Ian Fleming, the Creator of James Bond, Drew on His Experiences In
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Wo Bleibt Blofeld?
Arnold F. Rusch AJP/PJA 11/2015 Wo bleibt Blofeld? 1622 James Bond hat Ian Fleming geschrie- ken Largo spielte jetzt aber Klaus ben. Es ging um sieben Novellen. Für Maria Brandauer, während Kim Ba- deren filmische Umsetzung nahm Fle- singer die Schurkendame Domino ming die Hilfe von Kevin McClory verkörperte, die sich später in Bond und Jack Whittingham in Anspruch. verknallt und zu ihm überläuft. Wei- Zu dritt verfassten sie das Drehbuch tere McClory-Konkurrenzfilme – jetzt für Thunderball. 1961 veröffentlichte unter dem Label von Sony – konnte Fleming dennoch alleine eine Novelle Danjaq in der Folge mit einer Flut von mit dem gleichen Titel – Whittingham Prozessen verhindern. und McClory klagten sofort in Lon- Der amerikanische Prozess vor don.1 dem Appellationsgericht des Ninth Danjaq bereitete sich im gleichen Circuit im Jahre 2001 setzte dem epi- Zeitpunkt darauf vor, James Bond- schen Streit ein vorläufiges Ende. Die Filme zu produzieren. Sie erwarben Richter hielten fest, dass McClory die Rechte von Fleming alleine und seine Rechte durch laches, d.h. lang- 3 ARNOLD F. RUSCH gaben ein eigenes Drehbuch zu Thun- jährige Untätigkeit, verwirkt habe. Prof. Dr. iur., Rechtsanwalt, LL.M., Zürich derball in Auftrag. Wegen des Streits Die endgültige Einigung erzielten die um die Rechte an der Thunderball- Streithähne erst mit der Einigung im Geschichte drehten sie zuerst Dr. No, Jahre 2013, die Danjaq die umfassen- der 1962 in den Kinos erschien. In den Rechte an James Bond gewährte, James Bond und SPECTRE sind zu- der Zwischenzeit knickte Fleming im mitsamt allen Schurken und Schur- rück, aber was ist mit Blofeld? ursprünglichen Prozess um Thunder- kenvereinigungen. -
SHAKEN NOT STIRRED I Cocktails Preferiti Di James Bond
MISSION: SHAKEN NOT STIRRED Bond ordinò un Martini. Cocktail ovviamente. Sapeva che solo in quel posto, come in pochi altri al mondo, l’avrebbero fatto come piaceva a lui. (R. Bianchin) Florian Firenze Via Del Parione 28-32/R I cocktails preferiti di James Bond [email protected] - www.caffeflorian.com Cocktail Spectre Old Fashioned 007 Gin Tanqueray Rangpur & Vodka Smirnoff, Sipsmith London Dry Sciroppo di agrumi, Pimento Bitter, Succo Gin, Calvados Pier- Limone, Top di Soda re Drouin, Darjeeling Tea Syrup, Teapot Bitter. La miscelazione di Gin e Vodka nello stesso drink è un classico della Tipico nelle trasferte caraibi- tradizione Bondiana, che ha le sue basi che nei romanzi “Live and let die” nel drink storico di 007: il Vesper e “Thunderball” . Secondo James Bond Martini, apparso nel primo libro di Ian concilia il sonno e deve essere abbi- Fleming, Casino Royale. nato ad un club sandwich di pollo e un Il Vermouth Lillet Rosè, che completa il caffè deca. Vesper con la sua nota aromatica, viene qui sostituito dallo sciroppo agli agrumi e Rum Collins dal bitter al Pimento. Il top di soda confe- Rum Jamaica, succo lime, zucchero liquido, top risce in fine freschezza e armonia agli ingre- di soda. dienti. Il tutto è ovviamente “Shaken, not stirred”. Drink offerto dall’antagonista Emilio Largo a James Bond in “Thunderball”. The Vesper Martini Vodka Smirnoff, Beefeater Gin, vermut Lillet Rosè Champagne a l’Orange Champagne, Grand Marnier, scorza di arancia flambeė La prima ricetta inventata da Bond per celebrare, nel primo romanzo “Casinò Royale”, l’incontro con Cocktail perfetto prima di pranzo e citato da 007 a Parigi l’agente della CIA, Felix Leiter, colui che diven- nel racconto “ From a view to a kill”. -
James Bond a 50 The
JAMES BOND: SIGNIFYING CHANGING IDENTITY THROUGH THE COLD WAR AND BEYOND By Christina A. Clopton Submitted to Central European University Department of International Relations and European Studies In partial fulfillment of the requirements for the Masters of Arts Supervisor: Professor Alexander Astrov CEU eTD Collection Budapest, Hungary 2014 Word Count: 12,928 Abstract The Constructivist paradigm of International Relations (IR) theory has provided for an ‘aesthetic turn’ in IR. This turn can be applied to popular culture in order to theorize about the international system. Using the case study of the James Bond film series, this paper investigates the continuing relevancy of the espionage series through the Cold War and beyond in order to reveal new information about the nature of the international political system. Using the concept of the ‘empty signifier,’ this work establishes the shifting identity of James Bond in relation to four thematic icons in the films: the villains, locations, women and technology and their relation to the international political setting over the last 50 years of the films. Bond’s changing identity throughout the series reveals an increasingly globalized society that gives prominence to David Chandler’s theory about ‘empire in denial,’ in which Western states are ever more reluctant to take responsibility for their intervention abroad. CEU eTD Collection i Acknowledgements I would like to extend my deepest gratitude to Professor Alexander Astrov for taking a chance with me on this project and guiding me through this difficult process. I would also like to acknowledge the constant support and encouragement from my IRES colleagues through the last year. -
The James Bond Quiz Eye Spy...Which Bond? 1
THE JAMES BOND QUIZ EYE SPY...WHICH BOND? 1. 3. 2. 4. EYE SPY...WHICH BOND? 5. 6. WHO’S WHO? 1. Who plays Kara Milovy in The Living Daylights? 2. Who makes his final appearance as M in Moonraker? 3. Which Bond character has diamonds embedded in his face? 4. In For Your Eyes Only, which recurring character does not appear for the first time in the series? 5. Who plays Solitaire in Live And Let Die? 6. Which character is painted gold in Goldfinger? 7. In Casino Royale, who is Solange married to? 8. In Skyfall, which character is told to “Think on your sins”? 9. Who plays Q in On Her Majesty’s Secret Service? 10. Name the character who is the head of the Japanese Secret Intelligence Service in You Only Live Twice? EMOJI FILM TITLES 1. 6. 2. 7. ∞ 3. 8. 4. 9. 5. 10. GUESS THE LOCATION 1. Who works here in Spectre? 3. Who lives on this island? 2. Which country is this lake in, as seen in Quantum Of Solace? 4. Patrice dies here in Skyfall. Name the city. GUESS THE LOCATION 5. Which iconic landmark is this? 7. Which country is this volcano situated in? 6. Where is James Bond’s family home? GUESS THE LOCATION 10. In which European country was this iconic 8. Bond and Anya first meet here, but which country is it? scene filmed? 9. In GoldenEye, Bond and Xenia Onatopp race their cars on the way to where? GENERAL KNOWLEDGE 1. In which Bond film did the iconic Aston Martin DB5 first appear? 2. -
MI6 Confirms Activision's 007 Status - Quantum of Solace(TM) Video Game Makes Retail Debut
MI6 Confirms Activision's 007 Status - Quantum of Solace(TM) Video Game Makes Retail Debut Quantum of Solace Theme Song to Rock Guitar Hero(R) World Tour in November SANTA MONICA, Calif., Oct 31, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- Can't wait for the new movie to step into the shoes of James Bond? Activision Publishing, Inc. (Nasdaq: ATVI) today announced that the Quantum of Solace(TM) video game, based on the eagerly anticipated "Quantum of Solace" and prior "Casino Royale" James Bond films, is dashing into European retail outlets today, and will be available in North American stores on November 4, 2008. Developed under license from EON Productions Ltd and Metro-Goldwyn-Mayer Studios Inc. (MGM), the Quantum of Solace video game equips players with the weapons, espionage and hand-to-hand combat skills and overall charm needed to survive the covert lifestyle of legendary 007 secret agent James Bond. "Activision's Quantum of Solace video game marks the first time players can become the newly re-imagined, dangerous and cunningly efficient James Bond as portrayed by Daniel Craig," said Rob Kostich, Head of Marketing for Licensed Properties, Activision Publishing. "We're extremely pleased to release the game day and date with the new movie, so for those of us waiting for the new era in Bond gaming, Quantum of Solace has arrived." The Quantum of Solace video game balances a unique variety of gameplay elements, blending intense first-person action with a new third-person cover combat system, enabling players to strategically choose the best combat tactics for each situation. -
Masculinity in Casino Royale '007 by Yanti Nurdianti Nim
MASCULINITY IN CASINO ROYALE ‘007 A Thesis Submitted to Letters and Humanities Faculty In partial Fulfillment of the Requirements for the Strata One Degree BY YANTI NURDIANTI NIM. 203026002147 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2008 ABSTRACT YANTI NURDIANTI. Masculinity in Casino Royale 007. thesis: English Letters, Faculty Adab and Humanities, State Islamic University (UIN), Jakarta, 2008. This research discusses the representation of Masculinity in a movie. In the research, the writer studied the Casino Royale as the unit analysis. The construction of representation of Stuart Hall is the theoretical framework of the research. The goal of the research is to see the representation of masculinity in Casino Royale ‘007. The researcher discusses the representation of masculinity in the Casino Royale 007. The goal of the research is to describe the masculinity in the main character “James Bond.” Through the concept of representation from Janet Saltzman Chafets, the writer studied seven areas of the main character of the main character life. They are Physic, Function, Sexual Aggressive, Emotion, Intellectual, Personality and Other Personal Character. It is discovered that the masculinities in the Casino Royale is still represented conventionally such as Physic, sexual, technology, politic and fashion. However, several things which do not meet Chafets concept of masculinity. The masculinity shown by the character of James Bond as represented as far of opposite sex, less sophisticated and more fight. It is include that there is a shift in meaning of masculinity. APPROVEMENT MASCULINITY IN CASINO ROYELE ‘007 A Thesis Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirement for the Strata one Degree YANTI NURDIANTI NO. -
LACMA Presents …Is James Bond, Co-Organized with LMU's School Of
LACMA presents …Is James Bond, co-organized with LMU’s School of Film and Television, June 9 – September 9, 2012 Exhibition features all twenty-two James Bond opening credit sequences, fourteen of which were created by film title designer Maurice Binder, in celebration of the fiftieth anniversary of the Bond franchise (LOS ANGELES, June 4, 2012) – The Los Angeles County Museum of Art (LACMA) presents …Is James Bond, the first exhibition to feature the complete opening credit sequences from twenty-two James Bond films produced by Eon Productions. Co-organized by LACMA and Loyola Marymount University’s School of Film and Television (SFTV), the exhibition celebrates the fiftieth anniversary of one of the most successful and long-lasting film franchises of all time: James Bond. SFTV Dean Stephen Ujlaki says, “Bond’s impact on popular culture is immense, from music to fashion and automobiles, and on the business side, the people who advanced the franchise deserve immense credit, among them LMU alumna Barbara Broccoli, and Eon Productions.” Over the course of fifty years and twenty-two films (soon to be twenty-three with the release of Skyfall), James Bond has gone from Sean Connery to Daniel Craig, from the Soviets to the North Koreans, from M as a man to a woman, from secret nefarious organizations to power-mad tycoons. And while 007 was changing, the opening credit sequence remained constant. “Beginning with Dr. No, the opening credits, created by Maurice Binder, have functioned as pieces of art that comment on the films, while remaining separate from them,” says Elvis Mitchell, curator for Film Independent at LACMA. -
The 007Th Minute Ebook Edition
“What a load of crap. Next time, mate, keep your drug tripping private.” JACQUES A person on Facebook. STEWART “What utter drivel” Another person on Facebook. “I may be in the minority here, but I find these editorial pieces to be completely unreadable garbage.” Guess where that one came from. “No, you’re not. Honestly, I think of this the same Bond thinks of his obituary by M.” Chap above’s made a chum. This might be what Facebook is for. That’s rather lovely. Isn’t the internet super? “I don’t get it either and I don’t have the guts to say it because I fear their rhetoric or they’d might just ignore me. After reading one of these I feel like I’ve walked in on a Specter round table meeting of which I do not belong. I suppose I’m less a Bond fan because I haven’t read all the novels. I just figured these were for the fans who’ve read all the novels including the continuation ones, fan’s of literary Bond instead of the films. They leave me wondering if I can even read or if I even have a grasp of the language itself.” No comment. This ebook is not for sale but only available as a free download at Commanderbond.net. If you downloaded this ebook and want to give something in return, please make a donation to UNICEF, or any other cause of your personal choice. BOOK Trespassers will be masticated. Fnarr. BOOK a commanderbond.net ebook COMMANDERBOND.NET BROUGHT TO YOU BY COMMANDERBOND.NET a commanderbond.net book Jacques I. -
Spectre, Connoting a Denied That This Was a Reference to the Earlier Films
Key Terms and Consider INTERTEXTUALITY Consider NARRATIVE conventions The white tuxedo intertextually references earlier Bond Behind Bond, image of a man wearing a skeleton mask and films (previous Bonds, including Roger Moore, have worn bone design on his jacket. Skeleton has connotations of Central image, protag- the white tuxedo, however this poster specifically refer- death and danger and the mask is covering up someone’s onist, hero, villain, title, ences Sean Connery in Goldfinger), providing a sense of identity, someone who wishes to remain hidden, someone star appeal, credit block, familiarity, nostalgia and pleasure to fans who recognise lurking in the shadows. It is quite easy to guess that this char- frame, enigma codes, the link. acter would be Propp’s villain and his mask that is reminis- signify, Long shot, facial Bond films have often deliberately referenced earlier films cent of such holidays as Halloween or Day of the Dead means expression, body lan- in the franchise, for example the ‘Bond girl’ emerging he is Bond’s antagonist and no doubt wants to kill him. This guage, colour, enigma from the sea (Ursula Andress in Dr No and Halle Berry in acts as an enigma code for theaudience as we want to find codes. Die Another Day). Daniel Craig also emerged from the sea out who this character is and why he wants Bond. The skele- in Casino Royale, his first outing as Bond, however it was ton also references the title of the film, Spectre, connoting a denied that this was a reference to the earlier films. ghostly, haunting presence from Bond’s past. -
Audrey Hepburn and James Bond Lead the Film and Entertainment Sale This Winter
For Immediate Release 2 November 2006 Contact: Zoë Schoon 020.7752.3121 [email protected] Audrey Hepburn and James Bond Lead the Film And Entertainment Sale This Winter Dr. No, 1962 (Sean Connery) Breakfast at Tiffany’s, 1961 (Audrey Hepburn) A Walther PP - the first gun used by James Bond Black dress by Hubert de Givenchy Estimate: £15,000-25,000 Estimate: £50,000-70,000 © 1962 Danjaq, LLC and United Artists. ©Ronald Grant Archive All rights reserved Film and Entertainment Christie’s South Kensington Tuesday 5 December, 1pm South Kensington – Christie’s Film and Entertainment sale on Monday 5th December will feature some 277 lots of props and memorabilia from film, TV and theatre. Ranging from the films of the silent era to the present day, as well as much-loved TV productions, and modern day phenomenons such Harry Potter and Star Wars, the sale is expected to realise in excess of £500,000. Two superb selections of Audrey Hepburn and James Bond memorabilia lead the sale. The highlight of the Audrey Hepburn section is the sleek black Givenchy dress made for her in the much-loved 1961 classic film, Breakfast at Tiffany’s. This famous dress was personally donated to the current owners, Monsieur and Madame Lapierre by Hubert de Givenchy, who designed Hepburn’s wardrobe for the film. It has an estimate of £50,000-70,000 and is being auctioned on behalf of the charity City of Joy Aid, which benefits the under-privileged in India. Other Hepburn highlights include an exquisite black Givenchy two-piece cocktail suit from the 1963 film Charade (estimate £8,000-12,000) which is as wearable today as it was then, an original costume design by Edith Head for Audrey Hepburn in Sabrina, 1954, (estimate £3,000-5,000) and a selection of original cinema posters, photographs and autograph material associated with the films Hepburn starred in (estimates start at £200). -
A Queer Analysis of the James Bond Canon
MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information. -
View Fleming Villa Rates & Factsheet
The Fleming Villa is like an island unto itself. Looking for privacy? Fleming Villa (along with its satellite cottages, Pool House and Sweet Spot) is all about privacy. Your own beach and, of course, your own pool, gardens, and staff. Walk over to GoldenEye for a spa treatment, sunset cocktails at the Bizot Bar or dinner at the Gazebo Restaurant. Walk back to Fleming Villa and, again, you’re secluded. Removed from it all. Really, it’s the best of all worlds and the very best of ours. Of course, there’s the history. Fleming, and his character, Bond. James Bond. If these walls could talk they’d tell tales of artists and writers, spies and seducers. The romantic atmosphere is palpable. The vibe, utterly relaxing, though you may feel the inspiration that lives here, still. The villa features the original three bedrooms and two stand alone guest cottages (sleeps up to 10). Other exclusive features include the private Fleming Beach, pool and state-of-the-art media room. The villa has its own dedicated staff that includes a butler, housekeeper and cook. 2021 RATES DEC 20 2020 - JAN 4 2021 - APR 6 2021 - NOV 1 2021 - ROOM CATEGORY JAN 3 2021 APR 5 2021 OCT 31 2021 DEC 19 2021 One Bedroom on request on request $2,895 $4,170 Two Bedroom on request on request $3,705 $4,985 Three Bedroom on request $7,640 $4,520 $5,790 Four Bedroom on request $8,215 $5,440 $6,715 Five Bedroom $10,605 $8,685 $6,365 $7,640 CANCELLATION POLICY TERMS & CONDITIONS • 25% of the total reservation value is non-refundable at the time reservation is confirmed.