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Suffrage and Virginia Woolf 121 Actors
SUFFRAGE AND VIRGINIAWOOLF: ‘THE MASS BEHIND THE SINGLE VOICE’ by sowon s. park Virginia Woolf is now widely accepted as a ‘mother’ through whom twenty- ¢rst- century feminists think back, but she was ambivalent towards the su¡ragette movement. Feminist readings of the uneasy relation betweenWoolf and the women’s Downloaded from movement have focused on her practical involvement as a short-lived su¡rage campaigner or as a feminist publisher, and have tended to interpret her disapproving references to contemporary feminists as redemptive self-critique. Nevertheless the apparent contradictions remain largely unresolved. By moving away from Woolf in su¡rage to su¡rage in Woolf, this article argues that her work was in fact deeply http://res.oxfordjournals.org/ rooted at the intellectual centre of the su¡rage movement. Through an examination of the ideas expressed in A Room of One’s Own and Three Guineas and of two su¡rage characters, Mary Datchet in Night and Day and Rose Pargiter in TheYears,it establishes how Woolf’s feminist ideas were informed by su¡rage politics, and illumi- nates connections and allegiances as well as highlighting her passionate resistance to a certain kind of feminism. at Bodleian Library on October 20, 2012 I ‘No other element in Woolf’s work has created so much confusion and disagree- mentamongherseriousreadersasherrelationtothewomen’smovement’,noted Alex Zwerdling in 1986.1 Nonetheless the women’s movement is an element more often overlooked than addressed in the present critical climate. And Woolf in the twentieth- ¢rst century is widely accepted as a ‘mother’ through whom feminists think back, be they of liberal, socialist, psychoanalytical, post-structural, radical, or utopian persuasion. -
The Cambridge Introduction to Virginia Woolf for Students of Modern Literature, the Works of Virginia Woolf Are Essential Reading
This page intentionally left blank The Cambridge Introduction to Virginia Woolf For students of modern literature, the works of Virginia Woolf are essential reading. In her novels, short stories, essays, polemical pamphlets and in her private letters she explored, questioned and refashioned everything about modern life: cinema, sexuality, shopping, education, feminism, politics and war. Her elegant and startlingly original sentences became a model of modernist prose. This is a clear and informative introduction to Woolf’s life, works, and cultural and critical contexts, explaining the importance of the Bloomsbury group in the development of her work. It covers the major works in detail, including To the Lighthouse, Mrs Dalloway, The Waves and the key short stories. As well as providing students with the essential information needed to study Woolf, Jane Goldman suggests further reading to allow students to find their way through the most important critical works. All students of Woolf will find this a useful and illuminating overview of the field. JANE GOLDMAN is Senior Lecturer in English and American Literature at the University of Dundee. Cambridge Introductions to Literature This series is designed to introduce students to key topics and authors. Accessible and lively, these introductions will also appeal to readers who want to broaden their understanding of the books and authors they enjoy. Ideal for students, teachers, and lecturers Concise, yet packed with essential information Key suggestions for further reading Titles in this series: Bulson The Cambridge Introduction to James Joyce Cooper The Cambridge Introduction to T. S. Eliot Dillon The Cambridge Introduction to Early English Theatre Goldman The Cambridge Introduction to Virginia Woolf Holdeman The Cambridge Introduction to W. -
Rudolf Ekstein Collection of Material About Sigmund Freud, the Freuds, and the Freudians Biomed.0452
http://oac.cdlib.org/findaid/ark:/13030/c89g5v0c No online items Finding Aid for the Rudolf Ekstein Collection of Material about Sigmund Freud, the Freuds, and the Freudians Biomed.0452 Finding aid prepared by Courtney Dean, 2020. UCLA Library Special Collections Online finding aid last updated 2020 November 25. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Rudolf Ekstein Biomed.0452 1 Collection of Material about Sigmund Freud, the Freuds,... Contributing Institution: UCLA Library Special Collections Title: Rudolf Ekstein collection of material about Sigmund Freud, the Freuds, and the Freudians Source: Tiano, Jean Ekstein Creator: Ekstein, Rudolf Identifier/Call Number: Biomed.0452 Physical Description: 6.4 Linear Feet(1 box, 6 cartons) Date (inclusive): circa 1856-1995 Language of Material: Materials are in English and German. Conditions Governing Access Unprocessed collection. Material is unavailable for access. Please contact Special Collections reference ([email protected]) for more information. Conditions Governing Reproduction and Use Property rights to the physical objects belong to the UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Immediate Source of Acquisition Gift of Jean Ekstein Tiano and Herman Tiano, 4 December 2014. Processing Information Collections are processed to a variety of levels depending on the work necessary to make them usable, their perceived user interest and research value, availability of staff and resources, and competing priorities. -
A “Feminine” Heartbeat in Evangelicalism and Fundamentalism
A “Feminine” Heartbeat in Evangelicalism and Fundamentalism DAVID R. ELLIOTT Protestant fundamentalism has often been characterized as militant, rationalistic, paternalistic and even misogynist.1 This was particularly true of Baptist and Presbyterian fundamentalists who were Calvinists. Yet, evangelicalism and fundamentalism also had a feminine, mystical, Arminian expression which encouraged the active ministry of women and which had a profound impact upon the shaping of popular piety through devotional writings and mystical hymnology.2 This paper examines the “feminine” presence in popular fundamentalism and evangelicalism by examining this expression of religion from the standpoint of gender, left brain/right brain differences, and Calvinistic versus Arminian polarities. The human personality is composed of both rational and emotional aspects, both of equal value. The dominance of either aspect reflects the favouring of a particular hemisphere of the brain. Males have traditionally emphasized the linear, rational left side of the brain over the intuitive, emotional right side. Females have tended to utilize the right side of the brain more,3 although some males are more right-brained and some females are more left-brained. Such differences may be genetic, hormonal or sociological. Brain researcher Marilyn Ferguson favours the sociologi- cal explanation and suggests a deliberate reorientation to the right side of the brain as means of transforming society away from confrontation to a state of peace. She sees the feminist movement accomplishing much of this transformation of society by emphasizing the right side of the brain.4 When looking at the two dominant expressions of Protestantism – Historical Papers 1992: Canadian Society of Church History 80 “Feminine” Heartbeat in Evangelicalism and Fundamentalism Calvinism and Methodism, we find what appears to be a left/right brain dichotomy. -
A Brief History of the British Psychoanalytical Society
A BRIEF HISTORY OF THE BRITISH PSYCHOANALYTICAL SOCIETY Ken Robinson When Ernest Jones set about establishing psychoanalysis in Britain, two intertwining tasks faced him: establishing the reputation of psychoanalysis as a respectable pursuit and defining an identity for it as a discipline that was distinct from but related to cognate disciplines. This latter concern with identity would remain central to the development of the British Society for decades to come, though its inflection would shift as the Society sought first to mark out British psychoanalysis as having its own character within the International Psychoanalytical Association, and then to find a way of holding together warring identities within the Society. Establishing Psychoanalysis: The London Society Ernest Jones’ diary for 1913 contains the simple entry for October 30: “Ψα meeting. Psycho-med. dinner” (Archives of the British Psychoanalytical Society, hereafter Archives). This was the first meeting of the London Psychoanalytical Society. In early August Jones had returned to London from ignominious exile in Canada after damaging accusations of inappropriate sexual conduct in relation to children. Having spent time in London and Europe the previous year, he now returned permanently, via Budapest where from June he had received analysis from Ferenczi. Once in London he wasted no time in beginning practice as a psychoanalyst, seeing his first patient on the 14th August (Diary 1913, Archives), though he would soon take a brief break to participate in what would turn out to be a troublesome Munich Congress in September (for Jones’s biography generally, see Maddox [2006]). Jones came back to a London that showed a growing interest in unconscious phenomena and abnormal psychology. -
FRANK RAMSEY OUP CORRECTED PROOF – FINAL, 7/1/2020, Spi OUP CORRECTED PROOF – FINAL, 7/1/2020, Spi
OUP CORRECTED PROOF – FINAL, 7/1/2020, SPi FRANK RAMSEY OUP CORRECTED PROOF – FINAL, 7/1/2020, SPi OUP CORRECTED PROOF – FINAL, 7/1/2020, SPi CHERYL MISAK FRANK RAMSEY a sheer excess of powers 1 OUP CORRECTED PROOF – FINAL, 7/1/2020, SPi 3 Great Clarendon Street, Oxford, OXDP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Cheryl Misak The moral rights of the author have been asserted First Edition published in Impression: All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this work in any other form and you must impose this same condition on any acquirer Published in the United States of America by Oxford University Press Madison Avenue, New York, NY , United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: ISBN –––– Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A. Links to third party websites are provided by Oxford in good faith and for information only. -
BATTERSEA Book Fair List, 2018
BATTERSEA Book Fair List, 2018 . STAND M09 Item 43 BLACKWELL’S RARE BOOKS 48-51 Broad Street, Oxford, OX1 3BQ, UK Tel.: +44 (0)1865 333555 Fax: +44 (0)1865 794143 Email: [email protected] Twitter: @blackwellrare blackwell.co.uk/rarebooks BLACKWELL’S RARE BOOKS 1. Abbott (Mary) [Original artwork:] Sketch Book. early 1940s, sketches in ink and pencil throughout, some use of colour, text of various types (mostly colouring suggestions, some appointments, and a passage of lyrical prose), pp. [190, approx.], 4to, black cloth, various paint spots, webbing showing at front hinge, rear hinge starting, loose gathering at rear, ownership inscription of ‘Mary Lee Abbott, 178 Spring Street’, sound £15,000 An important document, showing the early progress of one of the key figures of the New York School of Abstract Expressionism; various influences, from her immediate surroundings to the European avant-garde, are evident, as are the emergent characteristics of her own style - the energetic use of line, bold ideas about colour, the blending of abstract and figurative. Were the nature of the work not indicative of a stage of development, the presence of little recorded details such as an appointment with Vogue magazine would supply an approximate date - Abbott modelled for the magazine at the beginning of this decade. 2. Achebe (Chinua) Things Fall Apart. Heinemann, 1958, UNCORRECTED PROOF COPY FOR FIRST EDITION, a couple of handling marks and a few faint spots occasionally, a couple of passages marked lightly in pencil to the margin, pp. [viii], -
FREUD and the PROBLEM with MUSIC: a HISTORY of LISTENING at the MOMENT of PSYCHOANALYSIS a Dissertation Presented to the Faculty
FREUD AND THE PROBLEM WITH MUSIC: A HISTORY OF LISTENING AT THE MOMENT OF PSYCHOANALYSIS A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Michelle R. Duncan May 2013 © 2013 Michelle R. Duncan FREUD AND THE PROBLEM OF MUSIC: A HISTORY OF LISTENING AT THE MOMENT OF PSYCHOANALYSIS Michelle R. Duncan, Ph. D. Cornell University 2013 An analysis of voice in performance and literary theory reveals a paradox: while voice is generally thought of as the vehicle through which one expresses individual subjectivity, in theoretical discourse it operates as a placeholder for superimposed content, a storage container for acquired material that can render the subjective voice silent and ineffectual. In grammatical terms, voice expresses the desire or anxiety of the third rather than first person, and as such can be constitutive of both identity and alterity. In historical discourse, music operates similarly, absorbing and expressing cultural excess. One historical instance of this paradox can be seen in the case of Sigmund Freud, whose infamous trouble with music has less to do with aesthetic properties of the musical art form than with cultural anxieties surrounding him, in which music becomes a trope for differences feared to potentially “haunt” the public sphere. As a cultural trope, music gets mixed up in a highly charged dialectic between theatricality and anti-theatricality that emerges at the Viennese fin- de-Siècle, a dialectic that continues to shape both German historiography and the construction of modernity in contemporary scholarship. -
August Aichhorn „Der Beginn Psychoanalytischer Sozialarbeit“
soziales_kapital wissenschaftliches journal österreichischer fachhochschul-studiengänge soziale arbeit Nr. 12 (2014) / Rubrik "Geschichte der Sozialarbeit" / Standort Graz Printversion: http://www.soziales-kapital.at/index.php/sozialeskapital/article/viewFile/332/579.pdf Thomas Aichhorn: August Aichhorn „Der Beginn psychoanalytischer Sozialarbeit“ Es mag verwundern, den Beginn der psychoanalytischen Sozialarbeit mit einer Person – August Aichhorn – zu verknüpfen, die in der Regel eher der Pädagogik als der Sozialarbeit zugerechnet wird. Ich berufe mich dabei auf Ernst Federn1, der selbst Sozialarbeiter war und Aichhorn gut kannte. Er behauptete kurz und bündig: „Psychoanalytische Sozialarbeit […] begann mit der Betreuung delinquenter und verwahrloster Jugendlicher in den 20iger Jahren durch August Aichhorn in Wien.“2 Und in seiner Arbeit „August Aichhorns’s work as a contribution to the theory and practice of Case Work Therapy“3 hatte er geschrieben: „Jeder, der nach Konzepten für die Sozialarbeit sucht und hofft, Anregungen dazu in Freuds Entdeckungen zu finden, sollte zunächst und vor allem die Arbeiten des Mannes lesen und studieren, der sein Leben nicht nur der Anwendung der Psychoanalyse auf die Sozialarbeit gewidmet hat, sondern der auch der erste Sozialarbeiter war, der zugleich Psychoanalytiker gewesen ist. Man sollte sich auch daran erinnern, dass er als Person und in seiner Arbeit von Freud selbst uneingeschränkt unterstützt wurde“ (ebd.: 17f).4 Die Auffassung, was Sozialarbeit sei, war und ist, ist abhängig vom gesellschaftlich- politischen Rahmen, in dem sie stattfindet. Aichhorn war sich nur zu gut der Tatsache bewusst, dass er sich mit seinem Arbeitsansatz in eklatantem Widerspruch zu allen politischen Systemen der Zeit befand, in der er lebte und arbeitete. Er war zwar verschiedentlich in amtlicher Stellung tätig, aber keiner seiner Vorgesetzten hatte jemals seine Arbeit unterstützt. -
NPAP Training Institute
The National Psychological Association for Psychoanalysis NPAP Training Institute Founded 1948 Bulletin – September 2016 40 West 13th Street Fax: 212-989-7543 New York, NY 10011 www.npap.org Phone: 212-924-7440 email: [email protected] A New York State Approved Psychoanalytic License Qualifying Program Permanent Charter from the NY State Department of Education Accredited by the American Board for Accreditation in Psychoanalysis NPAP Training Institute Bulletin September 2016 Page 1 Table of Contents VISION, MISSION, AND VALUES ........................................................................................ 4 FOUNDING PRINCIPLES .................................................................................................... 5 THE TRAINING INSTITUTE ................................................................................................ 6 WHY CHOOSE NPAP FOR YOUR TRAINING? ...................................................................... 6 OPEN HOUSE ................................................................................................................ 7 OVERVIEW OF TRAINING ............................................................................................... 7 Personal Analysis ....................................................................................................... 7 Coursework ............................................................................................................... 7 Clinical Experience and Supervision ............................................................................. -
'The Mass Behind the Single Voice'
SUFFRAGE AND VIRGINIAWOOLF: ‘THE MASS BEHIND THE SINGLE VOICE’ by sowon s. park Virginia Woolf is now widely accepted as a ‘mother’ through whom twenty- ¢rst- century feminists think back, but she was ambivalent towards the su¡ragette movement. Feminist readings of the uneasy relation betweenWoolf and the women’s Downloaded from movement have focused on her practical involvement as a short-lived su¡rage campaigner or as a feminist publisher, and have tended to interpret her disapproving references to contemporary feminists as redemptive self-critique. Nevertheless the apparent contradictions remain largely unresolved. By moving away from Woolf in su¡rage to su¡rage in Woolf, this article argues that her work was in fact deeply http://res.oxfordjournals.org/ rooted at the intellectual centre of the su¡rage movement. Through an examination of the ideas expressed in A Room of One’s Own and Three Guineas and of two su¡rage characters, Mary Datchet in Night and Day and Rose Pargiter in TheYears,it establishes how Woolf’s feminist ideas were informed by su¡rage politics, and illumi- nates connections and allegiances as well as highlighting her passionate resistance to a certain kind of feminism. at Bodleian Library on October 20, 2012 I ‘No other element in Woolf’s work has created so much confusion and disagree- mentamongherseriousreadersasherrelationtothewomen’smovement’,noted Alex Zwerdling in 1986.1 Nonetheless the women’s movement is an element more often overlooked than addressed in the present critical climate. And Woolf in the twentieth- ¢rst century is widely accepted as a ‘mother’ through whom feminists think back, be they of liberal, socialist, psychoanalytical, post-structural, radical, or utopian persuasion. -
Hannah Whitall Smith ARC1983 -002 - Finding Aid Hannah Whitall Smith
Asbury Theological Seminary ePLACE: preserving, learning, and creative exchange Finding Aids Special Collections 2012 Hannah Whitall Smith ARC1983 -002 - Finding Aid Hannah Whitall Smith Follow this and additional works at: http://place.asburyseminary.edu/findingaids Recommended Citation Smith, Hannah Whitall, "Hannah Whitall Smith ARC1983 -002 - Finding Aid" (2012). Finding Aids. Book 49. http://place.asburyseminary.edu/findingaids/49 This Finding Aid is brought to you for free and open access by the Special Collections at ePLACE: preserving, learning, and creative exchange. It has been accepted for inclusion in Finding Aids by an authorized administrator of ePLACE: preserving, learning, and creative exchange. For more information, please contact [email protected]. Asbury Theological Seminary Information Services Special Collections Papers of Hannah Whitall Smith ARC1983 -002 Asbury Theological Seminary Information Services Special Collections Papers of Hannah Whitall Smith ARC1983 -002 Introduction The Hannah Whitall Smith Papers (1847-1960) include personal materials that relate to Hannah Whitall Smith’s career as an evangelist, author, feminist, and temperance reformer. The Papers cover especially her adult years, from 1850 until her death in 1911. Her family has added a few pieces to the collection throughout the years following her death. The papers are composed of correspondence sent to Hannah W. Smith; subject files, including a large section of clippings, pamphlets, books, and broadsides about fanaticisms of her day, which she herself collected; literary productions, including her journal (1849-1880); printed materials; and photographic materials. The Special Collections Department of the B.L. Fisher Library received the Hannah Whitall Smith Papers collection, which contains 4.8 cubic feet of manuscript materials, in 1983 from Barbara M.