A Two-Edged Sword

Total Page:16

File Type:pdf, Size:1020Kb

A Two-Edged Sword Cutting Magic in Half: A Two-Edged Sword EDWARD SUMMER keptics have worked together with The irony is that an era in which magicians to great advantage. stage magic is flourishing for the first SHarry Houdini in his day and rime in decades is also a time in which a James Randi or India's B. Premanand in veritable litany of superstition has re- ours have performed a priceless service entrenched itself in the popular mind as in exposing a range of tricksters. Yet, a form of "fact." ironically, no magician worth his (or If people are confused by the appar- these days her) salt would willingly ent science of The X-Files, arc they reveal his or her secrets, including the equally confused by stage magicians? secrets involved in exposing psychic pre- The sell-out run of live performances by tenders. David Copperfield in New York City On November 24, 1997, Fox Tele- was largely attended by families. vision broadcast a one-hour program, "A Children and parents were suitably baf- Magician's Ultimate Betrayal: Magic's fled by Mr. Copperfield's performance. Biggest Secrets Finally Revealed," in One suspects that there's an unspoken which a masked performer "exposed" covenant between audience and magi- many of stage magic's sacred effects: cut- cian: the magician does his best to "fool" ting a woman in half, levitation, making the audience; the audience, in turn, an elephant disappear, and more. As a agrees to be "baffled." The goal is awe, former stage magician, part of me was Fox TV's "A Magician's Ultimate Betrayal: wonder, and entertainment. Doug immediately outraged, but another part Magic's Biggest Secrets Finally Revealed." Henning, in fact, has made it a point to 01997 Fox Broadcasting Company. of me wonders just how bad this really explain in his show that he performs was, and, indeed, if there wasn't some- illusions: there is no pretense of "super- magic as a form of classical theater. In thing beneficial about the whole thing. natural" happenings. addition to his full-evening show pre- What is the "magic" that Houdini sented in the classic nineteenth-century Although "psychic" networks post a and Randi practice anyway? Well, it's mold of Keller or Thurston, Henning "for entertainment only" disclaimer, the certainly not the trash that passes for implied covenant here is that the mentalism on the "Psychic Friends' was directly responsible for the "psychic" pretends (for the sake of the Network" or in a fakir's show in rural Broadway musical The Magic Show, FCC) that he or she is "entertaining" the India. But it is, clearly, all about illu- which contained classic illusions in a sions. "Stage magic" and "mentalism" charming framework of songs and senti- are forms of theater. Doug Henning— ment. This led to the recent revival of Edward Summer has recently written one of the finest illusionists of our time stage magic and served not only as a about the movies Fairy Tale and Contact before he gave it all up to work on the foundation for the late Harry for the SKEPTICAL INQUIRER. He publishes ever elusive Transcendental Meditation Blackstone Jr. to relaunch his career, but The Dinosaur Interplanetary Gazette, a Theme Park—started his career with a also created a climate in which David science magazine, at http://www.dinosaur. Canadian government grant to research Copperfield slowly but surely ascended org, and can be reached by e-mail at to the top of his profession. sumstuffi$juno. com. SKEPTICAL INQUIRER March/April 1998 59 caller, but the caller understands that the Herrmann, and Kellar will be found only the latest in a long tradition. Aping clearly explained. psychic's "gifts" are genuine. Infomercials the tone of tabloids, the creators of the compel viewers to accept the "amazing" show displayed a salacious lack of powers of these readers, keeping them Who published this terrible book? respect for die "art" of conjuring by act- telephoning at rates approaching $240 Lean closer. I'll whisper in your ear. It ing as though they were exercising some an hour! The top-priced ticket for David was Scientific American. This delicious sort of guaranteed freedom by revealing Copperfield's two-hour performance tome is entitled Magic, Stage Illusions these "sneaky tricks." Penn and Teller do was under $100. and Scientific Diversion Including Trick an "expose' of an elaborate illusion with skill diat provokes gasps and chortles of Is there a circumstance under which the genuine delight in the audience. Not so, "Magician's Code" should be broken? Fox Fox. Smarmy is the word that leaps to mind. Kind of like finding out a guilty Television apparently thought so. Can more be secret. Pity. learned here than "how it was done"? Nonetheless, as members of a society diat values (to some extent, certainly) From time to time, people come for- rationality and freedom of expression, it ward and "expose" stage magic. Penn Photography. It contained four hundred is easy to forget other cultures that don't. and Teller, the bad boys of modern illustrations which, in their detail, rival India with its fakirs is the saddest and magic, outraged magicians by exposing some of the Fox network's videography. most frightening example, but tales of Last reprinted in 1977, it exposes nearly such classics as the "cups and balls" each belief in witchcraft diat result in the mur- every illusion that any professional and every evening to a packed house. der of old men and women still emerge magician of the day performed. Their intention, however, is an intrigu- from modern Africa. We have only to ing one: Explaining to the audience in Expose, apparently, was not such a look back a few centuries at the Salem advance that it is all a "trick," they pro- dirty word at the turn of die century. It witch trials to see die pattern of igno- ceed to totally fool the same audience. A was de rigueur for Blackstone or rance and credulity that required so many splendid evening of entertainment Thurston to sell little books in die lobby years of tragedy and education to over- becomes a cautionary model that serves that taught die eager fan a few card or come. It is ironic, but perhaps not unex- as a useful seed of skepticism in day-to- coin tricks. Many readers may also pected, that Doug Henning went from a day life. Penn, on occasion, delivers a remember fondly die magic books of fine career in entertainment to belief in a mighty oration (and that certainly Walter Gibson, a man who rivaled Isaac supposedly genuine form of "levitation." describes it perfectly) on the dangers of Asimov as the most prolific author of all credulity when dealing with charlatans times. Gibson, who for decades penned The culture diat produced his "guru" is of all kinds. a novel a week that enthralled pulp- steeped in superstition and lacked, until magazine readers with the florid adven- recently, any mechanism to counteract But is this something new? Not at all. tures of "The Shadow," wrote exemplary die effects of centuries of belief in magic. In 1897 a book filled with blatant "how-to" books of basic conjuring skills. Mr. Premanand's exemplary work in exposes appeared. Here is the opening In addition, nearly every major city exposing the fake methods of Indian paragraph of the preface: houses a "magic shop" where die devo- fakirs is finally beginning to make a dif- tee can purchase the secret of just about ference. Thanks to his work, combined It is believed that the present work occupies a unique field in the exten- any effect that tortures your brain. widi other efforts at helping "ignorant" sive literature of magic. There are peoples to financial self-sufficiency, already a large number of treatises on Fox's TV poverty, disease, and superstition are natural magic and legerdemain, but show is giving way to knowledge. Fakirs, very litde attention has been given to the expose of s t a g e illusions, which are after all, perform the sword and of great interest as they are so largely basket trick "exposed" on die Fox based on ingenious applications of television show as proof of their scientific principles. Optics, power over life and death. They mechanics, sound, and elec- tricity have all been pressed can inspire enough fear in a small into service. In the present town to extort large amounts of work great attention has been money diat might better be paid to elaborate tricks, and r*£^ZP\ spent on food or sanitation. in many cases the exposes / \ \ have been obtained / A \ \ While this television spe- cial might be an outra- from the prestidigita- / ** \ \ geous "spoiler" for teurs themselves. J \ / Many of the ^-* ? \ " , Americans, in a small best illusions of Bengali village Robert-Houdin, such an expose' Michael Boychuck r SO March/April 1998 SKEPTICAL INQUIRER requires the courage of a true patriot. the performers do EVERYTHING! from A to D without going through Some years ago, James Randi What delights me endlessly, is skill both steps B and C. No way. Once you know exposed both die Philippine psychic in manipulation and in performance. It that, it is pretty hard to be fooled by for- surgery racket and an American faith is knowing how it works that gives me tunetellers or homeopaths. healer who used "mentalist" methods to die confidence to say that a trickster Mind you, I'm still sitting here and bilk his desperately ill religious followers with alleged "special gifts" is, at best, a gritting my teeth, but if Fox's "Magic's out of their money.
Recommended publications
  • As We Kicked Off the New Millennium, Readers of This
    s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets.
    [Show full text]
  • Doug Henning^S Hour of Magic Tanker Breaks Apart
    PAGE FOURTEEN-B- MANCHESTER EVENING HERALD, Manchester, Conn., Mon., Dec. 20, 1976 ’ScotVs world- . ■ V ■■ ■ . i ■■ ■ ' ' j ' "r- '■ '•I '■ - d - - f 9 i ^ ■ The weather Inside today Doug Henning^s hour of magic Variable cloudiness, windy, colder Area news . .l-S-B Editorial ........6A today, scattered snow flurries likely. Oasslfied . 1S-14-B Family..........14-A High 25-30. Fair, windy, much colder two years in Europe and the United States researching Jiff 1 ComicsComics..........15-B..........15-B Obituaries ... 16A16 By VERNON SCOTT An illusion He painstakingly creates his own ledgerdemain. tonight, lows zero to 10 above. • Abby ... 15-B SporU..........4-7' B HOLLYWOOD (UPl) - When a guy says he’s going to "I’m really creating an illusion in peoples’ minds, not past and present magicians and their acts. Everything in this holiday season’s special will be new. Wednesday partly sunny, quite cold, tRiRTY-TWO PAGES make an elephant disappear odds are he's talking about fooling their senses. I just change the reality of the "Magic is a great theatrical art form,” he said. TM gives him ideas high In low 20s. National weather TWOSECnONS “Historically magicians followed other entertainment forecast map on Page 13-B. M iO d te b a i, CONN., TUKDAY, DE€EMBiR2L VOL. sobering up to dispatch a pink pachyderm. perception in an audience's mind. "It began to get difficult for me to think of original But when magician Doug Henning says he’s going to “Really, the secret of magic is psychological. Human trends but they stopped growing with vaudeville.
    [Show full text]
  • Download Press
    Press Resource Contents: page Why McBride? 1 The Shows 2 Bio. 3 Clients/ Awars 4 Magic Magazine Article 5-12 Reviews 12-21 JeffJeff McBrideMcBride Why McBride Magic is the perfect show for your showroom or event 1. If you want appreciative, excited audiences, McBride’s shows have a proven record for thrill- ing audiences and reviewers worldwide. 2. Do you have a mixed audience of different ages, or different cultures? McBride’s magic appeals to audiences of all types and nationalities. The show is a visual and aural spectacle which can be fully understood no matter what the viewer’s native language. 3. Looking for a way to generate publicity for your event or product? We have long experience working with our clients’ creative and marketing staffs to assure the show will meet your criteria for success on every level. 4. We have a time-tested set of technical requirements which we can tailor to your venue and situa- tion. Because we have performed in every kind of venue imaginable, we know how to get the most from whatever technical support you can provide, and to work well with your technical staff. 5. When budgets are tight, but you need to make a big splash, our small company (McBride, 1-5 Assistants, one Production Manager) puts on a very big show -- the most exciting magic show in all the world! We have shows of different sizes to fit any budget and space. 6. We enjoy doing community outreach types of promotion - appearances at local schools, fund-rais- ers, etc., that help you both to sell tickets and maintain good relations for your organization within the community.
    [Show full text]
  • David Copperfield PAGE 36
    JUNE 2012 DAVID COPPERFIELD PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Fax: 866-591-7392 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JUNE 2012 M-U-M JUNE 2012 MAGAZINE Volume 102 • Number 1 S.A.M. NEWS 6 From the Editor’s Desk Photo by Herb Ritts 8 From the President’s Desk 11 M-U-M Assembly News 24 New Members 25
    [Show full text]
  • The Underground Sessions Page 36
    MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From
    [Show full text]
  • Haversat Ewing
    haversat &Ewing Galleries, LLC. 2014 Magic Collectibles Auction November 15, 2014 Haversat & Ewing Galleries, LLC. Magic Collectibles Auction AUCTION Active bidding on Saturday,all lots begin November at 11:00 15, AM 2014 EST- -11:00 Sat. November AM 15, 2014 SignFirst-up lot to bidcloses at: www.haversatewing.comat 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO BOX 1078 - YARDLEY, PA 19067-3434 WWW.HAVERSATEWING.COM ~1~ ~2~ ~3~ ~4~ Books, Catalogs & Periodicals 1. Abbott, David. Behind the Scenes with the Mediums. Omaha: The Open Court Publishing Co., 1908 Second edition. Mint condition. $75-125 ~5~ 2. The Art of Conjuring Made Easy; or, Instructions For Performing The Most 4. Brewster, David. Letters on Natural Magic. Astonishing Sleight-of-Hand Feats, With London: John Murry, 1834. Lovely rebinding of Directions for Making Fireworks. 12 pages. this classic text with leather spine and corners and Small 12mo. Woodcut pictorial wrappers, with old buckram covers. New end papers. Fine condition. tape on spine. Circa 1840's. $200-250 $75-$100 3. Black Art!, Or Magic Made Easy. All Kinds 5. Conjurers’ Monthly Magazine. Harry of Sleight-of Hand Tricks. Conjuring by Cards and Houdini. V1 N1 (Sept. 1906) - V2 N12 (Aug. 1908). Coins. 64 pages. 16mo. Copyright 1869, Frederic Complete file. Bound in blue cloth with lettered Brady. First Edition. $200-$250 cloth spines, as issued by Houdini. Overall in fair condition. $450-$700 November 2014 - Haversat & Ewing Galleries • 3 ~7~ ~9~ ~8~ 8. Encyclopedia of Self Working Card Tricks & Second Encyclopedia of Card Tricks.
    [Show full text]
  • ADVERTISING/MARKETING/ Bill Rose, VP, Marketing, Radio Station He Is Survived by His Wife, Debbie
    FATES & FORTUNES ADVERTISING/MARKETING/ Bill Rose, VP, marketing, radio station He is survived by his wife, Debbie. services, Arbitron Co., New York, named David Levy, 87, television executive PUBLIC RELATIONS VP and general manager, Internet. and producer who created The Addams Appointments, Bates USA, New York: Craig V. Calder, senior director, mar- Family, died Jan. 25. Levy began his Audrey Melofchik, VP, management keting and programming, Nickelodeon career in radio before joining the Navy representative, named senior VP; Greg Online, New York, joins Times Com- during the World II. After his dis- Kemp, account supervisor, named VP, pany Digital there as VP, marketing. charge and a stint at the Young & account supervisor; Jennifer Ginelli, Bob Crestani, Rubicam advertising agency in New strategic planner, named VP, strategic chairman and York, Levy joined NBC. He became planner. CEO, Inter-Con- vice president of programming in Appointments, BMI, New York: Jodi tent Group, joins 1959, helping launch such TV classics H. Saal, associate director, named sen- the board of direc- as Bonanza, Dr. Kildare and The ior director, international systems tors of iCAST, Tonight Show with Johnny Carson. administration; Barbara Patralites, Woburn, Mass. After leaving NBC in the 1960s, Levy director, international research and headed to ABC, where he produced Diane Linen analysis, named senior director; the kooky comedy The Addams Powell, senior VP, Consueti Sayago, director, internation- Family. He also developed Sarge, The corporate commu- al administration, named senior direc- Pruitts of Southhampton and helped in nications, tor. Crestanl Interna- the revival of Name That Tune. Levy tional Family served as the executive director of the Lisa T.
    [Show full text]
  • Tommy Wonder & Stephen Minch)
    Downloaded from www.vanishingincmagic.com by Ray Hyman EDITED by Joshua Jay Cover designed by Vinny DePonto Layout by Andi Gladwin Downloaded from www.vanishingincmagic.com by Ray Hyman Magic in Mind was prepared in cooperation with the Society of American Magicians, and the ebook will be made available for free to all members worldwide. www.vanishingincmagic.com All rights reserved. The essays in this book are copyrighted by their respective authors and used with permission. No portion may be reproduced without written permission from the authors. Downloaded from www.vanishingincmagic.com by Ray Hyman AcknowledgEments Magic in Mind started out as a project intended expressly for serious young magicians, but the first of many lessons I learned during my two-year endeavor is this: age has little to do with learning. It was evident, early on, that this collection would benefitanyone serious about getting serious in magic. So here we are. Thanks to all the generous magicians who have allowed me to include their work in this collection. I am overwhelmed by the support they have shown. In particular, I wish to single out Darwin Ortiz, whose writings I admire greatly, and who went against a personal policy, and agreed to participate. I consider it a favor to me, and a favor to all those who will learn from his writings. Thanks, Darwin, for being flexible and generous. Thanks to Stephen Minch, whose encouragement and “pull” helped initiate the project. Irving Quant helped with the translation of “Fundamentals of Illusionism” by Juan Tamariz. Denis Behr suggested a few essays I was not familiar with.
    [Show full text]
  • Genii Speaks Richard Kaufman Contact Us by Calling 301-652-5800, E-Mailing [email protected] Or Surfing Our Website At
    Genii Speaks Richard Kaufman Contact us by calling 301-652-5800, e-mailing [email protected] or surfing our website at www.geniimagazine.com IF YOU’VE WATCHED the most famous which you’ll find inside the polybag with this issue of magicians of our day during their careers— Genii. This year’s FISM in Stockholm, Sweden, is most like- including David Copperfield, Siegfried & Roy, ly the last of its kind. A complete reorganization of FISM’s Lance Burton, Doug Henning, and Criss structure will greatly reduce the number of contestants at Angel—then you’ve seen illusions built by John all future conventions. Tim Ellis and his wife Sue-Anne Gaughan. Working in a non-descript building in Webster, inspired by Bill Larsen’s past FISM articles, have an area of Los Angeles you’ve never been to, done complete FISM coverage for the last few contests John and his employees have been helping and, at my invitation, have supplied complete coverage stage magicians make magic happen for for us this year including Sue-Anne’s description of almost decades. I flew out to L.A., every single contestant’s act. In Dustin Stinett picked me up at addition, I interviewed FISM the airport, and Pete Biro joined International President Eric Eswin us for a fascinating day at John’s on both the controversies at this workshop. In addition to seeing year’s FISM and all the coming lots of illusions up close, we were changes within the organization. able to enjoy all of the fabulous Michael Albright has done a bril- automata that John has refur- liant job designing and produc- bished, including the chess- ing our FISM supplement.
    [Show full text]
  • The Magicians of IBM RING 313, the JOHN FEDKO RING
    TThhee MMaaggiicciiaannss ooff IIBBMM RRIINNGG 331133 TThhee JJoohhnn FFeeddkkoo RRiinngg Meet some of the magical characters who help make this magic club a special place for illusion makers. By Philip H. Henderson, ethical magician January 2015 © IBM Ring 313 Page 1 of 64 Magician’s of Ring 313 Introduction to Volume 1 of The Magicians of IBM Ring 313 Ring 313 Secretary, Philip Henderson, interviewed founding members of Ring 313 to introduce them to newer members. This is volume 1 of the Magicians of IBM Ring 313. In addition to the founding members included are the biographies of some of members who have contributed to the success of the John Fedko Ring. As you read these stories about the lives of our members, you will understand that the real magic in their lives are their relationships with family and friends, and their connection to humanity. Magicians want to place smiles on the faces of everyone they meet. We just have an unusual method to garner those smiles. Page 2 of 64 Magician’s of Ring 313 Table of Contents Introduction to Volume 1 of The Magicians of IBM Ring 313…………2 History of IBM Ring 313, The John Fedko Ring……………………………….5 Presidents of The John Fedko Ring ………………………………………………..7 The Five Lives of John Fedko………………………………………………………….12 John Fedko, Family Man…………………………………………………………….13 John Fedko, Engineer………………………………………………………………..14 John Fedko, Musician………………………………………………………………..15 John Fedko, Magician………………………………………………………………..16 John Fedko, Author and Teacher……………………………………………….17 Concluding Thoughts………………………………………………………………….17 Mr. Todd Reis…………………………………………………………………………………20 Is Jay Leslie a Magician? This writer says NO!.................................26 Mr. Steven Longacre………………………………………………………………………36 Mr.
    [Show full text]
  • Magic Questions to Paraphrase Harry Truman, “What Do You Know About Your Magical History?” Let’S Find Out
    There is nothing new in the world except the history you do not know. --Harry S Truman Magic Questions To paraphrase Harry Truman, “What do you know about your magical history?” Let’s find out. Below are 130 questions or short phrases that challenge you to come up with the right answer. In some cases, more than one answer may exist. Here’s the clue for you -- and the answer too. N Question Answer 1 A name synonymous with opaque rock Blackstone 2 A deceptive count Flustration 3 Inventor of W.O.W. Book Test Yedid 4 One of the “L”s in L&L Publishing Louis 5 A soldier’s lodge Billet 6 On the up and up in magic Levitation 7 A brother to Houdini Theodore 8 Brother’s offspring Gemini Twins 9 Lover of math and magic Gardner 10 Fielding’s surname West 11 What the Professor would cut when not cutting a deck Silhouette 12 Name of Box and City Boston 13 Silent Partner Teller 14 Jim Tyler’s gem Diamond 15 Hugard’s Expert Card Technique partner Braue 16 He created Nothing Maven 17 The Tomfoolery was his Mullica 18 Author of “Showtime” column in TLR Marucci 19 I.B.M. top man Munoz 20 Lee Falk’s cartoon character Mandrake 21 His card technique was revolutionary Marlow 22 He’s as cool as ice McDonald 23 The M in Mystery School McBride 24 Secret Agent Man Mulholland 25 Lefty’s Pal Marshall 26 He was silent Mora 27 The world’s largest Leprechaun Billy McComb 28 An outstanding writer on mental magic who published Annemann in “The Jinx” 29 Magician who did his burlesque on magic on the Ballentine Headliner Show at the 1955 IBM convention in Page 1 of 7 Pittsburgh 30 Two oldest known tricks Cups and Balls, Linking Rings 31 Name of classic sucker-type children’s trick Die Box 32 Title of outstanding textbook on card magic written by Expert Card Technique Jean Hugard and Frederick Braue and published in 1940 by Carl Jones 33 Author of “Showmanship for Magicians” Fitzkee 34 Word used to describe the unseen part that makes a Gimmick trick work 35 Three magicians named Harry Houdini, Blackstone, Keller 36 A three letter word describing a card sleight Jog 37 Ohio city where first I.B.M.
    [Show full text]
  • Making Sense of Magic
    13th International Conference on Naturalistic Decision Making 2017, Bath, UK Making Sense of Magic Simon HENDERSONa aCranfield University ABSTRACT This paper discusses the sensemaking processes a spectator experiences when they are fooled intensely by a strong magic effect. The paper focuses on the precise ‘moment of magic’– the point at which a spectator’s sensemaking process itself breaks down, and, for a moment, their understanding of reality fails. Factors that moderate the magnitude of this moment are identified, and implications for better utilizing such factors to create similar disruption of sensemaking in other domains are considered, including within the military, the arts and entertainment, and sport. KEYWORDS Sensemaking; Magic; Mental Models; Pattern-Matching; Tonic Immobility INTRODUCTION "Alice laughed: "There's no use trying," she said; "one can't believe impossible things." "I daresay you haven't had much practice," said the Queen.” (Carroll, 1866, p. 100) “Thus, at the peak moment, the ring rises and blows away their rapid intellectualizing and leaves them with an entirely non-cerebral event.” (Brown, 2001, p. 36) In his 1998 show ‘David Blaine: Magic Man’, Blaine approaches a boy on the street, and begins to shuffle a deck of cards. He hands the deck to the boy, and asks him to cut it anywhere, and to then remove the top five cards at the location he cut to. The remainder of the deck is taken back by Blaine. Whilst turning to face away from the boy, Blaine instructs him to spread the cards he has just removed, to look at their faces, and mentally to select and think of just one card.
    [Show full text]