Katalog LEIHMATERIAL

Juli 2016

PEERMUSIC CLASSICAL PRÄSENTIERT

KOMPONISTEN DES 20./21. JAHRHUNDERTS

Peermusic Classical reagiert seit über 60 Jahren erfolgreich auf aktuelle Tendenzen in einer international vernetzten Musikwelt – mit inzwischen mehr als 800 Autoren aus 58 Ländern.

Das Kernrepertoire des Verlages, seit 1948 von der Peer International Corp. New York verlegt, umfasst Werke von Charles Ives, Silvestre Revueltas, Bohuslav Martinů, Heitor Villa-Lobos und José Serebrier. Peermusic Classical ist einer der bedeutendsten Verleger moderner klassischer Musik aus Lateinamerika. Besonders erfolgreich sind die Nachwuchskomponisten Miguel del Aguila und Arturo Márquez, dessen Danzón No. 2 durch Gustavo Dudamel und das Simón Bolívar Youth Orchestra of Venezuela weltberühmt geworden ist.

Die Niederlassung in Hamburg für den europaweiten Vertrieb des Peermusic Classical Kataloges wurde 1961 eröffnet. Der Katalog mit über 700 Werken ist seit 1987 kontinuierlich gewachsen und wurde 2009 in eine eigene GmbH überführt. Erfolgreiche Komponisten sind u.a. Stefan Wolpe, Mathias Spahlinger, Theo Loevendie, Tobias PM Schneid, Ahmed Adnan Saygun und Mieczysław Weinberg.

In der jüngsten Geschichte der klassischen Konzertmusik ist die postume Wiederentdeckung von M. Weinberg eines der bemerkenswertesten Phänomene.Spätestens seit der szenischen Uraufführung der Ausschwitz-Oper Die Passagierin bei den Bregenzer Festspielen 2010 wurde die künstlerische Dimensionen erkannt, um die es sich bei diesem Komponisten handelt. Inzwischen sind zahlreiche erstklassige Einspielungen mit international renommierten Interpreten und Klangkörpern erhältlich; M. Weinbergs vielfältiges kammermusikalisches und symphonisches Werk bekommt den verdienten Platz auf Opernbühnen, Festivals und den großen Konzerthäusern der Welt.

Dieser Katalog beinhaltet lediglich die Leihmateriale von Peermusic Classical. Alle Kaufausgaben können Sie jederzeit online unter www.peermusic-classical.de aufrufen. Dort finden Sie neben ausführlichen Biographien unserer Komponisten auch Klang- und Notenbeispiele sowie einen Überblick über unsere Neuerscheinungen. Das Repertoire der von Peermusic Classical in Deutschland, Österreich und der Schweiz vertretenen Verlage Israel Music Institute (Kauf- und Leihmaterial) und Theodore Presser Co. (Leihmaterial) recherchieren Sie bitte auf www.imi.org.il bzw. www.presser.com. A

Abreu, Zequinha (1880-1935) REVERSO (2009) - Saxophone Quartet Concerto TICO TICO {SATBarSax soli; 2-2-2-2, 2-2-1-0, Timp/Perc, {3-3-3-3, 4-3-3-0, Perc (3), Str} [0:03:30] Str} [0:21:00] Arr: Clifford Colnot SECTIO (2008) TICO TICO (RUMBA) {Fl/AFl/Picc, Ob, Kl/BKl, Fg, Hr, Trp, Pos, Pno, {Ges solo (ad lib); 2-2-2-2, 4-3-3-1, Timp, Perc Perc (1), 2 Vl, Va, Vc, Kb} [0:14:00] (3), Pno, Str} [0:02:25] SHAPED SHARP (2007), A Arr: René Mense {Ssax, Asax, Tsax, Bsax soli; 2 Ob, 2 Hr, Str (min. Adler, Samuel (1928) 6-5-4-3-1)} [0:12:00]

WISDOM COMETH WITH THE YEARS SYMPHONIE DE CHAMBRE (2013) {SATB; 1-1-1-1, 0-3-1-0, Timp, Str} [0:04:30] {1-1-1-1, 1-0-0-0, Str (min. 4-3-2-2-1)} [0:18:00] Text: C. Cullen Aguila, Miguel del (1957) Agobet, Jean-Louis (1968) BROKEN RONDO (RONDÓ ROTO) op. 103 (2010) CLARINET CONCERTINO (2011) {EH solo; 1-0-1-1, 2-0-0-0, Timp, Perc, Hrf, Str {Kl solo; Fl, Fg, Hr, Pos, Perc (1), Vl, Va, Vc, Kb} (min. 8-6-4-4-2)} [0:13:00] [0:15:00] CARIBBEAN BACCHANAL op. 37 (1993) CONCERTO POUR VIOLON (2014) - Chercher ! {3-1-2-2 Asax, 2 Tsax-2, 4-3-3-1, Timp, Perc (4), Trouver ? Hawaiigit, Bjo, BGit, Pno 4hd, Hrf, Str (wahlweise {Vl solo; 2-2-2-2, 2-2-1-0, Timp, Perc, Str (min. statt Tsax I: BKl, statt Tsax II: Fg III, statt 8-6-4-4-3)} [0:20:00] HawaiiGit: EGit/Synth/Ondes Martenot/verstärktes Bjo/Vib, statt Bjo: Hrf, statt BGit: Kb)} [0:15:00] CONCERTO POUR VIOLONCELLE (2009) {Vc solo; 2-2-2-2, 4-2-2-1, Pno/Cel, Perc (3), Str CARIBENA op. 105 (2012) - Große Fassung (min. 8.6.4.4.3)} [0:24:00] {2-2-2-2, 4-2-2-1, Perc (3), Pno, Str} [0:10:30]

CONCERTO SCORREVOLE (2006) CARIBENA op. 105a (2012) - Kleine Fassung {Hr solo; 2-2-2-2, 2-2-2-0, Timp, Perc, Str} {1-1-1-1, 1-1-1-1, Perc (2), Pno, Str} [0:10:30] [0:20:00] CLARINET CONCERTO NO. 2 op. 77 (2003) EXO (2007) - sur des fragments de "Vents" de {Kl solo; 2-2-2-2, 2-2-2-1, Timp, Perc (3), Hrf, Saint-John Perse Pno, Str} [0:25:00] {2 S soli; 3-3-3-3, 4-3-3-1, Timp, Perc (3), Pno, Hrf, Str} [0:21:00] CONCERTO FOR CLARINET AND ORCHESTRA op. Text: Saint-John Perse 34 (1990) {Kl solo; 1-1-1-1, 1-1-1-1, Pno, Perc (2), Str} L' ÉTUDE DES FORCES (1997) [0:20:00] {2 Fl soli; 1-1-1-1, 1-1-1-0, Perc, Hrf, Pno, 2 Vl, Als Op. 34a ist das Werk in einer Fassung für Klarinette und 15 Va, Vc, Kb, Elec} [0:18:00] Instrumente lieferbar.

OCULUS (2014) - An American Prelude for Large CONCERTO FOR VIOLIN AND ORCHESTRA op. 94 Orchestra (2008) {3-3-3-3, 4-3-3-1, Timp, Perc (3), Hrf, Str} {Vl solo; 2-2-2-2, 4-2-3-0, Timp, Perc (4), Hrf, [0:05:00] Cel, Str} [0:30:00] peermusic classical 3 A

Aguila, Miguel del (1957) Aitken, Robert (1939) CONCIERTO EN TANGO op. 110 (2014) BERCEUSE {Vc solo; 2-2-2-2, 2-2-1-0, Timp, Perc (2), Hrf, {Fl solo; 2-2-2-2, 2-2-1-0, Timp, Perc, Str} Pno, Str} [0:18:00] [0:18:00]

CONGA op.44 (1994) LITTLE GROUND FOR MAX, A {2-2-2-2, 3-2-2-1, Perc (5), Pno, Hrf, Str} {Trp, BKl, Perc (2), Pno, Vl, Kb} [0:04:50] [0:11:00] MONODIE CONGA-LINE IN HELL op. 40a (1993) {Fl solo; SATB} [0:12:00] {Fl, Kl, Pno, Perc, 8 Vc} [0:11:00] Text: Karen Aitken

CONGA-LINE IN HELL op. 44 (1993) SHADOWS I: NEKUIA {1-1-1-1, 1-1-1-1, Perc, Pno, Hrf, Str} [0:11:00] {4-4-4-4, 6-4-4-1, Perc (5), 2 Hrf, Str} [0:08:00]

FALL OF CUZCO op. 99 (2009), THE SHADOWS III: NIRA {3-3-3-3, 4-3-3-1, Timp, Perc (4), Hrf, Cel/Pno, {Vl solo, Fl, Ob, Pno, Cemb, Va, Kb} [0:12:00] Str} [0:19:00] SHADOWS V: CONCERTO FOR FLUTE AND STRING GIANT GUITAR op. 91 (2006), THE ORCHESTRA {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:06:00] {Fl solo; 10 Vl, 3 Va, 3 Vc, 1 Kb} [0:22:00]

HEXEN (WITCHES) op. 17 (1987) SOLESMES (2009) {Fg solo; StrO} [0:12:00] {FlO: 6Picc, 8 Fl, 6 AFl, 4 Bfl} [0:09:00]

PIANO CONCERTO op. 57 (1997) SPIRAL {Pno solo; 2-2-2-2, 2-2-2-1, Perc (2), Str} {2-2-2-2, 2-2-0-0, Perc, Str} [0:16:00] [0:20:00] TSUNAMI (2009) REQUIEM op. 30 (1989) {FlO: 6Picc, 8 Fl, 6 AFl, 4 Bfl, Kbfl ad lib} [0:08:00] {S, A, T soli, GCh; Timp, Perc, Org} [0:50:00] Alvarez, Javier (1956) SALÓN BUENOS AIRES op. 102 (2005) METRO CHABACANO {2-2-2-2, 2-2-1-0, Timp, Perc (2), Hrf, Pno/Cel, {StrO} [0:07:00] Str} [0:20:00] QUEMAR LAS NAVES TIME AND AGAIN BARELAS op. 86 (2005) - Opera {Ssax, Trp, Jazztrp, Pos, BGit, Pno, Perc} [0:15:00] in Two Acts {Mez, T, Sch, KCh, GCh; 2-2-2-2, 2-3-2-1, Timp, Aponte-Ledee, Rafael (1938) Perc (3), Pno, Hrp, Str} [1:44:00] IMPULSOS Lib: Miguel del Aguila, Lib: Digby Wolfe {3-3-3-3, 4-2-3-1, Perc (3), Str} [0:11:00]

TOCCATA op. 28a (1988) {1-1-1-1, 2-1-1-1, Perc (3), Pno, Str} [0:08:00]

TOCCATA op. 28 (1988) {2-2-2-2, 4-2-2-2, Perc (6), Pno, Str} [0:08:00]

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Aranaz y Vides, Pedro (1740-1820) Arp, Klaus (1950-2016) LEMON GIRL (LA MAJA LIMONERA), THE - CONCERTINO Kurzoper aus "Four Tonadillas" {Vl solo; 2-2-2-2, 4-2-2-0, Timp, Perc (3), Str} {S, T soli; 1-1-1-1, 1-1-0-0, Timp, Perc, 4 [0:17:00] Mand/Cemb/Pno, Str} [0:16:00] CONCERTO NOSTALGICO Arr: Carlos Surinach, Arr: José Subirá, Lib: Anonymus {Kb solo; 2 Fl, 2 Kl, Perc, Hrf/Cemb, Str} [0:20:00] Ardévol Gimbernat, José (1911-1981) LULLABY, WHY NOT CONCERTO FOR PIANO, WINDS AND PERCUSSION {2 Fl, Kl, BKl, Ssax, Bsax, Hr, 2 Trp, Tpos, Tb, {Pno solo; 1-2-1-1, 2-2-2-1, Timp, Perc} [0:24:00] Mand, Akk, Perc, 2 Vl, 3 Vc} [0:18:00]

CONCERTO GROSSO NO. 2 MAN WITH A HORN, A {2 Vl, Vc soli; 0-2-2-2, 0-2-1-0, Pno} [0:20:30] {Hr solo; StrO} [0:22:00]

LITTLE PIECES, NINE - Homage to Eric Satie MÉMOIRES - Ensemblefassung {3-3-4-Asax-3, 4-4-3-1, Timp, Perc (2), Pno, Cel, {Fl solo; Ob, EH, Kl, BKl, 2 Fg, 2 Hr} [0:12:00] 2 Hrf, Str} [0:22:30] Das Werk existiert auch in einer Fassung für Flöte und Orchester. MÉMOIRES - Orchesterfassung MUSICA DE CAMARA PARA SEIS INSTRUMENTOS {Fl solo; 0-2-2-2, 2-0-0-0, Perc, Hrf, Pno/Cemb, {Fl, Kl, Fg, Trp, Vl, Vc} [0:14:00] Str} [0:12:00] MUSICA PARA PEQUENA ORQUESTA Das Werk exisitiert auch in einer Fassung für Flöte und 8 Bläser {2 Hr, Timp, Perc, Pno (3), Cemb, Cel, Hrf, Str} OGYGIA - Oper in drei Akten [0:24:30] {2 S, 2 Mez, 2 T, 3 Bar, BBar, B soli; GCh; 3-1-3- SUITE CUBANA NO. 1 1, 3-3-3-1, Hrf, 2 Synth DX7, Str} [2:00:00] {3-3-4-3, 4-3-3-1, Timp, Perc, Pno, Str} [0:26:00] Lib: Wolfgang Poch Nach dem Schauspiel "Odysseus auf Ogygia" von Fritz von Unruh SUITE CUBANA NO. 2 PERRADUUM MOBILE {2-2-2-2, 2-2-2-1, Timp, Pno, Str} [0:12:00] {Vl solo; 2-2-2-2, 4-2-2-0, Perc, Str} [0:05:00] SYMPHONIC VARIATIONS TENTETT {Vc solo; 3-2-3-3, 4-3-3-1, Timp, Perc, 2 Hrf, Str} {2 Fl, 2 Ob, 2 Kl, 2 Fg, 2 Hr} [0:20:00] [0:16:30] TRAUM DES IKARUS, DER SYMPHONY NO. 2 {SATB; BFl/BassettHr, Spr ad lib, Cemb/Orgpositiv {4-4-4-4, 6-4-6-2, Timp, Perc, 2 Pno, Cemb, Cel, ad lib} [0:20:00] 2 Hrf, Str} [0:35:00] Text: Diverse Autoren SYMPHONY NO. 3 Arriaga, Juan Crisóstomo de (1806-1826) {4-5-5-4, 8-6-5-2, Timp, Perc, 2 Pno, Str} [0:37:00] ESCLAVOS FELICES, LOS {2-2-2-2, 0-2-0-0, Timp, Str} [0:08:00] TRIPTICO DE SANTIAGO Arr: José de Arriaga {3-3-4-3, 4-4-4-1, 2 Timp, Perc (6), 2 Pno, 2 Hrf, Str} [0:29:30]

peermusic classical 5 A

Arriaga, Juan Crisóstomo de (1806-1826) SINFONIETTA op. 72 SINFONIA IN D-DUR {StrO} [0:13:00] {2-2-2-2, 2-2-0-0, Timp, Str} [0:32:00] Bakhor, Firouz (1942) Arr: José de Arriaga BUKHOROI SHARIF (POEM) (2002) - Große Ascone, Vicente (1897-1979) Fassung MONTES DE MI QUEGUAY {3-3-2-2, 2-2-1-1, Timp, Perc (3), Hrf, Pno, Str} {Ges-m solo; 2 Vl, Va, Vc, Pno} [0:02:30] [0:16:00] Text: Luis Alberto Fernández Orchestersuite aus der Filmmusik "Santa Derwisch" BUKHOROI SHARIF (POEM) (2008) - Kleine OVERTURA PARA SANTOS VEGA Fassung {3-3-3-4, 4-3-3-1, Timp, Perc (2), Pno, Cel, Hrf, {2-2-2-2, 2-2-0-0, Timp, Perc (3), Hrf, Str} Str} [0:05:00] [0:15:30] Austin, Larry (1930) Orchestersuite aus der Filmmusik "Santa Derwisch"

LIFE PULSE PRELUDE CAPRICCIO (2011) - Fassung für Klarinette und {Perc (3), Tonspur} [0:24:00] Streichorchester {Kl solo; StrO} [0:06:00] LIFE PULSE PRELUDE Aus den Sieben Stücken für Violine und Klavier {Perc (20)} [0:24:00] CAPRICCIO (2010) - Fassung für Violine und QUADRANTS - Event / Complex No. 1 Streichorchester {10/12-0-18-3, 4-7/8-6-4, Perc (4), 4 Kb, {Vl solo; StrO} [0:06:00] Tonspur} [0:08:32] Aus den Sieben Stücken für Violine und Klavier Bacri, Nicolas (1961) INDISCHE SUITE (1986) - Große Fassung für zwei CONCERTO NO. 2 op. 65 - für Trompete und Klaviere und Schlagzeug Streichorchester {2 Pno, Perc (4)} [0:20:00] {Trp solo; StrO} [0:10:00] KERZE (SHAM) (1990), DIE - aus der Oper "Omar CONCERTO NO. 3 op. 83 - für Violine und Khayyam" Orchester {T, Perc, Vc solo} [0:10:00] {Vl solo; 2-2-2-2, 2-2-0-0, Timp, Str} [0:28:00] Text: Omar Khayyam Auch für mittlere Stimme lieferbar CONCERTO POUR VIOLON op. 7 {Vl solo; 3-1-2-1, 4-1-2-0, 3 Vl, Va, 3 Vc} KLAVIERKONZERT IN 3 SÄTZEN (2008) [0:17:00] {Pno solo; 3-2-2-2, 4-3-3-1, Timp, Perc (2), Hrf, Str} [0:18:00] DIVERTIMENTO op. 66 {Vl, Pno soli; 2-2-2-2, 2-2-0-0, Timp, Perc (3), LIED VOM OKTOBER op. 15 (1977), DAS - Kantate Str} [0:12:00] für Sopran, Tenor, Chor und Orchester {S, T soli, GCh; 3-2-2-2, 4-3-3-1, Timp, Perc (3), NOTTURNO op. 74 Hrf, Str} [0:12:00] {Ob solo; StrO} [0:05:00] Text: M. Mirschakar SINFONIA CONCERTANTE op. 83a - Fassung des Text: russisch Violinkonzerts Nr. 3 {Vc solo; 2-2-2-2, 2-2-0-0, Timp, Str} [0:28:00]

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Bakhor, Firouz (1942) OUVERTÜRE FÜR ORCHESTER op. 26 (1982) MAHNMAL FÜR EINEN UNBEKANNTEN SOLDATEN {3-2-3-2, 4-3-3-1, Timp, Perc (2), Pno, Str} op. 7 (1969) - Poem für Orchester [0:05:00] {3-2-2-2, 4-3-3-1, Timp, Perc (3), Hrf, Pno, Str} [0:09:00] PRÄLUDIUM UND LENTO FÜR KAMMERORCHESTER op. 35 (2002) - aus der MAQOMI IROQ op. 29 (1988) - Suite für Orchester Oper "Omar Khayyam" (aus "Maqomi Ishq") {1-2-0-1, 0-0-0-0, Cemb, Str} [0:03:30] {3-3-2-2, 2-2-1-1, Timp, Perc (3), Hrf, Pno, Str} [0:12:00] RAGA op. 34a (2001) - aus "Die schöne Duval Rani" MAQOMI ISHQ (MAQOM DER LIEBE) op. 30 {Vc solo; 2-2-2-2, 2-2-1-1, Timp, Perc (4), Hrf, (1989) - Ballett in 2 Akten Pno, Str} [0:08:00] {T, S soli, Maqom-Solisten SATB je 4 unisono + GCh; 3-3-2-2, 2-3-1-1, Timp, Perc (3), Hrf, Pno, RAGA op. 34a (2001) - aus "Die schöne Duval Str} [1:30:00] Rani", Fassung für Cello und Streichorchester Lib: Firouz Bakhor {Vc solo; Tamtam, Str} [0:08:00] Text: tadschikisch. Der Shashmaqam (UNESCO-Weltkulturerbe RUBAYYAT (CHOREOGRAPHISCHE MINIATUREN) 2003), aus dem dieses Werk schöpft, ist eine Sammlung traditioneller Melodien des persischen Mittelalters über Texte von op. 32 (1990) - Ballett in einem Akt Hafis, Jami, Hakim Sanoi, Mullo Burhon Bismilli, Omar Khayyam, {1. Vl solo; StrO; 2. T solo; Perc (1), Vc; 3. Fl, Ob, Kamoli Chujandi und Abu Abdullah Rudaki. Kl, Fg, Hr; 4. 2 Pno} [0:40:00] MAQOMI NAVO op. 23 (1980) - Suite für Orchester 1. Capriccio, 2. Die Kerze, 3. Die Zaubertasche, 4. Marakanda {3-3-3-2, 4-4-3-1, Timp, Perc (3), Hrf, Str} SCHÖNE DUVAL RANÍ op. 21a (1984), DIE - Ballett [0:09:00] in einem Akt nach dem Poem "Duval Raní und MARAKANDA (POEM) op. 8 (1970) Khyzr Khan" von Amir Khusrow Dehlawi {4-2-3-2, 4-3-3-1, Timp, Perc (4), Hrf, Str} {2-2-2-2, 2-2-1-1, Timp, Perc (4), Hrf, Pno, Vc [0:06:30] solo, Str} [0:42:00] Marakanda ist der altgriechische Name der Stadt Samarkand. SCHÖNE DUVAL RANÍ (1980/2013), DIE - Suite für NISSO op. 18 (1979) - Orchestersuite zum Film Orchester "Der erste Morgen der Jugend" {2-2-2-2, 2-2-1-1, Timp, Perc (4), Hrf, Pno, Vc {3-2-2-2, 4-3-3-1, Timp, Perc (2), Hrf, Str} solo, Str} [0:25:00] [0:15:00] SYMPHONIE NR. 1 op. 12 (1973) NOSTALGIE-WALZER (1990) {3-3-3-2, 4-4-3-1, Timp, Perc (3), Str} [0:26:00] {3-2-2-1, 4-3-3-1, Hrf, Str} [0:04:36] SYMPHONIE NR. 2 op. 13 (1976) Komponiert aus Anlass einer Inszenierung der Verskomödie "Gore ot uma" von Gribojedow {StrO} [0:19:00]

OMAR KHAYYAM op. 42 (2002) - Oper in 2 Akten SYMPHONIE NR. 3 "WEBERN-MAQOM" op. 20 nach dem Rubajjat von Omar Khayyam (1980) {S, A (Knabe), T, Bar soli; GCh; 3-3-3-2, 4-3-3-1, {2-2-2-1, 2-2-1-0, Hrf, Pno, Str} [0:20:00] Timp, Perc(3), Hrf, Pno/Cemb, Cel, Mand, Str} [1:10:00] SYMPHONIE NR. 4 "BUZURG" (DER GROßE) op. 22 (1981) Text: Omar Khayyam, Lib: Firouz Bakhor {4-3-3-2, 4-4-3-1, Timp, Perc (4), Hrf, Str} [0:27:30] peermusic classical 7 B

Bakhor, Firouz (1942) Barroso, Ary (1903-1964) TADSCHIKISCHE LIEDER op. 28 (1985), ZWEI BRAZIL {StrO} [0:04:00] {Ges solo (ad lib); 2-2-2-2, 4-3-3-1, Timp, Perc (3), Pno, Str} [0:05:25] TSHARKH (KREIS) op. 33 (1991) - Ouvertüre für Arr: René Mense Kammerorchester {2-2-2-2, 0-0-0-0, Str} [0:04:00] Becerra-Schmidt, Gustavo (1925) CHARIVARI (1979) - eine Liturgie für Drei UNTER DEINER FAHNE (POD ZNAMENEM TVOIM) {Picc, gr. Fl, BFl, Pno, Perc, gr. Tr, Vib, Xilorimba, op. 11 (1973) - Kantate für Sopran, Chor und Cuica, 4 Pk} [0:30:00] Orchester {S solo, GCh; 3-2-3-2, 4-4-3-1, Timp, Perc (3), CONCIERTO PARA DOS GUITARRAS Y Str} [0:10:00] ORQUESTA - Hacia La Libertad Text: M. Rahimi {2 Git soli; 2-2-0-2, 0-2-0-0, Perc, Str (min: 2-2- Bal y Gay, Jesús (1905-1993) 2-2-2, max: 4-4-4-4-4)} [0:20:15] CONCERTO GROSSO KONZERT FÜR SCHLAGZEUG UND ORCHESTER {1-1-1-1, 0-0-0-0, Str} [0:13:30] {Perc solo; 3-3-3-3, 3-4-3-1, Hrf, Str} [0:20:00]

SERENATA ORATORIO MENOR - A Silvestre Revueltas de {StrO} [0:14:20] Mexico Bales, Richard Horner (1915-1998) {Bar solo; Kl/BKl/Asax, Trp, Pno/Akk, Vc, Git/BGit, Perc, Synth} [0:20:00] BENEATH A WEEPING WILLOW'S SHADE Text: Pablo Neruda {Bar solo; 1-1-1-1, 2-0-0-0, Perc, Hrf, Str} Beltrami, Marco (1966) [0:03:30] Text: Francis Hopkinson ISKIOS, CITY OF SHADOWS {1-1-2-1, 1-1-1-0, Perc, Pno, Str} [0:14:00] ELEGY FOR A MASTER {StrO / 2 Vl, 2 Va, 2 Vc, Kb} [0:08:00] SCENES FROM THE KINGDOM OF THE DINAMITEN {3-3-3-3, 3-4-3-1, Timp, Perc (3), Pno/Cel, Hrf, MUSIC OF THE AMERICAN REVOLUTION - Suite Str} [0:20:00] No. 2 Bernal Jiménez, Miguel (1910-1956) {StrO} [0:11:00] CONCERTINO OZYMANDIAS {Org solo; 2-2-2-2, 4-2-3-1,Timp, Perc, Hrf, Str} {S solo; 1-1-2-1, 2-0-0-0, Str} [0:05:00] [0:16:00] Text: Percy Bysshe Shelley Bilik, Jerry H. (1933) Barati, George (1913-1996) AMERICAN CIVIL WAR FANTASY CONFIGURATION {3-2-2-2, 4-3-3-1, Timp, Perc (3), Str} [0:08:00] {3-3-3-3, 4-3-3-1, Timp, Perc (2), Hrf, Str} Bloch, André (1881-1939) [0:13:00] CONCERTO-BALLET SCHERZO {Pno solo; 1-2-1-1, 2-1-0-0, Perc, Str} [0:24:00] {2-2-2-2, 4-2-3-1, Perc (2), Hrf, Str} [0:06:00]

8 peermusic classical B

Bolle, James (1939) JAZZ ANTIPHONY DANCING {4 Trp, 4 Pos} [0:04:51] {2-2-2-2, 2-2-1-0, Timp, Str} [0:14:00] LOST AND FOUND OBOE CONCERTO {Trp/Flghr, Tsax soli; 3-3-3-3, 4-3-3-0, Timp, {Ob solo; 2-1-2-2, 4-1-3-0, Perc, Str} [0:20:00] Perc (2), Str} [0:08:40]

SINFONIA PARATI-PARA {3-3-3-3, 4-3-3-1, Perc, Hrf, Str} [0:30:00] {Ob, Asax, Pno, Perc, Vl, Vc, Kb} [0:14:30] Bonneau, Paul (1918-1995) PATCHWORK PETITE SUITE {1-1-1-1, 1-1-1-0, Perc (2), Pno, Str} [0:07:15] {Pno solo; StrO} [0:07:20] RIVER AND THE BLUE HIPPOPOTAMUS, THE RAPSODIE {Jazzsolist (var. Instr); Fl, Ob, Kl, Fg, Hr, Perc, {Pno solo; 1-1-2-Asax-1, 1-1-0-0, Perc (2), Cel, Pno, Str} [0:12:30] Hrf, Str} [0:12:00] TURNUS Bosmans, Arthur (1908) {3-3-3-3, 4-3-3-1, Timp, Perc, Pno, Str} [0:08:40] CYMBALUM - Rhapsody for Piano and Orchestra UNEXPECTED MOVE (2001) {Pno solo; 3-2-2-Asax,Tsax-3, 4-3-3-1, Timp, {Fl, Kl/BKl, Fg, Trp, Hrf, Pno, Vl, Va, Vc} [0:13:00] Perc (3), Str} [0:12:00] Boulogne, Joseph, Chevalier de Saint Georges DANSE BURLESQUE (1739-1799) {3-2-3-Asax u. Tsax ad lib-2, 4-2-3-1, Timp, Perc CONCERTO NO. 1 Op.2/1 - For Violin and (4), Pno/Cel, Hrf, Str} [0:05:00] Orchestra DANSE DRAMATIQUE {Vl solo; 2 Ob, 2 Hr, Str} [0:16:00] {3-2-3-Asax u. Tsax ad lib-2, 4-2-3-1, 2 Timp, Hg: Dominique-René Lerma Perc (4), Pno, Cel, Hrf, Str} [0:05:30] DE CLEMENGIS LA DOULOUREUSE IMAGE - Duo SOUTH AMERICAN SUITE - Guayaquil aus "Ernestine" {3-3-3-Asax, Tsax-3, 4-3-3-1, Timp, Perc (4), {2 S soli; 2 Ob, 2 Hr, Str} [0:05:00] Pno, Str} [0:15:00] Hg: Dominique-René Lerma, Lib: Valmont de Choderlos de Lacos WISDOM AND DESTINY {3-3-3-3, 4-3-3-1,Timp, Perc, Cel, 1-2 Hrf, Str} SCENA FROM ERNESTINE [0:15:00] {S solo; 2 Ob, 2 Fg, 2 Hr, Str} [0:07:00] Botschinsky, Allan (1940) Hg: Dominique-René Lerma, Lib: Valmont de Choderlos de Lacos DRONNING DAGMAR {2-2-2-2, 2-2-2-0, Perc (2), Str} [0:05:15] SYMPHONY NO. 1 op. 11 Nach dem dänischen Volkslied "Dronning Dagmar Ligger Ud I Ribe {2 Ob, 2 Hr, Str (2. Vl, Va, Basso)} [0:16:00] Syg" Hg: Dominique-René Lerma FANTASIA {Trp solo; 3-3-3-3, 4-3-3-0, Timp, Perc (2), Pno, Str} peermusic classical 9 B

Brown, Charles (1898) Castro, José María (1892-1964) ELEGIE CONCERTO GROSSO {Hr solo; 2-2-3-2, 2-3-3-1, Timp, Perc, Hrf, Str} {2-2-2-2, 2-1-0-0, Str} [0:12:00] [0:08:00] Chailley, Jacques (1910-1999) Camilo, Michel (1954) DAME À LA LICORNE, LA - Ballettsuite BATÉY (1989) {2-2-2-2, 3-3-2-0, Timp, Perc, Pno, Cel, Hrf, Str; {2 S, KontraT, 2 T, B soli; Perc (2)} [0:30:00] Bühnenmusik: Ob, Va, Hrf} [0:35:00] CoA: Tania León, Text: Tania León, Text: Michel REJOINDRE LES ÉTOILES (HIMMELWÄRTS ZU Camilo DEN STERNEN) Campos-Parsi, Héctor (1922-1998) {S solo; StrO} [0:10:00] DIVERTIMENTO DEL SUR Text: Odile Enault, deutsche Übersetzung von Marcel Schneider {Fl, Kl soli; StrO} [0:18:00] Chavchavadze, George (1904) Carter, Elliott (1908-2012) LEGENDE ELEGY - Streichorchesterfassung {2-2-2-2, 4-2-3-1, Timp, Perc, Pno/Cel, Hrf, Str} {StrO} [0:05:00] [0:24:00] Coolidge, Peggy (1913-1982) WARBLE FOR LILAC-TIME {S solo; Fl, 2 Kl, Fg, Hrf, Str} [0:08:00] EVENING IN NEW ORLEANS, AN - Suite aus dem Ballet Text: Walt Whitman {3-2-3-Sax-2, 4-2-2-0, Timp, Perc, Pno, Hrf, Str} Castaldo, Joseph (1927) [0:17:00] ASKESIS NEW ENGLAND AUTUMN {1-1-1-0, 1-1-1-0, Perc, Pno, Str; alle {2-2-2-2, 2-2-1-0, Timp, Perc, Hrf, Str} [0:11:42] Instrumentalisten spielen auch Schlaginstrumente} [0:10:00] PIONEER DANCES FLIGHT {3-2-2-2, 4-3-3-1, Timp, Perc, Hrf, Str} [0:11:30] {Spr; S solo, GCh; 4-4-4-4, 4-4-3-1, Timp, Perc, PIONEER DANCES Pno, Cel, Hrf} [0:30:00] {1-1-2-1, 1-2-1-0, Timp, Perc, Str} [0:11:30] Text: J. Shoemaker PIONEER DANCES LACRIMOSA {StrO} [0:11:30] {StrO} [0:23:00] RHAPSODY FOR HARP AND ORCHESTRA THEORIA {Hrf solo; 3-2-2-1, 4-3-2-0, Timp, Jazz-Perc, Cel, {2-2-2-2, 2-2-2-1, Perc, Pno; alle Vib, Xyl, Glsp, Str} [0:09:00] Instrumentalisten spielen auch Schlaginstrumente} [0:09:40] RHAPSODY FOR HARP AND ORCHESTRA - Fassung für Kammerorchester VIOLA CONCERTO {Hrf solo; 2-1-2-1, 2-2-1-0, Timp, Perc (2), Str} {Va solo; 3-2-3-3, 4-3-3-1, Timp, Perc (4), Hrf, [0:09:00] Cel, Pno, Str} [0:25:00] SPIRITUALS IN SUNSHINE AND SHADOW {3-2-2-2, 4-3-3-1, Timp, Perc, Hrf, Str} [0:11:30]

10 peermusic classical C

Coolidge, Peggy (1913-1982) OBERTURA PANAMENA NO. 2 VOICE, THE {3-2-3-2, 4-3-3-0, Timp, Perc, Str} [0:12:00] {3-2-3-2, 4-3-3-1, Timp, Perc, Hrf, Str} [0:14:00] PAZ-PAIX-PEACE - For Harp and four Trios Cordero, Roque (1917-2008) {Hrf solo; Fl, EH, Kl; AFl, Kl, Fg; Vl, Va, Vc; Va, Vc, ADAGIO TRAGICO - for String Orchestra Kb} [0:18:00] {StrO} [0:09:00] SINFONIA NO. 1 CANTATA PARA LA PAZ (CANTATA FOR PEACE) {3-2-3-3, 4-3-3-1, Timp, Perc (2), Str} [0:30:00] {BBar solo, GCh; 3-3-3-3, 4-2-3-1, Timp, Perc SINFONIA NO. 2 (4), Str} [0:35:00] {3-3-3-3, 4-2-3-1, Timp, Perc, Str} [0:24:00] Text: Roque Cordero SINFONIA NO. 3 - With a Theme and Five CAPRICHO INTERIORANO - Panamanian Folk Variations Ballet Suite {3-2-3-3, 4-2-3-1, Timp, Xyl, Pno, Hrf, Str} {3-2-3-2, 3-2-3-0, Timp, Perc, Str} [0:04:30] [0:16:00] CONCERTO - For Violin and Orchestra SINFONIA NO. 4 - Panamanian {Vl solo; 3-2-3-2, 3-2-3-1, Timp, Perc, Str} {3-3-3-2, 4-3-3-1, Timp, Perc, Str} [0:35:00] [0:29:30] SIX MOBILES DODECACONCERTO {3-3-3-3, 4-3-3-1, Timp, Perc, Hrf, Str} [0:20:00] {1-1-1-Asax-1, 1-1-1-0, Perc, Str} [0:30:00] Cowell, Henry (1897-1965) EIGHT MINIATURES CURSE AND A BLESSING, A {1-1-1-1, 1-1-1-0, Str} [0:11:00] {SBO} [0:06:00] ELEGY OVERTURE {StrO} [0:07:00] {3-2-3-2, 4-3-3-1, Timp, Perc (2), Pno, Str} MENSAJE FUNEBRE [0:10:00] {Kl solo; StrO} [0:09:00] Crockett, Donald (1951) MENSAJES BREVES, CINCO LYRIKOS {3-3-3-2, 4-2-3-1, Timp, Perc, Pno, Str} [0:16:00] {T solo; 2-2-2-2, 2-2-1-0, 2 Hrf, Str} [0:20:00] Text: Gedichte aus der Griechischen Anthologie, übersetzt von K. MOMENTUM JUBILO Rexroth {0-0-0-0, 3-3-3-1, 5 Timp, 2 Congas, Tam, 3 Csonka, Paul (1905-1995) Tom, Gl, 20 Vl, 6 Va/8 Va; Auditorium: 5 Trp, 3 Hr, CONCERTINO Gl} [0:01:30] {Ob, Fg soli; 2-1-2-1, 2-2-0-0, Perc, Pno, Str} MOVIMIENTO SINFONICO (1946) [0:14:00] {StrO} [0:16:00] CUBAN CONCERTO NO. 1 MUSICA VEINTE {Pno solo; 2-2-2-2, 4-2-3-1, Timp, Perc, Cel, Hrf, {2 S, 2 A, Bar soli; 1-1-3-0, 0-1-1-0, Perc (2), 3 Str} [0:07:00] Vl, Va, 2 Vc} [0:11:30] Text: Roque Cordero peermusic classical 11 C

Csonka, Paul (1905-1995) Diamond, David (1915-2005) CUBAN CONCERTO NO. 2 ARIA AND HYMN {Vl solo; 2-2-2-2, 4-2-3-1,Timp, Perc, 2 Pno, Hrf, {3-3-3-3, 4-3-3-1, Timp, Perc, Pno, Hrf, Str} Str} [0:13:00] [0:13:00]

PHANTASTIC VARIATIONS ARIAS FROM THE NOBLEST GAME, SIX {3-3-3-3, 4-3-3-1, Timp, Perc, Pno, Cel, Hrf, Str} {3-3-3-3, 0-0-0-0, Timp, Perc, Str} [0:25:00] [0:20:00] CONCERT PIECE PRISMA SINFONICO {2-2-2-2, 2-3-2-0, Timp, Perc, Pno, Str} [0:11:00] {2-2-2-2, 2-2-1-0, Timp, Str} [0:06:00] CONCERTINO SERENATA {Pno solo; 2-2-2-2, 2-2-2-0, Timp, Perc, Str} {Vc solo; 2-2-2-2, 2-2-0-0, Timp, Pno, Akk, 2 Git, [0:12:00] Str} [0:11:00] CONCERTO SINFONIETTA {Pno solo; 3-3-3-2, 4-2-3-1, Timp, Perc, Str} {StrO} [0:11:30] [0:22:00]

SYMPHONIC ETUDES, TEN CONCERTO FOR SMALL ORCHESTRA (1940) {3-3-3-3, 4-4-3-1, Timp, Perc, Cel, Hrf, Str} {1-1-1-1, 2-1-0-0, Timp, Str} [0:15:00] [0:20:00] CONCERTO FOR VIOLONCELLO Damase, Jean-Michel (1928) {Vc solo; 3-3-3-2, 4-2-2-1, Timp, Perc (2), Pno, CROQUEUSE DE DIAMANTS op. 18, LA - Suite Str} [0:23:00] d'Orchestre {2-1-2-1, 2-2-1-0, Timp, Perc, Pno/Cel, Hrf, Str} CONCERTO NO. 1 [0:16:30] {Vl solo; 3-3-4-3, 4-2-2-1, Timp, Perc (3), Pno, Hrf, Str} [0:25:00] Dediu, Dan (1967) DE CAELO op. 69 CONCERTO NO. 3 {6 Kl} [0:13:53] {Vl solo; 4-3-4-3, 4-3-3-1, Timp, Perc, Pno, Hrf, Str} [0:16:00] Delano, Jack (1914-1997) ENORMOUS ROOM, THE BURUNDANGA - Cantata antillana {3-3-3-3, 4-3-3-1, Timp, Perc, Hrf, Str} [0:11:00] {S, T, Bar soli, GCh; 2-2-2-2, 4-3-3-1, Perc (4), Str} [0:32:00] HEART'S MUSIC Text: Luis Palés Matos {SBO} [0:04:30]

CONCERTINO CLASSICO HEROIC PIECE {Trp solo; 1-1-1-0, 0-1-0-0, Str} [0:17:00] {1-2-1-1, 2-1-1-1, Perc, Str} [0:11:00]

OFRENDA MUSICAL MARTYR, THE {Va, Hr soli; StrO} [0:10:00] {TTBB soli; 2-3-4-3, 4-3-3-1, Timp, Schl, Pno, Deutsch, Nicholas Str} [0:10:00] Text: Herman Melville MALLORCA CONCERTO Auch für Männerchor a cappella lieferbar {Vl solo; 1-1-2-1, 2-2-2-0, Hrf, Perc, Str} [0:11:00]

12 peermusic classical D

Diamond, David (1915-2005) THIS SACRED GROUND MUSIC FOR CHAMBER ORCHESTRA {Bar solo, GCh, KCh; 3-3-3-3, 4-3-3-1, Timp, {2-1-1-1, 2-1-1-0, Timp, Perc, Pno, Hrf, Str} Perc (3), Hrf, Str} [0:17:00] [0:17:00] Text: A. Lincoln

ORCHESTRAL SUITE FROM THE BALLET TOM, TO MUSIC - Choral Symphony FIRST {T, BBar soli, GCh; 3-3-4-3, 6-4-3-1, Timp, Perc, {3-3-3-3, 4-3-3-1, Timp, Perc, Pno/Cel, Hrf, Str} Pno, Hrf, Str} [0:20:00] [0:30:00] Text: J. Masefield, Text: H. Wadsworth Longfellow

OVERTURE WORLD OF PAUL KLEE, THE {3-3-4-3, 4-3-3-1, Timp, Perc, Hrf, Str} [0:04:30] {3-3-3-2, 4-3-3-0, Timp, Perc (4), Cel/Pno, Hrf, Str} [0:12:00] PSALM {3-3-3-3, 4-3-3-1, Timp, Perc (3), Pno/Cel, 2 Hrf, Dickerson, Roger (1934) Str} [0:07:00] ESSAY (1958) {1-1-6-Asax, Tsax, Bsax-1, 4-0-4 Kor-3-0, Perc, SINFONIA CONCERTANTE Kb} [0:09:00] {2-2-1-1, 1-3-3-1, Timp, Perc, Pno, Hrf, Str} [0:23:30] MUSICAL SERVICE FOR LOUIS, A - A Requiem for Louis Armstrong SYMPHONY NO. 1 {3-3-3-2, 4-4-3-1, Timp, Perc (2), Pno, Hrf, Str, {3-3-3-3, 4-3-3-1, Timp, Perc (2), Str} [0:21:00] GCh ad lib} [0:15:00] SYMPHONY NO. 2 NEW ORLEANS CONCERTO (1976) {3-3-3-3, 4-3-3-1, Timp, Perc, Str} [0:34:00] {Pno solo; 3-3-3-2, 4-3-3-1, Timp, Perc, Str, S} SYMPHONY NO. 3 [0:25:00] {3-3-3-3, 4-4-3-1, Timp, Perc (3), Pno, Hrf, Str} Gesang: Vokalisen [0:26:00] ORPHEUS AN' HIS SLIDE TROMBONE SYMPHONY NO. 5 {Spr; 3-3-3-3, 4-3-4-1, Timp, Perc, Pno, Hrf, Str} [0:22:00] {3-3-4-3, 4-4-3-1, 2 Timp, Perc, Pno, Org, Str} [0:17:00] Text: Joanne Greenberg

SYMPHONY NO. 7 QUINTET FOR WINDS {3-3-4-3, 4-4-3-1, Timp, Perc (2), Pno, Hrf, Str} {Fl, Ob, Kl, Hr, Fg} [0:10:00] [0:16:00] Diverse Autoren

SYMPHONY NO. 8 RHYTHM OF BRASIL (2014), THE - Brazilian {3-3-4-3, 4-4-3-1, Timp, Perc (3), Pno, Hrf, Str} Medley [0:28:00] {Ges solo (ad lib); 2-2-2-2, 4-2-3-1, Timp, Perc (3), Cel, Str} [0:09:00] SYMPHONY NO. 11 Arr: René Mense {3-3-3-3, 4-5-3-1, Timp, Perc (4), Pno/Cel, Hrf, Das Potpourri enthält die Titel Tico-Tico No Fuba, Brazil, Manhã Do Str} [0:46:00] Carnaval, Maria Ninguem, Mas Que Nada, Samba Lelê und Samba De Orfeu. TANTIVY {SBO} [0:10:30] peermusic classical 13 D

Dominguez, Alberto CHACONNE CONCERTANTE - Konzert Nr. 2 für PERFIDIA Flöte und Kammerensemble {Ges solo (ad lib); 2-2-2-2, 4-2-3-1, Perc (3), {Fl solo; Perc, Pno/Cel/Cemb, Vl, Va, Vc, Kb} Timp, Pno, Str} [0:05:00] [0:26:20] Arr: René Mense DOPPELKONZERT Donato, Anthony (1909-1990) {Vl, Va/Vc soli; StrO} [0:20:00] EPISODE GOMORRHA: EIN REQUIEM FÜR HAMBURG {3-3-3-3, 4-3-3-1, Timp, Perc, Str} [0:12:00] {Spr; Mez, Bar soli, GCh; 3-2-2-2, 4-2-3-1, Timp, SUITE FOR STRINGS Perc (2), Str} [0:55:00] {StrO} [0:10:30] Text: E. Kleßmann Dorfman, Joseph (1940-2006) IMAGINATIONEN II (1981) - Konzert für CONCERTO FOR CELLO AND ORCHESTRA Altsaxophon und Orchester {Vc solo; 4 Kl, Timp, Cimb, Str} [0:29:00] {Asax solo; 2-2-2-2, 4-2-3-1, Timp, Perc (2), 3 Vl, Va, Vc, Kb (solo)} [0:18:00] CONCERTO FOR VIOLIN AND ORCHESTRA KONTEMPLATIONEN - Konzert für Viola und 4 {Vl solo; 2-2-2-2, 2-2-2-0, Perc (4), Pno, 2 Hrf, Schlagzeuger Str} [0:32:00] {Va solo; Perc (4)} [0:16:30] METAMORPHOSIS OF THEMES BY W. A. MOZART KONZERT FÜR SCHLAGZEUG UND ORCHESTER {StrO} [0:14:00] {Perc solo; 2-2-2-2, 4-2-3-1, Str} [0:19:00] PARTITA KONZERT FÜR VIOLINE UND SCHLAGZEUG- {StrO} [0:22:00] ENSEMBLE Einfeldt, Dieter (1935) {Vl solo; Perc (4)} [0:17:00] AMNESTY - Zyklus nach drei Gedichten von KONZERT FÜR VIOLINE UND STREICHORCHESTER Herbert Enderwitz {Vl solo; StrO} [0:21:00] {Bar solo; 2 Vl, Va, Vc} [0:25:00] Text: Herbert Enderwitz KONZERT FÜR VIOLONCELLO UND 11 Das Werk existiert auch in einer Fassung mit Streichorchester. SOLOSTREICHER AMNESTY - Zyklus nach drei Gedichten von {Vc solo; StrO (min. 3-3-2-2-1)} [0:14:00] Herbert Enderwitz LITANEI {Bar solo; StrO, Perc} [0:25:00] {S, A soli, KnCh; StrO, Perc} [0:22:00] Das Werk existiert auch in einer Fassung mit Streichquartett. Txg: Bibel APOKALYPSE Text: Bibel, Coventry-Litanei der Versöhnung {Kl, Fg, Trp, Pos, Perc, Vl, Kb} [0:21:00] MOBILES BETRACHTUNGEN - Zyklus nach sechs Gedichten {Fl, Kl, Pno, Perc, Vl, Va, Vc, Kb} [0:16:00] von Eckhart Kleßmann NEUE EBB' UND FLUT - Sechs Bilder für Orchester {Mez solo; Fl/Picc, Kl/BKl, Perc, Pno, Vl, Va, Vc, {2-2-2-2, 2-2-2-0,Timp, Perc, Str} [0:29:00] Kb} [0:19:00] Frei nach der Suite "Hamburger Ebb' und Flut" von G. P. Telemann Text: E. Kleßmann

14 peermusic classical E

Einfeldt, Dieter (1935) Enriquez, Manuel (1926-1994) REMINISZENZEN - Konzert für Saxophon und vier EL Y ELLOS (HE AND THEY) Schlagzeuger {Vl solo; 1-0-1-1, 1-1-1-0, Perc (Tom-Tom, 2 {Sax solo; Perc (4)} [0:14:30] Bongos, Tam, small sysp. Cymbal, 5 Cowbells, Der Solist benötigt je ein Sopran-, Alt-, Tenor- und Bariton- Tri, 5 Temple Blocks, Guiro), Str} [0:10:00] Saxophon. OBERTURA LIRICA ROTATION - I. Ballettfassung {3-3-3-3, 4-3-3-1, Perc (3), Hrf, Str} [0:10:00] {Perc (6)} [0:21:00] SI LIBET SCHILDBÜRGER (1982), DIE - Musical für Kinder {3-3-3-3, 4-4-3-1, Timp, Perc (3), Pno, Str} und Orchester nach dem gleichnamigen [0:11:00] Volksbuch {4 Spr, Ges, Ch; Blfl(en), 2 Vl, Vc, Kb ad lib., Git, TRANSICION Pno, Perc (2)} [0:45:00] {2-2-3-3, 4-3-3-1, Perc (3), Str} [0:09:00] Txw: Dieter Einfeldt Fagin, Gary (1951) Geeignet für Kinder ab dem 8.-9. Lebensjahr RAG CONCERTINA SIGNALE - Konzert für Klavier und 4 Schlagzeuger {Pno solo; 1-1-2-Asax, Tsax, Bsax-1, 2-2-2-1, {Pno solo; Perc (4)} [0:21:00] Bjo, Tr, Str (Saxophone ad lib)} [0:12:30] SINFONIA BREVIS Fairouz, Mohammed (1985) {3-3-3-3, 4-2-3-1, Timp, Perc (3), Hrf, Str} AUDENESQUE (2012) - A Song Cycle for Mezzo- [0:20:00] Soprano and Chamber Orchestra SINFONIA DA CAMERA {Mez solo; 1-0-1-1, 1-0-0-0, Perc (1), Pno/Cel, Str} [0:19:00] {Fl (Picc ad lib), Kl, Pos, Perc (2), Pno, Vl, Va, Vc} [0:16:30] Text: W. H. Auden

SINFONIA NOSTALGICA CELLO CONCERTO "DESERT SORROWS" (2015) {1-1-1-1, 1-1-1-0, Perc, Str (auch solistisch)} {Vc solo; 3-3-3-3, 4-4-3-0, Timp, Perc (3), Hrf, [0:25:00] Pno, Str} [0:28:00]

SINFONIA SACRA DOUBLE CONCERTO "STATES OF FANTASY" {StrO} [0:27:00] {Vl, Vc soli; 2-2-2-2, 2-2-0-0, Timp, Str} [0:25:00]

SOMNILOQUIE - Notturno per Orchestra MEMORIAM (2004) - for string orchestra {3-3-3-3, 4-3-3-1, Perc (4), Hrf, Str} [0:13:30] {StrO} [0:10:00]

UNSERE ZEICHEN SEHEN WIR NICHT PIERROT LUNAIRE (2013) {GCh; Org, Perc (3)} [0:19:00] {T solo; Fl, Kl, Vl, Vc, Pno/Cel} [0:45:00] Text: Bibel (aus Psalm 130 und 74) Text: Wayne Koestenbaum English, George Selwyn (1912-1980) SADAT (2013) - Ballet in 5 Scenes BOTANY BAY 1770 {Perc solo; Fl, Kl, Fg, 2 Hr, 2 Vl, Va, Vc, Kb} {3-3-3-3, 4-3-2-1, Timp, Perc (3), Pno, Cel, Hrf, [0:23:26] Str} [0:15:00]

peermusic classical 15 F

Fairouz, Mohammed (1985) SYMPHONY NO. 7 - Epopeya de Mayo SUMEIDA´S SONG - Opera in three acts {3-3-3-3, 4-3-3-1, Timp, Perc, Hrf, Str} [0:40:00] {S, Mez, T, Bar soli; 2-2-2-2, 4-2-3-0, Timp, Fitelberg, Jerzy (1903-1951) Perc, Pno, Str} [1:20:00] CONCERTO NO. 2 SYMPHONY NO. 2 {Pno solo; 3-3-3-3, 4-3-3-1, Timp, Perc, Str} {1-1-1-1, 1-1-1-0, Timp, Perc, Hrf, Pno, Str} [0:20:00] [0:17:00] SYMPHONY NO. 2 - Symphony for Strings SYMPHONY NO. 2 (2009) {StrO} [0:29:00] {1-1-1-1, 1-1-1-0, Timp, Perc (1), Hrf, Pno, Str} 1673112 [0:17:00] Flanagan, William (1926-1969) TAHRIR (2011) CHAPTERS FROM ECCLESIASTES {Kl solo; 2-2-2-2, 4-2-0-0, Timp, Perc, Hrf, Str} {GCh; StrO} [0:14:00] [0:10:00] Text: Bibel

VIOLIN CONCERTO "AL-ANDALUS" (2013) CONCERT ODE, A {Vl solo; 2-2-2-2, 4-2-3-0, Timp, Perc (2), Hrf, {3-3-2-3, 4-3-3-1, Timp, Pno, Hrf, Str} [0:07:45] Pno/Cel, Str} [0:30:00] LADY OF TEARFUL REGRET, THE Fernandez, Oscar Lorenzo (1897-1948) {KolS, Bar soli; Fl, Kl, 2 Vl, Va, Vc, Pno} [0:16:41] BATUQUE - From the Opera "Malazarte" Text: Edward Albee {3-3-3-3, 4-3-3-1, Timp, Perc (2), Str} [0:02:00] WEEPING PLEIADES, THE - Cycle of 5 Songs IMBAPARA: POEMA AMERÍNDIO {Bar solo; Fl, Kl, Pno, Vl solo, Str} [0:13:00] {3-3-3-3, 4-3-3-1, Timp, Perc, Str} Text: A. E. Housman SUITE SINFONICA SOBRE TRES TEMAS Fleischer, Tsippi (1946) POPULARES BRASILEIROS LAMENTATION {3-3-3-3, 4-4-3-1, Timp, Perc (3), Cel, Hrf, Str} {S solo, SSMezA; 2 Hrf, Perc} [0:20:00] [0:35:00] Text: Else Lasker-Schüler Fessel, Hansgünther (1914) Flender, Reinhard David (1953) VALSE RADIONE HERBST (2002) {2-2-2-2, 4-3-3-0, Timp, Perc (3), Pno/Cel, Hrf, {Mez solo; 4-1-3-Asax-0, 3-1-1-0, Timp, Perc (2), Str} [0:04:00] Cel, Hrf, Pno, Str} [0:12:00] Ficher, Jacobo (1896-1978) Text: Else Lasker-Schüler OVERTURE DON SEGUNDO KONZERT FÜR KLAVIER UND ORCHESTER {3-3-3-2, 4-3-3-1, Timp, Perc, Str} (1994/95) SEIS FABULAS op. 59 {Pno solo, 2-1-3-1ASax-1, 1-1-2-1, Timp, Perc {2-2-2-2, 2-2-0-0, Perc, Timp, Str} [0:20:00] (2), Hrf, Str} [0:17:00]

SERENATA LACRIMAE {StrO} [0:20:00] {Kl solo; StrO} [0:12:00]

16 peermusic classical F

Flender, Reinhard David (1953) Friedrichs, Günter (1935) MEIN LIEBER BLAUER REITER (1995) - 14 BEWEGUNGEN szenische Bilder aus dem Leben von Else Lasker- {Pno solo; 1-1-1-1, 1-1-1-0, Perc ad lib, Cel/Org, Schüler Str (solistisch oder chorisch)} [0:15:00] {S solo (Nr. 11, 13 + 14 Tenor ad lib.); 1-0-2- Frost, Donald (1951) Ssax-0, 1-1-1-0, Perc, Cemb, 2 Vl, Vla, Vc, Kb} [1:00:00] CONCERTO NO. 1 {Git solo; 2-2-2-2, 2-0-0-0, Str} [0:17:00] PIRKEI TEHILLIM Fuleihan, Anis (1900-1970) {Mez solo; 2-2-2-2, 3-2-0-1, Timp, Perc (2), Mar, Hrf, Str (min. 4-4-4-4-4)} [0:20:00] COMEDY OVERTURE {3-3-3-3, 4-3-3-1, Timp, Perc, Str} [0:07:00] THRENOS IV (1995) {Vl solo, Perc (2), 2 Pno, StrQui} [0:20:00] CONCERTO Foss, Lukas (1922) {2 Pno soli; 2-2-2-3, 4-2-3-1, Timp, Perc, Str} [0:22:00] CONCERTO {Ob solo; 1-0-1-1, 1-1-1-0, Str} [0:15:00] CONCERTO {Vl solo; 2-2-2-2, 4-3-3-1, Timp, Str} [0:20:00] CONCERTO - Fassung mit Blasorchester {Ob solo; 2-2-5-2 Asax, Tsax, Bsax-2, 2-1-0-0} CYPRUS SERENADES, THREE [0:15:00] {3-3-3-3, 4-3-3-1, Timp, Perc, Cel, Str} [0:13:00] Arr: W. Rhoads DIVERTIMENTO RECORDARE {0-2-1-1, 1-1-0-0, Str} [0:09:00] {3-3-3-3, 4-3-3-1, Timp, Perc (2), Pno/Cel, Hrf, FANTASY (1945) Str} [0:11:00] {Theremin solo; 2-3-2-2, 4-3-3-1, Timp, Str} Frazelle, Kenneth (1955) [0:16:00] ELEGY FIESTA {StrO} [0:11:00] {3-3-3-3, 4-3-3-1, Timp, Perc (2), Str} [0:08:00] PLAYING THE "MIRACULOUS GAME" INVOCATION TO ISIS {3-2-2-2, 2-2-2-0, Timp, Perc, Str} [0:14:30] {3-3-3-3, 4-2-3-1, Timp, Perc, Str} [0:07:00] Frederick, Donald R. MEDITERRANEAN PRAYER OF DEDICATION, A {3-3-4-3, 4-3-3-1, Timp, Perc, Hrf, Str} [0:13:00] {SATB; 1-1-2-2, 2-2-2-0, Timp, Org, Str} [0:04:30] Text: Franz von Assisi PREFACE TO A CHILD'S STORY BOOK Frid, Géza (1904-1989) {3-3-3-3, 4-2-3-1, Timp, Perc, Hrf, Str} [0:08:00] KERMESSE A CHARLEROI op. 44 SYMPHONIE CONCERTANTE {3-2-2-2, 4-3-3-1, Timp, Perc (2), Pno/Cel, Str} {2 Vl, Va, Vc soli; 3-3-3-2, 4-2-3-1, Timp, Str} [0:07:00] [0:27:00]

Fried, Alexej (1922) SYMPHONY NO. 1 GOTISCHES KONZERT (1982) {3-3-3-3, 4-4-3-1, Timp, Perc, Str} [0:22:00] {2-1-2-1, 1-0-0-0, Pno, Perc, Str} [0:13:30] peermusic classical 17 G

Gabaye, Pierre (1930) Garcia, Manuel del Pópulp Vicente (1775- 1832) IMAGES SICILIENNES {2-2-2-2, 2-2-2-0, Timp, Perc, Pno, Cel, Hrf, Str} LOVERS' QUARRELS (EL MAJO Y LA MAJA) - [0:14:00] Kurzoper aus "Four Tonadillas" (Nr. 2) Gabrieli, Giovanni (1557-1613) {S, T soli; 1-1-1-1, 1-1-0-0, Timp, Perc, Cemb/Pno, Str} [0:28:00] SONATA PIAN E FORTE - CANZONA NONI TONI Arr: Carlos Surinach, Arr: José Subirá, Lib: {3-3-3-3, 4-3-3-1} [0:07:10] Anonymus Bearb: Klaus Arp Gelgotas, Gediminas (1986) Galindo Dimas, Blas (1910-1993) AN END IS A BEGINNING (2009) CONCERTO NO. 2 {StrO} [0:06:00] {Pno solo; 3-2-2-2, 4-3-2-1, Timp, Perc, Str} [0:23:00] ECHOES FOR A THOUSAND YEARS (2009) {StrO} [0:07:30] CONCIERTO PARA FLAUTA Y ORQUESTA {Fl solo; 2-2-2-2, 2-2-0-0, Perc (3), Str} [0:20:00] EXTRACULTURAL (2014) - Symphony No. 1 {Keyb, Elec, Ges/Spr (T/Bar/B); 2-2-2-3, 4-3-2-1, NOCTURNO Timp, Perc (3), Str (16-14-12-10-8)} [0:43:00] {3-3-4-2, 4-3-3-1, Timp, Perc, Pno, Hrf, Str} Text: Gediminas Gelgotas [0:10:00] MOUNTAINS. WATERS. (FREEDOM) (2015) POEMA DE NERUDA {2-2-2-2, 4-2-3-1, Timp, Perc, Str} [0:10:00] {StrO} [0:03:45] MOUNTAINS. WATERS. (FREEDOM) (2015) - SEGUNDO CONCIERTO Fassung für Klavier und Streichorchester {Pno solo; 3-2-2-2, 4-3-2-1, Timp, Perc, Str} {Pno solo; StrO} [0:10:00] [0:23:00] Arr: Gediminas Gelgotas

SINFONIA BREVE PARA CUERDAS NEVER IGNORE THE COSMIC OCEAN (2011) - {StrO} [0:15:00] Version for Symphony Orchestra and Voices SINFONIA NO. 2 {FCh/MCh (ad lib), Vl solo; 2-2-2-3, 4-3-2-1, Timp, Perc (2), Str} [0:08:00] {3-3-4-3, 4-3-3-1, Timp, Perc, Str} [0:25:00] UNROBOTIZABLE 21, FREE (2010-2011) SONES DE MARIACHI {StrO} [0:16:00] {3-3-4-3, 4-3-3-1, Timp, Perc, Hrf, Str} [0:08:00] Gianneo, Luis (1897-1968) Galvan, Ventura BLANCA NIEVES - Suite BEGGARS (LOS CIEGOS FINGIDOS), THE - Kurzoper aus "Four Tonadillas" {3-3-3-3, 4-3-3-1, Timp, Hrf, Str} [0:10:00] {S, Mez, Bar soli; 1-1-1-1, 1-0-0-0, Timp, Cemb, OBERTURA PARA UNA COMEDIA INFANTIL Str} [0:16:00] {3-2-2-2, 2-1-0-0, Perc, Cel} [0:05:00] Arr: Carlos Surinach, Arr: José Subirá, Lib: Anonymus VARIACIONES SOBRE TEMA DE TANGO Text (engl.): Roberto Ruiz {2-2-2-2, 2-2-0-0, Timp, Perc (2), Str} [0:08:00]

18 peermusic classical G

Goeb, Roger (1914) Gürsching, Albrecht (1934) PRAIRIE SONGS ACH HERR, SIEHE DOCH: WIE FURCHTSAM SIND {2-2-2-2, 2-2-1-0, Timp, Perc (2), Str} [0:11:00] WIR! Gonzalez Zuleta, Fabio (1920) {SATB} [0:11:15] Text: Bibel SINFONIA NO. 2 {2-2-2-3, 4-3-3-1, Timp, Str} [0:27:00] BALLADE Graham, Robert (1912) {Vl solo; 2-2-2-2, 4-2-3-1,Timp, Str} [0:10:00] VOICES OF CHRISTMAS, THE - Cantata DOMUSIC {Knabenstimme, S, A, T/Bar soli, GCh; StrO, Fl ad {Fl, 2 Vl, Va, 2 Vc} [0:10:40] lib} [0:24:00] DREI PLUS VIER Text: Joan Sistrunk {Kl, Fg, Hr, Vl, Va, Vc, Kb} [0:09:30] Gramatges, Harold (1918) FARBTÖNE DANZAS CUBANAS, DOS {3-3-3-3, 4-4-3-1, Str} [0:10:00] {3-3-3-3, 4-3-3-1, Timp, Perc, Pno, Cel, Hrf, Str} [0:06:30] KONZERT FÜR FAGOTT UND SOLOSTREICHER Grantham, Donald (1947) {Fg solo; 7 Vl, 3 Va, 3 Vc, Kb} [0:18:15]

BOOR, THE - Oper in einem Akt KONZERT FÜR FLÖTE UND STREICHER {S, Mez, T, Bar soli; 1-1-1-1, 1-1-1-0, StrQui} {Fl solo; StrO} [0:16:30] [1:00:00] Lib: Donald Grantham KONZERT FÜR OBOE UND STREICHER {Ob solo; StrO} [0:12:00] FANTASY ON MR. HYDE'S SONG {2-2-2-2, 2-2-1-0, Perc (2), Pno/Cel, Str} KONZERT NR. 2 [0:07:00] {Pno solo; 2-2-2-2, 2-2-1-0, Str} [0:16:30]

FANTASY ON MR. HYDE'S SONG KONZERTANTE SINFONIE {Fl, Kl/BKl, Vl, Vc, Perc, Pno/Cel} [0:07:00] {Hrf, Vc soli; 2-2-2-2, 3-2-3-1, Timp, Str} [0:19:30] SLOBBERIN' GOBLINS {Fl/Picc, BKl, Hr, Perc, Pno/Cel, Vl, Vc} [0:07:00] NACHTIGALLENTRÄNEN {S solo; 2-2-2-2, 4-2-3-0, Str} [0:14:00] TO THE WIND'S TWELVE QUARTERS Text: Anonymus {3-2-2-3, 4-3-3-1, Perc (3), Str} [0:07:00] Text: Japanische Haiku Gruber, Franz Xaver (1787-1863) OKTETT SILENT NIGHT (CHRISTMAS CAROL) {2 Ob, 2 Kl, 2 Fg, 2 Hr} [0:11:30] {Ges-m solo; 2-2-2-2, 4-3-3-0, Timp, Glsp, Hrf, Str} [0:03:00] PAS ENCORE (1972) - Improvisations pour dix Instruments à Vent Arr: Klaus Arp, Text: Joseph Franz Mohr Original: Traditional {2 Fl, 2 Ob, 2 Kl, 2 Fg, 2 Hr} Dauer: variabel

PETITE SINFONIE (1982) {StrO} [0:13:00] peermusic classical 19 G

Gürsching, Albrecht (1934) Halffter, Rodolfo (1900-1987) PICCOLA SINFONIA - Septett Nr. 2 CONCIERTO PARA VIOLIN Y ORQUESTA op. 11 {Kl, Hr, Fg, Vl, Va, Vc, Kb} [0:12:00] {Vl solo; 2-2-2-2, 4-2-3-1, Timp, Perc (2), Str} [0:20:00] POÈMES DE GOSSES {SSAATTBB} [0:07:30] DIFERENCIAS PARA ORQUESTA op. 33 (1970, rev. Text: Dt. Übersetzung der Kinderverse aus "Miracle de l'Enfance" 1975/1985) {2-2-2-2, 4-2-2-1, Timp, Perc (4), Pno, Str} PORTRAIT [0:13:30] {2-2-2-2, 4-3-3-1, Hrf, Str} [0:09:00] DIVERTIMIENTO - Konzertante Suite aus dem QUATRE NOCTURNES Ballett "Don Lindo de Almeria" {Ob solo; 2 Vl, Va, Vc, Kb} [0:16:00] {Fl, Ob, Kl, Fg, Trp, 2 Vl, Va, Vc} [0:10:30]

STOPS - Music for Wind Sextet DON LINDO DE ALMERIA op. 7b - Suite de Ballet {2 Kl, 2 Fg, 2 Hr} [0:10:00] {StrO, Timp, Perc (3)} [0:18:00] Gutierrez del Barrio, Ramon (1903) ELEGIA IN MEMORIAM CARLOS CHAVEZ POSTLUDIO {StrO} [0:07:00] {StrO} [0:11:00] LA MADRUGADA DEL PANADERO (THE BAKER'S YARAVI - Impressiones del Ande MORNING) op. 12a - Suite del Ballet {2-3-2-2, 4-3-3-1, Timp, Perc, Cel, Hrf, Str} {2-2-2-2, 2-2-0-0, Timp, Perc (2), Pno, Str} [0:11:00] [0:15:00] Gutiérrez Heraz, Joaquín (1927) OBERTURA CONCERTANTE POSTLUDIO {Pno solo; 1-2-1-2, 0-1-1-0, Timp, Str} [0:10:00] {StrO} [0:11:00] OBERTURA FESTIVA op. 21 Hajdu, Georg (1960) {2-2-2-2, 2-2-0-0, Timp, Str} [0:10:00] KLANGMORASTE {2-2-2-2, 0-1-1-0, Perc (2), Pno, 2 Vl, Va, Vc} PREGÓN PARA UNA PASCUA POBRE op. 32 (1968) [0:06:00] {GCh; 3 Trp, 3 Pos, Timp, Perc (2)} [0:15:00] Text: Federico Pena SPRUNG (1999), DER - Beschreibung einer Oper - Oper nach einer wirklichen Begebenheit in 5 TRIPARTITA Teilen {3-2-2-3, 4-2-3-1, Timp, Xyl, Perc, Pno, Str} {Spr, 2 S, 2 A, 2 T, 2 B soli; 1-1-1-Sax-1, 1-2-2- [0:12:30] 1, Perc (2), Keyb (3), E-Git, Va, Vc, Kb} [1:20:00] Harrison, Lou (1917-2003) Text: Thomas Brasch CONCERTO (1973) - For Organ with Percussion SPUREN IN DER KÄLTE Orchestra {Akk, Cemb, Hrf, Mand, Git mit Stahlseiten, Pno, {Org solo; Perc (10)} [0:24:00] Kb} [0:07:30] CONCERTO - For Pipa with String Orchestra XYLIS & PHLOË (2000) - Leibesliedkogler kalman {Pipa solo; StrO} [0:20:00] {2 Hr, 4 Trp, 2 Pos, Euph, Tb} [0:08:30]

20 peermusic classical H

Harrison, Lou (1917-2003) SUITE FOR VIOLIN WITH STRING ORCHESTRA - KORO SUTRO (THE HEART SUTRA), LA Arrangement der "Suite for Violin with American {SATB; Gamelan (6)} [0:30:00] Gamelan" Text: Esperanto {Vl solo; Pno, Cel, 2 Hrf, Str} [0:26:00] CoA: Richard Dee, Arr: K. Lewis KORO SUTRO (THE HEART SUTRA), LA {SATB; Perc, Pno, Cel, 2 Hrf, StrO} [0:30:00] SYMPHONY NO. 2 - Elegiac Symphony Arr: K. Lewis {3-3-3-3, 4-3-3-1, Timp, Perc (3), Pno, Wanzen- Text: Esperanto Pno, Cel, Org, 2 Hrf, Str} [0:31:50]

MASS (TO ST. ANTHONY) (1952) SYMPHONY NO. 4 {SATB; Trp, Hrf, Str} [0:25:00] {Bar solo: 3-3-3-3, 4-3-3-1, Perc (4), Cel, Text: Traditional Wanzen-Pno, Hrf, Str} [0:45:00] Text: Daniel-Harry Steward NEW FIRST SUITE FOR STRINGS weitere Texte: indianisch {StrO} [0:16:00] SYMPHONY ON G PACIFIKA RONDO {2-3-3-0, 2-2-2-0, Timp, Perc (3), Pno, Wanzen- {Fl, Picc, Miguk Piris, Pos, Cel, Vib, Pak, BTr, Pno, 2 Hrf, Str} [0:39:30] Chango, Daiko, Elephant Bells, Gongs, Sheng, Psal, Str} [0:25:00] YOUNG CAESAR - Oper in zwei Akten {S, A, 2 T, 5 T/Bar, 3 Bar soli; 6 Sprechrollen; PARADE, A Fl/Picc/Tblfl, Ob/EH, Trp, Perc (5), 2 Hrf, Org, {4-4-4-4, 4-4-4-1, Perc (6), Pno, Cel, Hrf, Str} Wanzen-Pno/Cel, Vl, Va/Vc} [1:30:00] [0:10:00] Lib: Robert Gordon, Bearb: K. Lewis PASTORALES, SEVEN Hartke, Stephen (1952) {2-1-0-1, 0-0-0-0, Hrf, Str} [0:07:00] BULL TRANSCENDED, THE RAPUNZEL - Oper in 6 Szenen {StrO} [0:05:00] {S, A, Bar/B soli; 1-2-1-0, 0-1-1-0, Tam, Pno, Haufrecht, Herbert (1909) Wanzen-Pno, Cel, Hrf, Str} [0:40:00] WALTZ Lib: William Morris {Git, Hrf/Pno, Str} [0:03:40] SOLSTICE Haydn, Joseph (1732-1809) {Fl, Ob, Trp, Pno, Cel, 2 Vc, Kb} [0:30:00] EINIGKEIT UND RECHT UND FREIHEIT SONGS, THREE {SATB; 2-2-2-2, 4-2-3-0, Timp, Perc , Hrf, Str} {TBarB; StrO, Pno, Org} [0:12:00] [0:01:30] Text: Bibel, Text: Walt Whitman Arr: Klaus Arp, Text: Hoffman von Fallersleben Heiden, Bernhard (1910) SUITE FOR CELLO AND STRING ORCHESTRA {Vc solo; StrO} [0:18:00] CONCERTO FOR TUBA AND ORCHESTRA {Tb solo; 3-2-2-2, 4-3-3-0, Perc (2), Str} [0:17:00] SUITE FOR VIOLIN WITH AMERICAN GAMELAN {Vl; Gamelanensemble (6 Spieler)} [0:40:00] CoA: Richard Dee

peermusic classical 21 H

Heiden, Bernhard (1910) ELIBRIS op. 50 - Dawn God of Urardu CONCERTO FOR TUBA AND ORCHESTRA {Fl solo; StrO} [0:08:00] {Tb solo; 3-2-3-Asax, Tsax-2, 4-3-3-Barhr-0, Timp, Perc (2), Kb} [0:17:00] JANABAR (JOURNEY) Arr: Bernhard Heiden {Trp, Pno, Str} [0:35:00] Klavierauszug siehe Tubakonzerte LOUSADZAK (COMING OF LIGHT) RECITATIVE AND ARIA {Pno solo, StrO} [0:20:00] {Vc solo; 2-2-2-2, 3-2-1-0, Timp, Perc (2), Str} PRAYER OF SAINT GREGORY [0:09:00] {Trp solo; StrO} [0:05:00] Heider, Werner (1930) SOSI - Forest of Prophetic Sounds KLANG - RAUM - KLANG {Vl solo, Hr, Timp, Tam, Pno, Str} [0:10:00] {Fl, Ob, Kl, Ssax, Trp, 2 Vl, 2 Va} [0:12:00] SYMPHONY NO. 9 op. 180 - Saint Vartan PANORAMA Symphony {Kl, Fl/AFl/Picc, Pno, Perc, Vl, Va, Vc,} [0:15:00] {0-0-0-Asax-0, 1-4-1-0, Timp, Perc (3), Pno, Str} TECHNOPHONIE [0:36:00] {Fl, Kl, Vl, Va, Vc, Pno, Perc} [0:12:00] SYMPHONY NO. 25 op. 275 - Odysseus Symphony Herrera de la Fuente, Luis (1916) {2-1-1-0, 1-1-1-1, Timp, Perc, Str} [0:36:00]

FRONTERAS SYMPHONY NO. 26 {2-2-2-2, 2-2-0-0, Str} [0:15:00] {3-2-2-2, 4-3-3-1, Timp, Perc (4), Hrf, Str} SONATA PARA CUERDAS [0:35:00] {StrO} [0:12:00] TZAIKERK - Evening Song Hill, Alfred (1890-1960) {Vl solo, 1-2 Fl, Timp, Str} [0:10:00]

CONCERTO FOR VIOLA AND SMALL ORCHESTRA WAY OF JESUS op. 279, THE {Va solo; 1-1-2-1, 2-0-0-0, Timp, Tri, Str} {S, T, B soli, SATB, BarCh; 3-2-2-2, 4-3-3-1, [0:16:00] Timp, Perc (4), Hrf, 3 Git ad lib, Str} [1:26:00] Hohlfeld, Christoph (1922) Text: neues Testament, Text: Alan Scott Hovhaness, Text: Friedrich von Schlegel SINFONIA CONCERTANTE {Fl, Ob, Kl, Hr, Fg; Vl, Va, Vc, Kb soli; 2-2-2-2, 2- ZARTIK PARKIM - Awake, my Glory 2-0-0, Timp, Perc, Str} [0:17:00] {1-0-1-0, 2-1-0-0, Timp, Perc, Pno, Str} [0:15:00] Hoiby, Lee (1926) Huízar García de la Cadena, Candelario (1883- SERPENT (1979), THE 1970) {Ges-m solo; 2-1-1-1, 0-0-0-1, Perc, Hrf, Str} PUEBLERINAS [0:04:00] {3-3-4-2, 4-2-3-0, Timp, Perc (3), 2 Hrf, Str} Text: Theodore Roethke [0:12:00] Hovhaness, Alan Scott (1911-2000) ARMENIAN RHAPSODY NO. 1 {StrO, Perc} [0:06:00]

22 peermusic classical H

Hummel, Franz (1939) OLD SONG DERANGED (1895 / 1903), AN KÖNIG UBU ODER COSÌ FAN TUTTE - Oper in 11 {Kl/EH/Ges, Hrf/Git, Vl/Va, Va, 2 Vc} [0:03:00] Szenen Arr: Kenneth Singleton {S, Mez, A, 2 T, 3 Bar, B soli, klCh: 2-2-2-2, 3-3- 3-1, Timp, Perc, Str} [2:00:00] ORCHESTRAL SET NO. 2 Lib: Roland Lillie {2-0-3-2, 3-5-3-1, Timp, Perc (3), 2 Pno, Gl/Cel, Rgl, Org, Hrf, Akk, Zith, Str, unisono Chor ad lib.} Ibarra, Federico (1943) [0:20:00] SINFONÍA NO. 1 Hg: James B. Sinclair {2-2-2-2, 2-0-0-0, Timp, Str} [0:12:00] RAGTIME DANCES, SET OF FOUR Ives, Charles Edward (1874-1954) {1-1-1-Asax-1, 1-1-1-1, Perc, Gl, Pno, Str} BELLS OF YALE, THE [0:11:15] {Vc, Bar soli; TTBB} [0:04:30] Hg: James B. Sinclair Text: Huntington Mason, Hg: Kenneth Singleton ROBERT BROWNING OVERTURE CALL OF THE MOUNTAINS, THE - Aus dem 3. {3-3-2-3, 4-2-3-1, Timp, Perc (2), Str} [0:24:00] Satz des "String Quartet No. 2" Hg: James B. Sinclair {StrO} [0:11:30] SCENES FROM MY CHILDHOOD (2012), FIVE Arr: J. Dore {Bar solo; 2-2-2-2, 4-2-2-1, Timp, Perc (3), Hrp, CELESTIAL COUNTRY (1898-99), THE - (Tenebris Akk, Str} [0:10:00] vitae in lucem coeli) Arr: Toshio Hosokawa {2 Solo-Gesangsquartette, SATB; Trp, Euph, Timp, Org, StrQ/StrO} [0:37:00] SCHERZO: OVER THE PAVEMENTS Text: Henry Alford {6 Pno} [0:04:44] Arr: Maarten Bon DECORATION DAY - 2. Satz der "Holidays Symphony" SONGS FOR VOICE AND STRINGS (2002), 13 {2-3-2-2, 4-2-3-1, Timp, Perc (2), Str; Picc, 3. Kl {Ges-m solo; StrO} [0:34:20] (Es), 3. Trp ad lib} [0:09:00] Arr: Reinhard David Flender Hg: James B. Sinclair SYMPHONY NO. 1 FROM THE STEEPLES AND THE MOUNTAINS {2-2-2-2-KFg ad lib, 4-2-3-1, Timp, Perc ad lib, {0-0-0-0, 2-2-2-1, Perc (6), Pno} [0:03:00] Str} [0:37:00] Arr: Peter Eötvös Hg: James B. Sinclair

JOHNNY POE SYMPHONY NO. 2 (1897-1901) - New Critical {TTBB; 3-2-3-3, 4-3-3-1, Timp, Perc (2), Pno, Str} Edition 2005 [0:03:30] {3-2-2-3, 4-2-3-1, Timp, Perc, Str} [0:35:00] Hg: John Kirkpatrick, Text: Benjamin R.C. Low Hg: Jonathan Elkus

LARGO SYMPHONY NO. 2: LENTO MAESTOSO (2003) {Vl solo; 2-2-2-2, 2-2-3-0, Timp, Str} [0:05:00] {SBO} [0:03:00] Arr: Anton Plate Arr: Jonathan Elkus

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Ives, Charles Edward (1874-1954) GÄNGE - Ein Stück über Ballett THANKSGIVING AND FOREFATHERS' DAY (1904) - {3-3-3-3, 4-4-3-1, Perc (3), Pno, Wanzen-Pno, 4. Satz der "Holidays Symphony" Cemb, Cel, Hrf, Str} [1:50:00] {3-2-2-3, 4-3-3-1, Timp, Perc (2): Rgl/Cel, Pno, Das Stück wurde für die Uraufführung (Choreographie: William Forsythe, Michael Simon) eingespielt und, elektronisch verfremdet, Str, GCh ad lib} [0:18:00] als Playback verwendet. Hg: Jonathan Elkus JOHN FALSTAFF (1984) - Handlungsballett in 2 THEY ARE THERE! Akten nach Shakespeare {2 Vl, Va, Vc, Tonspur} [0:02:47] {2-2-2-Ssax/Kl-2, 4-3-3-1, Timp, Perc (2), Arr: John Geist Pno/Wanzen-Pno/Cel, Hrf, Str} [1:50:00] Lib: Thomas Jahn, Lib: Heinz Spoerli, Lib: Jürgen UNANSWERED QUESTION, THE Rose {Trp/EH/Ob/Kl; Fl I, Fl II, Fl III/Ob, Fl IV/Kl, Str} [0:07:00] NONETT "ZEITGEIST" Hg: Paul C. Echols, Hg: Noel Zahler {Kl/Asax, Trp, Pos, Git/Bjo, Pno, Perc, Vl, Va, Vc} [0:18:00] UNIVERSE SYMPHONY - realisiert von Johnny Reinhardt ORTE UND ZEITEN (TEMPI E LUOGHI) - Zyklus für {9-2-3-5, 4-5-4-2, Perc (12), Pno/Cel, Org, vier Instrumentalisten Obertonmaschine, Str} [1:03:00] {1.: S, Sprechges, Sprechstimme, chrom MuHa, Dieses Werk gehört nicht mehr zum Katalog von Peermusic Org, div Nebeninstr; 2.: Picc, gr Fl, AFl, BFl, Classical. Näheres zu dieser Fassung erhalten Sie über die chrom MuHa, Kazoo; 3.: Perc, chrom MuHa, American Academy of Arts and Letters. Kazoo; 4.: Git, EGit, EBass, Bjo, chrom MuHa, UNIVERSE SYMPHONY - realisiert von Larry Austin Kazoo, div Nebeninstr} [0:43:00] {4-3-4-3, 4-4-4-1, Perc (24), 2 Pno, Cel, Hrf, Str} Text: I. Bachmann, Catull, P. Härtling, M. L. Kaschnitz, B. Laux, S. Quasimodo, E. Sanguineti, G. Ungaretti, H. Weinrich [0:37:52] RITO / TORTURA - Musiktheater VOTE FOR NAMES! (1912/2012) {Perc (4): 4 gr. Be} [0:10:43] {Spr/Ges/Ch; 2 Fl, Ob, Kl, Trp, Hrf, Str} [0:01:00] Text: Charles Edward Ives, Arr: Reinhard David SUITE PER QUARTETTO DI PERCUSSIONE - Aus Flender dem Ballett "Tis pity she's a whore" Jahn, Thomas (1940) {Perc (4)} [0:20:00] AL FRESCO TIS PITY SHE'S A WHORE - Ballett {Trp, Asax, Pos, BGit, Perc} [0:18:00] {SSATB; SBO, Perc (4)} [1:00:00] Choreographie: W. Forsythe, Thomas Jahn. Nach dem Schauspiel BOAR'S-HEAD TAVERN (1983), THE - Aus der von John Ford Ballettsuite Nr. 1 "John Falstaff" Jaques, Thilo (1967) {2-2-2-2, 4-3-3-1, Timp, Perc (2), Wanzen-Pno, Str} [0:07:00] KONZERT FÜR ORCHESTER UND OBLIGATES HORN Lib: Thomas Jahn, Lib: Heinz Spoerli, Lib: Jürgen Rose {Hr solo; 2-2-2-2, 3-2-0-0, Timp, Perc, Str} [0:23:00] CONTRADE IN FESTE, LE - Marsch aus dem Jiménez Mabarak, Carlos (1916-1994) Ballett "Tis pity she's a whore" BALADA DE LOS QUETZALES {SBO} [0:04:00] {2-2-2-2, 4-2-3-1, Timp, Perc, Pno, Str} [0:15:00]

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Jiménez Mabarak, Carlos (1916-1994) MAD COYOTE MADLY SINGS BALADA DEL PAJARO Y LAS DONCELLAS - Ballad {4 Spr; Tsax, akustischer B, Perc} [0:08:30] of the Bird and the Maidens Text: The Tewa, Text: Allen Ginsberg, Text: The {3-2-3-3, 4-3-3-1, Timp, Perc, Pno, 2 Hrf, Str} Lakota [0:17:00] PAHA SAPA GIVE-BACK, THE BALADA DEL VENADO Y LA LUNA - Ballad of the {Pno, Perc (4)} [0:15:00] Deer and the Moon {3-2-3-3, 4-3-3-1,Timp, Perc, Pno, 2 Hrf, Str} PAHA SAPA GIVE-BACK, THE - Musiktheater [0:17:00] {Sch/Sänger, 4 Stimmen; Kl/BKl, Tsax, Perc (6), Pno, Vl, Vc, Kb} [0:15:00] CONCERTO FOR PIANO AND PERCUSSION Text: The Tewa, Text: Allen Ginsberg, Text: The {Pno solo; Timp, Glsp, Xyl, Perc} [0:12:00] Lakota Kálmán, Emmerich (1882-1953) Enthält u.a. die Konzertstücke: Mad Coyote Madly Sings, We Need to Dream All This Again, The Paha Sapa Give-Back, Woope HEUT NACHT HAB' ICH GETRÄUMT VON DIR (TANGO-LIED) Es-Dur PRESENT MUSIC {Bar sol; 2-1-2-2, 4-2-3-0, Timp, Perc, Pno, Hrf,} {Fl, Kl, Vl, Vc, Pno, Tr, Perc} [0:15:00] [0:05:14] TEETH OF HEAVEN (2001) Text: Alfred Grünwald, Bearb: Franz Xaver {3 Kl, BKl, Pno, Perc} [0:23:00] Gruber, Transp: Karl T. Kogler Nachträglich der Operette "Das Veilchen von Montmartre" WE NEED TO DREAM ALL THIS AGAIN (1993) zugeordnet. Auch in D-Dur und in der Originaltonart F-Dur lieferbar. {Kl/BKl, Trp, Vl, Vc, Perc} [0:11:30] Kapr, Jan (1914-1988) Koch, Erland von (1910) ANACHRON BALLETT-OUVERTURE {2-0-2-0, 0-1-1-0, Perc (2), Pno, Str} [0:10:30] {3-2-2-2, 4-3-3-1, Timp, Perc, Str} [0:05:00] Kasilag, Lucrecia (1918) CONCERTO op. 49 LEGEND OF THE SARIMANOK {Vc solo; 2-1-2-1, 2-1-0-0, Timp, Perc, Str} {1-1-1-2, 1-1-1-0, Timp, Perc (+ philippinisches [0:19:00] Schlagzeug), Cel, Hrf, Str} [0:22:00] CONCERTO LIRICO TOCCATA {StrO} [0:17:00] {Kl, Hr, Trp, Pos, Timp, Perc (8), Pno} [0:10:30] Das Werk existiert auch in einer Fassung für Streichquartett. Kitzke, Jerome (1955) CONCERTO LIRICO BOX DEATH HOLLOW {2 Vl, Va, Vc} [0:17:00] Das Werk existiert auch in einer Fassung für Streichorchester. {S, Bar soli; MCh; EGit, Ob, Kl, Trp, Pos, Perc (2), Vl, Kb} [0:50:00] FANTASIA MELODICA Text: Black Elk, Text: Seattle, Text: Jerome Kitzke {Git solo; StrO} [0:09:00] Das Werk existiert auch in einer Fassung für Gitarre und BREATH AND BONE Bläserquintett. {Akk solo} [0:06:00] KLEINE LYRISCHE MUSIK CHARACTER OF AMERICAN SUNLIGHT, THE {2-1-1-1, 1-0-0-0, Str} [0:12:00] {Pno, Perc (4)} [0:12:00] peermusic classical 25 K

Koch, Erland von (1910) ROCKOS REISEN (2006) - Fassung mit PIANO CONCERTO NR. 2 Symphonieorchester {Pno solo; 2-2-2-2, 2-2-1-0, Timp, Perc, Str} {Git solo, Spr; 2-2-2-2, 2-2-0-0, Timp, Str} [0:23:00] [0:40:00] Text: Peter Korbel SAXOPHONE CONCERTO Krebs, Joachim (1952-2013) {Asax solo; StrO} [0:17:00] "... TIEF UNTEN - TRAUMVERSUNKEN ..." (1979) SKANDINAVISCHE TÄNZE - Nr. 1 - 6 {BKl, 2 Vl, Va, Vc} [0:19:00] {2-2-2-2, 2-2-1-0, Timp, Perc (2), Str} [0:25:00] BRENNEND ERSTARRTE AUGENBLICKE - SKANDINAVISCHE TÄNZE - Nr. 7 - 12 TRIPTYCHON EPITAPH FÜR ORCHESTER (1980) - {2-2-2-2, 4-2-3-0, Timp, Perc (2), Str} [0:30:00] 1. "...in memoriam Rudi Dutschke..." SYMPHONIE NR. 4 op. 51 - Sinfonia Seria {3-3-3-3. 4-3-3-1, Timp, Perc, Hrf, Str} [0:11:00] {2-2-2-2, 4-2-3-1, Timp, Perc, Str} [0:22:00] BRENNEND ERSTARRTE AUGENBLICKE - TRIPTYCHON EPITAPH FÜR ORCHESTER (1980) - TROMBONIA 2. "… im Gedenken an den sterbenden Wald …" {Pos solo; StrO} [0:07:26] {3-3-3-3. 4-3-3-1, Timp, Perc (2), Pno/Cel, Hrf, Kömives, Janos (1932-2009) Str} [0:04:00]

SUITE HONGROISE BRENNEND ERSTARRTE AUGENBLICKE - {2-2-2-2, 3-2-1-0, Timp, Perc, Pno, Cel, Hrf, Str} TRIPTYCHON EPITAPH FÜR ORCHESTER (1982) - [0:07:00] 3. "...in memoriam Rainer Werner Fassbinder..." Korbel, Peter (1956) {3-3-3-3, 4-3-3-1, Timp, Perc (2), Hrf, Pno/Cel, Str} [0:10:00] ROCKO UND DER VERSCHWUNDENE BOGEN (2013) CORO DEI DISCEPOLI DAL "FAUST" DI GOETHE {Git solo, Spr; 2-2-2-2, 2-2-0-0, Timp, Str} (1989) [0:18:35] {GCh; 2-2-3-2, 2-2-2-0, Timp, Str} [0:11:00] Text: Peter Korbel MUSIK FÜR KLEINES ORCHESTER (1979) ROCKO UND DER WEIHNACHTSMANN (2008) - Ein {1-1-1-1, 1-1-1-0, Timp, Perc (2), Pno, Str} dreiteiliges Weihnachtsabenteuer für Gitarre, [0:25:00] Sprecher und Orchester {Git solo, Spr; 1-1-1-1, 1-1-1-0, Perc, Str} MUSIK FÜR SOLO-KONTRABASS UND 8 [1:10:00] INSTRUMENTALISTEN (1985) Text: Peter Korbel {Kb solo; Fl, Kl/BKl, Fg/KFg, Hr, Perc, Vl, Va, Vc} [0:20:00] ROCKOS REISEN (2006) - Fassung mit Kammerochester OFFENE RINGE - Klangskulptur für Orchester {Git solo, Spr; 1-0-0-1, 2-1-1-0, Str} [0:40:00] {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:21:30] Text: Peter Korbel RHIZOM III (1983) ROCKOS REISEN (2006) - Fassung mit {3 Inst ad lib} [0:12:00] Streichorchester {Git solo, Spr; StrO} [0:40:00] Text: Peter Korbel

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Krebs, Joachim (1952-2013) CHRISTMAS SET, A SLOW-MOBILE (1984) {SATB; 1-1-2-1, 1-2-1-0, Perc (2), Pno/Cel, Hrf, {Fl, EH, Kl, BKl, 2 Hr, Fg, KFg, Hrf, Perc (2), Vl, Va, Str} [0:30:00] Vc, Kb} [0:21:00] FOLK SONG SUITE STREICHQUARTETT NR. 1 (1978) {1-1-2-1, 2-2-1-0, Perc, Pno/Cel, Str} [0:10:00] {2 Vl, Va, Vc} [0:24:00] GERALD MCBOING BOING STREICHQUINTETT NR. 1 {Spr; 1-1-1-1, 1-1-0-0, Pno, Perc, Va, Vc} {2 Vl, Va, 2 Vc} [0:21:00] [0:08:30]

STREICHTRIO IN PRAISE OF JOHNNY APPLESEED {Vl, Va, Vc} [0:19:00] {BBar solo, SATB; 2 Pno} [0:25:00] Krouse, Ian (1956) Text: V. Lindsay CONCERTO FOR BASS CLARINET AND LITANY AND PRAYER ORCHESTRA {MCh; 4 Hr, 3 Trp, 3 Pos, Tb, Timp, Perc} {BKl solo; 4-4-3-4, 4-4-2-1, Timp, Perc (5-6), [0:18:00] Cel, Hrf, Str} [0:21:00] Text: Jean Sibelius

CRONICA DEL ULTIMO ANO EN LA VIDA DE UN RECORD OF OUR TIME, A MEXICANO op. 45 (2000) {Spr; S, A, T, B soli, GCh; 2-2-2-2, 4-3-2-1, Perc {Perc solo; 2 Picc, 4 Fl, 2 Ob, EH, 4 Kl, BKl, KbKl, (3), Pno, Str} [0:40:00] SATBarSax, 2 Fg, KFg, 2 Hr, 2 Euph, 6 Trp, 2 Pos, Bpos, Tb, Perc (6), Pno, Kb} [0:20:00] SYMPHONY CONCERTANTE {Trp, Va, Pno soli; 2-2-2-2, 2-1-1-0, Perc, Str} PRELUDE-WEAVER [0:27:00] {3-3-3-3, 4-3-3-1, Perc (5), Str} [0:17:00] SYMPHONY NO. 1 Es-Dur RHAPSODY FOR VIOLIN AND ORCHESTRA {3-3-3-3, 4-3-3-1, Timp, Perc (3), Pno, Cel, Str} {Vl solo; 2-2-2-2, 2-2-2-0, Timp, Perc, Hrf, Str} [0:38:00] [0:22:00] SYMPHONY NO. 2 F-Dur TIENTOS {2-2-2-2, 4-2-3-0, Timp, Perc (2), Pno, Cel ad lib, {Fl solo; StrO} [0:20:00] Str} [0:30:00] Kubik, Gail (1914-1984) Kuri-Aldana, Mario (1931) BACHATA - Cuban Dance Piece PIEZAS, TRES {2-2-2-2, 3-3-3-0,Timp, Perc (3), Pno, Str} {Ob solo; StrO} [0:07:30] [0:05:00] Lampson, Elmar (1952) BENNIE THE BEAVER CANTUS FÜR FLÖTE UND ORCHESTER (2009) - {Spr; 1-1-1-1, 1-1-0-0, Perc (1-3), Pno, Va, Vc} aus Symphonie Nr. 3 [0:07:00] {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:08:00] Text: Marjorie Fischer, Text: Gail Kubik Die Soloflöte wird aus dem Orchester heraus gespielt. CONCERTO FÜR KAMMERORCHESTER (2009) {AFl, Perc (2), StrO} [0:12:00] peermusic classical 27 L

Lampson, Elmar (1952) PASSACAGLIA FÜR GROßES ORCHESTER (2008) - KONZERT FÜR VIOLINE UND ORCHESTER (2014) aus Symphonie Nr. 3 {Vl solo; 2-2-2-3, 4-2-3-0, Timp, Perc (3), Hrf, {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:12:00] Pno, Str} [0:25:00] RONDO (2010-2011) - aus Symphonie Nr. 3 MUSIK FÜR 15 SOLOSTREICHER (2004) {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:15:00] {9 Vl, 3 Va, 2 Vc, Kb} [0:14:30] SAND - Musiktheater MUSIK FÜR GROßES ORCHESTER (2005) {Bar, S, A soli; Sch, 3 Eurythmisten, 12stimmig {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:14:30] GCh; 2 Pno, Perc (2), Str} [1:30:00] Es handelt sich um den ersten Satz der 2. Symphonie. Eine Lib: Elmar Lampson Fassung ohne Bläser ist als "Musik für 15 Solostreicher" lieferbar. SINFONIE NR. 1 IN ZWEI SÄTZEN - Das Traumlied MUSIK FÜR KLAVIER, SCHLAGINSTRUMENTE UND des Olaf Åsteson STREICHER {1. Satz: 2 Vl, Va, Vc soli, Fl, Pno, Timp, Str; 2. {Pno, Perc (2), Str} [0:25:00] Satz: 3-3-3-3, 4-3-3-1, Hrf, Cel, Pno, Timp, Perc MYSTERIENDRAMEN (2009-2010) - 1. Die Pforte (5), Str} [0:30:00] der Einweihung SINFONIETTA FÜR SOLISTENENSEMBLE {Fl, Perc (2), Str} [0:22:00] {0-2-2-2, 1-1-0-0, Vib, Mar, Timp, Perc, Pno, Hrf, Bühnenmusik zu dem gleichnamigen Mysteriendrama von Rudolf Steiner - Die Streicher sind solistisch besetzbar. Vl, Vc, 4 Kb} [0:23:00]

MYSTERIENDRAMEN (2009-2010) - 2. Die STIMMEN DES HERBSTES (2011) Prüfung der Seele {3 Picc, 2 KFg, KbTb, Perc (2), 4 Kb} [0:08:00] {Fl, Perc (2), Str} [0:20:00] SUITE DER SUBSTANZEN Bühnenmusik zu dem gleichnamigen Mysteriendrama von Rudolf Steiner - Die Streicher sind solistisch besetzbar. {2 Pno, Perc (2), 3 Va, Vc, Kb} [0:36:00]

MYSTERIENDRAMEN (2009-2010) - 3. Der Hüter SYMPHONIE NR. 2 (2006) - Gesang des Marsyas der Schwelle {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:30:00] {Fl, Perc (2), Str} [0:19:00] Bühnenmusik zu dem gleichnamigen Mysteriendrama von Rudolf SYMPHONIE NR. 3 (2008 - 2011) Steiner - Die Streicher sind solistisch besetzbar. {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:35:00]

MYSTERIENDRAMEN (2009-2010) - 4. Der Seelen VON DER AUFERSTEHUNG Erwachen {SSAATTBB} [0:09:00] {Fl, Perc (2), Str} [0:44:30] Lara, Agustín (1897-1970) Bühnenmusik zu dem gleichnamigen Mysteriendrama von Rudolf Steiner - Die Streicher sind solistisch besetzbar. GRANADA Es-Dur - Fantasia Espagnola MYSTERIENSZENEN (2009-2011) {Ges-h; 3-2-2-2, 2-3-2-0, Timp, Perc (2), Hrf, Str} {Fl, Perc (2), Str} [1:20:00] [0:05:00] Die Streicher sind solistisch besetzbar. Arr: Chris Hazell

ORCHESTERSTÜCKE, DREI GRANADA D-Dur - Fantasia Espagnola {2-2-2-2, 2-2-2-1, Timp, Perc (3), Str} [0:15:00] {Ges-h; 3-2-3-2, 4-3-3-1(Cimbasso), Timp, Perc (2), Hrf, Str} [0:05:00] Arr: Steven Mercurio

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Lara, Agustín (1897-1970) FICCIONES (Mai/Juni 1980) GRANADA D-Dur - Fantasia Espagnola {3-3-3-3, 4-3-3-1, Timp, Perc, Pno, Hrf, Str} {Ges-h; 3-3-3-2, 4-2-3-1, Timp, Perc (3), Pno, [0:12:00] Hrf, Str} [0:05:00] HACIA EL COMIENZO (TOWARD THE BEGINNING) Arr: Alberto Guinovart {Ges-m solo; 2-3-3-2, 4-2-2-0, Hrf, Str} [0:09:00] GRANADA C-Dur - Fantasia Espagnola Text: Octavio Paz {Ges-m; 3-3-3-2, 4-2-3-1, Timp, Perc (3), Pno, LACRYMOSA Hrf, Str} [0:05:00] Arr: Alberto Guinovart {0-2-1-2, 0-0-4-0, Timp, Perc (4), Str} [0:12:30]

GRANADA D-Dur - Fantasia Espagnola LYHANNH {Ges-h/Vl solo; 2-2-2-2 Asax, Tsax-2, 4-3-3-0, {3-3-3-4, 4-3-3-1, Perc, Pno, Hrf, Str} [0:08:00] Timp, Perc, Str} [0:05:00] REFLEJOS DE LA NOCHE Arr: Henry Sopkin, Arr: Russel Goudey {StrO} [0:10:30] Klavierdirektion statt Partitur! 3. Vl statt Va lieferbar. Lecuona, Margarita (1910-1981) GRANADA E-Dur - Fantasia Espagnola TABU {Ges-h; 3-3-3-2, 4-2-3-1, Timp, Perc (3), Pno, {3-3-3-Asax, Tsax, Bsax-2, 4-3-3-1, Perc (2), Hrf, Hrf, Str} [0:05:00] Str} [0:04:00] Arr: Alberto Guinovart Lee, William F. (1929) Lauridsen, Morten (1943) CONCERTO GROSSO LUX AETERNA {Blechbläserquintett; 3-3-3-3, 3-1-2-0, Hrf, Timp, {SATB; 1-1-1-1, 2-0-1-0, Str} [0:24:00] Perc, Str} [0:11:45]

MID-WINTER SONGS VERI {SATB; 2-2-2-3, 2-1-1-0, Perc, Pno, Hrf, Str} {3-3-3-3, 4-3-3-1, Perc (4), Hrf, Synth, Str} [0:19:00] [0:24:00] Txw: Robert Graves VIGNETTES FOR A FESTIVE OCCASION, EIGHT - A Lavista, Mario (1943) Simul-Sensory Experience ANTIFONIA {Spr; S, Mez, T, B soli, SATB; 4-3-4-3, 4-3-Flghr- {Fl, 2 Fg, Perc (2)} [0:08:00] 4-1, Timp, Perc, Pno, EPno, Cel, EBass, Synth, Str} [0:55:00] AURA - Parafrasis Orquestal de la Opera Text: William F. Lee {3-3-3-3, 4-2-3-1, Timp, Perc, Cel, Hrf, Str} [0:15:00] Leka, Dhora (1923-2007) IN MEMORIAM... GRAZINA FILIPAJTES-LUBOTSKI CLEPSIDRA {StrO, Timp} [0:05:11] {3-3-3-2, 4-2-2-0, Tam, Cel, Hrf, Str} [0:10:00] UVERTURE (2002) CRISTO DE SAN JUAN DE LA CRUZ - Tropo para Salvador Dali {3-3-3-2, 4-3-3-1, Timp, Perc, Hrf, Cel, Str} [0:12:00] {1-1-2-1, 2-1-2-0, Perc (2), Str} [0:16:00]

peermusic classical 29 L

León, Tania (1943) HEART OF OURS - A Piece ACANA {TTBarBarBB; Fl, 4 Trp, Perc (2)} [0:08:00] {2-2-2-2, 2-2-3-0, Perc (2), Pno, Str} [0:13:00] Text: R. Sandecki, anonyme indianische Dichtung (übersetzt von W. S. Merwin) ASCEND (1983) HECHIZOS {4 Hr, 4 Trp, 3 Pos, Tb, Perc (3)} [0:03:00] {Fl/Picc, Ob, Kl in B/Kl in A, BKl/Ssax/Tsax, Hr, BATÁ (1985) Trp, Pos, Perc (2), Pno/Cel/Cemb, Git, Str} {2-2-2-2, 2-2-2-1, Perc (2), Pno, Cel, Hrf, Str} [0:15:00] [0:07:00] HORIZONS BATÉY (1989) {2-2-3-2, 4-3-2-1, Timp, Perc (2), Hrf, Pno, Str} {SSATTBar soli; Perc (3)} [0:30:00] [0:12:00] CoA: Michel Camilo, Text: Tania León, Text: INDÍGENA Michel Camilo {1-1-1-1, 1-1-0-0, Perc, Pno, 2 Vl, Va, Vc, Kb} CARABALÍ (1991) [0:08:00] {3-3-3-3, 4-3-3-1, Timp, Perc (3), Pno/Cel, Hrf, INURA Str} [0:17:00] {GCh, Perc, Str} [0:40:00]

CONCERTO CRIOLLO (1977) INURA (2009) - Manifestacoes {Timp, Pno soli; 2-2-2-2, 4-4-3-0, Perc, Str} {SSSAAATTTBBB, Perc (5), Str} [0:40:00] [0:20:00] Text: Traditional DE-ORISHAS Text bras. - Übersetzungen von Carlos dos Santos {SSKontraTTTBar} [0:09:45] KABIOSILE Text: Tania León, Text: Betty H. Neals {Pno solo; 2-2-2-2, 4-2-3-0, Timp, Perc (2), Str} [0:08:00] DOUGLA - Ballett {2 Fl, Perc (6)} [0:20:00] MAGGIE MAGALITA - Theatermusik für Ensemble K: Geoffrey Holder {Fl, Kl, Vc, Perc (2), Pno, Git} [0:25:00]

DRUMMIN' PARA VIOLA Y ORQUESTA {1-0-1-Ssax, Asax, Tsax-1, 1-2-1-0, Perc (3), {Va solo; 2-2-2-2, 2-2-1-0, Timp, Perc (2), Cel, Pno/Synth, Vl, Va, Vc, Kb} [1:00:00] Str} [0:18:00]

GOLDEN WINDOWS, THE PERMUTATION SEVEN {Fl, Picc, AFl, Ob, EH, Trp, Perc, Pno, Cemb, Str} {Fl, Kl, Trp, Perc, Vl, Vc} [0:15:00] [0:30:00] Text: Richard Wilson PUEBLO MULATO {S solo; Ob, Git, Kb, Perc, Pno} [0:07:00] HAIKU Text: Nicolás Guillén {Spr; Fl, Fg, Perc (5), Git, Koto, Vc, Kb} [0:25:00] Text: Tania León

30 peermusic classical L

León, Tania (1943) Lindsay, Eric (1980) SCOURGE OF HYACINTHS - Oper in 12 Szenen CORONARY DANCE OF THE DESTRUCTIVE SENSE {Mez, 3 T, 3 Bar, B soli; 3 Sprechrollen (davon 2 (2006) vom Band); Fl, Picc, AFl, Kl, Kl in Es, BKl, {SBO} [0:12:00] Asax/Tsax, Fg, KFg, Hr, Trp/Kor, Pos, Perc (3), Pno/Cel, 2 Vl, Va, Vc, Kb (solo oder kleine DARKNESS MADE VISIBLE (2003) Ergänzung)} [1:30:00] {2-2-2-2, 4-2-3-1, Timp, Perc (3), Pno, Str} Lib: Tania León [0:09:00] Text nach dem Hörspiel "A Scourge of Hyacinths" von Wole Soyinka FOUR LEFT FEET {2 Trp, 2 Pos, Hr} [0:09:30] SIN NORMAS AJENAS {Fl/Picc, Ob, Kl, Pno, Perc (2), 2 Vl, Va, Vc} HOPKIN AND THE WIRED NIGHT (2006) [0:12:00] {2 Vl, Va, Vc} [0:11:00]

SOL DE DOCE ONE BEST SYSTEM (2007), THE {SSSAAATTTBBB} [0:07:00] {Fl/AFl, Kl/BKl, Pno, Vc} [0:12:00]

SPIRITUALS, SEVEN REAL MOTHER GOOSE (2004), THE {Bar solo; 2-1-1-1, 2-2-1-1, Perc (2), Pno, Str} {S solo; Fl, Kl, Trp, Pos, Perc, Bj, Git, Pno, Va, Vc} [0:21:30] [0:25:00] Arr: Tania León Text: Traditional Text: Kinderlieder TONES - Ballett {2-2-1-0, 1-0-1-1, Timp, Perc (2), Pno, Str} VAIVÉN (2002) [0:18:00] {T solo; Fl/AFl, Kl/BKl, Fg, Perc, Pno, Vl, Va, Vc, Kb} [0:17:00] Lewensohn, Gideon (1954) Text: Octavio Paz ... UND NOCH ZURÜCKHALTEND Liszt, Franz (1811-1886) {StrO} [0:02:53] Slow Adagietto aus Odradek - A Cycle for String Orchestra VON DER WIEGE BIS ZUR BAHRE {1-1-3-1, 2-1-0-0, Hrf, Str} [0:15:00] MERONIAN ECHOES Bearb: Klaus Arp {2-2-2-2, 4-1-0-0, Timp, Perc (3), Pno, Cel, Hrf, Str} [0:13:00] Loevendie, Theo (1930) A DRAMÉ (1996) ODRADEK - A Cycle for String Orchestra {Picc, Ob, Kl, Djembe, Mar, Pno, Hrf, Vl, Va, Vc, {StrO} [0:37:00] Kb} [0:16:00] SERENADE FOR THREE QUINTETS BACK BAY BICINIUM (1986) {Fl/Picc, Ob, Kl/BKl, Fg, Hr; Perc (2), Cel, Pno, Hrf; {Picc, Kl, Perc, Pno, Vl, Va, Vc} [0:12:00] 2 Vl, Va, Vc, Kb} [0:10:00] BONS VIOLALIVE (2004 (rev. 2006)) - Theater Music in {Improvisator (var Instr) solo; Picc, BKl, Perc (2), Two Acts Pno, Hrf, 2 Vl, Va, Vc, Kb} [0:08:00] {Va solo; 11 Vl, 4 Va, 3 Vc, 1 Kb, Perc} [0:30:00]

peermusic classical 31 L

Loevendie, Theo (1930) JOHNNY & JONES (2001) - Kammeroper in einem CONCERTO FOR CLARINET AND ORCHESTRA Akt {Kl solo; 1-1-0-1, 1-1-1-0, Perc, Pno/Cel, Hrf, Str} {Bar (Doppelrolle), T (Doppelrolle), Mez soli; Mann [0:16:00] in schwarzem Anzug (stumm); Fl/AFl/ Picc, Kl/BKl, Asax, Trp, Pos, Tb, Pno, Perc, StrTrio, Kb} CONCERTO FOR PIANO AND ORCHESTRA [1:05:00] (1995/96) Lib: Carel Alphenaar {Pno solo; 2-2-2-2, 2-1-1-0, Perc (3), Str} [0:20:00] JUBILATION JUMP (2008) - for Tapdancer and Orchestra DAG- EN NACHTEGAAL (1974/2008), DE - {Steptänzer/-in solo; 2-2-2-2, 4-2-2-1, Perc (2), Ensemblefassung Pno, Hrf, Str} [0:12:00] {Spr; Kl, Fg, Trp, Pos, Perc, Vl, Kb} [0:35:00] Text: Kees van Kooten KORAALVARIATIES (2000) - Von der Höhe in die Holländischer Text nach dem Märchen "Die Nachtigall" von Hans- Tiefe Christian Andersen {1-1-1-Asax/Kl-1, 1-1-2-1, Perc (3), Pno, Str} [0:08:00] DAG- EN NACHTEGAAL (1974/2008), DE - Orchesterfassung LAPS (1995) {Spr; 1-1-2-1, 2-1-1-0, Perc (2), Hrf, Str} {Fl/Picc, Kl in B/Kl in Es, Asax, Fg, Trp, Pos, Perc, [0:35:00] Pno, Vc, Kb} [0:11:00] Text: Kees van Kooten Holländischer Text nach dem Märchen "Die Nachtigall" von Hans- LIBERATOR (2008), THE - William Lloyd Garrison Christian Andersen {S, Bar soli; 1-0-1-0, 0-0-0-0, Pno, Perc (1), Vl, ESMÉE (1992) - Oper in zwei Akten Vc} [0:10:00] Der Text zitiert W. L. Garrisons Zeitschrift "The Liberator" - {S, Mez, 2 T, Bar, 2 BBar soli, SATB; 3-3-3-3, 4- zusammengestellt von Nicholas Deutsch. 3-3-1, Perc (5), Pno+Cel, Pno+Harm, Hrf, Str} [1:45:00] MEDITERRANEAN DANCES (1998), TWO Lib: Jan Andries Blokker {8 Vc} [0:10:30]

ESMEE-SUITE: "ONDERGANG" (1998) NACHTIGALL (1974), DIE - Ensemblefassung {3-3-3-3, 4-3-3-1, Perc (4), Hrf, Pno/Cel, Str} {Spr; Kl, Fg, Trp, Pos, Perc, Vl, Kb} [0:35:00] [0:17:00] NACHTIGALL (1974), DIE - Orchesterfassung FIVE DRIVES (2004), THE {Spr; 1-1-2-1, 2-1-1-0, Perc (2), Hrf, Str} {Improvisator (var Instr) solo; 2-2-2-2, 2-3-2-1, [0:35:00] Perc (2), Pno/Cel, Hrf, Str} [0:11:30] Text nach dem gleichnamigen Märchen von Hans-Christian Andersen FLEXIO (1979) NACHTIGALL UND DIE KRACHTIGALL {3-3-4-3, 4-3-3-1, Timp, Perc (5), Pno, 2 Hrf, Str} (1974/2008), DIE - Ensemblefassung [0:17:00] {Spr; Kl, Fg, Trp, Pos, Perc, Vl, Kb} [0:35:00] GASSIR, THE HERO (1990) - Kammeroper in 7 Text: Juri Tetzlaff Szenen Deutscher Text nach dem Märchen "Die Nachtigall" von Hans- Christian Andersen {S, KontraT, T, Bar, BBar, B soli; 1-0-1-1, 1-1-1- 0, Perc (2), Hrf, Vl, Vc, Kb} [0:40:00] Lib: Theo Loevendie

32 peermusic classical L

Loevendie, Theo (1930) Louiguy NACHTIGALL UND DIE KRACHTIGALL LA VIE EN ROSE (1974/2008), DIE - Orchesterfassung {Ges solo (ad lib); 2-2-2-2, 4-3-3-1, Timp, Perc {Spr; 1-1-2-1, 2-1-1-0, Perc (2), Hrf, Str} (2), Hrf, Str} [0:03:00] [0:35:00] Arr: René Mense Text: Juri Tetzlaff Lovelock, William (1899) Deutscher Text nach dem Märchen "Die Nachtigall" von Hans- Christian Andersen CONCERTO RISE OF SPINOZA (2014), THE - Opera in 4 Scenes {Trp solo; 2-2-2-2, 4-0-3-0, Timp, Perc, Str} [0:15:00] {S, KontraT, T, BBar soli; Blfl solo; GCh; 3-3-3-3, 4-3-3-1, Timp, Perc (4), Hrf, Str} [0:50:00] Macht, Robert (1958) Lib: Theo Loevendie PERCUSSION CONCERTO {Perc solo; 2-2-2-2, 2-2-1-0, Perc, Str} [0:10:15] SEYIR (2002) {Suona, Dizi, Sheng, Zheng, Pipa, Ruan/Liuqin, Manuel, Roland (1891-1966) Erhu, Duduk, Kanun, Santur, Tar, Ney, Ud, CONCERTO POUR PIANO ET ORCHESTRE Kamandzja, Kemence, Fl, EH, BKl, Perc (2), Hrf, {Pno solo; 1-1-1-1, 1-1-0-0, Timp, Perc, Str} Vl, Va, Vc, Kb} [0:15:00] [0:14:00] SIC VITA (2007) Maros, Rudolf (1917-1982) {Panfl, Duduk/Peytzold, Erhu, Qanun/Tenor, Perc EUFONIA I (1), Va da gamba, Kb, Mezzosopran soli; 0-0-0-0, {Perc (4), 2 Hrf, Str} [0:11:25] 0-1-0-0, Perc (1), Pno, Hrp, Str} [0:12:00] EUFONIA II SUITE FROM THE OPERA "JOHNNY & JONES" (2001) {SBO} [0:12:30] {Mez, T, Bar soli; 2-1-Asax/BKl, Asax/Kl, 2 Tsax, EUFONIA III Bsax/BKl, 1-4-4-0, Perc (2), Hrf, Pno/Cel, Str} {3-3-3-3, 4-4-4-0, Timp, Perc (4), 2 Hrf, Str} [0:25:00] [0:11:00] Lib: Carel Alphenaar GEMMA - In Memoriam Zoltán Kodály VIOLIN CONCERTO (1998) - Vanishing Dances {2-2-2-0, 4-2-0-0, Str} [0:12:00] {Vl solo; 2-2-2-2, 2-1-1-1, Perc (3), Cel, Hrf, Str} [0:23:00] LANDSCAPES {StrO} [0:08:00] VUELTAS (1997) {StrO, Perc} [0:12:00] MONUMENTUM - In Memoriam 1945 Lopez Capillas, Francisco (1608-1674) {3-3-3-3, 4-4-4-0, Timp, Perc (4), 2 Hrf, Str} [0:14:00] L'AMOUR EST UN BOUQUET DE VIOLETTES - Walzer aus dem Film "Violettes imperiales" MUSICA DA CAMERA PER 11 {Vc solo; 1-1-1-1, 1-0-0-0, Hrf, Str} {Fl/AFl, Kl, Kl/BKl, Perc, Cemb, Hrf, 2 Vl, Va, Vc, Arr: Manfred Grafe Kb} [0:09:30] NOTICES {StrO} [0:08:00]

peermusic classical 33 M

Maros, Rudolf (1917-1982) LEYENDA DE MILIANO SIRATO (LAMENT) {3-2-3-2, 4-3-3-1, Timp, Perc (4), Str} [0:13:30] {Mez solo; 1-1-1-1, 0-0-0-0, Perc, Hrf, Str} [0:07:00] OCTETO MELANDRO {Fl, Ssax, EH, Fg, Perc, Pno, Va, Kb} [0:11:00] TINY CANTATA, A PAISAJES BAJO EL SIGNO DE COSMOS {S, A soli, SAB; Pno, StrO} [0:07:00] Text: Sándor Weöres, Text: Rudolf Maros {2-2-2-2, 4-2-3-1, Perc (5), Hrf, Str} [0:10:00] Márquez, Arturo (1950) PASION SEGUN SAN JUAN DE LETRAN, LA CLAVE DORADA (2015) {1(Pic)-1-2-1; 1-1-1-0; 2Perc-Hrf; Str} [0:06:00] {3-2-2-2, 4-3-3-1, Timp, Perc (4), Hrf, Str} Marshall, Ingram (1942) [0:05:00] ALCATRAZ (1984) CONGA DEL FUEGO NUEVO (2001) {Pno solo; Live Elec, Projektion} [0:35:00] {3-2-3-2, 4-3-3-1, Timp, Perc (4), Str} [0:05:00] BAGHDAD BLUES (2006) DANZÓN NO. 1 {Ob solo, Live Elec} [0:05:00] {1-1-1-Asax-1, 1-1-1-0, Pno, Hrf, Perc (1), 2 Vl, BRIGHT KINGDOMS (2003) Va, Vc, Kb} [0:06:00] {2-2-2-2, 4-3-3-0, Timp, Perc (2), Pno, Str, DANZÓN NO. 2 - Kammerorchesterfassung Tonspur} [0:17:30] {1-1-2-1, 1-1-1-0; Pno, Hrf, Perc (2), Str (1-1-1- CORTES (1973) 1-1)} [0:10:00] {Tonspur} [0:35:00] DANZÓN NO. 3 DARK FLORESCENCE (2005) {Git solo; 0-1-2-1, 1-0-0-0, Hrf, Perc (2), Pno, Str} {2 Git soli; 2-2-2-2, 2-2-2-0, Timp, Perc (2), Pno, [0:13:00] Str} [0:22:00] DANZÓN NO. 3 DARK WATERS (1995) {Fl, Git soli; 2 Kl, 2 Hr, Perc (2), Str} [0:13:00] {EH solo; Live Elec, Tonspur} [0:17:05] DANZÓN NO. 4 EAST IS RED (1975) {2-2-2-Ssax-2, 4-2-3-1, Timp, Perc (3), Pno, Str} {Tonspur} [0:17:00] [0:12:00] EBERBACH (PENITENTIAL VISIONS) (1986) DANZÓN NO. 4 - Fassung für Kammerensemble {Tonspur, Live Elec, Projektion} [0:20:00] {1-1-1-Ssax-1, 1-1-1-0, Pno, Perc (2), Str} [0:10:30] EMPEROR'S BIRTHDAY (1974) {Tonspur} [0:13:45] DANZÓN NO. 5 {Kl, Asax, Vl, Vc, Kb} [0:05:30] FOG TROPES (1973) {2 Trp, 2 Hr, 2 Pos (elektrisch verstärkt), Tonspur} ESPEJOS EN LA ARENA [0:10:00] {Vc solo; 3-2-2-2, 2-0-0-0, Timp, Perc (2), Str} [0:27:00] FOG TROPES 2 (1993) {2 Vl, Va, Vc (elektrisch verstärkt), Tonspur} [0:11:00]

34 peermusic classical M

Marshall, Ingram (1942) SEA TROPES (2007) FRAGILITY CIRCLE (1978), THE {Fl, BKl, Vl, Vc, Mar, Tonspur} [0:11:17] {Live Elec, Synth, Gambuh Fl, Ges} [1:00:00] SIERRAN SONGS (1994) GRADUAL REQUIEM (1981) {Bar, Perc, Live Elec} [0:36:00] {Ges, Mand, Pno, Live Elec, Tonspur} [0:45:00] Text: John Muir, Text: Jack Kerouac, Text: Gary Snyder, Text: Lew Welch HIDDEN VOICES (1989) {S, Tonspur, Live Elec} [0:20:00] SIGHS AND MURMURS (2000) {Tonspur} [0:05:15] HOLY GHOSTS (1996) {Ob d'amore, Live Elec, Tonspur} [0:18:00] SINFONIA (1988) - "Dolce far Niente" {3-3-3-3, 4-3-3-1, Timp, Perc (2), Pno, 2 Hrf; Str} HYMNODIC DELAYS (1997) [0:20:00] {SATB, electric processing} [0:21:00] Text: Isaac Watts SON OF SOE-PA (2008) {Tonspur} [0:05:30] IKON AYIASMA (1976) {Mez, Tonspur, Live Elec} [0:10:00] SPIRITUS (1981) Text: Gunnar Ekelöf {4 Fl/Picc, 3 Vl, 2 Va, Vc, Vib, Cemb/Keyb} [0:12:00] IN DESERTO: BLACK ROCK (2004) {Fg, BKl, Vl, Vc, Git, Mar, Live Elec} [0:17:00] SUNG (1977) {Ges, Tonspur, Live Elec} [0:09:00] IN DESERTO: SMOKE CREEK (2004) {Fg, Vl, Vc, Git, Mar, Live Elec} [0:17:00] THREE PENITENTIAL VISIONS (1986) {Tonspur} [0:26:30] KINGDOM COME (1997) {3-3-3-3, 4-3-3-1, Timp, Perc (2), Pno; Str, VOCES RESONAE (1985) Tonspur} [0:17:00] {2 Vl, Va, Vc, Live Elec} [0:30:00]

MUDDY WATERS (2003) WEATHER REPORT (1974) {BKl, Vc, Kb, Mar, Git, Pno (elektrisch verstärkt)} {Tonspur} [0:12:30] [0:09:30] WOODSTONE (1982) ORPHIC MEMORIES (2006) {Gamelan Ensemble} [0:20:00] {2-2-2-2, 2-2-2-0, Hrf, Str} [0:19:30] Martín Cantero, Edgardo (1915) PEACABLE KINGDOM (1989) FUGAS PARA ORQUESTA DE CUERDAS {2-2-2-2, 0-0-0-0, E-Pno, 4 Vl, 2 Va, 2 Vc, 1 Kb, {StrO} [0:09:30] Tonspur} [0:18:00] SONERAS PARA ORQUESTA ROP PA FJELLET (1976) {3-3-3-2, 4-3-3-1, Timp, Perc, Hrf, Str} [0:14:00] {Tonspur, Live Elec} [0:07:00] Martinon, Jean (1910-1976) SAVAGE ALTARS (1991) ESQUISSE POUR UNE SYMPHONIE {SATB, Tonspur} [0:20:00] INSURRECTIONNELLE {2-2-2-2, 4-3-3-0, Timp, Perc, Cel, Hrf, Str} [0:08:00] peermusic classical 35 M

Martinu, Bohuslav (1890-1959) HUAPANGO - Fassung für Kammerorchester ESTAMPES {1-1-2-1, 2-2-1-0, Perc (1), Pno, Str} [0:07:30] {3-3-2-2, 4-2-3-0, Timp, Perc (2), Pno, Hrf, Str} [0:20:00] PIEZAS PARA ORQUESTA, TRES {3-2-3-2, 4-3-3-1, Timp, Perc, Str} [0:25:00] INTERMEZZO SINFONIETTA {2-2-2-2, 4-2-3-0, Timp, Perc, Pno, Str} [0:10:00] {3-2-3-2, 4-2-1-1, Timp, Perc, Str} [0:10:40] Mata, Eduardo (1944-1995) IMPROVISACIONES NO. 2 TIERRA DE TEMPORAL {2 Pno soli; StrO} [0:04:00] {3-3-2-2, 4-3-3-1, Timp, Perc, Hrf, Str} [0:13:00] Menezes (Jorge Ben), Jorge (1942) Montsalvatge, Xavier (1912-2002) MAS QUE NADA CANCIONES NEGRAS, CINCO {Ges solo (ad lib); 2-2-2-2, 4-2-3-1, Timp, Perc {Ges-m solo; 2-2-3-2, 2-2-2-0, Timp, Perc (2), (2), Str} [0:03:30] Pno, Cel, Hrf, Str} [0:13:00] Arr: René Mense Text: R. Alberti, Text: Nicolás Guillén, Text: Néstor Luján, Text: Idelfonso Pereda Valdés Misón, Luis (1727-1766) CONCERTO BREVE BY THE INN'S GATE (UNA MESONERA Y UN ARRIERO) - Kurzoper aus "Four Tonadillas" (Nr. 3) {Pno solo; 2-2-3-2, 4-2-3-0, Timp, Perc (3), Vib, Xyl, Str} [0:24:00] {S, Bar soli; 1-1-0-1, 1-1-0-0, Timp, Perc, Pno, 4 Mand/Cemb, Str} [0:12:00] GATO CON BOTAS (DER GESTIEFELTE KATER), Arr: Carlos Surinach, Arr: José Subirá, Lib: EL - Oper in zwei Akten Anonymus {S, Mez, T, Bar, B soli; 2-2-2-1, 4-2-3-1, Timp, Mittmann, Jörg-Peter Perc, Cel, Hrf, Str} [1:15:00] Lib: Néstor Luján, Üb: Mechthild von Schoenebeck … MIT BACH (2002/2009) - Annäherung an Johann Sebastian Bachs Choral "Jesus bleibet GATO CON BOTAS (DER GESTIEFELTE KATER), meine Freude" - Orchesterfassung EL - Oper in zwei Akten - Fassung für {1-1 (EH) -1-1, 0-0-0-0, Vib, Perc, Hrf, Str} Kammerensemble [0:11:00] {S, Mez, T, Bar, B soli; 1-1-1-1, 1-0-0-0, Perc, CoA: Johann Sebastian Bach Pno, 2 Vl, Va, Vc, Kb} [1:15:00] Moncayo García, José Pablo (1912-1958) Arr: Alberto Guinovart, Lib: Néstor Luján, Üb: Mechthild von Schoenebeck AMATZINAC {Fl solo; StrO} [0:08:00] INVOCACIONES AL CRUCIFICADO, CINCO {S solo; 3 Fl, Timp, Perc, Hrf, Pno, Cel, Kb} CUMBRES [0:23:25] {2-2-2-2, 4-2-3-1, Timp, Perc, Hrf, Str} [0:10:30] ORCHESTRAL SUITE FROM THE OPERA EL GATO HOMENAJE A CERVANTES CON BOTAS {2 Ob, Str} [0:10:00] {2-2-2-1, 4-2-3-1, Timp, Perc, Cel, Hrf, Str} HUAPANGO [0:22:00] {3-2-3-2, 4-3-3-1, Timp, Perc (3), Hrf, Str} [0:07:30]

36 peermusic classical M

Montsalvatge, Xavier (1912-2002) Musorgskij, Modest Petrovic (1839-1881) POEMA CONCERTANTE BILDER EINER AUSSTELLUNG {Vl solo; 2-2-2-2, 2-2-2-0, Timp, Perc, Hrf, Str} {Fl, Ob, Kl, Fg, Hr, 2 Vl, Va, Vc, Kb} [0:35:00] [0:14:00] Bearb: Klaus Arp Moore, Carman (1936) PICTURES FROM THE CRIMEA AMERICAN NEBULA, THE - Cantata {3-3-3-3, 4-2-3-1, Timp, Perc (2), Hrf, Str} {SATB; 2-1-4-Ssax, Tsax, Barsax-1, 4-1-2 Kor-3- [0:13:43] Barhr-1, Timp, Perc, Pno, Hrf, EGit, Synth, Str} Arr: Walter Goehr [0:35:00] Musto, John (1954) Text: Carman Moore CONCERTO FOR PIANO AND ORCHESTRA GOSPEL FUSE {Pno solo; 2-2-2-2, 2-2-2-0, Timp, Perc, Str} {2 S, 2 A soli; 2-3-4-Ssax-3, 4-3-3-1, Timp, Perc, [0:25:00] Pno, EOrg, Hrf, Str (EBass)} [0:23:00] Text: Carman Moore DOVE STA AMORE {S solo; 2-2-2-2, 2-0-0-0, Perc, Str} [0:15:00] HIT - A Concerto for Percussion and Orchestra {Perc (6) soli; 3-3-3-2, 4-3-3-1, Timp, Str} ENCOUNTERS [0:21:00] {T solo; 2-2-2-2, 2-2-2-0, Timp, Perc, Pno, Cel, Hrf, Str} [0:22:00] TONE ROADS TO HONG KONG - Four Movements Text: E. E. Cummings, Text: D. H. Lawrence, Text: for a Fashionable Five-Toed Dragon J M. Synge {Fl/Ssax/Tsax, Pno/EPno/Cemb/Synth, EGit/Pipa, BGit/Kb, Perc; 2-2-1-1, 2-2-1-1, Perc (2), Hrf, OVERTURE TO THE OPERA "POPE JOAN" Str} [0:55:00] {2-2-2-2, 2-2-2-1, Timp, Perc (2), Cel, Hrf, Str} [0:04:00] WILDFIRES AND FIELD SONGS {4-5-4-Asax-4, 4-4-4-1, Timp, Perc (3), Hrf, Str} STARSONG [0:20:45] {SATB; Hrf, 2 Hr} [0:08:00] Morel, Jorge (1931) Text: Carl Sandburg SUITE DEL SUR STARSONG {Git solo; 2-1-0-0, 2-0-0-0, Perc, Str} [0:22:00] {SATB; Pno 4hd} [0:08:00] Moreno Torroba, Federico (1891-1982) Text: Carl Sandburg DANZAS ASTURIANAS VOLPONE (2003) - Oper in zwei Akten {2-2-2-2, 4-2-3-0, Timp, Perc, Cel, Str} [0:18:00] {3 S, 2 Mez, 3 T, 2 Bar, BBar, B soli; 2 Sch (stumm), 2-2-2-2, 2-0-0-0, Perc (2), Str} [2:00:00] MADRILENAS Lib: Mark Campbell {2-1-2-1, 2-2-3-0, Timp, Perc, Hrf, Str} [0:09:00] Nairn, Richard (1930-1985) Müller, Alfred Thomas (1939) CANTALENA UND SALTARELLO (1982) EPIPHANIE (1994) {2 Trp, Hr, Pos, Bpos/Tb} [0:05:45] {Fl/AFl/Picc, Ob/EH, Kl, BKl, Hr, Pos, Perc (2), Pno/Synth, Va, Vc, Kb} [0:17:00]

peermusic classical 37 N

Nemtsov, Sarah (1980) MONTE GELBOE - Lamentacion de David A LONG WAY AWAY. PASSAGEN (2010-2011) - {Spr; T solo; 2-2-2-2, 4-3-0-0, Timp, Perc (6), Nr. 4 "A Long Way Away" Cemb, Cel, Hrf, Str} [0:17:00] {Fl, Kl, Vl, Vc, Kb, Pno, Cemb, Perc, Assistent} Text: Bibel (2. Buch Samuel) [0:15:00] PARTITA NO. 2 (1964, rev. 1970) A LONG WAY AWAY. PASSAGEN (2010-2011) - {Vib, Cel,Cemb, Harm, 2 Vl, Va, Vc} [0:09:00] Nr. 6 "Luftmacumba / Rio" PARTITE NO. 4 - Symphonic Movement for Piano {Bfl, Vl, Vc, Kb, Pno, Hrf, Perc (solo), 2 Assistenten and Orchestra ad lib} [0:11:00] {Pno solo; 2-2-2-2, 4-3-3-0, Timp, Perc (3), Str} L'ABSENCE (2006 - 2008) - Oper in 5 Akten (mit [0:25:00] Prolog, 4 Zwischenspielen und Epilog) VERSIONES SINFONICAS, TRES {S, Mez, A, Altus, 2 T, 2 Bar, Bbar, B, 2 (3) Knaben, Spr, Tänzerin soli; 2-1-1-1, 0-1-2-1, {4-2-4-4, 4-4-3-1, Timp, Perc, Pno, Cel, Hrf, Str} Zimbalum, Akk, Perc (2), Str, Tonspur} [1:40:00] [0:23:00] Lib: Edmond Jabès, Üb: Henriette Beese Orrego-Salas, Juan (1919) Libretto nach "Le Livre des Questions" von Edmond Jabès, dt. QUATTRO LIRICHE BREVI Übersetzung "Das Buch der Fragen" von Henriette Beese, Textauswahl und - zusammenstellung von Sarah Nemtsov {Asax solo; 1-1-2-0, 1-1-0-0, Perc, Str} [0:17:00]

TREPPEN IM MEER (2012) - 11 Absätze für Ortleb, Willy (1899-1972) Orchester BURLESKE FÜR WALDHORN UND ORCHESTER {2-1-1-1, 0-1-2-1, Zimbalum, Akk, Perc (2), Str {Hr solo; 2-2-2-2, 2-2-3-0, Timp, Perc, Hrf, Str} (min. 4.4.3.3.2)} [0:28:00] [0:09:00] Nova, Jacqueline (1938) Palester, Roman (1907-1989) MOVILES PARA CONJUNTO DE CAMARA, 12 ADAGIO FOR STRING ORCHESTRA (1955) {6 Vl, 2 Va, 2 Vc, Kb, Pno} [0:09:00] {StrO} [0:06:30] Orbón, Julián (1925-1991) Palmer, Robert (1915) CANTIGAS DEL REY, TRES ABRAHAM LINCOLN WALKS AT MIDNIGHT {S solo; Cemb, Perc, 2 Vl, Va, Vc} [0:10:00] {GCh; 3-3-2-2, 4-3-3-1, Timp, Str} [0:12:00] Text: D. Alfonso Text: V. Lindsay

DANZAS SINFONICAS CHAMBER CONCERTO NO. 1 {3-2-2-2, 4-3-0-0, Timp, Perc (4), Pno, Cel, 2 Hrf, {Vl, Ob soli; StrO} [0:13:30] Str} [0:18:00] MEMORIAL MUSIC HOMENAJE A LA TONADILLA - Divertimento on {1-1-1-1, 2-1-1-0, Str} [0:13:00] Themes of Spanish Composers of the 18th Century VARIATIONS, CHORALE AND FUGUE {5-5-5-4, 4-3-3-1, Timp, Perc (4), Cel, Hrf, Str} {3-3-3-3, 4-3-3-1, Timp, Str} [0:21:00] [0:16:00] Paz, Juan Carlos (1897-1972) MUSICA PARA PIANO Y ORQUESTA {Pno solo; 3-3-4-Ssax-3, 4-3-3-1, Timp, Perc (2), Pno, Cel, Str} [0:15:00]

38 peermusic classical P

Paz, Juan Carlos (1897-1972) PASSACAGLIA OBERTURA PARA DOCE INSTRUMENTOS op. 19 {2-2-2-2, 4-2-3-0, Timp, Hrf, Str} [0:12:00] {1-1-1-1, 2-1-1-0, Str} [0:06:00] Ponce, Manuel M. (1882-1948) Peña, Angel (1921) CHAPULTEPEC - Tres Bocetos Sinfonicos CONCERTO {3-2-3-2, 4-3-3-1, Timp, Perc (3), Cel, Str} {Kb solo; 2-2-2-2, 4-2-3-0, Timp, Perc, Hrf, Str} [0:14:00] [0:20:00] CONCERTO FOR VIOLIN AND LARGE ORCHESTRA IGOROT RHAPSODY {Vl solo; 3-2-2-2, 4-3-3-1, Timp, Cym, Str} {3-2-2-2, 4-3-3-1, Timp, Perc (2), Str; [0:22:00] philippinische Volksinstrumente} [0:11:00] CONCIERTO DEL SUR PRELUDE AND FUGUE NO. 2 {Git solo; 1-1-1-1, 0-0-0-0, Timp, Str} [0:22:30] {StrO} [0:05:00] CONCIERTO ROMANTICO Perry, Julia (1924-1979) {Pno solo; 2-2-2-2, 2-2-3-1, Timp, Str} [0:19:00] CASK OF AMONTILLADO, THE - Oper in einem Akt ESTAMPAS NOCTURNAS - Symphonic Suite {Mez, T, Bar soli; FCh; 2-2-4-1, 2-1-1-1, Timp, Perc (2), Pno, Hrf, Str} [0:30:00] {StrO} [0:18:00] Lib: Julia Perry FERIAL - Symphonic Divertissement Text nach der gleichnamigen Erzählung von Edgar Allan Poe {3-3-3-2, 4-3-3-1, Timp, Perc, Cel, Str} [0:14:00] FRAMMENTI DALLE LETTERE DI "SANTA GAVOTA CATERINA" {2-1-1-1, 2-0-0-0, Timp, Str} [0:04:30] {S solo, SATB; 1-2-2-2, 1-1-1-0, Timp, Perc, Hrf, Str} [0:10:00] INSTANTANEAS MEXICANAS {2-2-2-2, 4-2-3-1, Timp, Perc, Str} [0:09:00] HOMAGE TO VIVALDI {3-2-2-2, 5-2-2-0, Timp, Perc, Hrf, Str} [0:07:30] POEMA ELEGÍACO {2-2-2-2, 4-2-3-1, Timp, Perc, Str} [0:09:30] SHORT PIECE, A {3-3-3-3, 4-3-2-1, Timp, Perc, Pno/Cel, Hrf, Str} SUITE EN ESTILO ANTIGUO [0:08:00] {1-1-1-1, 4-0-0-0, Str} [0:10:00] SHORT PIECE, A - reduced orchestration Qu, Xiao-Song (1952) {2-2-2-2, 2-2-2-0, Timp, Perc, Pno, Str} [0:08:00] CLEAVING THE COFFIN - Cantata STABAT MATER {S, 2 T soli, GCh; 2-2-2-2, 4-2-2-1, Perc, Str} [0:47:10] {A solo; 2 Vl, Va, Vc o. StrO} [0:20:00] Text: Gao Xingjian Text: Jacopone da Todi Pisk, Paul (1893-1990) CONCERTO FOR CELLO AND ORCHESTRA {Vc solo; 3-2-2-3, 4-3-3-1, Timp, Perc, Hrf, Pno, BAROQUE CHAMBER CONCERTO Str} [0:19:30] {Va solo; Fl, 2 Ob, Fg, Str} [0:10:00] Orig.: H. Eccles, G. Valentini CONCERTO FOR CELLO AND SMALL CHAMBER ENSEMBLE {Vc solo; Vl, Va, Pno, Perc} [0:19:30] peermusic classical 39 Q

Qu, Xiao-Song (1952) JI #5 - Poh Shi (Broken Stone) CURSIVE (2001) {Koto/Git, Sho/MuHa, 2 Vl, Va, Vc} [0:15:45] {Vc, Perc (3)} [0:58:00] JI #6 - Flowing Sands Ballettmusik - vom Autor auch für konzertante Aufführung vorgesehen {Pno, Mar, Git / Perc (3)} [0:13:00]

DEATH OF OEDIPUS, THE - Kammeroper in einem LIFE ON A STRING - Kammeroper in einem Akt Akt {B solo; Fl/Picc/BFl/chinesischer Gong, {2 S, T, BBar, B soli; BCh; Fl, Ob, Kl, Perc, Mand, Ob/EH/chinesischer Gong, Kl/BKl/chinesischer Git, Pno, Hrf, Str} [0:43:00] Gong, Perc (3), San-xian/chinesischer Gong, 2 Lib: Xiao-Song Qu Vl/Naobo, 2 Va/Naobo, 2 Vc/Chuanbo, Kb/chinesischer Gong} [1:10:00] FANG YAN KOU Lib: Xiao-Song Qu, Lib: Lan Wu {MSti; MCh; Perc (3), StrO} [0:12:00] Libretto nach einem Roman von Shi Tie-seng und einem Stück von Text: Xiao-Song Qu Guan Hyn-Qing Text nach buddhistischen rituellen Texten MIST FANG YAN KOU {S solo; Fl/Picc/AFl, Kl/BKl, Perc, Pno, 2 Vl, Va, Vc} {MSti solo; Perc (3)} [0:12:00] [0:19:30] Text: Xiao-Song Qu Text: QU, Xiao-Song, nach einem Gedicht von Cai Wenji (162-229) Text nach buddhistischen rituellen Texten MIST FANG YAN KOU {S, Bar soli; Fl/Picc/AFl, Ob/EH, Kl/BKl, Mand, Git, {MSti solo; Fl, Ob, Kl, Trp, Pos, Perc (3), Pno, 2 Vl, Pno, Perc, Vl, Va, Vc, Kb} [0:19:30] Va, Vc, Kb} [0:12:00] Text: Xiao-Song Qu Text: Xiao-Song Qu Nach einem Gedicht von Cai Wenji (162-229) Text nach buddhistischen rituellen Texten MONG DONG GIRL OF THE MOUNTAIN, THE {B solo; Picc/AFl, Ob, Kl, Perc (4), Pno, Vl, Va, Vc} {Vl solo; 3-2-2-2, 4-2-3-1, Timp, Perc, Cel, Hrf, [0:10:30] Str} [0:12:10] Text: Xiao-Song Qu

HUAN MOUNTAIN (1983), THE - Symphonic Suite {I. 46 Str, Pno; II. 17 Str, Pno} [0:18:15] {Version 1: 3-3-3-3, 4-3-3-1, Perc (7), Hrf, Str; Version 2: 2-2-2-2, 4-2-3-1, Perc, Hrf, Str} HUAN [0:16:36] {3-3-3-3, 4-3-3-1, Timp, Perc (4), Pno, Str} [0:18:15] OEDIPUS - Oper in zwei Akten {Hoher S, 2 S, A, hoher T, 4 T, Bar, 2 B soli; DisCh JI #1 - Ji Gu (Still Valley) (4 S, 4 A), GCh; 3-3-3-3, 4-3-3-1, Perc (3), Str} {Fl, Kl, Pno, Perc, Vl, Va, Kb} [0:12:10] [2:15:00] Lib: Claes Fellbom JI #2 - Liou Yüin (Floating Clouds) {Shakuhachi/AFl, Kl, Pno, Perc} [0:11:15] RAIN - Weisst du wie der Regen klingt ... {GCh; Hr, 2 Trp, 2 Pos, Perc (2), Pno, 2 Vl, 2 Va, 2 JI #5 - Poh Shi (Broken Stone) Vc, Tonspur} [0:25:00] {2 Vl, Va, Vc} [0:15:45]

40 peermusic classical Q

Qu, Xiao-Song (1952) CAMINANDO (1937) STRING QUARTET NO. 1 {S, A/T soli; 2 Trp, 2 Kl, BKl, Fg, Perc (2), Kb} {2 Vl, Va, Vc} [0:21:10] [0:03:50] Text: Nicolás Guillén STRING SYMPHONY {StrO, Perc, Hrf, Pno} [0:21:10] CAMINOS (PATH) Das Werk basiert auf String Quartet No. 1 {3-4-4-4, 4-4-3-1, Timp, Perc (5), Str} [0:06:30]

SYMPHONY NO. 1 CANCIONES, SIETE {3-3-3-3, 4-3-3-1, Timp, Perc, Str} [0:22:48] {S solo; 1-0-3-1, 1-2-1-1, Tamb, Str} [0:10:00] Text: Federico García Lorca, Text: A. Trueba VERSUCHUNG (THE TEST) - Oper in einem Akt {S, B soli; Sch/-in; chin. Fl, Koto, Pipa, Perc (3), CANCIONES, SIETE - Ensemblefassung I chin. MuHa, 2 Vl, 2 Va, 2 Vc, Kb} [1:25:00] {S solo; Afl/Bfl, Kl/Bkl, Mar/Timp, Vl, Vc} [0:13:30] Lib: Lan Wu, Lib: Xiao-Song Qu Arr: Stephan Meier, Text: Federico García Lorca, Quintanar, Héctor (1935) Text: A. Trueba GALAXIAS CANCIONES, SIETE - Ensemblefassung II {3-3-3-3, 4-3-3-1, Timp, Perc, Pno, Str} {S solo; Picc, Bblfl, Kl/BKl, Mar/Timp/Perc, Vl, Vc} [0:13:30] SIDEREAL II Arr: Stephan Meier, Text: Federico García Lorca, {3-3-3-3, 4-3-3-1, Timp, Perc, Vib, Pno, Str} Text: A. Trueba Reaser, Ronald (1953) CANTO DE GUERRA DE LOS FRENTES LEALES BELLS, THE (WAR SONG OF THE LOYALIST FRONT), UN {Spr; 2-0-4-2, 2-2-3-0, 4 Timp, Perc, Str} {3 Trp, 3 Pos, Tb, Timp, Pno} [0:04:00] [0:13:00] Text: Edgar Allan Poe COLORINES Redner, Lewis (1831-1908) {1-1-2-1, 1-1-1-0, Perc (3), 2 Vl, Kb} [0:08:00] O LITTLE TOWN OF BETHLEHEM (CHRISTMAS CORONELA, LA - Ballett CAROL) {4-3-3-3, 4-3-3-1, Timp, Perc (3), Pno, Str} {Ges-m solo; 1-1-2-2, 4-2-3-0, Timp, Glsp, Str} [0:45:00] [0:02:37] vervollständigt von B. Galindo, C. Huizar und E. H. Mancada Arr: Klaus Arp, Text: Phillips Brooks DANZA GEOMETRICA Révil, Rudi (1916) {3-0-5-4, 4-4-3-1, Perc (4), 2 Pno, Str} [0:09:00] RYTHME DE LA CITÉ - Rapsodie (Jazz- DUO PARA PATO Y CANARIO Symphonique) {S solo; 2-1-1-1, 0-1-1-0, Perc, Pno} [0:04:00] {Pno solo; 1-1-1-Asax, Tsax-2, 2-3-3-0, Perc (2), Text: Carlos Barrera Hrf, Str} [0:06:00] Revueltas, Silvestre (1899-1940) ESQUINAS ALCANCÍAS {3-3-4-3, 4-4-3-1, Timp, Perc (4), Str} [0:07:00] {1-1-2-0, 1-2-1-0, Timp, Perc (4), Str} [0:08:00] HOMENAJE A FEDERICO GARCÍA LORCA {1-0-1-0, 0-2-1-1, Perc, Pno, Str (ohne Va, Vc)} [0:13:00] peermusic classical 41 R

Revueltas, Silvestre (1899-1940) REDES (FISHERMEN'S NETS) (1935) - Complete HORA DE JUNIO (JUNE HOUR) Film Music {Spr; 0-1-3-1, 2-2-1-1, Timp, Tam, Pno, Str} {2-2-2-2, 4-3-2-1, Timp, Perc (3), Str} [1:00:00] [0:13:00] Die Musik zu dem Film "Redes", auch bekannt als "The Wave" von Fred Zinnemann. Text: Carlos Pellicer REDES (FISHERMEN'S NETS) - Suite ITINERARIOS {2-2-2-2, 4-3-2-1, Timp, Perc (3), Str} [0:16:00] {2-3-3-Ssax, Bsax-1, 2-3-3-1, Timp, Perc, Pno, Bearb: Erich Kleiber Hrf, Str, 3 S} [0:08:30] RENACUAJO PASEADOR, EL - Ballett-Pantomime JANITZIO {1-0-2-0, 0-2-1-0, Timp, Perc, Str (ohne Va, Vc)} {3-2-2-2, 4-2-2-1, Perc (3), Str} [0:08:00] [0:08:00] MEXICAN DANCE (1935) TECOLOTE (THE OWL), EL {SBO} [0:05:00] {S solo; 1-2-0-1, 1-0-0-0, Pno, Vl, Vc} [0:03:00] Arr: José Serebrier Text: Daniel Castaneda MUSICA PARA CHARLAR TROKA - Ballett-Pantomime {1-1-1-1, 2-2-2-1, Timp, Perc (3), Pno, Str} {1-1-2-1, 1-2-1-1, Timp, Perc (3), Str} [0:06:30] [0:16:30] VENTANAS (WINDOWS) NO SÉ POR QUE PIENSAS TÚ {3-3-4-2, 4-4-3-1, Timp, Perc (4), Str} [0:08:00] {Bar solo; Kl in B, Kl in Es, BKl, Fg, 2 Trp, Pos, Perc, 4 Vl, Kb} [0:10:00] Riegger, Wallingford (1885-1961) Text: Nicolás Guillén BELLE DAME SANS MERCI, LA NOCHE DE LOS MAYAS, LA - Suite in 2 Sätzen {T solo, SSA; Ob, Kl, Fg, Hr, Vl, Va, Vc, Kb} [0:15:00] {2-1-2-1, 4-1-1-1, Timp, Perc, Str} [0:10:00] Text: John Keats NOCHE DE LOS MAYAS, LA - Suite in 4 Sätzen EVOCATION {2-2-3-2, 4-3-2-1, Timp, Perc (11), Pno, Str} [0:35:00] {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:04:30]

PAISAJES (LANDSCAPES) IN CERTAINTY OF SONG {1-0-1-1, 1-2-1-1, Timp, Perc (3), Pno, Str} {S, A, T, Bar, B soli, SATB; 1-1-1-1, 1-1-1-0, [0:20:00] Timp, Str} [0:23:00] Text: Kathryn Harris PARIÁN Rogers, Bernard (1893-1968) {S solo, SATB; 1-2-2-0, 1-2-1-0, Timp, Perc, Str} [0:15:00] DANCE SCENES, THREE Text: Carlos Barrera {2-2-2-3, 4-2-3-1, Timp, Perc (3), Pno, Hrf, Str} [0:14:00] PLANOS {Kl, BKl, Fg, Trp, 2 Vl, Vc, Kb, Pno} [0:09:00] LEAVES FROM THE TALE OF PINOCCHIO {Spr; 1-1-1-1, 1-1-1-0, Timp, Perc (2), Pno, Hrf, RANAS (BULLFROGS) Str} [0:21:00] {S solo; 2-1-0-1, 1-1-0-0, Perc, 2 Vl, Vc} [0:02:40] Text: Daniel Castaneda

42 peermusic classical R

Rogers, Bernard (1893-1968) Rolón Alcaraz, José (1883-1945) LETTER FROM PETE, A FESTIN DE LOS ENANOS, EL {S, T soli, GCh; 3-2-2-2, 4-3-3-0, Timp, Perc, Hrf, {3-2-2-2, 4-2-3-1, Timp, Perc, Hrf, Cel, Str} Str} [0:24:30] [0:12:00] Text: Walt Whitman Rorem, Ned (1923) LETTER FROM PETE, A - reduced orchestration CHILDHOOD MIRACLE, A - Oper in einem Akt {S, T soli, GCh; 1-0-1-0, 1-1-1-0, Timp, Pno, Str} {S, 2 Mez, A, T, BBar soli; 1-1-1-1, 2-1-0-0, Perc, [0:24:30] Pno, 2 Vl, Va, Vc, Kb ad lib} [0:33:00] Text: Walt Whitman Lib: Elliott Stein Libretto nach "The Snow Image" von N. Hawthorne NIGHTINGALE, THE - Oper (Prolog und 3 Szenen) {KolS, S, 2 T, BBar, B soli; GCh; 1-1-1-1, 1-1-1-0, CONCERTO NO. 2 Timp, Perc, Pno ad lib, Hrf, Str} [1:05:00] {Pno solo; 2-2-2-2, 2-1-0-0, Timp, Perc, Hrf, Str} Lib: Bernard Rogers [0:20:00] Nach dem gleichnamigen Märchen von H. C. Andersen IRISH POEMS, SIX PROPHET ISAIAH, THE {Ges-m solo; 2-2-2-2, 2-0-0-0, Perc, Hrf, Str} {2 S, 2 T, Bar soli, GCh; 3-2-2-2, 4-2-3-1, Timp, [0:19:00] Perc, Pno, Str} [0:32:00] Text: George Darley Text: Bibel SYMPHONY NO. 1 PSALM 68 - Let God Arise {2-2-2-2, 4-2-2-0, Timp, Perc, Hrf, Str} [0:27:00] {Bar solo; 3-2-2-2, 4-3-3-1, Timp, Perc (2), Str} Rosenman, Leonard (1924) [0:13:00] CHAMBER MUSIC NO. 4 SYMPHONY NO. 4 {Kb solo; 4 StrQua (2Vl, Va, Vc), Kb} [0:14:00] {3-2-2-2, 4-3-3-1, Timp, Perc (3), Str} [0:27:00] FOCI I VEIL, THE - Oper in einem Akt {2-2-2-2, 2-2-1-0, Perc, Str} [0:22:00] {KolS, S, Mez, A, 2 T, Bar, 2 B soli; 2-1-1-1, 2-1- 1-0, Perc, Hrf, Str} [1:15:00] LOOKING BACK AT FADED CHANDELIERS Lib: Robert Lawrence {S solo; Fl, Kl, Vl, Vc, Pno} [0:13:00] Text: A. Giraud Roldán Gardes, Amadeo (1900-1939) DANZA NEGRA TIME TRAVEL - Hugo Wolf to "Song at Sunset" {Ges (e-h), 2 Kl, 2 Va, Perc} [0:04:00] {S solo; 3-3-3-3, 4-3-3-1, Timp, Perc, Pno/Cel, Hrf, Str} [0:20:00] HIMNO DEL A.B.C. Russo, William (1928) {3-2-2-2, 4-3-3-1, Timp, Perc, Sopr-Sti ad lib, Str} [0:03:00] PIECES FOR BLUES BAND AND ORCHESTRA op. 50, THREE OBERTURA SOBRE TEMAS POPULARES CUBANOS {MuHa/EPno, EGit, BGit, Dr Set; 3-3-3-3,4-3-3-1, {3-3-4-3, 4-3-3-1, Timp, Perc, Cel, Hrf, Str} Timp, Perc (5), Hrf, Str} [0:23:00] [0:12:00]

peermusic classical 43 R

Russo, William (1928) SINFONIA CONCERTANTE op. 21 SHEPHERDS' CHRISTMAS, THE - Kammeroper in {Fl solo; 0-1-2-1, 2-1-0-0, Pno, Str} [0:20:00] einem Akt {3 S, Mez, T, Bar, BBar soli; 1-1-1-0, 0-1-1-0, SUITE FOR STRING ORCHESTRA op. 14 Perc, Pno, Vl, Va, Vc, Kb} [1:00:00] {StrO} [0:25:00] Lib: Jon Swan SYMPHONY NO. 2 op. 25 STREET MUSIC op. 65 - A Blues Concerto {StrO} [0:21:30] {MuHa, Pno soli; 0-1-1-1, 0-1-1-0, Vl, Vc, Kb; 3- Santórsola, Guido (1904-1994) 2-2-2, 4-3-2-1, Timp, Perc (2), Str} [0:30:48] CONCERTINO PARA GUITARRA Y ORQUESTA SYMPHONY NO. 2 - Titans {Git solo; 3-1-3-1, 1-1-0-0, Perc, Cel, Str} {4-4-4-4, 4-5-4-1, Timp, Perc (2), Pno, Hrf, Str} [0:18:00] [0:20:00] Sarasate Navascués, Pablo (1844-1908) Sandi, Luis (1905) CHANT DU ROSSIGNOL, LE CUARTO MINIATURAS {Vl solo; 2-2-2-2, 2-0-0-0, Timp, Hrf, Str} {2-3-2-3, 4-3-3-1, Timp, Perc, Cel, Str} [0:10:00] [0:08:00] Arr: Klaus Arp ESBOZOS SINFONICOS Sarda, Albert (1943) {3-3-3-3, 4-3-3-1, Timp, Perc, Hrf, Str} [0:15:00] PIEZAS PARA ORQUESTA, OCHO HOJA DE PLATA (SILVER LEAF), LA {3-3-3-3, 4-0-3-1, Timp, Perc, Pno, Cel, Org, 2 {Kl, Fg, Trp, Pno, Str} [0:05:00] Hrf, Str} [0:07:25] MINIATURES, CUATRO Sarmientos, Jorge (1933) {2-3-2-3, 4-3-3-1, Timp, Perc, Cel, Str} [0:10:00] CONCERTO PARA CINCO TIMBALES Y ORQUESTA {5 Timp soli; 3-3-3-3, 4-4-3-1, Perc (6), Str} POEMA DEL AMOR Y DE LA MUERTE [0:13:00] {Ges; 2-2-2-1; 4-3-3-0, Perc (2), Hrf, Str} [0:10:00] DIFERENCIAS {Vc solo; 3-3-3-3, 4-4-4-1, Perc, Str} [0:20:00] SUITE FROM BONAMPÁK {3-3-1-0, 3-3-2-1, Timp, Perc (4), Str} [0:28:00] Sarrier, Antonio SINFONIA TEMA Y VARIACIONES {2 Ob, 2 Hr, Str} [0:11:00] {3-3-2-4, 4-3-3-1, Timp, Perc, Hrf, Str} [0:05:00] Hg: Eduardo Mata TROYANAS, LAS Sas, Andrés (1900-1967) {SATB; 2 Ob, EH, Fg, Hrf, Perc (3)} [0:12:00] ESTAMPAS DEL PERU op. 25, TRES Gesang: Vokalisen {3-3-3-3, 4-3-3-1, Timp, Perc (3), Cel, Hrf, Str} Santa Cruz, Domingo (1899-1987) [0:20:00] DRAMATIC PRELUDES, THREE FANTASIA ROMANTICA op. 45 {3-3-3-3, 4-3-3-1, Timp, Perc, 2 Hrf, Str} [0:16:00] {Trp solo; 2-2-2-2, 2-0-0-0, Hrf/Pno, Str} [0:12:00]

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Sas, Andrés (1900-1967) DIVERTIMENTO op. 1 (1930) POEMA INDIO op. 39 {2-3-3-Tsax, Sar-2, 4-2-3-1, Timp, Perc (3), Str} {3-3-3-3, 4-3-3-1, Timp, Hrf, Str} [0:15:00] [0:11:00]

RAPSODIA PERUANA op. 9 FOLK SONGS op. 41 (1968), TEN {Vl solo; 2-2-2-2, 2-1-1-1, Timp, Perc, Cel, Hrf, {B solo; 2-2-2-2, 4-3-3-0, Timp, Perc, Hrf, Str} Str} [0:13:00] [0:29:50] Satie, Erik (1866-1925) Text: Traditional 1. Sari Boyvada, 2. Nazli Osman, 3. Arap Türküsü, 4. Güvercin, 5. TANGO PERPETUEL (2003) Yine De Sahlaniyor, 6. Bozlak, 7. Eglen Güzel, 8. Mavilim, 9. Agit {2-2-2-Asax, Tsax-1, 0-2-2-0, Perc, Str} [0:03:00] (Bir Incecik Yolum Gider), 10. Hayvanat Destani Arr: José Serebrier INCI'NIN KITABI (INCI'S BOOK) op. 10 (1934) Saxe, Serge (1901) {2-1-1-2, 2-2-1-0, Timp, Perc, Cel, Str} [0:10:00] CONCERTO - For Piano and Orchestra PIANO CONCERTO NO. 1 op. 34 (1952 - 1958) {Pno solo; 2-2-2-2, 4-2-3-1, Timp, Perc, Hrf, Str} {Pno solo: 2-2-2-2, 4-3-3-0, Timp, Perc (2), Str} [0:23:00] [0:27:00]

SYMPHONIC POEM FOR STRINGS PIANO CONCERTO NO. 2 op. 71 (1989) {StrO} [0:13:00] {Pno solo: 3-3-3-3, 4-3-3-1, Timp, Perc (6), Cel, Hrf, Str} [0:17:00] WEDDED SOULS {S solo; 2-2-2-2, 4-2-3-1, Timp, Perc, Hrf, Str} SIHIR RAKSI op. 13 (1934) [0:06:30] {2-2-2-Asax-2, 2-3-3-0, Perc, Pno, Str} [0:10:00] Text: Percy Bysshe Shelley SUITE op. 14 (1936) Saygun, A. Adnan (1907-1991) {3-2-2-2, 4-3-3-0, Timp, Perc, Hrf, Str} [0:08:00] AYIN RAKSI op. 57 (1975) - Ritual Dance SYMPHONY NO. 1 op. 29 (1953) {3-3-3-3, 4-3-3-1, Timp, Perc (4), Hrf, Str} [0:10:00] {1-2-2-2, 2-0-0-0, Str} [0:25:00]

BIR ORMAN MASALI (A FOREST TALE) op. 17 SYMPHONY NO. 2 op. 30 (1958) {SSAA; 1-1-1-1, 1-1-1-0, Timp, Perc, Cel, Str} {2-2-2-2, 4-3-3-0, Timp, Perc (2), Cel, Str} [0:27:00] [0:26:00] Text: Vokalisen SYMPHONY NO. 3 op. 39 (1960) Frauenchor = Vokalisen {3-3-3-3, 4-3-3-1, Timp, Perc (2), Cel, Hrf, Str} CELLO CONCERTO op. 74 (1987) [0:35:00] {Vc solo; 3-3-3-3, 4-3-3-0, Timp, Perc, Hrf, Str} SYMPHONY NO. 4 op. 53 (1974) [0:24:00] {3-3-3-3, 4-3-3-1, Timp, Perc (5), Cel, Hrf, Str} CONCERTO DA CAMERA op. 62 (1978) [0:26:00] {StrO (min. 4-4-3-3-1)} [0:20:46] SYMPHONY NO. 5 op. 70 (1985) DEYIS (DICTUM) op. 49 (1970) {3-3-3-3, 4-3-3-1, Timp, Perc, Pno/Cel, Hrf, Str} {StrO} [0:16:30] [0:23:00]

peermusic classical 45 S

Saygun, A. Adnan (1907-1991) SYMPHONY NO. 2 (1942) VARIATIONS FOR ORCHESTRA op. 72 (1986) {2-3-3-3, 4-3-3-1, Timp, Perc (2), Hrf, Str} {3-3-3-3, 4-3-3-1, Timp, Perc (4), Glsp, Cel/Xyl, [1:00:00] Hrf, Str} [0:14:00] SYMPHONY NO. 3 (1949) VIOLA CONCERTO op. 59 (1977) {2-3-3-3, 4-3-3-1, Timp, Perc (5), Pno, Hrf, Str} {Va solo; 3-3-2-2, 4-3-3-0, Timp, Perc, Cel, Hrf, [0:28:00] Str} [0:29:36] Schneid, Tobias PM (1963) VIOLIN CONCERTO op. 44 (1967) A CITY'S SYMPHONY (2016) - Musik zu dem {Vl solo; 2-2-2-2, 4-3-3-0, Timp, Perc, Hrf, Str} Stummfilm "Berlin. Die Sinfonie der Großstadt" [0:31:30] (1927) von Walter Ruttmann {2-1-2-1, 2-1-1-0, Perc (1), Pno, Str (min. 6-5-4- YUNUS EMRE op. 26 (1942) - Oratorium in drei 3-2)} [1:08:00] Teilen {S, A, T, B soli, GCh; 2-2-2-2, 4-3-3-1, Timp, A SYMPHONY OF CHANGES (2001) Perc, Cel, Org, Hrf, Str} [1:15:00] {2-2-2-2, 2-2-1-0, Perc, Pno, Str} [0:23:00] Text: Yunus Emre (türkischer Dichter, ca. 1240-1320) AN ICONOCLASTIC REPRODUCTION OF 19 Scherber, Martin (1907-1974) RAINBOW PLAYERS (1998) 3. SYMPHONIE IN H-MOLL {11 Vl, 4 Va, 3 Vc, Kb} [0:20:00] {3-3-3-3, 4-3-3-1, Timp, Str} [1:00:00] ASTRAL VOYAGER (2009-2013) - Concerto for Schlünz, Annette (1964) Saxophone and Orchestra MATKA - Kammeroper nach dem gleichnamigen {Sax (Asax, Ssax) solo; 2-2-3-2, 4-2-2-1, Perc Drama von Karel Capek (2), Hrf, Str (min. 12-10-8-6-4)} [0:15:00] {Mez/A, 2 T, 2 Bar, BBar, B soli; 0-2-1-2, 0-2-1- 0, Perc (3-4), Hrf, StrQua (2 Vl, Va, Vc), StrQui (Vl, BEAUTIFUL HARMONIZER (2009) - Rhapsodic Va, 2 Vc, Kb)} [1:10:00] Variations for Clarinet and Orchestra Lib: Annette Schlünz {Kl solo; 3-3-3-3, 4-3-3-0, Perc (2), Hrf, Pno, Str} Libretto nach Texten von Capek, F. Huch, A. Rimbaud [0:13:00] Schmidt, Herbert (1905) CATHEDRAL I - III (2004 / 2008) - CAPRICCIO Ensemblefassung {Trp solo; 2-2-2-2, 4-2-3-0, Timp, Perc, Str} {Fl, Ob, Kl, Vl, Va, Vc, Perc, Pno/Hrf} [0:13:15] [0:06:30] CONCERTO FOR CELLO AND ORCHESTRA (2006) Schnabel, Artur (1882-1951) {Vc solo; 2-2-3-2, 4-2-3-1, Timp, Perc (3), Hrf, DUODECIMET (1950) Str} [0:24:00] {1-1-2-1, 1-1-0-0, Perc, Vl, Va, Vc, Kb} [0:20:00] DAS BILDNIS DES DORIAN GRAY (2013) - Arr: René Leibowitz Ballettmusik in 2 Akten nach dem Roman von Oscar Wilde PIANO CONCERTO (1901/1924) - Intermezzo & {3-3-3-3, 4-3-3-1, Perc (3), Hrf, Pno/Cel, Str Rondo (min. 12-10-8-6-4)} [1:30:00] {Pno solo; 2-2-2-2, 4-2-3-1, Timp, Str} [0:20:00] Sprecher ist nicht obligat.

46 peermusic classical S

Schneid, Tobias PM (1963) THE LONELY MONK'S REFLECTIONS ON EINKLANG op. 1 REPROCREATIONAL ASPECTS IN FRACTAL {3-3-3-Tsax-2, 4-4-3-1, Timp, Perc (4), Pno, Str} ORGANISATIONS II (2001) [0:23:00] {Pno solo; 1-1-1-0, 0-1-0-0, Perc, Vl, Va, Vc, Kb} [0:15:00] I'M DANCING ON THE EDGE OF TIME I (2001) {Fl, Kl, Vl, Va, Vc, Pno} [0:07:00] UMBRELLAS & SEWING MACHINES (1999/2000) {Fl, Ob, Kl, Pno, Perc, Vl, Vc} [0:18:00] I'M DANCING ON THE EDGE OF TIME II (2002) {Fl, Ob, Kl, Vib/Octoban, Pno, Vl, Vc} [0:07:00] WEIRD SCENES INSIDE THE MIRROR CAGES I (2000) NACHT (2012) - Prelude (vor Mahler) für großes {Fl, BKl, Perc, Pno, Vl, Va, Vc} [0:09:00] Orchester {5-4-5-4, 4-3-3-1, THr (ad lib), Perc (3), 2 Hrf, Str XXI (2010) - Symphony No. 3 for 28 vocalists (min. 14-12-12-8-6)} [0:12:00] {SATB} [0:16:00] Konzipiert als Vorspiel zu Gustav Mahlers 7. Symphonie, eignet Für die Aufführung werden je 7 Solostimmen benötigt. sich das Werk auch zur Einleitung anderer, ähnlich besetzter Mahler-Symphonien. Schnorrenberg, Roberto (1929) CINCO ENSAIOS PARA ORQUESTRA DE CAMARA ORCHESTRAL SET NO. 1 (2004) {1-1-1-1, 1-1-1-0, Cemb, Str} [0:09:00] {2-2-2-2, 2-2-2-1, Timp, Perc (3), Pno, Hrf, Str} [0:14:42] Schubert, Franz (1797-1828) Die beiden Sätze "Run" und "Adagio", aus denen das Werk ANDANTE (AUS DER 10. SYMPHONIE) besteht, können auch separat bestellt und aufgeführt werden. {2 Ob, 2 Kl, 2 Fg, 2 Hr, Kb} [0:07:00] PRELUDE I: HARMONIC ENCOUNTERS (2000) Bearb: Klaus Arp {Fl, BKl, Perc (Gran Cassa), Pno, Vl, Va, Vc} Schwartz, Francis (1940) [0:09:00] GEO-FLUX - An Electronic Ballet SWIN SWIN (1996/97) - Musiktheater in 10 {Tonspur} [0:15:00] Szenen {3 S, Mez, 2 A, 2 CounterT/2 Mez soli; 3 Spr, PLEGARIA (1973) Statist; 1-0-2-1, 1-1-1-0, Perc (2), Pno, Str} {S/A/Kinderstimme, 1-1-1-1, 1-1-1-0, Timp, [1:50:00] Perc, Str, Tonspur} [0:11:00] Lib: Elisabeth Gutjahr Text: Francis Schwartz

SYMPHONY NO. 2 (2012) - Fassung für SUICIDA Y REQUIESCIT (1973) Kammerorchester {S solo; Fl, Trp, Tb, Timp, Vib, Tonspur} [0:12:00] {1-1-2-1, 1-1-1-0, Perc (1), Pno, Str} [0:05:30] Text: Ivan Silen, Text: Bibel

SYMPHONY NO. 2 (2010) - Time Lapse on Slow TROPICAL TRECK OF TRISTAN TRIMBLE, THE Motion Grounds {1-1-1-1, 1-1-1-1, Timp, Gong, Str} [0:08:00] {3-2-2-2, 2-2-3-0, Perc (2), Timp, Str} [0:05:30] YO PROTESTO (1973) THE LONELY MONK'S REFLECTIONS ON {1-1-1-1, 0-1-1-1, Timp, Perc (3), Pno, Str, REPROCREATIONAL ASPECTS IN FRACTAL Tonspur} [0:12:00] ORGANISATIONS I (1999) {Pno solo; 1-1-1-1, 1-1-1-0, Kb/Ebass} [0:15:00]

peermusic classical 47 S

Serebrier, José (1938) POEMA ELEGÍACO - Second Movement of CASI UN TANGO (ALMOST A TANGO) (2002) "Partita" {EH solo, StrO} [0:04:00] {3-3-3-Asax-3, 4-3-3-1, Timp, Perc (4), Pno, Str} [0:09:00] COLORES MAGICOS - Variations for Harp and Chamber Orchestra SYMPHONY NO. 1 {Hrf solo: 2-0-0-0, 2-2-1-1, Timp, Perc (2), Pno, {3-3-3-3, 4-3-3-1, Timp, Perc, Cel, Org, Hrf, Str} Cel ad lib, Str} [0:12:00] [0:18:00]

CONCERTO FOR VIOLIN: WINTER (1992) SYMPHONY NO. 2 - Partita {Vl solo; 2-2-2-2, 4-2-3-1, Timp, Perc (3), Str} {3-3-3-Asax-3, 4-4-3-1, Timp, Perc (6), Pno, Hrf, [0:16:00] Str} [0:28:00]

DOROTHY AND CARMINE! (1989) SYMPHONY NO. 3 (2003) - Symphonie Mystique {Fl solo; StrO} [0:07:00] {2 Vl, Va, Vc, Kb, S (Vokalise im letzten Satz)} [0:25:00] ELEGY {StrO} [0:08:00] TANGO IN BLUE (2001) {2-2-2-2, 2-2-1-0, Timp, Perc (2), Pno, Str} FANTASIA [0:03:00] {StrO} [0:12:00] TANGO IN BLUE (2015) - Fassung für Flöte und FLUTE CONCERTO WITH TANGO (2008) Streichorchester {Fl solo; StrO} [0:22:00] {Fl solo; StrO} [0:03:00]

MOMENTO PSICOLOGICO TANGO IN BLUE (2001) - Streichorchesterfassung {Trp solo; StrO} [0:04:00] {StrO} [0:03:00]

NUEVE VARIATIONS ON A THEME FROM CHILDHOOD {Spr; Chor, Kb solo; 0-0-2-0, 4-2-3-1, Timp, {Pos solo; 2 Vl, Va, Vc / StrO} [0:08:00] Perc, Pno/Cel, Str (ohne Va)} [0:12:00] Text: Percy Bysshe Shelley WINTERREISE {2-2-2-2, 4-2-3-1, Timp, Perc (3), Str} [0:06:00] ORPHEUS TIMES LIGHT Serly, Tibor (1901-1978) {S solo; 2-1-0-0, 2-2-1-1, Timp, Perc, Pno/Cel, Hrf, Str} [0:24:00] COLONIAL PAGEANT SUITE Gesang: Vokalisen {3-2-2-2, 4-3-3-1, Timp, Perc (3), Cel, Hrf, Str} [0:12:00] PASSACAGLIA AND PERPETUUM MOBILE {Akk solo; 2 Hr, Trp, BPos, Perc, Str} [0:07:00] CONCERTO FOR TROMBONE AND ORCHESTRA {Pos solo; 2-1-2-1, 1-0-0-0, Timp, Perc (2), Str} POEMA ELEGIACO - 2nd Movement of Symphony [0:15:00] No. 2 'Partita' {3-3-3-3, Asax, 4-3-3-1, Timp, Perc (4), Pno, Str} RHAPSODY FOR VIOLA AND ORCHESTRA - On [0:09:00] Folksongs Harmonized by Béla Bartók {Va solo; 2-2-2-2, 2-2-0-0, Timp, Perc, Hrf, Str} [0:08:00]

48 peermusic classical S

Serly, Tibor (1901-1978) FLOWER-KISSERS II, THE SYMPHONY IN THREE MOVEMENTS {GCh, DisCh; 3-2-2-2, 4-3-3-1, Timp, Perc (3), {4-3-4-3, 4-3-3-1, Perc, Cel, Hrf, Str} Hrf, Cel, Str} [0:08:00] Shaked, Yuval (1955) Text: Ray Shattenkirk, Text: Naomi Yavneh ZEITGESONNENE MUSIK (TEMP.) MARTHA'S SONG {Fl, Ob, Kl, Pno, Perc, Vl, Va, Vc} [0:09:00] {S solo; Fl/Picc, Kl, Pno, Vl, Vc} [0:11:25] Text: Lateinischer Name der Wandertaube (Ectopistes migratorius) Shapero, Harold (1920) CREDO MELODIA {2-0-2-1, 1-2-1-1, Timp, Str} [0:08:00] {S solo; Fl/Picc, Kl, Pno, Vl, Vc} [0:12:00] Text: Lateinischer Name des Santa Barbara Song-Spatzes HEBREW SONGS, THREE (Melospiza melodia graminea) {T solo; Pno, StrO} [0:21:00] MYADESTES MYADESTINUS Text: S. Shalom, Text: S. Tchernikovsky, Text: L. {Fl, Kl, Vl, Vc, Pno} [0:09:40] Goldberg TATONKA I NINE-MINUTE OVERTURE {2 S, A, T, B soli, SATB; Fl, Ob, Kl, Pno, Vib, Vl, Vc} {3-3-3-2, 4-3-3-1, Timp, Perc, Pno, Str} [0:09:00] [0:12:00] Text: Lateinischer Name des Bisons (Bison Bison pennsylvanicus) ON GREEN MOUNTAIN - Chaconne after Monteverdi TATONKA II {2-2-2-Asax, Tsax-2, 2-3-3-1, Timp, Perc, Vib, {2 S, A, T, B soli, SATB; 3-3-3-3, 4-3-3-1, Timp, EGit, BGit, Pno, Hrf, Str} [0:12:00] Perc (4), Hrf, Pno, Str} [0:12:00] Text: Lateinischer Name des Bisons (Bison Bison pennsylvanicus) PARTITA IN C Shaughnessy, Robert (1925) {Pno solo; 1-1-1-1, 1-1-1-0, Timp, Perc, Hrf, Str} [0:17:00] CONCERTINO {Tb solo; StrO} [0:18:00] SERENADE IN D {StrO} [0:28:00] Small, Haskell (1948) SCRAPS (2006) - 12 very little pieces of blues SINFONIA IN C MINOR and jazz - Orchesterfassung {3-2-2-3, 4-2-3-0, Timp, Str} [0:11:00] {Picc-2-2-2-2, 2-2-2-0, Perc (2), Timp, Str} SYMPHONY FOR CLASSICAL ORCHESTRA [0:03:00] Fassung für Klavier s. Diverse Autoren: Blues Beyond Borders {3-2-2-3, 2-2-3-0, Timp, Str} [0:40:00] Solares, Enrique (1910) Shattenkirk, Ray (1954) PARTITA PARA CUERDAS EMBODY THE SOULS {StrO} [0:12:00] {S solo; Fl, Kl, Pno, Va, Vc} [0:04:20] Text: Lateinischer Name des Sturmvogels aus Guadeloupe Soler Sardà, Josep (1935) (Oceanodroma marcrodactyla) CONCIERTO PARA PIANO Y ORQUESTA FLOWER-KISSERS I (1998), THE {Pno solo; 1-2-1-0, 1-0-0-0, Cel, Str} [0:30:00] {DisCh; 3-2-2-2, 4-3-3-1, Timp, Perc (3), Hrf, Cel, DANAE Str} [0:08:00] {StrO} [0:15:00] Text: Ray Shattenkirk, Text: Naomi Yavneh peermusic classical 49 S

Soler Sardà, Josep (1935) MORENDO (1975) DIAPHONIA (1968) {2-2-3-2, 4-3-3-0, Perc (3), Str} [0:08:00] {3 Fl, 3 Ob, 2 Kl, BKl, 4 Fg, 4 Hr} [0:10:00] ROAIUGHFF (STRANGE?) (1981) EPIDO Y YOCASTA (1974) - Oper in zwei Akten {Trp/Flghr, Kl/BKl/Asax/Bsax ad lib, Pos, Kb/EBass {S, 5 Bar soli, SATB; 3-3-3-Asax-3, 6-0-4-0, ad lib, Perc soli; 3-0-4-0, 2-4-4-0, Perc (3), 2 Timp, Perc, Pno, Cel, Org, HawaiiGit, 2 Hrf, Str} Pno, Str} [0:47:00] [2:00:00] ÜBER DEN FRÜHEN TOD FRÄULEINS ANNA Lib: Seneca AUGUSTA MARGGRÄFIN ZU BADEN (1995) INFERNO {5 Männerstimmen, 3 Frauenstimmen, 5 Pos; Ob, {1-2-3-1, 0-0-2-0, Perc (2), Str} [0:09:06] Kl, Trp} [0:30:00] Text: Georg Rudolph Weckherlin L'ANGEL DEL SOL {Fl, Ob, Kl, Pos, Pno, Cel, 2 Vl, Va, Vc} [0:10:00] VERLORENER WEG I {1-1-1-Asax-0, 0-1-1-0, Perc, Pno, 2 Vl, Va, Vc, PASSIO SECUNDUM JOANNEM Kb} [0:17:00] {A, T soli, SATB; 2-3-2-1, 4-0-2-1, Pno, Org, Hrf, Str} [1:00:00] VERLORENER WEG II {1-1-1-Asax-0, 0-1-1-0, Perc, Pno, 2 Vl, Va, Vc, SALMO 87 (1974) Kb} [0:19:00] {SATB} [0:20:00] Starer, Robert (1924-2001) Text: Bibel (87. Psalm) FANTASY FOR STRINGS TRANSFIGURACION, LA {StrO} [0:08:00] {3-3-3-Tsax-1, 4-1-4-1, Timp, Perc, Pno, Cel, Org, Hrf, Str} [0:11:30] SACRED SONGS, TWO Spahlinger, Mathias (1944) {Ges-h solo; Fl, Ob, Cemb, Vl, Va, Vc} [0:07:30] Text: Bibel AKT, EINE TREPPE HERABSTEIGEND {BKl, Pos soli; 1-2-3-Sax-1, 1-3-2-0, Perc (5), Sternberg, Liam Pno, Str} [0:30:00] ODALISCA (2003) {S, T soli; 2-2-3-3, 4-3-3-1, Timp, Perc (5), Str} AUSSAGEVERWEIGERUNG / GEGENDARSTELLUNG [0:22:00] (1981) - zwei kontra-kontexte für doppelquartett Die Vokalsolisten sind klanglich in das Orchester integriert. {Kl, Bsax, Kb, Pno; BKl, Tsax, Vc, Pno} [0:13:00] Gesang: Vokalisen FARBEN DER FRÜHE (2005) Stevens, Halsey (1908-1989) {7 Pno} [0:56:00] IMPROVISATION ON "DIVINUM MYSTERIUM" {StrO} [0:03:00] FUGITIVE BEAUTÉ (2006) {Ob, Altfl u. Vl und BKl, Va u. Vc} [0:17:00] PIECES, FIVE {2-2-2-2, 4-2-3-1, Timp, Perc, Str} [0:10:30] INTER-MEZZO (1986) - concertato non concertabile tra pianoforte e orchestra Still, William Grant (1895-1978) {Pno solo; 2-2-2-2, 4-2-2-0, Git, Hrf, Perc (5), Str} DANZAS DE PANAMA - Version for string orchestra [0:26:45] {StrO} [0:12:30]

50 peermusic classical S

Still, William Grant (1895-1978) Thiriet, Maurice (1906-1992) LITTLE RED SCHOOLHOUSE BATAILLON DU CIEL - Suite Symphonique sur la {2-2-2-2, 3-3-2-1, Timp, Perc, Cel, Hrf, Str} Partition du Film [0:13:30] {2-2-2-2, 4-3-3-1, Timp, Perc, Str} [0:12:00] Arr: F. Chardon TROUBLED ISLAND - Oper in 4 Akten {3 S, A, 10 T, 5 Bar, B soli, GCh; 2-2-2-2, 3-3-2- DEUIL EN VINGT QUATRE HEURS - Ballet en 6 1, Perc (3), Pno, Hrf, Str} [2:00:00] Tableaux Lib: Langston Hughes {2-0-2-0, 2-2-0-0, Str} [0:40:00]

WOOD NOTES HÉRAKLÈS - Suite Symphonique d'après le Ballet {3-3-3-2, 4-3-3-1, Timp, Perc, Cel, Hrf, Str} {2-2-2-2, 2-2-2-1, Timp, Perc, Pno, Cel, Hrf, Str} [0:20:00] [0:25:00]

Surinach, Carlos (1915-1997) INTRODUCTION, CHANSON ET RONDE SINFONIA PASSACAGLIA {Hrf solo; 2-2-2-2, 2-2-2-0, Timp, Perc, Cel, Str} {3-3-3-3, 4-3-3-1, Timp, Perc (3), Str} [0:18:00] [0:22:30]

SONGS OF SPAIN, THREE L' OEUF À LA COQUE - Suite Symphonique {S solo; 1-1-1-1, 1-1-1-1, Timp, Perc, Str} Extraite de la Partition du Ballet [0:02:45] {2-2-2-2, 2-2-2-0, Timp, Perc, Pno, Cel, Hrf, Str} Text: Federico García Lorca, Text: Antonio [0:15:00] Machado LE LIVRE POUR JEAN - Suite Symphonique en Swafford, Jan (1946) cinq Parties AFTER SPRING RAIN (1982) {2-2-2-2, 2-2-0-0, Timp, Perc, Cel, Hrf, Str} {3-2-3-2, 4-3-3-1, Perc (3), Hrf, Str} [0:19:00] [0:17:00]

CHAMBER SINFONIETTA MENUET PASTORAL (1956) {1-1-1-1, 1-1-1-0, Perc, Pno, Hrf, Str} [0:14:00] {2-2-2-2, 3-3-2-0, Timp, Perc, Pno, Cel, Hrf, Str} [0:04:30] LANDSCAPE WITH TRAVELER POÈME {2-3-3-3, 4-4-3-1, Perc, Str} [0:17:00] {1-1-1-1, 0-1-0-0, 2 Pno, Hrf, 3 Va, 2 Vc} LATE AUGUST [0:09:00] {1-2-2-2, 2-2-0-0, Perc, Str} [0:08:00] PORTRAITS D' ENFANTS, QINQ - Suite pour MIDSUMMER VARIATIONS (1985) Orchestre {Vl, Va, Vc, Kb, Pno} [0:15:00] {2-2-2-2, 3-3-2-0, Timp, Perc, Pno, Cel, Hrf, Str} [0:18:00] THEY WHO HUNGER {Vl, Va, Vc, Pno} [0:21:00] PSYCHÉ - Ballett {3-3-3-3, 4-3-3-1, Timp, Perc (2), Cel, 2 Hrf, Str} Tapia Colman, Simón (1909-1992) [0:40:00] LEYENDA GITANA Choreographie: R. de Brimont, A. Boll {3-3-3-3, 4-3-3-1, Timp, Perc (2), Pno, Str} [0:20:00]

peermusic classical 51 T

Thiriet, Maurice (1906-1992) TENOR SOLOS, FIVE - From the Opera "Lord REINE DES ILES, LA - Ballett Byron" {3-3-3-2, 4-3-3-1, Timp, Perc, Hrf, Str} [1:10:00] {Ten solo; 2-2-2-2, 4-2-3-1, Timp, Perc, Str} Choreographie: A. Boll, nach einer Novelle von P.-P. Fournier [0:07:20]

RHAPSODIE SUR DES THÈMES INCAS Tosar Errecart, Héctor Alberto (1923-2002) {1-1-2-1, 2-2-1-0, Timp, Perc, Hrf, Str} [0:12:00] SYMPHONY NO. 2 {StrO} [0:25:00] SUITE FRANCAISE D'APRÈS COUPERIN {2-2-2-2, 2-1-0-0, Timp, Hrf, Str} [0:13:25] Traditional Thomson, Virgil (1896-1989) MARY HAD A BABY (SPIRITUAL) {Ges-m solo; 1-1-2-2, 4-3-3-0, Timp, Perc, Pno, COLLECTED POEMS (1959) Str} [0:03:01] {S, Bar soli; 1-1-1-1, 0-1-0-0, Perc, Pno, Str} Arr: Klaus Arp [0:07:00] Original: Traditional

LORD BYRON - Oper in 3 Akten MY LORD, WHAT A MORNING (SPIRITUAL) {4 S, 2 Mez, A, 4 T, 7 Bar, BBar, 3 B soli, GCh; 2- {Ges-m solo; 1-1-2-2, 4-3-3-0, Timp, Perc, Pno, 2-2-2, 4-2-3-1, Timp, Perc, Org, Hrf, Str} Str} [0:03:28] [2:00:00] Arr: Klaus Arp Lib: Jack Larson Original: Traditional

SHIPWRECK AND LOVE SCENE FROM BYRON'S O COME O COME EMMANUEL (CHRISTMAS "DON JUAN" CAROL) {T solo; 4-4-4-4, 4-4-4-1, Perc (2), Hrf, Pno, Str} {Ges-m solo; 2-2-2-2, 4-2-3-1, Timp, Glsp, Str} [0:14:00] [0:03:00] SONGS FROM WILLIAM BLAKE, FIVE Arr: Klaus Arp Original: Traditional {Bar solo; 2-2-2-2, 4-2-3-1, Timp, Perc (2), Hrf, Str} [0:18:00] Trefousse, Roger (1951) MONKEY OPERA (1982), THE - Oper in einem Akt SONGS FROM WILLIAM BLAKE, FIVE - reduced version {S, Mezzo-Alt, T, Bar soli; 1-1-2-1, 2-1-0-0, Perc (2), Str} [0:40:00] {Bar solo; 2-2-2-2, 2-1-1-0, Timp, Perc (2), Hrf, Str} [0:18:00] Lib: Jane DeLynn Trenet, Charles SUITE FROM "THE RIVER" LA MER {1-2-2-1, 2-2-2-0, Timp, Perc (2), Bjo, Str} [0:25:00] {Ges solo (ad lib); 2-2-2-2, 4-3-3-1, Timp, Perc (3), Hrf, Pno, Str} [0:06:00] SUITE FROM "THE RIVER" Arr: René Mense {1-1-1-1, 0-1-0-0, 2 Pno, Hrf, 3 Va, 2 Vc} Tschaikowsky, Peter (1840-1893) [0:25:00] ANDANTE CANTABILE SYMPHONY ON A HYMN TUNE {StrO} [0:07:30] {2-2-2-0, 4-2-3-1, Timp, Perc (3), Str} [0:19:00] Bearb: José Serebrier

52 peermusic classical U

Uber, David (1921) CANCAO DE POETA DO SÉCULO XVIII DAKOTA {Ges-m solo; 2-1-2-0, 4-0-1-1, Timp, Hrf, Str} {3 Hr, 4 Trp, Barhr, 3 Pos, Tb} [0:09:00] [0:02:40] Uribe Holguín, Guillermo (1880-1971) Text: Alfredo Ferreira CEREMONIA INDÍGENA (NATIVE CEREMONY) CIRANDA DAS SETE NOTAS {3-3-2-2, 4-3-3-1, Timp, Perc, Hrf, Str} [0:11:00] {Fg solo; StrO} [0:10:00] Vauclain, Constant (1908) FANTASIA - Flötenfassung APRIL OVERTURE {Fl solo; 3 Hr, StrO} [0:12:00] {2-2-2-2, 4-2-3-0, Timp, Str} [0:08:00] Transp: Sebastiao Vianna

NARRATIVE FANTASIA Es-Dur - Traditionelle Fassung {2-2-2-2, 2-2-2-0, Timp, Hrf, Str} [0:08:00] {Ssax/Tsax solo; 3 Hr, StrO} [0:14:00]

PIECES, TWO - Serenade and Dance FANTASIA F-Dur - Urfassung {3-2-2-2, 4-3-3-0, Timp, Str} [0:10:00] {Ssax/Tsax solo; 3 Hr, StrO} [0:14:00]

PRELUDE TO ENDYMION FANTASIA DE MOVIMENTOS MIXTOS {3-2-2-2, 4-3-3-0, Timp, Str} [0:09:00] {Vl solo; 3-3-2-3, 4-2-2-1,Timp, Perc, Pno, Cel, Hrf, Str} [0:25:00] SUITE FOR STRING ORCHESTRA AND PIANO {Pno solo; StrO} [0:18:00] SINFONIETTA NO. 1 {2-2-2-2, 2-2-2-0, Timp, Str} [0:20:00] SYMPHONY FOR STRING ORCHESTRA AND PIANO {Pno solo; StrO} [0:18:00] SINFONIETTA NO. 2 {1-1-1-Asax-1, 3-2-2-1, Timp, Perc (3), Cel, Hrf, SYMPHONY IN G MINOR Str} [0:20:00] {3-3-3-3, 4-3-3-1, Timp, Str} [0:28:00] SUITE SYMPHONY IN ONE MOVEMENT {SBO} [0:07:00] {3-2-2-2, 4-3-3-0, Timp, Str} [0:15:00] Arr: Jerry H. Bilik SYMPHONY NO. 4 Wagner, Joseph (1900-1974) {3-3-3-3, 4-3-2-1, Timp, Str} [0:26:00] FESTIVAL PROCESSIONS Velázquez, Consuelo (1916-2005) {3-3-3-2, 4-3-3-1, Timp, Perc, Pno, Str} [0:09:00]

BÉSAME MUCHO MINIATURES, FOUR {Ges solo (ad lib); 2-2-2-2, 4-3-3-1, Timp, Perc {2-2-2-2, 2-2-0-0, Timp, Str} [0:12:00] (3), Str} [0:03:00] Arr: René Mense NORTHLAND EVOCATION {3-2-3-2, 4-3-3-0, Timp, Perc, Cel, Str, 4-6 S ad Villa-Lobos, Heitor (1887-1959) lib} [0:13:00] BIG BEN {S solo; 3-3-2-2, 2-1-2-1, Timp, Perc, Pno, Cel, SINFONIETTA NO. 1 Hrf, Str} [0:04:00] {2-2-2-2, 2-2-0-0, Timp, Perc, Pno, Str} [0:16:00] Text: Heitor Villa-Lobos

peermusic classical 53 W

Wagner, Joseph (1900-1974) BURATTINO UND DAS GOLDENE SINFONIETTA NO. 2 SCHLÜSSELCHEN op. 55 (1954) - Ballett in 3 {StrO} [0:15:30] Akten und 6 Bildern mit Prolog und Epilog (Urfassung) Wal-Berg, Voldemar (1910) {3-3-3-Asax-3, 4-3-3-1, Timp, Perc (3),2 Hrf, Str} DANSE DES POIGNARDS [1:30:00] {2-2-3-2, 2-3-3-0, Timp, Perc, Git, Pno/Cel, Hrf, Str} [0:04:15] BURATTINO UND DAS GOLDENE SCHLÜSSELCHEN op. 55d (1964) - Orchestersuite DANSE DU DIABLE Nr. 4 {2-2-3-2, 2-3-3-0, Timp, Perc, Git, Pno, Hrf, Str} {3-3-4-3, 4-3-3-1, Timp, Perc (3), Hrf, Str} [0:04:15] [0:16:20]

HOLIDAY IN PARIS - Ballade pour Piano et CONCERTINO op. 42 (1948) Orchestre {Vl solo; StrO} [0:12:00] {Pno solo; 2-2-2-2, 2-3-3-0, Timp, Perc, Hrf, Str} [0:09:00] FESTLICHE BILDER op. 36 (1946-1947) - Symphonischer Zyklus IL ÉTAIT UN PETIT NAVIRE {3-3-3-3, 4-3-3-1, Timp, Perc (3), Hrf, Str} {2-2-3-2, 2-3-3-0, Timp, Perc, Git, Cel, Hrf, Str} [0:17:00] [0:03:15] FRIEDE DEN VÖLKERN! op. 149 (1988) - Vokal- PAYSAGES MÉDITERRANÉENS - Suite d'Orchestre Symphonisches Poem für Knabenchor und {2-2-2-2, 4-3-3-1, Timp, Perc, Cel, Hrf, Str} Orchester [0:11:00] {KnCh; 4-3-4-3, 6-4-3-1, Timp, Perc (3), Hrf, Pno, Str} [0:10:00] SLOVENIA - Suite d'Orchestre Text: Samuil J. Marschak {2-2-3-2, 2-3-3-0, Timp, Perc, Git, Pno, Hrf, Str} Text: russisch [0:04:15] FRIEDE DEN VÖLKERN! op. 149 (1988) - Vokal- SYMPHONIE DES MACHINES Symphonisches Poem für Knabenchor und {2-2-3-2, 2-3-3-0, Timp, Perc, Git, Pno, Hrf, Str} Orchester [0:04:00] {KnCh; 4-3-4-3, 6-4-3-1, Timp, Perc (3), Hrf, Pno, Weinberg, Mieczysław (1919-1996) Str} Text: Samuil J. Marschak ANNAS LIED (1970) - aus "Die Madonna und der Soldat" Op. 105 (dort optional) FRIEDENSBANNER op. 143 (1985), DIE - {Mez, Vl, Kb soli; 2-1-2-2, 0-0-0-0, Hrf, Str} Festliches Poem für Symphonisches Orchester Text: Julian Tuwim, Üb: A. Eppel {3-3-4-3 Sax-3, 6-4-4-0, Timp, Perc (3), Cel, Text: russisch, Orchesterfassung von Op. 62/4 "Erinnerung" Pno, Hrp, Str} [0:22:00]

BALLETT-SZENEN (CHOREOGRAPHISCHE GOLDENE KLEID op. 129 (1980), DAS - Operette SYMPHONIE) op. 113 (1973), SECHS in zwei Akten für Sänger-Schauspieler und {3-3-3-3, 4-3-3-1, Timp, Perc (3), Hrf, Pno, Str} Orchester [0:20:00] {7 Solisten; 2-1-2-1, 2-2-1-0, Timp, Perc (2), Pno, Str} [1:30:00] Text: Elena M. Galperina, Text: Juli. Annenkow

54 peermusic classical W

Weinberg, Mieczysław (1919-1996) LIEBESTAGEBUCH op. 87 (1965), EIN - Kantate HIROSHIMA-FÜNFZEILER op. 92 (1966) {T solo; KnCh; 1-2-0-0, 2-0-0-0, Str} [0:15:00] {GCh; Fl, Hrf, Mand, Timp, Perc (3), Kb} [0:23:00] Text: Stanisław Wygodzki, Üb: Natalia Wowsi Text: Munetoshi Fukagawa Text: polnisch/russisch

IN MEINER HEIMAT (KANTATE) op. 51 (1952) MADONNA UND DER SOLDAT op. 105 (1970- {KnA solo, KCh, GCh, SymphO} [0:21:00] 1971), DIE - Oper in drei Akten Text: Sowjetische Kinder {S, Mez, 3 T, 2 Bar, 2 B, GCh; 3-3-3-3, 4-3-3-1, Text: russisch Timp, Perc (3), Hrf, Cel/Pno, Mand, Akk, Str} [1:35:00] JÜDISCHE LIEDER op. 13 (1943/1993) - Lib: Alexander Medwedew Kammerorchesterfassung Text: russisch {Ges-h, Hrf, Perc, Str} [0:11:00] MORGENRÖTE op. 60 (1957) - Symphonische Arr: Wenjamin E. Basner, Text: Jizchok Leib Dichtung Perez, Üb: N. P. Kontschalowska Text: jiddisch/russisch {4-3-4-4, 6-4-3-1, Timp, Perc, Hrf, Str} [0:16:00]

KAMMERSINFONIE NR. 1 op. 145 (1987) PASSAGIERIN op. 97 (1968), DIE - Oper in zwei {StrO} [0:27:35] Akten {4 S, 2 A, 3 Mez, 2 T, Bar, 3 B, 3 Sch, GCh; 3-3-3- KAMMERSINFONIE NR. 2 op. 147 (1987) ASax-3, 6-4-3-BarHr-1, Timp, Perc (3), Cel, Pno, {StrO, Timp} [0:24:00] Git, Str; Stage Band: Akk, Git, Pno, Perc, Kb} [2:22:00] KAMMERSINFONIE NR. 3 op. 151 (1990) Lib: Alexander Medwedew, Vorl: Zofia Posmysz {StrO} [0:31:25] Libretto nach dem gleichnamigen Roman der polnischen Auschwitz-Überlebenden Zofia Posmysz KAMMERSINFONIE NR. 4 op. 153 (1992) {Kl solo; Perc, StrO} [0:34:20] POLNISCHE WEISEN op. 47/2 (1960) Perc = Triangel {3-2-2-2, 4-3-3-1, Timp, Perc (3), Hrf, Str} [0:18:00] KONZERT FÜR FLÖTE UND ORCHESTER NR. 1 op. 75 (1961) PYOTR PLAKSIN op. 91 (1966) - Kantate {Fl solo; StrO} [0:14:00] {KontrA, T soli; 1-0-1-0, 2-0-0-0, Perc, Pno/Harm, 2 Vl, Va, Vc, Kb} [0:12:00] KONZERT FÜR FLÖTE UND ORCHESTER NR. 2 op. Text: Julian Tuwim 148 (1987) Text: polnisch/russisch {Fl solo; 0-1-4-2, 3-0-0-0, Timp, Perc, Hrf, Str} [0:21:00] REQUIEM op. 96 (1965-1967) {S solo, KCh, GCh; 4-4-0-0, 4-0-0-0, Timp, Perc KONZERT FÜR FLÖTE UND ORCHESTER NR. 2 op. (3), Cemb, Hrf, Pno, Mand, Str} [0:50:00] 148bis (1987) - Fassung mit Streichorchester Txw: Diverse Autoren {Fl solo; StrO} [0:21:00] Texte von D. Kedrin, F. Garcia Lorca, S. Teasdale, M. Fukagawa und M. Dudin KONZERT FÜR VIOLONCELLO UND ORCHESTER op. 43 (1948) RHAPSODIE ÜBER MOLDAWISCHE THEMEN op. {Vc solo; 3-0-3-0, 4-2-1-0, Timp, Str} [0:28:00] 47/1 (1949) {3-2-2-2, 4-3-3-1, Timp, Perc (3), Hrf, Str} [0:12:00] peermusic classical 55 W

Weinberg, Mieczysław (1919-1996) SYMPHONIE NR. 8 "POLNISCHE BLUMEN" op. 83 RHAPSODIE ÜBER MOLDAWISCHE THEMEN op. (1964) 47/3 Arr. (1949/2011) - Fassung für Violine und {T solo, GCh; 4-3-4-3 Sax-3, 4-3-3-1, Timp, Perc Streichorchester (3), Hrf, 2 Pno, Org, Str} [0:46:00] {Vl solo; StrO} [0:12:00] Text: Julian Tuwim, Üb: Musa Pawlowa Arr: Ewelina Nowicka SYMPHONIE NR. 9 "ZEILEN, DIE SICH ERHALTEN SERENADE op. 47/4 (1952) HABEN" op. 93 (1966-1967) {3-2-2-2, 4-3-3-1, Timp, Perc, 2 Hrf, Str} {Spr, GCh; 4-3-4-3, 6-3-3-1-Trp ad lib, 2 Timp, [0:18:00] Perc (3), Cel, Hrp, Pno, Harm, Str} [1:00:00] Text: Julian Tuwim, Text: Władysław Broniewski, SINFONIETTA NR. 2 op. 74 (1960) Üb: A. Eppel {StrO, Timp} [0:18:00] Text: polnisch/russisch

STÜCKE (MINIATUREN) op. 29bis (1945/1983), SYMPHONIE NR. 11 "DIE FEIERLICHE" op. 101 ZWÖLF - Fassung für Flöte und Streichorchester (1969-1970) {Fl solo; StrO} [0:17:45] {GCh; 4-0-3-1, 4-4-3-1, Timp, Perc (3), 2 Pno, Hrp, Cel, Str} [0:55:00] SUITE FÜR KAMMERORCHESTER op. 26 (1939- Text: Demian Bedny, Text: P. Ediet, Text: Maxim 1945) Gorki, Text: Alexander A. Bogdanow {1-1-2-1, 2-0-0-0, Timp, Str} [0:18:00] Text: russisch

SYMPHONIE NR. 1 op. 10 (1942) SYMPHONIE NR. 11 "DIE FEIERLICHE" op. 101 {3-3-3-3, 4-3-3-1, Timp, Perc (3), Hrf, Str} (1969-1970) [0:31:00] {GCh, 4-0-3-1, 4-4-3-1, Timp, Perc (3), 2 Pno, Hrp, Cel, Str} [0:55:00] SYMPHONIE NR. 2 op. 30 (1945) Text: Demian Bedny, Text: P. Ediet, Text: Maxim {StrO} [0:30:00] Gorki, Text: Alexander A. Bogdanow SYMPHONIE NR. 3 op. 45 (1949/1959) SYMPHONIE NR. 13 op. 115 (1976) {3-3-3-3, 6-3-3-1, Timp, Perc (3), Hrf, Str} {3-3-3-3, 6-4-4-1, Timp, Perc, Hrf, Str} [0:32:00] [0:34:00] SYMPHONIE NR. 15 "ICH GLAUBE AN DIESE SYMPHONIE NR. 4 op. 61 (1957, rev. 1961) ERDE!" op. 119 (1977) {3-3-3-3, 4-3-3-1, Timp, Perc (2), Xyl, Hrf, Str} {S, Bar soli, FCh; 3-3-3-3, 4-3-3-0, Timp, Perc [0:27:00] (3), Hrf, Str} [0:40:00] SYMPHONIE NR. 5 op. 76 (1962) Text: Michail A. Dudin {4-3-4-3, 6-4-3-1, Timp, Perc (3), Xyl, Cel, Hrf, SYMPHONIE NR. 16 op. 131 (1981) Str} [0:40:00] {1-1-2-2, 4-3-3-0, Timp, Perc (3), Hrf, Pno, Str} SYMPHONIE NR. 7 op. 81 (1964) [0:29:00] {Cemb, StrO} [0:24:00] SYMPHONIE NR. 17 "ERINNERUNG" op. 137 (1982-1984) {3-3-4-3, 4-3-3-1, Timp, Perc (3), Hrf, Cel, Pno, Cemb, Str} [0:45:00] Epigraph von Anna Achmatowa

56 peermusic classical W

Weinberg, Mieczysław (1919-1996) Werner, Jean-Jacques (1935) SYMPHONIE NR. 18 "KRIEG - ES GIBT KEIN LAMENTI D'ARIANNA (1997) - Sinfonia Brevis No. GRAUSAMERES WORT" op. 138 (1964, rev. 1982- 5 84) {StrO} [0:10:00] {GCh; 4-3-4-3, 6-4-4-1, Timp, Perc (3), Hrf, Org, Wheeler, Scott (1952) Balalaika, Str} [0:43:00] Text: Sergei Orlow, Text: Alexander Twardowsky, DEMOCRACY (2001) - Oper in zwei Akten Text: Traditional {2-2-2-2, 2-2-2-0, Mand, Cemb, Perc (2), Hrf, Text: russisch Str} [2:00:00] Lib: Romulus Linney SYMPHONIE NR. 19 "DER HELLE MAI" op. 142 (1985) Wilson, Richard (1941) {4-3-4-2 Sax-3, 6-4-4-1, Timp, Perc (3), 2 Hrf, ÆTHELRED THE UNREADY - Oper in 7 Szenen Str} [0:34:00] {2 S, Mez, 2 T, Bar, B soli; Kl, Perc, Mar, Pno, Vl, Vc} [1:15:00] SYMPHONIE NR. 20 op. 150 (1988) Lib: Richard Wilson {3-3-4-3, 6-4-4-1, Timp (2), Perc (3), Hrf, Pno (4ms), Str} [0:39:00] AFFIRMATIONS (1990) SYMPHONIE NR. 21 "KADDISH" op. 152 (1991) {Fl, Kl, Vl, Vc, Pno} [0:20:00] {3-3-3-3, Ssax, Asax, 6-4-4-1, Timp, Perc (3), AGITATIONS (1994) Hrf, Pno/Cel, Harm, S solo, Str} [0:50:00] {3-3-3-3, 4-2-3-1, Timp, Perc (3), Pno/Cel, Hrf, Gesang: Vokalisen Str} [0:15:00]

SYMPHONIE NR. 22 op. 154 (1994) ARTICULATIONS {3-3-3-3, 4-3-3-1, Timp, Perc (3), Hrf, Str} {3-3-3-3, 4-4-3-1, Timp, Perc (4), Cel, Hrf, Str} [0:40:00] [0:20:00] Arr: Kirill Umansky CHAMISHA TEHILLIM (2006) SYMPHONISCHE BILDER op. 68 (1951/1991), VIER {S, Bar soli; 3-3-3-3, 4-3-3-1, Timp, Perc (2), Cel, {3-2-2-2, 4-3-3-1, Perc, Cel, Hrf, Str} [0:15:00] Str} [0:25:00] SYMPHONISCHES POEM op. 6 (1941) Txg: Bibel {3-2-3-2, 4-3-3-1, Timp, Perc, Hrf, Pno, Str} CHILD'S LONDON, A [0:15:00] {Spr; 2-2-2-2, 2-2-0-0, Timp, Str} [0:12:00]

WEIßE CHRYSANTHEME op. 64 (1958), DIE - CONCERTO FOR BASSOON AND CHAMBER Ballett in drei Akten ORCHESTRA {SymphO} [1:37:00] {Fg solo; 1-1-1-1, 2-2-1-0, Mar, Hrf, Str} Lib: Alexandr A. Rumnev, Lib: J. Romanowitsch [0:19:00]

WINNIE-PUH (1969) CONCERTO FOR PIANO AND ORCHESTRA (1991) {Ges-m, 2-0-2-1, 0-1-0-0, Perc, Git, Kb} {Pno solo; 2-2-2-2, 4-2-1-0, Timp, Perc (3), Str} Text: russisch [0:33:00]

CONCERTO FOR VIOLIN AND CHAMBER ORCHESTRA {Vl solo; 2 Ob, 2 Hr, Timp, Str} [0:26:00] peermusic classical 57 W

Wilson, Richard (1941) TRIPLE CONCERTO (1998) CONTENTIONS {Hr, BKl, Mar soli; 3-3-3-3, 4-3-3-1, Timp, Perc {AFl, EH, BKl, KFg, Perc, Pno/EPno, Hrf, Va, Kb} (4), Hrf, Pno/Cel, Str} [0:30:00] [0:12:30] Wolf, Hugo (1860-1903) ELEVEN SUMNER PLACE (1981) MANUEL VENEGAS - Opernfragment {3-2-5-2 Asax, Tsax, Bsax-3, 4-3-3-Barhr-1, Kb, {2 T, Tbuffo, Bar, BBar, 2 B soli, GCh; 2-2-2-2, 4- Timp, Perc} [0:08:00] 2-3-1, Timp, Str} [0:45:00] Arr: Albrecht Gürsching, Lib: Moritz Hoernes FANTASY AND VARIATIONS {Fl, Kl, Fg, Trp, Pos, Perc, Vl, Va, Vc, Kb} [0:07:45] Wolpe, Stefan (1902-1972) ABOUT THE SEVENTH (1944-49 / 1992) - 3 × 5 INITIATION Variationen aus "Music for Any Instruments" von {3-3-3-3, 4-3-3-1, Timp, Perc, Pno, Str} [0:13:30] Stefan Wolpe - Version 1 INTIMATIONS (2000) {Fl/AFl, Ob/EH, Vl, Vc, Kb, Pno, Perc} [0:10:00] {Pno solo; 2-2-2-2, 2-2-0-0, Timp, Perc, Str} CoA: Johannes Schöllhorn [0:11:00] ABOUT THE SEVENTH (1944-49 / 1992) - 3 × 5 JUBILATION (1986) Variationen aus "Music for Any Instruments" von Stefan Wolpe - Version 2 {3-1-3-Asax, Tsax, Bsax-1, 2-4-3-Barhr-1, Timp, Perc (2), Kb} [0:07:30] {Fl/AFl, Kl, Vl, Va, Vc, Pno, Perc} [0:10:00] CoA: Johannes Schöllhorn PAMIETAM (1995) {Mez solo; 2-2-2-2, 2-2-0-0, Timp, Perc, Str} CANTATA (1963) [0:20:00] {2 S; Mez solo, SSA; 1-0-1-1, 0-1-1-0, 2 Vl, Va, Text: Leopold Staff, Text: Mieczyslaw Jastrun Vc, Kb} [0:12:00] Text: Friedrich Hölderlin, Text: Herodotus, Text: PERSUASIONS (1990) Robert Creely {S, A soli; AFl, Ob/EH, Fg/KFg, Cemb} [0:20:00] CHAMBER PIECE NO. 1 (1964) Text: T. Carew {1-2-1-1, 1-1-1-0, Pno, 2 Vl, Va, Vc, Kb} [0:08:30] SILHOUETTE Hg: Austin Clarkson {2-2-2-2, 4-2-3-0, Timp, Str} [0:05:00] CHAMBER PIECE NO. 2 SUITE {1-1-1-1, 1-1-1-0, Perc, Pno, Vl, Va, Vc, Kb} {1-1-1-1, 2-2-1-0, Mar, Hrf, Str} [0:11:30] [0:04:00] Hg: Austin Clarkson, Hg: Anthony Korf SUITE FOR WINDS {Fl, Kl, 2 Fg, 2 Trp, 2 Pos} [0:11:30] ENSEMBLESTÜCKE FÜR DAS KABARETT "ANTI" (1929) SYMPHONY NO. 1 {Asax/Kl, Tsax/BKl/Kl, Trp, Perc, 2 Pno, Spr/Chor} {3-3-3-3, 4-2-3-1, Timp, Perc, Hrf, Str} [0:24:00] [0:09:30] SYMPHONY NO. 2 Text: Erich Kästner Spr/Chor: ggf. Mitglieder des Ensembles / zur Partitur s. Best. {2-2-2-2, 4-2-0-0, Timp, Perc, Str} [0:28:00] 3856.

58 peermusic classical W

Wolpe, Stefan (1902-1972) SUITE FROM THE TWENTIES ENSEMBLESTÜCKE FÜR DIE SPORTREVUE {Kl, BKl, Asax, Trp, Pos, Perc, Bjo, Pno, Vl, Vc} "ALLES AN DEN ROTEN START" (1929) [0:13:30] {Asax, Tsax, 2 Hr, 2 THr, BarHr, 2 Kor, 2 Trp, Pos, Arr: Geert van Keulen Tb, Perc, Pno, Chor} [0:09:30] 1. Tango für Irma (1927), 2. Marsch No. 1 (1929), 3. Tango (1926), Text: Siegfried Moos Tanz-Charleston (1929), 5. Rag-Caprice (1927), 6. Blues (1926) Chor = Unisonochor / zur Partitur s. Best. 3856. SYMPHONY KONZERT FÜR NEUN INSTRUMENTE op. 22 (1933- {4-4-4-4, 4-3-3-1, Timp, Perc, Pno, Cel, Hrf, Str 34 (rev. 2015)) - Violinstimme rekonstruiert von (2 Hr hinter der Szene)} [0:25:00] Austin Clarkson TANGO FÜR IRMA (1927) {Fl, Kl, Fg, Hr,Trp, Pos, Vl, Vc, Pno} [0:24:00] {Kl, BKl, Asax, Trp, Pos, Bjo, Pno, Vl, Vc} [0:02:30] MAN FROM MIDIAN (1942), THE - Ballet in Two Arr: Geert van Keulen Parts YIGDAL (1945) {3-3-3-ASax-TSax-3, 4-3-2-1, Timp, Perc (4), Hrf, Pno, Str} [0:34:00] {Bar solo, SATB; Org} [0:20:00] Text: Maimonides PIECE FOR TWO INSTRUMENTAL UNITS (1963) {Fl, Vc, Pno; Ob, Vl, Kb, Perc} [0:11:35] ZEUS UND ELIDA op. 5a (1928) - Kammeroper Hg: Austin Clarkson, Hg: James Avery {Spr; S, S-Diseuse, 2 A, T, Tbuffo, lyr Bar, 2 B soli, GCh; Ssax/Asax/Tsax/Kl, PIECE IN THREE PARTS FOR PIANO AND SIXTEEN Ssax/Asax/Tsax/Bsax/Kl, Asax/Tsax/Bsax/Kl/BKl, INSTRUMENTS 2 Trp, Pos, Sousaphon, 2 Kb mit C-Saite, Ban, T- {Pno solo; 2-1-1-Bax-0, 2-2-0-1, Perc, EGit, Hrf, Bjo, Jazz-Perc, 12 Vl (je ein Pult), 2 Pno (2. Pno Vl, Va, Vc} [0:14:23] auch Cel)} [0:26:42] Hg: Austin Clarkson Text: Karl Wickerhauser, Text: Otto Hahn Würtzler, Aristid von (1930) QUINTET WITH VOICE (1957) {Bar solo; Kl, Hr, Vc, Pno, Hrf} [0:14:00] MODERN SKETCHES {Hrf solo; StrO} [0:14:00] SCHÖNE GESCHICHTEN op. 5b - Kammeroper Zimmermann, Udo (1943) {Spr; T, 3 B soli, Chor SATB; Picc/Fl, Kl (B/Es)/BKl/Ssax/Asax/Bsax , Kl MUTAZIONI (1973) (B)/Ssax/Asax/Tsax/Bsax, Trp in B, Pos, Perc, {3-3-3-3, 4-4-4-0, Timp, Perc (3), Hrf, Str} Pno, Vl} [0:24:00] [0:12:00] Lib: Stefan Wolpe, Hg: Thomas Phleps PAX QUESTUOSA (DER KLAGENDE FRIEDE) STREET MUSIC (1962) {S, Mez, T, Bar, B soli; 3 GCh (SATB); 4-3-4-0, 4- {Spr; Bar solo; Fl, Ob, Kl, Pno, Vc} [0:07:30] 4-4-2, Timp, Perc (3), 2 Pno, 2 Hrf, Str} [0:48:50] Text: Stefan Wolpe SINFONIA COME UN GRANDE LAMENTO (1977) - STUDIEN FÜR GROßES ORCHESTER (1933), ZWEI Dem Andenken Federico García Lorcas {2-3-4-3, 4-4-3-1, Perc, Cel, Hrf, Str} [0:06:00] {3-3-3-3, 4-4-4-1, Timp, Perc (4), Str} [0:21:30]

peermusic classical 59 Z

Zimmermann, Udo (1943) WENN ICH AN HIROSHIMA DENKE (1981) {S solo; 1-0-0-0, 3-0-3-0, Timp, Hrf, Pno, Str} [0:15:00] Text: Sadako Kurihara, Üb: Chihoko Zeisberg- Nakata Zumaqué, Francisco (1945) CANTOS DE MESCALITO {Bassbariton, Perc, Tonband oder Synthesizer} [0:12:00] Text: Francisco Zumaqué

CONCERTO FOR CLARINET AND ORCHESTRA op. 34 {Kl solo; 1-1-1-1, 1-1-1-1, Perc (2), Pno, Str} [0:15:12]

XOCHICUICATL {S solo; Fl, Kl, Pno/Cel, Perc, Str} [0:12:30] Text: Francisco Zumaqué

60 peermusic classical ABKÜRZUNGSVERZEICHNIS

A Alt KTr Kleine Trommel a. A. Preis auf Anfrage ad lib ad libitum L Leihmaterial Akk Akkordeon Lib Libretto AM Vollst. Aufführungsmaterial Arr Arrangement Mand Mandoline Mar Marimbaphon B Bass MCh Männerchor Ban Bandoneon Mez Mezzosopran Bar Bariton Ms Manuskriptkopie, (Lieferzeit = F) BarHr Bariton (Horn) MSti Männerstimme Be Becken Muha Mundharmonika Bjo Banjo Blfl Blockflöte Ob Oboe OM Orchestermaterial (inkl. P) Cel Celesta Org Orgel Cemb Cembalo Ch Chor P Partitur ChSt Chorstimme Perc Schlagzeug Picc Pikkoloflöte Cimb Cimbalom CT Click-Track Pno Klavier Pos Posaune DisCh Diskantchor Psal Psalterium

E-Bass Elektrobass / el. Bassgitarre Rgl Röhrenglocken E-Git Elektrogitarre EH Englisch Horn S Sopran Sax Saxophon E-Pno elektrisches Klavier Euph Euphonium SBO Symphonisches Blasorchester EzSt Einzelstimme Sch Schauspieler SignalHr Signalhorn F Fotodruck (Lieferzeit 2 - 4 Wochen) SP Studienpartitur FCh Frauenchor Spr Sprecher Fg Fagott SSP Satz Spielpartituren Fl Flöte St Stimmensatz (vorsortiert) Flghr Flügelhorn Str Streicher StrO Streichorchester GCh gemischter Chor StrQua Streichquartett Ges Gesang StrQui Streichquintett Ges-h Hohe Stimme Synth Synthesizer Ges-m Mittlere Stimme Ges-t Tiefe Stimme T Tenor Git Gitarre Tam Tamtam gl gleich(e) Tamb Tamburin Gl Glocken Tb Tuba Glsp Glockenspiel Tbuffo Tenorbuffo Timp Pauken Harm Harmonium Tonspur Zuspielband, -CD, -Datei HawaiiGit Hawaiigitarre Tr Trommel Hr Waldhorn Tri Triangel Hrf Harfe Trp Trompete Txg Text (geistlich) Inst Instrument Txt Text Txw Text (weltlich) KA Klavierauszug Kb Kontrabass Va Viola KCh Kinderchor Vc Violoncello KFg Kontrafagott Vib Vibraphon Kl Klarinette Vl Violine Klpicc Kleine Klarinette in Es KnCh Knabenchor Wanzen-Pno Wanzenklavier KolS Koloratursopran KontrA Kontra-Alt Xyl Xylophon KontraT Kontratenor Kor Kornett Zith Zither PEERMUSIC CLASSICAL KOMPONISTEN (Auswahl)

Abbott, Alain (Frankreich) Diamond, David (USA) Abreu, Zequinha (Brasilien) Dickerson, Roger (USA) Adler, Samuel (USA) Dominguez, Alberto (Mexico) Agobet, Jean-Louis (Frankreich) Dorfman, Joseph (Israel) Aguila, Miguel del (USA) Dowland, John (England) Aitken, Robert (Kanada) Dragićević, Sascha J. (Deutschland) Albéniz, Isaac (Spanien) Duke, John (USA) Alexander, Josef (USA) Einfeldt, Dieter (Deutschland) Alvarez, Javier (Mexico) Erdmann, Helmut W. (Deutschland) Aponte-Ledee, Rafael (Puerto Rico) Eriksson, Gunnar (Schweden) Aranaz y Vides, Pedro (Spanien) Feld, Jindrich (Tschechien) Archer, Violet (Kanada) Fernandez, Oscar Lorenzo (Brasilien) Ardévol Gimbernat, José (Kuba) Filz, Richard (Österreich) Arp, Klaus (Deutschland) Fitelberg, Jerzy (USA) Arriaga, Juan Crisóstomo de (Spanien) Fleischer, Tsippi (Israel) Austin, Larry (USA) Forssén, Stefan (Schweden) Bach, Johann Sebastian (Deutschland) Foss, Lukas (USA) Bacri, Nicolas (Frankreich) Fourès, Henry (Frankreich) Bahr, Reinhard (Deutschland) Franck, Melchior (Deutschland) Bakhor, Firouz (Deutschland) Frid, Géza (Niederlande) Becerra-Schmidt, Gustavo (Deutschland) Fried, Alexej (Tschechien) Bernaud, Alain (Frankreich) Friedrichs, Günter (Deutschland) Berthomieu, Marc (Frankreich) Frost, Donald (USA) Biermann, Wolf (Deutschland) Fuleihan, Anis (USA) Bloch, André (Frankreich) Gabrieli, Andrea (Italien) Blomenkamp, Thomas (Deutschland) Gabrieli, Giovanni (Italien) Bosmans, Arthur (Brasilien) Galindo Dimas, Blas (Mexico) Botschinsky, Allan (Dänemark) Gelgotas, Gediminas (Lithauen) Böttger, Thomas (Deutschland) Gerlitz, Carsten (Deutschland) Boulogne, Joseph (Frankreich) Gianneo, Luis (Argentinien) Calvi, Gérard (Frankreich) Ginastera, Alberto (Argentinien) Carter, Elliot (USA) Gornston, David (USA) Carter, John (USA) Gottschalk, Louis Moreau (USA) Carulli, Ferdinando (Frankreich) Gramatges, Harold (Kuba) Castaldo, Joseph (USA) Granados, Enrique (Spanien) Castro, Juan José (Argentinien) Gürsching, Albrecht (Deutschland) Chailley, Jacques (Frankreich) Hajdu, Georg (Deutschland) Chartreux, Annick (Frankreich) Halffter, Rodolfo (Mexico) Chávez, Carlos (Mexico) Hamel, Peter Michael (Deutschland) Cordero, Roque (Panama) Harrison, Lou (USA) Cowell, Henry (USA) Hawthorn, Philip (England) Crockett, Donald (USA) Haydn, Joseph (Österreich) Csonka, Paul (Kuba) Heiden, Bernhard (Deutschland) Dagosto, Sylvain (Frankreich) Heider, Werner (Deutschland) Dahl, Ingolf (USA) Hohlfeld, Christoph (Deutschland) Damase, Jean-Michel (Frankreich) Hoiby, Lee (USA) Debussy, Claude (Frankreich) Hovhaness, Alan Scott (USA) Dediu, Dan (Rumänien) Hummel, Franz (Deutschland) Devienne, Francois (Frankreich) Huteau, Alain (Frankreich) Ibarra, Federico (Mexico) Ponce, Manuel M. (Mexico) Issac, Heinrich (Flandern) Qu, Xiao-Song (China) Ives, Charles Edward (USA) Revueltas, Silvestre (Mexico) Jahn, Thomas (Deutschland) Riegger, Wallingford (USA) Jaques, Thilo (Deutschland) Rivier, Jean (Frankreich) Joplin, Scott (USA) Roldán, Amadeo (Kuba) Jülich, Raimuns (Deutschland) Rorem, Ned (USA) Kálmán, Emmerich (Ungarn) Rosenman, Leonard (USA) Kiedaisch, Michael (Deutschland) Russo, William (USA) Kitzke, Jerome (USA) Salzedo, Carlos (USA) Koch, Erland von (Schweden) Santa Cruz, Domingo (Chile) Koechlin, Charles (Frankreich) Santórsola, Guido (Uruguay) Korbel, Peter (Deutschland) Sarasate Navascués, Pablo (Spanien) Krenek, Ernst (USA) Sarmientos, Jorge (Guatemala) Krouse, Ian (USA) Satie, Erik (Frankreich) Kubik, Gail (USA) Saygun, A. Adnan (Türkei) Lampson, Elmar (Deutschland) Scherber, Martin (Deutschland) Langmeier, Samuel (Schweiz) Schidlowski, Léon (Chile) Lara, Augustín (Mexico) Schnabel, Artur (USA) Lauridsen, Morten (USA) Schneid, Tobias PM (Deutschland) Lavista, Mario (Mexico) Schubert, Franz (Österreich) Leka, Dhora (Albanien) Schuman, Robert (Deutschland) León, Tania (Kuba) Serebrier, José (Uruguay) Lewensohn, Gideon (Israel) Serly, Tibor (USA) Lindsay, Eric (USA) Shaked, Yuval (Israel) Loevendie, Theo (Niederlande) Shapero, Harold (USA) Mansfield, Kenneth (USA) Singleton, Kenneth (USA) Manuel, Roland (Frankreich) Small, Haskell (USA) Maravilla, Luis (Spanien) Spahlinger, Mathias (Deutschland) Maros, Rudolf (Ungarn) Starer, Robert (USA) Márquez, Arturo (Mexico) Starker, Janos (USA) Marshall, Ingram (USA) Stevens, Halsey (USA) Martinu, Bohuslav (Tschechien) Stevens, John (USA) Mata, Eduardo (Mexico) Still, William Grant (USA) Menezes (Jorge Ben), Jorge (Brasilien) Strauss, Johann (Österreich) Mittmann, Jörg (Deutschland) Surinach, Carlos (Spanien) Moncayo García, José Pablo (Mexico) Swafford, Jan (USA) Montsalvatge, Xavier (Spanien) Thomson, Virgil (USA) Morel, Jorge (Argentinien) Trefousse, Roger (USA) Morenco Torroba, Federico (Spanien) Tschaikowsky, Peter (Russland) Müller, Thomas (Deutschland) Uber, David (USA) Musorskij, Modest Petrovic (Russland) Vater, Jürgen (Deutschland) Musto, John (USA) Villa-Lobos, Heitor (Brasilien) Newcombe, Alan (England) Weinberg, Mieczysław (Russland) Nick, Andreas (Schweiz) Weiner, Stanley (USA) Orbón, Julián (Kuba) Werner, Jean-Jaques (Frankreich) Orrego-Salas, Juan (Chile) Wheeler, Scott (USA) Pachelbel, Johann (Deutschland) Wolpe, Stefan (USA) Paganini, Niccolò (Italien) Zimmermann, Udo (Deutschland) Palester, Roman (Polen) Zolotarew, Wassilij A. (Russland) Perry, Julia (USA) Zumaqué, Francisco (Kolumbien)