WT07-10 CM R\R\.*'".'"'• ""; '
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Willa Cather and American Arts Communities
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J. -
UNIVERSITY of $ASKATCHEWAN This Volume Is The
UNIVERSITY OF $ASKATCHEWAN This volume is the property of the University of Saskatchewan, and the Itt.rory rights of the author and of the University must be respected. If the reader ob tains any assistance from this volume, he must give proper credit in his ownworkr This Thesis by . EJi n.o r • C '.B • C j-IEJ- S0 M has been used by the following persons, whose slgnature~ attest their acc;eptance of the above restri ctions . Name and Address Date , UNIVERSITY OF SASKATCHEWAN The Faculty of Graduate Studies, University of Saskatchewan. We, the undersigned members of the Committee appointed by you to examine the Thesis submitted by Elinor C. B. Chelsom, B.A., B;Ed., in partial fulfillment of the requirements for the Degree of Master of Arts, beg to report that we consider the thesis satisfactory both in form and content. Subject of Thesis: ttWilla Cather And The Search For Identity" We also report that she has successfully passed an oral examination on the general field of the subject of the thesis. 14 April, 1966 WILLA CATHER AND THE SEARCH FOR IDENTITY A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Mas ter of Arts in the Department of English University of Saskatchewan by Elinor C. B. Chelsom Saskatoon, Saskatchewan April, 1966 Copyrigh t , 1966 Elinor C. B. Chelsom IY 1 s 1986 1 gratefully acknowledge the wise and encouraging counsel of Carlyle King, B.A., M.A., Ph.D. my supervisor in the preparation of this thesis. -
Review Red Cloud, Nebraska 68970 Summer, 1999 Telephone (402) 746-2653
Copyright © 1999 by the Willa Cather Roneer ISSN 0197-663X Memorial and Educational Foundation (The Wil~ Cather Society) Willa Cather Pioneer Memorial Newsletter and ~0 N. Webster Street VOLUME XLIII, No. 1 Review Red Cloud, Nebraska 68970 Summer, 1999 Telephone (402) 746-2653 "The Heart of Another Isa Dark Forest": A Reassessment of Professor St. Peter and His Wife Jean Tsien Beijing Foreign Studies University The Professor’s House is a a male subject (the professor) rich and complex work which gazing at female objects much can be rea~l rewardingly from of the time -- and not usually in many aspens: as a critique of admiration. Lillian St. Peter and soulless American materialism her daughters are seen through in the 1920s, as a depiction of ’ the critical -- at times, harsh -- male midlife crisis involving gaze of Godfrey St. Peter, who steady withdrawal into the self repeatedly offers comments on in preparation for death, as the them they cannot repudiate; for, story of the destruction of youth- as objects of a male gaze, they ful intellectual idealism and are not given a chance to reveal ’letting go with the heart,’ as their thoughts. While the two autobiographical parallels of male protagonists (Tom Outland Cather’s personal problems, and St. Peter) are depicted as and in many other ways. idealists, their women (Rosa- This paper attempts to read mond, according to Louie, ’~irtu- the work closely from a feminist ally [Tom’s] widow") are cold point of view. As we know, and hard and seen either quar- there is no "pure writing" exist- reling or spending money ing in a vacuum outside gender. -
Front Matter
Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information The Cambridge Companion to Willa Cather The Cambridge Companion to Willa Cather offers thirteen original essays by leading scholars of a major American novelist. Willa Cather’s luminous prose is ‘easy’ to read yet surprisingly difficult to understand. The essays col- lected here are theoretically informed but accessibly written and cover the full range of Cather’s career, including most of her twelve novels and several of her short stories. The essays situate Cather’s work in a broad range of critical, cultural, and literary contexts, and the introduction explores current trends in Cather scholarship as well as the author’s place in contemporary culture. With a detailed chronology and a guide to further reading, the volume offers students and teachers a fresh and thorough sense of the author of My Antonia´ , The Professor’s House, and Death Comes for the Archbishop. © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information THE CAMBRIDGE COMPANION TO WILLA CATHER EDITED BY MARILEE LINDEMANN © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521527934 C Cambridge University Press 2005 This book is in copyright. -
Money in the Fiction of Willa Cather Vincent A
Loma Linda University TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works Loma Linda University Electronic Theses, Dissertations & Projects 7-1974 Money in the Fiction of Willa Cather Vincent A. Clark Follow this and additional works at: https://scholarsrepository.llu.edu/etd Part of the Fiction Commons, and the Literature in English, North America Commons Recommended Citation Clark, Vincent A., "Money in the Fiction of Willa Cather" (1974). Loma Linda University Electronic Theses, Dissertations & Projects. 554. https://scholarsrepository.llu.edu/etd/554 This Thesis is brought to you for free and open access by TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. It has been accepted for inclusion in Loma Linda University Electronic Theses, Dissertations & Projects by an authorized administrator of TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. For more information, please contact [email protected]. I,OMA LINDA UNIVERSITY Graduate School MONEY IN THE FICTION O'F WILL..~ CATHER by Vincent A. Clark ------·--- A Thesis in Partial Fulfillment Master of Arts in the Field of English .July 1974 Each person whose signature appears below certifies that this thesis in his opinion thesis for the degree Master of Arts. ;). ~~Delmar I. Davis, i)~cU'""""""-)~t-J.--"------Professor of _LvlJr IT". U~ -·--· -- Robert Pg Dunn 1 Associate Professor of English CONTENTS ., .L. Introduction 1 2. Money in the Life of Willa Cather 8 3. The Early Books . 16 4. The Pioneer Triumphant • . 25 5. Mammon and the Modern World 40 6. The Days That Are No More . 71 7. Conclusion: Money in the Fiction of Willa Cather .• 80 Notes ... -
REVIEW Volume 60 Z No
REVIEW Volume 60 z No. 1 Fall 2017 Willa Cather and Mary Cassatt Willa Cather REVIEW Volume 60 z No. 1 | Fall 2017 13 14 2 19 CONTENTS 1 Letters from the Executive Director and the President 14 On the Visual within Willa Cather Mary Linnea Vaughan 2 Missed (?) Connections: Willa Cather and Mary Cassatt z Ann Romines 19 Regarding “Art-less Pittsburgh,” C. S. Reinhart’s Washed Ashore, and “The Sculptor’s Funeral” 13 The Willa Cather Foundation Art Collection Timothy W. Bintrim On the cover: Mary Cassatt Self-Portrait (ca. 1880), National Portrait Gallery, Smithsonian Institution. Letter from known than some of our other archival holdings. These artworks, the Executive Director many connected to Cather herself, and many inspired by her Ashley Olson writing and evocative of her time, bring great joy to our visitors and to our staff. The collection has grown gradually over the years, to our delight. And now that we have greatly enhanced facilities, So many changes! By now, you have no doubt taken note of we hope to see it grow even more. our beautiful new masthead and this publication’s simple and Humankind is fortunate that since our earliest days, artists sophisticated new name, the Willa Cather Review. We’re pleased have shared their gifts with us. In addition to bringing joy, the arts to debut this new look after another (larger) transformation that push us to become more well-rounded individuals and give us a led to the grand opening and dedication of the National Willa reason to pause for thought and reflection. -
A Willa Cather Collection
Colby Quarterly Volume 8 Issue 2 June Article 6 June 1968 A Willa Cather Collection Richard Cary Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 8, no.2, June 1968, p.82-95 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary: A Willa Cather Collection 82 Colby Library Quarterly under his feet" (p. 283), he can realistically assess life as com pounded of two great forces-love and death-and "face with fortitude the Berengaria and the future" (p. 283). A WILLA CATHER COLLECTION By RICHARD CARY s the end of the past decade approached, the Division of A Rare Books and Manuscripts in the Colby College Library did not harbor any appreciable amount of Willa Cather memo rabilia among its more than fifty special author collections. Apart from her basal value as possibly the best of America's female novelists, there were at least two reasons why her works might have been included: 1) she is buried in nearby Jaffrey, New Hampshire, thus providing us a regional claim; 2) she was a protegee and avowed disciple of Sarah Orne Jewett, without peer Maine's most perceptive delineatrist. This consociation in spired Miss Cather to dedicate 0 Pioneers! "To the memory of Sarah Orne Jewett, in whose beautiful and delicate work there is the perfection that endures"; and to compile The Best Stories of Sarah Orne Jewett (Boston, 1925), in the preface of which she declared: "If I were asked to name three American books which have the possibility of a long, long life, I would say at once, The Scarlet Letter, Huckleberry Finn, and The Country of the Pointed Firs." Despite these compelling motivations, only a few fugitive items of secondary bearing and several letters, de sultorily donated, marked the extent of our Cather holdings until 1959. -
The Sculptor's Funeral
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of 2016 Buried in Plain Sight: Unearthing Willa Cather’s Allusion to Thomas William Parsons’s “The Sculptor’s Funeral” Melissa J. Homestead University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, and the Reading and Language Commons Homestead, Melissa J., "Buried in Plain Sight: Unearthing Willa Cather’s Allusion to Thomas William Parsons’s “The cS ulptor’s Funeral”" (2016). Faculty Publications -- Department of English. 182. http://digitalcommons.unl.edu/englishfacpubs/182 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Studies in American Fiction 43:2 (2016), pp. 207–229. doi 10.1353/saf.2016.0010 Copyright © 2016 by Johns Hopkins University Press. Used by permission. digitalcommons.unl.edu Buried in Plain Sight: Unearthing Willa Cather’s Allusion to Thomas William Parsons’s “The Sculptor’s Funeral” Melissa J. Homestead University of Nebraska-Lincoln n January 1905, Willa Cather’s story “The Sculptor’s Funeral” appeared in McClure’s Magazine and shortly thereafter in her first book of fiction,The Troll Garden, a collec- Ition of stories about art and artists. In the story, the body of sculptor Harvey Mer- rick arrives in his hometown of Sand City, Kansas, on a train from Boston, accompa- nied by his friend and former student, Henry Steavens. -
Western Pennsylvania Historical Magazine
THE WESTERN PENNSYLVANIA HISTORICAL MAGAZINE Volume 51 January 1968 Number 1 WILLA CATHER'S PITTSBURGH YEARS 1896-1906 Kathleen Derrigan Byrne is a pleasure to be with you this evening and to have this oppor- tunity of talking with you about the Pittsburgh years of Willa ItCather. She was in Pittsburgh from 1896-1906 and called Pittsburgh the birthplace of her writing.— At times Imay seem to give you more Pittsburgh than Cather a fault acceptable perhaps to Historical Society listeners. In the preface to The Song of the Lark Cather said, "The life of a successful artist in the full tide of achievement is not so interesting as the life of a talented young girl 'fighting— her way/ as we say. Success is never so interesting as struggle not even to the successful, not even to the most mercenary forms of ambition." The Pittsburgh years were years of struggle and were vitally interesting and important. Too often these Pittsburgh years are passed over with a mere mention. In 1955 Dorothy Canfield Fisher told Mildred Bennett, President— of the Willa Cather Pioneer Memorial —in Red Cloud, Nebraska who was then writing a Cather biography that she should "emphasize the importance of the Cityof Pittsburgh in those years for Pittsburgh was more vital, more creative, more hungry for culture even than New York .. ." Steel, oiland coal fortunes were endowing Carnegie Institute with An address delivered before the Society on October 17, 1967, by Mrs. Byrne, who is a leading authority on the life and works of Willa Cather. Mrs. Byrne belongs to numerous educational, learned and professional societies. -
THE FRENCH INFLUENCE on WILLA CATHER by FREDERICK M. GERVAT a Thesis Submitted to the Faculty of the Graduate School of the C
THE FRENCH INFLUENCE ON WILLA CATHER BY FREDERICK M. GERVAT■ A Thesis Submitted to the Faculty of the Graduate School of the Creighton University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of English. Omaha, 1961; Thesis Approved TABLE OF CONTENTS Chapter Page INTRODUCTION..................................................... 1 PART ONE: DIRECT EVIDENCE........................................ 3 1. THE INFLUENCE OF THE F R E N C H A R T S ...................... 3 2. THE INFLUENCE OF THE PERSONAL QUALITIES OF THE FRENCH ................................................ 19 3. THE INFLUENCE OF THE FRENCH LANGUAGE. ........ 3k U. FRENCH FOOD AND COOKING: THEIR INFLUENCE.................. 38 5. THE EVIDENCE IN THE EUROPEAN ARTICLES ..................... kk 6. INCIDENTAL EVIDENCE........................................... 53 ' PART TWO: INDIRECT EVIDENCE ........................................ 59 7. BIOGRAPHIES.............. 59 8. HARD PUNISHMENTS................... ..... .............. 61 9. CONCLUSION...................................... 6k BIBLIOGRAPHY....................................................... 66 1 INTRODUCTION All writers, great and poor, have been influenced by- forces outside themselves. This is only natural, because no man, least of all a writer, lives in a vacuum. He must be influenced to some degree by the sights, sounds and people that surround him from day to day. These influences may take the form of places or events; or they may take the form of other people, or of even another culture. So it is with Willa Cather. I propose to examine her published work in order to ascertain to what extent, if any, French cultural influences, in their various forms, entered into the spirit and the letter of her work. I propose to investigate the possibility of this influence in two ways: directly, by what she says, either in her own person, or through the mouth of one of her characters; and indirectly, by what others say about her. -
Newsletter & Review
NEWSLETTER & REVIEW Volume 56, No. 1 Fall–Winter 2012 Cather, Edward Burne-Jones, and the Art of Enchantment Richard C. Harris In “Daudet country” and a child’s garden In “homesick songs” and the legacy of “The Man Who Wrote Narcissus” Finding another Cather Willa Cather NEWSLETTER & REVIEW Volume 56, No. 1 | Fall–Winter 2012 2 8 17 24 28 34 36 CONTENTS 1 Letters from the President and 24 Willa Cather’s Early Poems the Executive Director Mary R. Ryder 2 Scenes from Provençal Life: 28 Cather’s “Rosary” and Nevin’s Legacy The Influence of Alphonse Daudet in April Twilights (1903) Diane Prenatt Timothy Bintrim 8 April Twilights (1903): 34 Reading Susan J. Rosowski Echoes from a Child’s Garden At the Miner House Elaine Smith Mary K. Stillwell 17 Cather, Edward Burne-Jones, 36 Looking for Another Cather and the Art of Enchantment Robert Thacker Richard C. Harris On the cover: Edward Burne-Jones’s The Mirror of Venus cycle represents the many facets of choice and fate, life and death. Letter from the President Cather wisely presents a comprehensive understanding of the Susan Maher natural world and its connection to human journeys. Pursuing a different pattern in the first part ofMy Ántonia, Cather gives us a celebratory Christmas scene in the Burden’s December is a transitional moment in the year. For many home countered by the tragic suicide of Mr. Shimerda. One thousands of years, humans believed that the passage into winter would think this terrible event would blight and haunt the young brought the spirit and material worlds closer. -
Willa Cather Foundation Collections About King Arthur, Transcendentalism, and and Archives to Tell Her Story
Willa Cather REVIEW Volume 62 | No. 3 | Summer 2021 Cather and the Opera Bright Medusae Remembering Departed Friends Willa Cather REVIEW Volume 62 z No. 3 | Summer 2021 Cather on the Cusp of the 1920s June 4–6, 2020 • Red Cloud, Nebraska 65th annual Willa Cather Spring Conference | National Willa Cather Center 6 2 20 4 15 28 38 31 41 44 CONTENTS 1 Letters from the Executive Director and the President 28 Celebrating Women: An Art Quilt Exhibit z Diane Prenatt Un/Tethered: Willa Cather on the Cusp of the 1920s 2 31 Mary Garden and Willa Cather: A Clash of Diane Prenatt and Elaine Smith Big Careers z John H. Flannigan Spring Conference 2020: Looking Back, Looking Forward 4 From Our Collections Tracy Sanford Tucker Tracy Sanford Tucker 38 z New Titles for the Cather Bookshelf 6 Willa Cather, Olive Fremstad, and the Singer in Fiction 40 Alex Ross 41 In Memoriam: Lucia Woods Lindley and 15 The Living Picture: Creating a Multimedia Adaptation Daniel A. Lindley z Ann Romines of “A Gold Slipper” z Michael Burton 44 Remembering Our Friend Lucia 20 Youth and the Bright Medusae: Cather’s Jellyfish 48 Contributors to this Issue Elizabeth Wells On the cover: Interior detail of the old Metropolitan Opera House, New York, N.Y., demolished in 1967. Image from the Historic American Buildings Survey, ca. 1933. Prints and Photographs Division, Library of Congress. Bust of Willa Cather by Paul Swan (detail) for the Nebraska Hall of Fame, photographed by Don V. Becker, ca. 1963. Used by permission of History Nebraska; no.