Making Sense of Magic
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The Expert Escamoteur's Equipment
The Expert Escamoteur’s Equipment Tony Shiels An Exploration in Three Parts of Various Aspects of Cups and Balls Conjuring It is strongly recommended that you print this ebook out before reading. Staple the pages together - or better still take the pages to you local Staples or office supply store and have it bound. Add your own notes and ideas as they come to you. That way you will turn this ebook into a valuable reference document. Contents & illustrations copyright © Tony Shiels 1966 and 2006 These articles originally appeared in The Linking Ring, the magazine of The International Brotherhood of Magicians http://www.magician.org There is no charge for this ebook. You are free to share it with your friends provided it is left unedited and in its entirety. Introduction by Quentin Reynolds If you associate the name of Tony ‘Doc’ Shiels with weird, strange and bizarre magick, you will, no doubt, be surprised to discover that in his professional work, the Linking Rings and the Cups and Balls effects, were the stable part of his repertoire. As you read through this manuscript, and bear in mind it was written in 1966, you will be inspired by his enthusiasm for the subject. In more recent times the Cups and Balls has had a revival back onto the streets and is the featured effect by many of magic’s leading street performers. At the rear of this manuscript I’ve listed some recommended further reading, published since Tony’s articles first appeared in The Linking Ring. As publisher of one of Tony’s other books, The Shiels Effect http://www.TheShielsEffect.com I was delighted to discover some of his older writings lost in the files of magazines. -
Therapeutic Magic: Demystifying an Engaging Approach to Therapy
Therapeutic Magic: Demystifying an Engaging Approach to Therapy Steven Eberth, OTD, OTRL, CDP Richard Cooper, Ed.D, FAOTA, OTR Warren Hills, Ph.D, LPC, NCC ●What strategies could you use to introduce therapeutic magic with your clients? Quick Survey ●What barriers exist that may impede your ability to use therapeutic magic? History of Magic • Dr. Rich Cooper • In the beginning . ●The use of magic as a therapeutic activity has existed since World War 1 History of Magic ●Occupational therapy literature evidenced the use of therapeutic magic in 1940 History of ●Project Magic was conceived by magician, Magic David Copperfield and Julie DeJean, OTR ●In 1981, the Department of Occupational Therapy at the Daniel Freeman Center for Diagnostic and Rehabilitative Medicine in Inglewood, California piloted the use of magic History of ●In 1982, Project Magic was endorsed by the Magic American Occupational therapy Association ●The Healing of Magic program was developed History of by world renown illusionists Kevin and Cindy Magic Spencer ●In 1988, Kevin suffered injuries to his head and lower spinal cord from a near-fatal car accident ●In support of his own recovery, he worked with therapists in North Carolina on what was to become the foundation for “The Healing of Magic” ●Kevin earned Approved Provider Status from the American Occupational Therapy Association History of ●He is considered the leading authority on the therapeutic use of magic in in physical and Magic psychosocial rehabilitation https://www.spencersmagic.com/healing-of- magic/ Our Story Our humble beginning . ● How we got started ● The search for training materials begins ● What we’ve done: WMU Story ● # of students ● Grant for materials ● Resource boxes ● Documentation and reimbursement skills ● Program evaluation student surveys I am in my second fieldwork one right now at the Kalamazoo Psychiatric Hospital. -
The Magic Collection of David Baldwin
Public Auction #043 The Magic Collection of David Baldwin Including Apparatus, Books, Ephemera, Posters, Automatons and Mystery Clocks Auction Saturday, October 29, 2016 v 10:00 am Exhibition October 26-28 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 The Magic Collection of David M. Baldwin An Introduction he magic collection of David M. Baldwin (1928 – 2014) Tis a significant one, reaching back to the glorified era of nineteenth century parlor and stage magic that sees its greatest physical achievements embodied in the instruments of mystery we offer here: clocks, automata, and fine conjuring apparatus. It crosses into that treasured phase of the twentieth century when the influence magic held over Western popular culture reached its zenith, and continues on to the present age, where modern practitioners and craftsmen commemorate and reinvigorate old A thoughtful and kind gentleman, he never spoke unkindly about ideas in new forms. anyone. He was modest, generous, and known by many for his philanthropy in supporting the visual and performing arts, medicine, The bedrock of the collection is composed of material the education, and, of course, magic. Among his contributions to other sources of provenance of which will be well known to any conjuring organizations, he was a major benefactor to The Magic Circle, collector or historian of the art: the show, personal artifacts and and was awarded an Honorary Life Member of the Inner Magic Circle. props gathered and used by Maurice F. Raymond (“The Great Raymond”); the library and collection of Walter B. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Lecture Notes 2010
Peter Wardell lecture notes 2010 by Peter Wardell lecture notes 2010 v 1.0 These notes are just that - notes. They are however by no means complete. In fact they are missing a number of very important assets that would make them “good” notes: Illustrations and photographs are not included simply because I haven’t got round to doing them - but they are coming and with them video, (maybe). Proper credits are absent. A sin I know, but they will make an appearance at some point. Until then “thanks everybody”. References are not referenced. Lets face it they take ages but yes I will do them - eventually So why have I “shipped” the notes now? Because if I didn’t then then the use of 2010 in the title would be misleading and that would simply be wrong. Peter Wardell (May 2010) www.peterwardell.com lecture notes 2010 v 1.0 contents Introduction The Basics The Stick Vanishes 1 An Opening Sequence 2 Tricks in One Fastest Card to Wallet 2 Coins across The Last Coin Introduction A Watch Steal 3 Picking Pockets www.peterwardell.com lecture notes 2010 v 1.0 The cups & balls Introduction The Basics The Stick Vanishes An Opening Sequence 1 Final Loads www.peterwardell.com lecture notes 2010 v 1.0 The cups & Balls is The cups and balls is of course the oldest trick in the world and more about attitude that means that it’s had more written about it than probably any and timing than it is other trick. So what do I hope to add to the already expansive about sleight of hand literature that’s available? Not much really. -
Doug Henning^S Hour of Magic Tanker Breaks Apart
PAGE FOURTEEN-B- MANCHESTER EVENING HERALD, Manchester, Conn., Mon., Dec. 20, 1976 ’ScotVs world- . ■ V ■■ ■ . i ■■ ■ ' ' j ' "r- '■ '•I '■ - d - - f 9 i ^ ■ The weather Inside today Doug Henning^s hour of magic Variable cloudiness, windy, colder Area news . .l-S-B Editorial ........6A today, scattered snow flurries likely. Oasslfied . 1S-14-B Family..........14-A High 25-30. Fair, windy, much colder two years in Europe and the United States researching Jiff 1 ComicsComics..........15-B..........15-B Obituaries ... 16A16 By VERNON SCOTT An illusion He painstakingly creates his own ledgerdemain. tonight, lows zero to 10 above. • Abby ... 15-B SporU..........4-7' B HOLLYWOOD (UPl) - When a guy says he’s going to "I’m really creating an illusion in peoples’ minds, not past and present magicians and their acts. Everything in this holiday season’s special will be new. Wednesday partly sunny, quite cold, tRiRTY-TWO PAGES make an elephant disappear odds are he's talking about fooling their senses. I just change the reality of the "Magic is a great theatrical art form,” he said. TM gives him ideas high In low 20s. National weather TWOSECnONS “Historically magicians followed other entertainment forecast map on Page 13-B. M iO d te b a i, CONN., TUKDAY, DE€EMBiR2L VOL. sobering up to dispatch a pink pachyderm. perception in an audience's mind. "It began to get difficult for me to think of original But when magician Doug Henning says he’s going to “Really, the secret of magic is psychological. Human trends but they stopped growing with vaudeville. -
Download Press
Press Resource Contents: page Why McBride? 1 The Shows 2 Bio. 3 Clients/ Awars 4 Magic Magazine Article 5-12 Reviews 12-21 JeffJeff McBrideMcBride Why McBride Magic is the perfect show for your showroom or event 1. If you want appreciative, excited audiences, McBride’s shows have a proven record for thrill- ing audiences and reviewers worldwide. 2. Do you have a mixed audience of different ages, or different cultures? McBride’s magic appeals to audiences of all types and nationalities. The show is a visual and aural spectacle which can be fully understood no matter what the viewer’s native language. 3. Looking for a way to generate publicity for your event or product? We have long experience working with our clients’ creative and marketing staffs to assure the show will meet your criteria for success on every level. 4. We have a time-tested set of technical requirements which we can tailor to your venue and situa- tion. Because we have performed in every kind of venue imaginable, we know how to get the most from whatever technical support you can provide, and to work well with your technical staff. 5. When budgets are tight, but you need to make a big splash, our small company (McBride, 1-5 Assistants, one Production Manager) puts on a very big show -- the most exciting magic show in all the world! We have shows of different sizes to fit any budget and space. 6. We enjoy doing community outreach types of promotion - appearances at local schools, fund-rais- ers, etc., that help you both to sell tickets and maintain good relations for your organization within the community. -
David Copperfield PAGE 36
JUNE 2012 DAVID COPPERFIELD PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Fax: 866-591-7392 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JUNE 2012 M-U-M JUNE 2012 MAGAZINE Volume 102 • Number 1 S.A.M. NEWS 6 From the Editor’s Desk Photo by Herb Ritts 8 From the President’s Desk 11 M-U-M Assembly News 24 New Members 25 -
The Underground Sessions Page 36
MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From -
Haversat Ewing
haversat &Ewing Galleries, LLC. 2014 Magic Collectibles Auction November 15, 2014 Haversat & Ewing Galleries, LLC. Magic Collectibles Auction AUCTION Active bidding on Saturday,all lots begin November at 11:00 15, AM 2014 EST- -11:00 Sat. November AM 15, 2014 SignFirst-up lot to bidcloses at: www.haversatewing.comat 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO BOX 1078 - YARDLEY, PA 19067-3434 WWW.HAVERSATEWING.COM ~1~ ~2~ ~3~ ~4~ Books, Catalogs & Periodicals 1. Abbott, David. Behind the Scenes with the Mediums. Omaha: The Open Court Publishing Co., 1908 Second edition. Mint condition. $75-125 ~5~ 2. The Art of Conjuring Made Easy; or, Instructions For Performing The Most 4. Brewster, David. Letters on Natural Magic. Astonishing Sleight-of-Hand Feats, With London: John Murry, 1834. Lovely rebinding of Directions for Making Fireworks. 12 pages. this classic text with leather spine and corners and Small 12mo. Woodcut pictorial wrappers, with old buckram covers. New end papers. Fine condition. tape on spine. Circa 1840's. $200-250 $75-$100 3. Black Art!, Or Magic Made Easy. All Kinds 5. Conjurers’ Monthly Magazine. Harry of Sleight-of Hand Tricks. Conjuring by Cards and Houdini. V1 N1 (Sept. 1906) - V2 N12 (Aug. 1908). Coins. 64 pages. 16mo. Copyright 1869, Frederic Complete file. Bound in blue cloth with lettered Brady. First Edition. $200-$250 cloth spines, as issued by Houdini. Overall in fair condition. $450-$700 November 2014 - Haversat & Ewing Galleries • 3 ~7~ ~9~ ~8~ 8. Encyclopedia of Self Working Card Tricks & Second Encyclopedia of Card Tricks. -
ADVERTISING/MARKETING/ Bill Rose, VP, Marketing, Radio Station He Is Survived by His Wife, Debbie
FATES & FORTUNES ADVERTISING/MARKETING/ Bill Rose, VP, marketing, radio station He is survived by his wife, Debbie. services, Arbitron Co., New York, named David Levy, 87, television executive PUBLIC RELATIONS VP and general manager, Internet. and producer who created The Addams Appointments, Bates USA, New York: Craig V. Calder, senior director, mar- Family, died Jan. 25. Levy began his Audrey Melofchik, VP, management keting and programming, Nickelodeon career in radio before joining the Navy representative, named senior VP; Greg Online, New York, joins Times Com- during the World II. After his dis- Kemp, account supervisor, named VP, pany Digital there as VP, marketing. charge and a stint at the Young & account supervisor; Jennifer Ginelli, Bob Crestani, Rubicam advertising agency in New strategic planner, named VP, strategic chairman and York, Levy joined NBC. He became planner. CEO, Inter-Con- vice president of programming in Appointments, BMI, New York: Jodi tent Group, joins 1959, helping launch such TV classics H. Saal, associate director, named sen- the board of direc- as Bonanza, Dr. Kildare and The ior director, international systems tors of iCAST, Tonight Show with Johnny Carson. administration; Barbara Patralites, Woburn, Mass. After leaving NBC in the 1960s, Levy director, international research and headed to ABC, where he produced Diane Linen analysis, named senior director; the kooky comedy The Addams Powell, senior VP, Consueti Sayago, director, internation- Family. He also developed Sarge, The corporate commu- al administration, named senior direc- Pruitts of Southhampton and helped in nications, tor. Crestanl Interna- the revival of Name That Tune. Levy tional Family served as the executive director of the Lisa T. -
A Two-Edged Sword
Cutting Magic in Half: A Two-Edged Sword EDWARD SUMMER keptics have worked together with The irony is that an era in which magicians to great advantage. stage magic is flourishing for the first SHarry Houdini in his day and rime in decades is also a time in which a James Randi or India's B. Premanand in veritable litany of superstition has re- ours have performed a priceless service entrenched itself in the popular mind as in exposing a range of tricksters. Yet, a form of "fact." ironically, no magician worth his (or If people are confused by the appar- these days her) salt would willingly ent science of The X-Files, arc they reveal his or her secrets, including the equally confused by stage magicians? secrets involved in exposing psychic pre- The sell-out run of live performances by tenders. David Copperfield in New York City On November 24, 1997, Fox Tele- was largely attended by families. vision broadcast a one-hour program, "A Children and parents were suitably baf- Magician's Ultimate Betrayal: Magic's fled by Mr. Copperfield's performance. Biggest Secrets Finally Revealed," in One suspects that there's an unspoken which a masked performer "exposed" covenant between audience and magi- many of stage magic's sacred effects: cut- cian: the magician does his best to "fool" ting a woman in half, levitation, making the audience; the audience, in turn, an elephant disappear, and more. As a agrees to be "baffled." The goal is awe, former stage magician, part of me was Fox TV's "A Magician's Ultimate Betrayal: wonder, and entertainment.