The Ithacan, 1996-09-26
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Albuquerque Morning Journal, 08-25-1908 Journal Publishing Company
University of New Mexico UNM Digital Repository Albuquerque Morning Journal 1908-1921 New Mexico Historical Newspapers 8-25-1908 Albuquerque Morning Journal, 08-25-1908 Journal Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/abq_mj_news Recommended Citation Journal Publishing Company. "Albuquerque Morning Journal, 08-25-1908." (1908). https://digitalrepository.unm.edu/ abq_mj_news/4720 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Morning Journal 1908-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ALBUQUERQUE MOENING JOURNAL. p 6e ', " THIRTIETH YEAR. ALBUQUERQUE, NEW MEXICO, Wr gtsfl H ees. a ssssrt as- - Oasess, g esse TUESDAY, AUGUST 25, 1908, - By o- xA" seals asesa. ference between speeches of the can the interior and Is professedly pa- llinninii i nirn itinu ii i nni in didate on various subjects pertaining trolled and governed by the United W HS NAN to the campaign. Among these was States officers and soldiers, citizens of s : BANDIT, UUP the matter of the chairmanship of the the United States have a special claim GRIM manage SHE miuuiuiiniiiLU iiiumiini uuu summittee which will the for protection and defense in their campaign in the east but Mr. Bryan peaceable passage through the park oí and the chairman positively announc- transient residence therein. ed that no one had been determined "The undersigned citlsfns and TiilLl upon would be replies LAUDED BY ENTERTAINS and not until guests of the United ; Rtjt there- had been received to letters which had HANDED, ROBS fore, respectfully request thf Honor- IN LONDON SOLID FOR been sent to several persons , asking able James A. -
Ben E. King Ben E. King Social Distortion
JAN/FEB 2011 ISSUE MMUSICMAG.COM SPOTLIGHT SOCIAL DISTORTION An all-American band explores its rock ’n’ roll David Hidalgo Jr., Mike Ness, roots and its own checkered past Brent Harding, Jonny Wickersham IF WELL-INKED SOCIAL DISTORTION later. Although Ness had grown up listening and all-around troublemaker—challenged frontman Mike Ness doesn’t already have to the Rolling Stones and Johnny Cash, he himself to break from previous albums a “Lucky Seven” tattoo somewhere on his waited until 1988’s Prison Bound to begin and write about topics other than his body, now’s the time to get one. On Hard incorporating those and other classic sounds own checkered past, he couldn’t help but Times and Nursery Rhymes, the California into his songwriting. “When I was starting incorporate a few autobiographical elements. band’s seventh album, Ness continues his the band at 17, there was a period where I “‘Writing on the Wall’ is actually about my streak of building fresh songs from familiar put that stuff aside and couldn’t sit through elder son, who unfortunately has chosen ingredients. By now, the singer and guitarist a fi ve-minute blues song,” Ness says. “It had to go down a similar path I did at his age,” should have exhausted every possible blues- to be fast and loud and hard. But by the Ness says. “It’s been a rough couple years. country-punk permutation—but against all mid-’80s that stuff got really old and punk He’s been crazy, and without being literal, I odds, he’s still fi nding new ways to blend started to stereotype itself. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Ill Onen Ind Only Ni Ity
- * * m-m- * « v « * -?f ^^^^^ ^ ^ *i ] Minrlif 1 Our mnex w ill Onen~ I 1 Monday ll£lll> I w, e Have Added 250 More Seats. No More Waiting for iSeats i 1% H ~ ~ I- . arttr Cii id t*A on meen; Ullt 4JU mmer (iai uvu & an's Sci 9 th and Penn. /Vvenue S. E. rake Qreen Cars. * I r.^7 J 1 sy< ' ie Largest. tind itural in in tne o Only Ni Garde tiity I ! L_{l) GL( 4 A a lOLCI DRY BEE! Drai it ROn * Ji xgnt I 8 Brew©d by Abner & I J Drury. has been a ^ At a cost of many thou sands, this cool and delightful spot turned into high-class Suinmer Garden, where men may take t'heir wives or sweethearts and listen to the music which drives away the cares and trials of life. It is a of the the beautiful trees and and the roses are bloon and ea I^ situated in the coolest part city, among shrubs, ling the vines growing, which ch day adds to its splendor. Objectionable characters will be excluded. k I HOS. F. MEEHAN, Ovvner arid Proprietor , 409 9th Street S(Dutheast. v\!/v OJZ, v\JA vU/y vU'/ OilA- AlA. vYI/» vVI/, vVIA »>J/» ««// AI/- vl/. ,\l/. .il/. .\l/. ,\l/. .Mi ^ r> :->vLEADERS' M & a- w -a- ^ x. -* TEN CREWS MAY ROW POTOMACS TO ROW CLUB OF THE Y. ]M. C. A. preirIUSUALLY ENDED (I POUGHKEEPSIE III PEDPLTSREGATTA BULLY IN IONOPAH ROW W* "': I WIIHJJBIG ngHK^^DHE&P*; ^MMHHDH Prospect of Several Newcomers Junior Eight Gontains Six of the Former Foot Ball Hero Teaches Exciting Contests Between the in the College Race on the "Tech." High School Boys. -
Katalog Leihmaterial Dt 2016-07-29
Katalog LEIHMATERIAL Juli 2016 PEERMUSIC CLASSICAL PRÄSENTIERT KOMPONISTEN DES 20./21. JAHRHUNDERTS Peermusic Classical reagiert seit über 60 Jahren erfolgreich auf aktuelle Tendenzen in einer international vernetzten Musikwelt – mit inzwischen mehr als 800 Autoren aus 58 Ländern. Das Kernrepertoire des Verlages, seit 1948 von der Peer International Corp. New York verlegt, umfasst Werke von Charles Ives, Silvestre Revueltas, Bohuslav Martinů, Heitor Villa-Lobos und José Serebrier. Peermusic Classical ist einer der bedeutendsten Verleger moderner klassischer Musik aus Lateinamerika. Besonders erfolgreich sind die Nachwuchskomponisten Miguel del Aguila und Arturo Márquez, dessen Danzón No. 2 durch Gustavo Dudamel und das Simón Bolívar Youth Orchestra of Venezuela weltberühmt geworden ist. Die Niederlassung in Hamburg für den europaweiten Vertrieb des Peermusic Classical Kataloges wurde 1961 eröffnet. Der Katalog mit über 700 Werken ist seit 1987 kontinuierlich gewachsen und wurde 2009 in eine eigene GmbH überführt. Erfolgreiche Komponisten sind u.a. Stefan Wolpe, Mathias Spahlinger, Theo Loevendie, Tobias PM Schneid, Ahmed Adnan Saygun und Mieczysław Weinberg. In der jüngsten Geschichte der klassischen Konzertmusik ist die postume Wiederentdeckung von M. Weinberg eines der bemerkenswertesten Phänomene.Spätestens seit der szenischen Uraufführung der Ausschwitz-Oper Die Passagierin bei den Bregenzer Festspielen 2010 wurde die künstlerische Dimensionen erkannt, um die es sich bei diesem Komponisten handelt. Inzwischen sind zahlreiche erstklassige Einspielungen mit international renommierten Interpreten und Klangkörpern erhältlich; M. Weinbergs vielfältiges kammermusikalisches und symphonisches Werk bekommt den verdienten Platz auf Opernbühnen, Festivals und den großen Konzerthäusern der Welt. Dieser Katalog beinhaltet lediglich die Leihmateriale von Peermusic Classical. Alle Kaufausgaben können Sie jederzeit online unter www.peermusic-classical.de aufrufen. -
GUILTY ANGEL QUITS COUNCIL Faces 4-To-5 Years for Shaking Down Developer by Patrick Gallahue Accomplice Shook Down Devel- Speaker Gifford Miller
THIS WEEK IN INDEPENDENCE COMES TO DUMBO: P.9 CARL PEEK DEAD: P.5 WWW.BROOKLYNPAPERS.COM ISLAND FOCUS Gearing up for annual Brooklyn’s Weekly Newspaper West Indian carnival Published weekly by Brooklyn Paper Publications Inc, 26 Court St., Brooklyn 11242 Phone 718-834-9350 AD fax 718-834-1713 • NEWS fax 718-834-9278 © 2002 Brooklyn Paper Publications • 14 pages including 4 pages GO BROOKLYN • Vol.25, No. 34 AWP • September 2, 2002 • FREE INSIDE GUILTY ANGEL QUITS COUNCIL Faces 4-to-5 years for shaking down developer By Patrick Gallahue accomplice shook down devel- Speaker Gifford Miller. prison. If he were convicted of he chooses. Rodriguez cannot n’t want to put his family and charged with attempted extor- The Brooklyn Papers oper Greg O’Connell for cash Rodriguez’s attorney, Ron- all the charges against him, withdraw his plea, but can ap- friends though a very long tri- tion, extortion conspiracy and / File photo and property over a controver- ald Fischetti, told The Brook- Rodriguez would have faced peal the sentence if it exceeds al,” Fischetti said. fraud in addition to a battery of He’s no longer a council- sial plan to build a massive lyn Papers on Wednesday that 20 years behind bars. the agreement, according to “Anything he did,” Fischetti other charges handed down by man and soon Angel Fairway supermarket on the his client would enter a guilty Judge Frederic Block does Fischetti. added, “did not affect his con- the grand jury. Rodriguez will no longer Red Hook waterfront, Ro- plea on Thursday, Aug. -
Recent Publications in Music 2009
Fontes Artis Musicae, Vol. 56/4 (2009) RECENT PUBLICATIONS IN MUSIC R1 RECENT PUBLICATIONS IN MUSIC 2009 On behalf of the International Association of Music Libraries Archives and Documentation Centres / Pour le compte l'Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux / Im Auftrag der Die Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdokumentationszentren This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2008. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in the IAML journal Fontes Artis Musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compiler welcomes inquiries from bibliographers in countries not presently represented. Compiled and edited by Geraldine E. Ostrove Reporters: Austria: Thomas Leibnitz Canada: Marlene Wehrle China, Hong Kong, Taiwan: Katie Lai Croatia: Zdravko Blaţeković Czech Republic: Pavel Kordík Estonia: Katre Rissalu Finland: Ulla Ikaheimo, Tuomas Tyyri France: Cécile Reynaud Germany: Wolfgang Ritschel Ghana: Santie De Jongh Greece: Alexandros Charkiolakis Hungary: Szepesi Zsuzsanna Iceland: Bryndis Vilbergsdóttir Ireland: Roy Stanley Italy: Federica Biancheri Japan: Sekine Toshiko Namibia: Santie De Jongh The Netherlands: Joost van Gemert New Zealand: Marilyn Portman Russia: Lyudmila Dedyukina South Africa: Santie De Jongh Spain: José Ignacio Cano, Maria José González Ribot Sweden Turkey: Paul Alister Whitehead, Senem Acar United States: Karen Little, Liza Vick. With thanks for assistance with translations and transcriptions to Kersti Blumenthal, D. -
July 2011 Prices Realized
HUGGINS & SCOTT JULY 28, 2011 PRICES REALIZED LOT# TITLE BIDS SALE PRICE 1 1968 Topps 3-D Near Set of (10/12) PSA Graded Cards with Perez & Stottlemyre 33 $16,450.00 2 1968 Topps 3-D Roberto Clemente PSA 5 25 $8,225.00 3 1968 Topps 3-D Ron Fairly (No Dugout) Variation PSA 7 8 $763.75 4 1968 Topps 3-D Jim Maloney (No Dugout) Variation PSA 6 3 $528.75 5 1968 Topps 3-D Willie Davis PSA 6 8 $381.88 6 1968 Topps 3-D Jim Lonborg PSA 8 24 $1,410.00 7 1968 Topps 3-D Jim Maloney PSA 8 12 $499.38 8 1968 Topps 3-D Tony Perez PSA 8 33 $3,525.00 9 1968 Topps 3-D Boog Powell PSA 8 30 $2,820.00 10 1968 Topps 3-D Ron Swoboda PSA 7 27 $1,997.50 11 1909-11 T206 Walter Johnson Portrait PSA EX 5 14 $1,410.00 12 (4) 1909-11 T206 White Border Ty Cobb Pose Variations-All PSA Graded 28 $3,818.75 13 (4) 1909-11 T206 Graded Hall of Famers & Stars with Lajoie & Mathewson 18 $940.00 14 (10) 1909-11 T206 White Border Graded Cards—All SGC 50-60 11 $528.75 15 (42) T205 Gold Borders & T206 White Borders with (17) Graded & (7) Hall of Famers/Southern Leaguers 21 $1,762.50 16 1912 T202 Hassan Triple Folders Egan/Mitchell PSA 7 4 $470.00 17 (37) 1919-21 W514 SGC Graded Collection with Ruth, Hornsby & Johnson--All Authentic 7 $1,292.50 18 (4) 1913 T200 Fatima Team Cards—All PSA or SGC 4 $558.13 19 (12) 1917 Collins-McCarthy SGC Graded Singles 12 $499.38 20 (7) 1934-36 Diamond Stars Semi-High Numbers—All SGC 60-80 6 $293.75 21 (18) 1934-36 Batter-Up High Numbers with (6) Hall of Famers—All SGC 60-80 12 $1,410.00 22 (5) 1940-1949 Play Ball, Bowman & Leaf Baseball Hall of -
Hit-Recycling: Casting-Shows Un Die Wettbewerbsstrategie "Coverversion"
HIT-RECYCLING: CASTING-SHOWS UND DIE WETTBEWERBSSTRATEGIE »COVERVERSION« Marc Pendzich 1. Einleitung Seit mittlerweile zehn Jahren bestimmen Coverversionen1 ganz wesentlich das Bild der internationalen und insbesondere der deutschen Single-Charts. Seit 1996 sind jährlich durchschnittlich 38 der 200 bestverkauften Titel Coverversionen. Der Anteil von Neuaufnahmen hat sich damit seit Mitte der 1980er Jahre mehr als verdreifacht. Alles in allem ist heute durchschnittlich jeder fünfte aktuelle Hit, der im Radio oder im Musikfernsehen gespielt wird, eine Coverversion (vgl. Pendzich 2004: 323). Die Flut von Neuauf- nahmen geht überwiegend von den Machern der Recycling-Musikstile HipHop und Techno/Dance aus, wird jedoch letztlich von Musikern aller Pop-Musik- stile getragen. Auch qualitativ sind Veränderungen nachzuweisen: Neuauf- nahmen von zuvor wenig bekannten Songs spielen im Gegensatz zu früher keine Rolle. Coverversionen sind heute in der Regel Secondhand-Hits. Ein wesentlicher Teil von heutigen Coverversionen beruht auf Crossover- Marketing-Produkten. Mit diesem Begriff werden hier Single-Veröffent- lichungen von singenden Schauspielern, Models, TV-Moderatoren und Soap- Stars umschrieben. Solche Produkte als Seitenprojekte von Nicht-Musikern werden oft aufgrund von Marketing-Erwägungen veröffentlicht: Die Pro- duzenten eines kurzfristig über ein TV-Format bekannt gewordenen Men- schen versuchen durch Veröffentlichung von Musik-CDs auf einem weiteren Medienfeld, dem Musikmarkt, Erfolg zu haben. Im aktuell letzten Entwick- lungschritt dieses Marketing-Bereichs ist die Tonträgerindustrie gemeinsam mit dem Privatfernsehen dazu übergegangen, die Präsentatoren ihrer Mar- 1 Definition: »Coverversionen sind neue Fassungen von zuvor auf Tonträger veröf- fentlichten Musikwerken, die i.d.R. von anderen Interpreten neu eingespielt und/oder live dargeboten werden. Obwohl der Grad der Veränderung dabei recht unterschiedlich ausfallen kann, bleiben die Originalwerke in ihren we- sentlichen Zügen erhalten« (Pendzich 2004: 22). -
1 Column Unindented
DJ PRO OKLAHOMA.COM TITLE ARTIST SONG # Just Give Me A Reason Pink ASK-1307A-08 Work From Home Fifth Harmony ft.Ty Dolla $ign PT Super Hits 28-06 #thatpower Will.i.am & Justin Bieber ASK-1306A-09 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes MH-1016 (Kissed You) Good Night Gloriana ASK-1207-01 1 Thing Amerie & Eve CB30053-02 1, 2, 3, 4 (I Love You) Plain White T's CB30094-04 1,000 Faces Randy Montana CB60459-07 1+1 Beyonce Fall 2011-2012-01 10 Seconds Down Sugar Ray CBE9-23-02 100 Proof Kellie Pickler Fall 2011-2012-01 100 Years Five For Fighting CBE6-29-15 100% Chance Of Rain Gary Morris Media Pro 6000-01 11 Cassadee Pope ASK-1403B 1-2-3 Gloria Estefan CBE7-23-03 Len Barry CBE9-11-09 15 Minutes Rodney Atkins CB5134-03-03 18 And Life Skid Row CBE6-26-05 18 Days Saving Abel CB30088-07 1-800-273-8255 Logic Ft. Alessia Cara PT Super Hits 31-10 19 Somethin' Mark Wills Media Pro 6000-01 19 You + Me Dan & Shay ASK-1402B 1901 Phoenix PHM1002-05 1973 James Blunt CB30067-04 1979 Smashing Pumpkins CBE3-24-10 1982 Randy Travis Media Pro 6000-01 1985 Bowling For Soup CB30048-02 1994 Jason Aldean ASK-1303B-07 2 Become 1 Spice Girls Media Pro 6000-01 2 In The Morning New Kids On The Block CB30097-07 2 Reasons Trey Songz ftg. T.I. Media Pro 6000-01 2 Stars Camp Rock DISCMPRCK-07 22 Taylor Swift ASK-1212A-01 23 Mike Will Made It Feat. -
Fitzgerald's Selections, 1936
Cambridge University Press 0521402395 - My Lost City: Personal Essays, 1920-1940 F. Scott Fitzgerald Excerpt More information SECTION I FITZGERALD’S SELECTIONS, 1936 © Cambridge University Press www.cambridge.org Cambridge University Press 0521402395 - My Lost City: Personal Essays, 1920-1940 F. Scott Fitzgerald Excerpt More information WHO’S WHO—AND WHY The history of my life is the history of the struggle between an over- whelming urge to write and a combination of circumstances bent on keeping me from it. When I lived in St. Paul and was about twelve I wrote all through every class in school in the back of my geography book and first year Latin and on the margins of themes and declensions and mathematic problems. Two years later a family congress decided that the only way to force me to study was to send me to boarding school. This was a mistake. It took my mind off my writing. I decided to play football, to smoke, to go to college, to do all sorts of irrelevant things that had nothing to do with the realbusiness of life,which, of course, was the proper mixture of description and dialogue in the short story. But in schoolI went off on a new tack. I saw a musicalcom- edy called “The Quaker Girl,” and from that day forth my desk bulged with Gilbert & Sullivan librettos and dozens of notebooks containing the germs of dozens of musicalcomedies. Near the end of my last year at school I came across a new musical-comedy score lying on top of the piano.