies, I decided to inves- tigate this more thoroughly. There are many aspects to consider, and I must confess that the final reason is hard to come by; but while I have not reached a final conclusion, I hope that in the future scholars will at least recognize the phenomenon when encountered. -
A Study on the Idiom Translation in the Dark Forest Under Hermeneutic Theory
Annals of Language and Literature Volume 3, Issue 3, 2019, PP 41-49 ISSN 2637-5869 A Study on the Idiom Translation in the Dark Forest under Hermeneutic Theory Xu Zhengqiu*, Lyu Liangqiu School of Foreign Languages, North China Electric Power University, Beijing, China *Corresponding Author: Xu Zhengqiu, School of Foreign Languages, North China Electric Power University, Beijing, China, Email: [email protected] ABSTRACT Liu Cixin’s The Dark Forest translated by Joel Martinson is a science fiction popular among readers at home and abroad. A large number of idioms in the fiction contain profound Chinese culture significance and play an important role in translation quality. Based on George Steiner’s hermeneutic theory of translation, this paper analyses the embodiment of the fourfold translation motion in idiom translation and summarizes the strategies to translate the idioms in the Chinese version of The Dark Forest. With a careful analysis of 102 idioms in total, the study finds that George Steiner’s Fourfold Translation Motion Theory provides a good explanation to the process of idiom translation: first, Martinson trust that the fiction is evaluated as meaningful in terms of the value of the fiction itself and his person competence; second, he invades the source text out of his cultural consciousness and his linguistic competence; third, the meaning and form of those idioms in the fiction is transferred as much as possible; fourthly, a large degree of equivalence is reached by compensation of rewriting. Moreover, although the translator is flexible in applying domestication and foreignization to idiom translation, he prefers to adopting domestication to make the translation easier to understand. -
Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 *
EASTM 26 (2007): 68-116 Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 * Bruce Rusk [Bruce Rusk is Assistant Professor of Chinese Literature in the Department of Asian Studies at Cornell University. From 2004 to 2006 he was Mellon Humani- ties Fellow in the Asian Languages Department at Stanford University. His dis- sertation was entitled “The Rogue Classicist: Feng Fang and his Forgeries” (UCLA, 2004) and his article “Not Written in Stone: Ming Readers of the Great Learning and the Impact of Forgery” appeared in The Harvard Journal of Asi- atic Studies 66.1 (June 2006).] * * * But if a savage or a moon-man came And found a page, a furrowed runic field, And curiously studied line and frame: How strange would be the world that they revealed. A magic gallery of oddities. He would see A and B as man and beast, As moving tongues or arms or legs or eyes, Now slow, now rushing, all constraint released, Like prints of ravens’ feet upon the snow. — Herman Hesse 1 Visitors to the Far East from early modern Europe reported many marvels, among them a writing system unlike any familiar alphabetic script. That the in- habitants of Cathay “in a single character make several letters that comprise one * My thanks to all those who provided feedback on previous versions of this paper, especially the workshop commentator, Anthony Grafton, and Liam Brockey, Benjamin Elman, and Martin Heijdra as well as to the Humanities Fellows at Stanford. I thank the two anonymous readers, whose thoughtful comments were invaluable in the revision of this essay.