Rivals Race to the Bottom in David Lang's Dark Opera
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John Varvatos Unveils Badflower As the Face of the Brand’S John Varvatos Star Usa Campaign
JOHN VARVATOS UNVEILS BADFLOWER AS THE FACE OF THE BRAND’S JOHN VARVATOS STAR USA CAMPAIGN The first band signed to the renowned international menswear designer’s record label, Big Machine/John Varvatos Records, stars in the latest Fall 2019 John Varvatos Star USA campaign Link to download John Varvatos Star USA Campaign Images and Video featuring Badflower HERE September 23, 2019 New York, NY — John Varvatos is proud to announce Big Machine/John Varvatos Records’ chart-topping rock band, Badflower, as the face of the Fall/Winter 2019 John Varvatos Star USA campaign. A youth-infused extension of John Varvatos Collection, the John Varvatos Star USA line is, at its core, inspired by artistic expressions of Rock-and-Roll culture. Exploring the importance of creative dissonance, the Fall/Winter 2019 John Varvatos Star USA campaign finds an ideal casting in Badflower. Primal, passionate, and powerful, Badflower is today’s most buzzed-about rock band. California born and bred, Badflower’s music taps into a gritty, kinetic energy, with a grunge-y gutter spirit topped off by jarring theatrical delivery and unshakable riffing. Fronted by Josh Katz along with lead guitarist Joey Morrow, bassist Alex Espiritu and drummer Anthony Sonetti, the emerging LA-based band garners apt praise for delivering emotive, guitar-heavy rock with an innate sense of ease—blending brutal honesty with high intensity. The first band to sign with Varvatos’ eponymous record label, Big Machine/John Varvatos Records, the four-piece’s gritty, enigmatic spirit puts a resonate and relevant new spotlight on the effortless-cool ethos of John Varvatos Star USA. -
Iheartmedia Celebrates Musics Biggest Stars with Exclusive Labor Day Weekend Reveal of the 2020 “Iheartradio Music Awards” Winners
IHEARTMEDIA CELEBRATES MUSICS BIGGEST STARS WITH EXCLUSIVE LABOR DAY WEEKEND REVEAL OF THE 2020 “IHEARTRADIO MUSIC AWARDS” WINNERS The On-Air and Social Media Special Featured Acceptance Speeches from Winners Including Lizzo for Song of the Year, Billie Eilish for Female Artist of the Year, Jonas Brothers for Best Duo/Group of the Year, Taylor Swift for Album of the Year, Elton John for Tour of the Year and More NEW YORK, N.Y. – September 8, 2020 – iHeartMedia celebrated the winners of the 2020 iHeartRadio Music Awards with an on-air and social media special throughout Labor Day weekend on iHeartRadio stations nationwide, and the iHeartRadio App, the all-in-one digital music, podcast, on demand and live-streaming radio service. The exclusive weekend-long special concluded on Monday, September 7 and unveiled winners in each category including Lizzo for Song of the Year, Billie Eilish for Female Artist of the Year, Jonas Brothers for Best Duo/Group of the Year, Taylor Swift for Album of the Year and more. The 2020 iHeartRadio Music Awards also honored Elton John with the Tour of the Year Award. In addition, the on-air and social media reveal featured acceptance speeches from this year’s biggest artists on iHeartRadio stations nationwide and on iHeartMedia’s social platforms including Facebook, Twitter, Instagram, YouTube and Snapchat. The annual iHeartRadio Music Awards is a star-studded music event celebrating the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout 2019. Given the new limitations on events during the pandemic, this year’s “live event” portion of the iHeartRadio Music Awards, originally scheduled to air from the Shrine Auditorium in Los Angeles, Sunday, March 29 on FOX, was cancelled, but winners were officially announced on-air across the country and via social media over Labor Day weekend. -
June 15-21, 2017
JUNE 15-21, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM Proudly presents in Fort Wayne, Indiana ON SALETICKETS FRIDAY ON SALE JUNE NOW! 2 ! ONTICKETS SALE FRIDAYON SALE NOW! JUNE 2 ! ONTICKETS SALE FRIDAY ON SALE NOW! JUNE 2 ! ProudlyProudly presents inpresents Fort Wayne, in Indiana Fort Wayne, Indiana 7KH0RWRU&LW\0DGPDQ5HWXUQV7R)RUW:D\QH ONON SALE SALE NOW! NOW! ON SALEON NOW! SALE NOW!ON SALE NOW! ON SALEON SALE NOW! NOW! ON SALE NOW! WEDNESDAY SEPTEMBER 20, 2017 • 7:30 PM The Foellinger Outdoor Theatre GORDON LIGHTFOOT TUESDAY AUGUST 1, 2017 • 7:30 PM 7+856'$<0$<30 7+856'$<0$<30Fort Wayne, Indiana )5,'$<0$<30THURSDAY)5,'$<0$<30 AUGUST 24,78(6'$<0$<30 2017 • 7:30 PM 78(6'$<0$<30 The Foellinger Outdoor Theatre THE FOELLINGER OUTDOOR THEATRE The Foellinger Outdoor TheatreThe Foellinger TheThe Outdoor Foellinger Foellinger Theatre Outdoor OutdoorThe Foellinger Theatre Theatre Outdoor TheatreThe Foellinger Outdoor Theatre Fort Wayne, Indiana FORT WAYNE, INDIANA Fort Wayne, Indiana Fort Wayne, IndianaFortFort Wayne, Indiana IndianaFort Wayne, Indiana Fort Wayne, Indiana ON SALE ONON NOW!SALE SALE NOW! NOW! ON SALE ON NOW! SALE ON NOW! SALE ON SALE NOW!ON NOW! SALE NOW! ONON SALE SALEON NOW! SALE NOW! NOW!ON SALE NOW!ON SALE ON SALE NOW! NOW! 14 16 TOP 40 HITS Gold and OF GRAND FUNK MORE THAN 5 Platinum TOP 10 HITS Records 30 Million 2 Records #1 HITS RAILROAD! Free Movies Sold WORLDWIDE THURSDAY AUGUST 3, 2017 • 7:30 PM Tickets The Nut Job Wed June 15 9:00 pm MEGA HITS 7+856'$<$8*867307+856'$<$8*86730On-line By PhoneTUESDAY SEPTEMBERSurly, a curmudgeon, 5, 2017 independent • 7:30 squirrel PM is banished from his “ I’m Your Captain (Closer to Home)” “ We’re An American Band” :('1(6'$<$8*86730:('1(6'$<$8*86730 “The Loco-Motion”)5,'$<-8/<30)5,'$<-8/<30 “Some Kind of Wonderful” “Bad Time” www.foellingertheatre.org (260) 427-6000 park and forced to survive in the city. -
Deconstructing David Lang's the Anvil Chorus
Columbus State University CSU ePress Theses and Dissertations Student Publications 2014 Deconstructing David Lang's The Anvil Chorus Brandon M. Smith Columbus State University Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Education Commons Recommended Citation Smith, Brandon M., "Deconstructing David Lang's The Anvil Chorus" (2014). Theses and Dissertations. 113. https://csuepress.columbusstate.edu/theses_dissertations/113 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Deconstructing David Lang's The Anvil Chorus by Brandon Michael Smith A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the Degree of Bachelor of Music in Music Education College of the Arts Columbus State University Thesis Advisor Committee Member Dr. Sean Powell Honors Committee Member J&^^ f Date [g^SjLS ' Dr. Susan Tomkiewicz Honors Program Director ^trkO^h^C^^ Date £&Q indy Ticknor 1 Usually, when a piece of music is taken out of context, that is, when it is learned and performed without studying the piece, the composer, the musical genre, or the historical significance, the understanding of it for the performer is narrow and limited and the performance is less than ideal. This leads to a substandard realization of the music. Contrarily, a musician should integrate research with the learning process as to enhance the comprehensive understanding of the piece, which ultimately results in a high level of performance. This idea is important for the complex and extensive musical repertoire of the twentieth and twenty-first centuries. -
Most Underrated Band of All Time?
:: View email as a web page :: For the past 15 years, Manchester Orchestra has been one of the most popular emo bands on the planet. The one person who has been there every step of the way is founding singer-songwriter Andy Hull, who started the band when he was in his teens and has charted his own growing-up process with each album. Manchester Orchestra has also matured a lot over the years, evolving from an intense and volatile post-hardcore outt on albums like 2009’s Mean Everything To Nothing to the expansive and philosophical indie rock of their latest, The Million Masks Of God, which drops next week. Along the way, they’ve managed to somehow grow their audience while retaining committed fans who connected with the early records as teenagers, including famous acolytes like Phoebe Bridgers and Julien Baker. “Even though everything did well at that time, it wasn’t really accepted by critics and ‘cool’ people,” Hull recently mused about his back catalogue, “and that totally worked in our favor, because it still holds up. It sounds, to me, pretty timeless.” Ahead of the release of The Million Masks Of God, Hull reected on every Manchester Orchestra LP, candidly breaking down the myriad fascinating dramas that marked the process of making each record. Check it out here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... The latest Indiecast visualizer digs further into the ongoing conict between Morrissey and The Simpsons. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Managing the Mission You’Re Invited
Historic TIMES Christ Church Brought to you by the Foundation for Historic Christ Church, Inc. & VOLUME 6 I SPRING 2020 I 2019 ANNUAL REPORT CHRISTCHURCH1735.ORG Managing the Mission You’re Invited . 62nd Annual Meeting & by Jill Worth, FHCC President Spring Celebration In January of 1958, a group of area residents met at the parish and for me the most exciting thing: Robert Teagle celebrates 20 Friday, May 15th house of Grace Church in Kilmarnock. The purpose of the meet- years with FHCC in March, and we hope he has 20 more years at 4 p.m. ing was to create an organization to preserve and protect Christ here as he begins a new role as Executive Director. The founders Church. After a series of meetings, The Foundation for Historic would be proud. Join us for the Foundation for Historic Christ Church was established that June. The Mission Statement They would also be proud of our crowded calendar of events. Christ Church’s 62nd Annual Meeting and reads in part: “to preserve and maintain old Christ Church, Alan Taylor, who has twice won the Pulitzer Prize for History, Spring Celebration to honor volunteers and sometimes known as Robert (“King”) Carter’s Church in Lancaster spoke in February. An exceptional list of historians headlines this the opening of the County…to preserve its early dignity and beauty as nearly as may year’s Sunday Speaker Series, the theme of which is “A Variety of 2020 Visitor Season. be feasible; to protect and care for the church, its ancient church- Religious Experiences: Natives, Africans and Europeans in Early You don’t want to miss yard and surrounding properties; to collect, preserve and display Virginia.” In June FHCC will host Thomas Jefferson (Bill Barker) our guest speaker, the records of its use and of the persons active in its history….” and Patrick Henry (Richard Schuman) as they debate the role of acclaimed historian The meeting minutes were typed on a typewriter, with pencil government and taxation in promoting religion in society. -
Issue 15 Inspired by L.A
OTIS COLLEGE OF ART AND DESIGN MAGAZINE SPRING 2014 in this issue: 04 - ALUMNI AND FACULTY ISSUE 15 INSPIRED BY L.A. 06 - KEEPING IT SIMPLE AND FRESH: MEG CRANSTON 18 - OTIS REPORT ON THE CREATIVE ECONOMY: 1 IN 10 JOBS IN CA I remember L.A. as blackety-black shadows cast from brutalist blocks that take the history of architecture and reduce and contain it silently, like lunary tombs or Aztec temples morphed into Fome-Cor® cartoons. This kind of light makes decisions easier, more black and white. Good-vs-bad, pure-vs- impure, aspiration-vs-collapse, determined grim optimism-vs-self-indulgent despair. The suggestion of an old Hollywood mono- lithic black-and-white movie set encourages self-invention and self-consciousness as you make your way down an imaginary long white staircase. There’s not another living soul on the set and the spotlight is on you, wiping out any flaw or imperfection, hallucinating yourself into who you wanna be … exactly how I remember it … forward Fashion designer Rick Owens (’81) moved from L.A. to Paris in 2003. 01 03 05 06 1. George Maitland Stanley (’24) 2. Kent Twitchell (’77 MFA) 3. Judithe Hernández (’74 MFA) 4. Insung Kim (’97) 5. Robert Irwin (’50) 6. Hillary Jaye (’90) Muses Fountain, Hollywood Bowl Harbor Freeway Overture mural, New Spring, mural for the Expo Line for Hunt Design Associates The Central Garden, The Getty for Sussman/Prezja & Co. 1938 1993 Terminus Station in Santa Monica, Identity and wayfinding program Center, 1997 Wayfinding and bus graphics Photo courtesy: Hollywood Bowl opening in 2016 for downtown L.A. -
Media Contacts List
CONSOLIDATED MEDIA CONTACT LIST (updated 10/04/12) GENERAL AUDIENCE / SANTA MONICA MEDIA FOR SANTA MONICA EMPLOYEES Argonaut Big Blue Buzz Canyon News WaveLengths Daily Breeze e-Desk (employee intranet) KCRW-FM LAist COLLEGE & H.S. NEWSPAPERS LA Weekly Corsair Los Angeles Times CALIFORNIA SAMOHI The Malibu Times Malibu Surfside News L.A. AREA TV STATIONS The Observer Newspaper KABC KCAL Santa Monica Blue Pacific (formerly Santa KCBS KCOP Monica Bay Week) KMEX KNBC Santa Monica Daily Press KTLA KTTV Santa Monica Mirror KVEA KWHY Santa Monica Patch CNN KOCE Santa Monica Star KRCA KDOC Santa Monica Sun KSCI Surfsantamonica.com L.A. AREA RADIO STATIONS TARGETED AUDIENCE AP Broadcast CNN Radio Business Santa Monica KABC-AM KCRW La Opinion KFI KFWB L.A. Weekly KNX KPCC SOCAL.COM KPFK KRLA METRO NETWORK NEWS CITY OF SANTA MONICA OUTLETS Administration & Planning Services, CCS WIRE SERVICES Downtown Santa Monica, Inc. Associated Press Big Blue Bus News City News Service City Council Office Reuters America City Website Community Events Calendar UPI CityTV/Santa Monica Update Cultural Affairs OTHER / MEDIA Department Civil Engineering, Public Works American City and County Magazine Farmers Markets Governing Magazine Fire Department Los Angeles Business Journal Homeless Services, CCS Human Services Nation’s Cities Weekly Housing & Economic Development PM (Public Management Magazine) Office of Emergency Management Senders Communication Group Office of Pier Management Western City Magazine Office of Sustainability Rent Control News Resource Recovery & Recycling, Public Works SeaScape Street Department Maintenance, Public Works Sustainable Works 1 GENERAL AUDIENCE / SANTA MONICA MEDIA Argonaut Weekly--Thursday 5355 McConnell Ave. Los Angeles, CA 90066-7025 310/822-1629, FAX 310/823-0616 (news room/press releases) General FAX 310/822-2089 David Comden, Publisher, [email protected] Vince Echavaria, Editor, [email protected] Canyon News 9437 Santa Monica Blvd. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Suffering and Social Conscience in the Passion Genre from JS Bach's
Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Johann Jacob Van Niekerk A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Giselle Wyers, Chair Geoffrey Boers Shannon Dudley Program Authorized to Offer Degree: School of Music ©Copyright 2014 Johann Jacob Van Niekerk University of Washington Abstract Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Chair of the Supervisory Committee: Giselle Wyers Associate Professor of Choral Music and Voice The themes of suffering and social conscience permeate the history of the sung passion genre: composers have strived for centuries to depict Christ’s suffering and the injustice of his final days. During the past eighty years, the definition of the genre has expanded to include secular protagonists, veiled and not-so-veiled socio- political commentary and increased discussion of suffering and social conscience as socially relevant themes. This dissertation primarily investigates David Lang’s Pulitzer award winning the little match girl passion, premiered in 2007. David Lang’s setting of Danish author and poet Hans Christian Andersen’s “The Little Match Girl” interspersed with text from the chorales of Johann Sebastian Bach’s St. Matthew Passion (1727) has since been performed by several ensembles in the United States and abroad, where it has evoked emotionally visceral reactions from audiences and critics alike. -
Legends of Southern Hip Hop Tour Schedule
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