SHAKEN NOT STIRRED I Cocktails Preferiti Di James Bond

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SHAKEN NOT STIRRED I Cocktails Preferiti Di James Bond

MISSION: SHAKEN NOT STIRRED Bond ordinò un Martini. Cocktail ovviamente. Sapeva che solo in quel posto, come in pochi altri al mondo, l’avrebbero fatto come piaceva a lui. (R. Bianchin) Florian Firenze Via Del Parione 28-32/R I cocktails preferiti di James Bond [email protected] - www.caffeflorian.com Cocktail Spectre Old Fashioned 007 Gin Tanqueray Rangpur & Vodka Smirnoff, Sipsmith London Dry Sciroppo di agrumi, Pimento Bitter, Succo Gin, Calvados Pier- Limone, Top di Soda re Drouin, Darjeeling Tea Syrup, Teapot Bitter. La miscelazione di Gin e Vodka nello stesso drink è un classico della Tipico nelle trasferte caraibi- tradizione Bondiana, che ha le sue basi che nei romanzi “Live and let die” nel drink storico di 007: il Vesper e “Thunderball” . Secondo James Bond Martini, apparso nel primo libro di Ian concilia il sonno e deve essere abbi- Fleming, Casino Royale. nato ad un club sandwich di pollo e un Il Vermouth Lillet Rosè, che completa il caffè deca. Vesper con la sua nota aromatica, viene qui sostituito dallo sciroppo agli agrumi e Rum Collins dal bitter al Pimento. Il top di soda confe- Rum Jamaica, succo lime, zucchero liquido, top risce in fine freschezza e armonia agli ingre- di soda. dienti. Il tutto è ovviamente “Shaken, not stirred”. Drink offerto dall’antagonista Emilio Largo a James Bond in “Thunderball”. The Vesper Martini Vodka Smirnoff, Beefeater Gin, vermut Lillet Rosè Champagne a l’Orange Champagne, Grand Marnier, scorza di arancia flambeė La prima ricetta inventata da Bond per celebrare, nel primo romanzo “Casinò Royale”, l’incontro con Cocktail perfetto prima di pranzo e citato da 007 a Parigi l’agente della CIA, Felix Leiter, colui che diven- nel racconto “ From a view to a kill”. terà il suo miglior amico. Bond Margarita Pink Gin Tequila El Jimador & Mezcal Vida, Agave Syrup, Gin Gordon’s London dry, gocce di angostura Succo lime 007 ordina questo drink in “l’uomo dalla Pistola Il Margarita ghiacciato era una bevanda d’oro” romanzo pubblicato dopo la morte di Ian semifluida che Bond amava definire drink da Fleming. commedia musicale e che trovava perfetta con la salsa piccante in “ Facts of Death”. Sa cosa indossare, sa cosa bere, sa cosa dire, e sa quando si possono infrangere le regole. Tutti i cocktails a 10,00 € (Cubby Broccoli).

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James Bond a 50 The
JAMES BOND: SIGNIFYING CHANGING IDENTITY THROUGH THE COLD WAR AND BEYOND By Christina A. Clopton Submitted to Central European University Department of International Relations and European Studies In partial fulfillment of the requirements for the Masters of Arts Supervisor: Professor Alexander Astrov CEU eTD Collection Budapest, Hungary 2014 Word Count: 12,928 Abstract The Constructivist paradigm of International Relations (IR) theory has provided for an ‘aesthetic turn’ in IR. This turn can be applied to popular culture in order to theorize about the international system. Using the case study of the James Bond film series, this paper investigates the continuing relevancy of the espionage series through the Cold War and beyond in order to reveal new information about the nature of the international political system. Using the concept of the ‘empty signifier,’ this work establishes the shifting identity of James Bond in relation to four thematic icons in the films: the villains, locations, women and technology and their relation to the international political setting over the last 50 years of the films. Bond’s changing identity throughout the series reveals an increasingly globalized society that gives prominence to David Chandler’s theory about ‘empire in denial,’ in which Western states are ever more reluctant to take responsibility for their intervention abroad. CEU eTD Collection i Acknowledgements I would like to extend my deepest gratitude to Professor Alexander Astrov for taking a chance with me on this project and guiding me through this difficult process. I would also like to acknowledge the constant support and encouragement from my IRES colleagues through the last year.
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'His Name's Bond ... James Bond'
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Spectre, Connoting a Denied That This Was a Reference to the Earlier Films
Key Terms and Consider INTERTEXTUALITY Consider NARRATIVE conventions The white tuxedo intertextually references earlier Bond Behind Bond, image of a man wearing a skeleton mask and films (previous Bonds, including Roger Moore, have worn bone design on his jacket. Skeleton has connotations of Central image, protag- the white tuxedo, however this poster specifically refer- death and danger and the mask is covering up someone’s onist, hero, villain, title, ences Sean Connery in Goldfinger), providing a sense of identity, someone who wishes to remain hidden, someone star appeal, credit block, familiarity, nostalgia and pleasure to fans who recognise lurking in the shadows. It is quite easy to guess that this char- frame, enigma codes, the link. acter would be Propp’s villain and his mask that is reminis- signify, Long shot, facial Bond films have often deliberately referenced earlier films cent of such holidays as Halloween or Day of the Dead means expression, body lan- in the franchise, for example the ‘Bond girl’ emerging he is Bond’s antagonist and no doubt wants to kill him. This guage, colour, enigma from the sea (Ursula Andress in Dr No and Halle Berry in acts as an enigma code for theaudience as we want to find codes. Die Another Day). Daniel Craig also emerged from the sea out who this character is and why he wants Bond. The skele- in Casino Royale, his first outing as Bond, however it was ton also references the title of the film, Spectre, connoting a denied that this was a reference to the earlier films. ghostly, haunting presence from Bond’s past.
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PATIENT REGISTMTION Please Fill in All Blanks
.lames R. Bond, Jr., M.D., P.A. l6t5 Lancaster Dr., Suite to7 Grapevine, TX 76051 (8lZ)+SS-SSSS Fax: 8t/-{21-o{oo PATIENT REGISTMTION Please fill in all blanks. lf not applicable, please wite N/A in that space. Thank you! Name: Address: CityiState/Zip: Date of Birth: Age: Sex: Male / Female Social Security *: Home Phone Cell Phone: Work Phone: Email: Employer: Referring Physician: Name/Address/Phone *: Race (select one): White Black or Afi-ican American Asian Native Hawaiian or Other Pacific lslander American Indian or Alaska Native Other Race Ethnicity (select one): Hispanic or Latino Not Hispanic or Latino Guarantor lnformation (R e spo n s i b I e Pa rty a n d/o r i n s u ra n c e s u b s c ri b e r) Name Add ressi City I State lZip : Social Security * Date of Birth Home #: Work *: Cell *: Male / Female Email: Relationship: Employer: authorize this facility to examine and provrde medical treatment. I assume full responsibility for any balance due. I autho ilze my insurance company to pay directly to this facility. I authorize this facility to release any medical or incidental information that may be necessary for either medical care or in processing applications for financial benefit. I understand it is my responsibility to know all rules and restrictions of my insurance policy, to know which hospital, emergency rooms, laboratories, x-ray departments and specialist providers which are assigned to me according to my insurance policy rule. lt is this facility's procedure to share Protected Health Information with labs, x-rays, consulting physicians and hospitals.
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James Bond 007 Analysis Codebook
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The Man Who Save Britain
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Ian Fleming & James Bond
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GCSE Media Studies – Set Product Fact Sheet Spectre
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