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Willa Cather and American Arts Communities
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J. -
Willa Cather's Spirit Lives
Willa Cather’s Spirit Lives On! October 19-20, 2018 A National Celebration of Willa Cather in Jaffrey, NH & the 100th Anniversary of My Ántonia Willa Cather, writing at the Shattuck Inn at the foot of Mt. Monadnock (left: photo taken by Edith Lewis), and standing by the tent where she wrote My Mt. Monadnock’s 3,165’ peak (above the Horsesheds in this photo of the 1775 Jaffrey Meeting- Antonia (right) house) has attracted writers and artists to Jaffrey for nearly two centuries. Come celebrate Cather in words, music, theater and food in the places and autumn mountain air she loved! First Church Melville Academy Museum Edith Lewis Jaffrey Civic Center Willa Cather’s gravestone Tickets are $75 * RESERVE EARLY * Only 140 tickets! Details at jaffreychamber.com Agenda: Friday evening, Oct. 19: Welcome Reception. The Cather My Ántonia Celebration will start in the red brick Jaffrey Civic Center. Saturday, Oct. 20: Saturday events will begin at the Meetinghouse followed by guided visits to three Ashley Olson Cather sites where young Project Shakespeare actors will enact passages from My Ántonia. • Tour sites will include the grave where Willa was buried in 1947 and where Edith Lewis was buried 25 years later; the Melville Academy Museum display on Willa and Edith; and the field where Willa wrote My Ántonia in a tent and also wrote One of Ours. • Following the tours, guests will enjoy a boxed lunch provided by the Shattuck Golf Club Grill. • After lunch, Ashley Olson and Tracy Tucker, directors of the Willa Cather Foundation, will give a presentation on My Ántonia at the 1775 Jaffrey Meetinghouse. -
A Wagner Matinee"
Willa Cather Newsletter & Review Fall2007 Volume LI, No. 2 ll th International Cather Seminar Explores Willa Cather: A Writer’s Worlds Marc Ch6netier makes a point during a speech delivered at the Sorbonne A.S. Byatt responds to Seminar Director Robert Thacker following a paper Nouvelle in Paris. Photograph by Betty Kort. session at the Abbaye St-Michel-de-Frigolet. Photograph by Betty Kort. Keynote addresses by Marc Chrnetier and A. S. Byatt One hundred fifty-one participants traveled to Paris in the highlighted the first Cather International Seminar to be held in latter part of June for the first portion of the seminar and then went France. Chrnetier, who is President of the European Association by train to Provence for the balance of the time in France. Charles of American Studies, has translated eight of Cather’s novels. He A. Peek, Professor of English at the University of Nebraska at is Professor of American Literature at the University of Paris Kearney and president of the Cather Foundation, set a standard 7 and a Senior member of the Institut Universitaire de France. of excellence when he opened the seminar in Paris with a paper Chrnetier spoke at the Sorbonne Nouvelle in Paris, discussing comparing the challenges facing the Cather Foundation today to the difficulties associated with completing translations and the challenges facing Cather’s fiction. A limited number of papers his reactions to the works of Cather. Byatt, who was made a followed at the Sorbonne Nouvelle in Paris, with the bulk of the Dame of the British Empire in 1999 in appreciation for her papers read at the Abbaye St-Michel-de-Ffigolet in Provence. -
The Song of the Lark I
HE ONG OF THE ARK T S L BY WILLA CATHER © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor This PDF eBook was produced in the year 2010 by Tantor Media, Incorporated, which holds the copyright thereto. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. -
UNIVERSITY of $ASKATCHEWAN This Volume Is The
UNIVERSITY OF $ASKATCHEWAN This volume is the property of the University of Saskatchewan, and the Itt.rory rights of the author and of the University must be respected. If the reader ob tains any assistance from this volume, he must give proper credit in his ownworkr This Thesis by . EJi n.o r • C '.B • C j-IEJ- S0 M has been used by the following persons, whose slgnature~ attest their acc;eptance of the above restri ctions . Name and Address Date , UNIVERSITY OF SASKATCHEWAN The Faculty of Graduate Studies, University of Saskatchewan. We, the undersigned members of the Committee appointed by you to examine the Thesis submitted by Elinor C. B. Chelsom, B.A., B;Ed., in partial fulfillment of the requirements for the Degree of Master of Arts, beg to report that we consider the thesis satisfactory both in form and content. Subject of Thesis: ttWilla Cather And The Search For Identity" We also report that she has successfully passed an oral examination on the general field of the subject of the thesis. 14 April, 1966 WILLA CATHER AND THE SEARCH FOR IDENTITY A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Mas ter of Arts in the Department of English University of Saskatchewan by Elinor C. B. Chelsom Saskatoon, Saskatchewan April, 1966 Copyrigh t , 1966 Elinor C. B. Chelsom IY 1 s 1986 1 gratefully acknowledge the wise and encouraging counsel of Carlyle King, B.A., M.A., Ph.D. my supervisor in the preparation of this thesis. -
SSAWW-2021-Conference-Program-11-July-2021.Docx
2021 SSAWW Conference Schedule (Draft 11 July 2021) WEDNESDAY, NOVEMBER 3 Conference Registration: 4:00-8:00 p.m., Regency THURSDAY, NOVEMBER 4 Registration: 6:30 a.m.-4:00 p.m., Regency Book exhibition: 8:15 a.m.-5:00 p.m., Brightons Mentoring Breakfast: 7:00 a.m.-8:15 a.m., Hamptons Thursday, 8:30-9:45 a.m. Session 1A, North Whitehall “Gothic Ecologies: Alcott, Her Contexts, and Contemporaries” Sponsored by the Louisa May Alcott Society Chair: Sandra Harbert Petrulionis, Pennsylvania State University, Altoona ● "Never Mind the Boys": Gothic Persuasions of Jane Goodwin Austin and Louisa May Alcott Kari Miller, Perimeter College at Georgia State University ● Wealth, Handicaps, and Jewels: Alcott's Gothic Tales of Dis-Possession Monika Elbert, Montclair State University ● Alcott in the Cadre of Scribbling Women: 'Realizing' the Female Gothic for Nineteenth Century American Periodicals Wendy Fall, Marquette University Session 1B, Guilford “Pedagogy and the Archives (Part I)” Chair: TBD ● Commonplace Book Practices and the Digital Archive Kirsten Paine, University of Pittsburgh ● Making Literary Artifacts and Exhibits as Acts of Scholarship Mollie Barnes, University of South Carolina Beaufort ● "My dearest sweet Anna": Transcribing Laura Curtis Bullard's Love Letters to Anna Dickinson and Zooming to the Library of Congress Denise Kohn, Baldwin Wallace University ● Nineteenth Century Science of Surgery as Cure for the Greatest Curse Sigrid Schönfelder, Universität Passau 1 - DRAFT: 11 July 2021 Session 1C, Westminster (Need AV) “Recovering Abolitionist Lives and Histories” Chair: Laura L. Mielke, University of Kansas ● Audubon's Black Sisters Brigitte Fielder, University of Wisconsin-Madison ● Recovery Work and the Case of Fanny Kemble's Journal of a Residence on a Georgia Plantation, 1838-39 Laura L. -
Willa Cather Review
Copyright C 1997 by the Willa Cather Pioneer ISSN 0197-663X Memorial and Educational Foundation (The Willa Cather Society) Willa Cather Pioneer Memorial New-sletter and 326 N. Webster Street VOLUME XLI, No. 2 Red Cloud, Nebraska 68970 Summer/Fall, 1997 Review Telephone (402) 746-2653 The Little House and the Big Rock: So - what happened to me when I began to try to plan my paper for today was that my two projects Wilder, Cather, and refused to remain separate in my mind, and I had to the Problem of Frontier Girls envision a picture with a place for Willa Cather and Laura Ingalls Wilder. That meant I had to think about Plenary Address, new ways to historicize both careers. And that's why Sixth International Willa Cather Seminar I was so delighted to recognize the bit of information Quebec City, June 1995 with which I began. It places Wilder and Cather - Ann Romines who almost but not quite shared a publisher in 1931 - George Washington University in the same literary and cultural landscape. Women of about the same age with Midwestern childhoods far In August 1931, Alfred A. Knopf published Willa behind them, they were writing and publishing novels Cather's tenth novel, Shadows on the Rock. The publisher numbered Cather among the ''family" of authors he was proud to publish.1 Then, in the following month, Knopf contracted to publish the first book by a contemporary of Cather's, the children's novel Little House in the Big Woods by Laura Ingalls Wilder. Be fore the year was out, however, Wilder learned that the exigencies of "depression economics" were closing down the children's department at Knopf. -
Margins, Centers and the Nebraskan Commonwealth
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Presentations, Talks, and Seminar Papers -- Department of English English, Department of March 2003 The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth Guy Reynolds University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/englishtalks Part of the English Language and Literature Commons Reynolds, Guy, "The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth" (2003). Presentations, Talks, and Seminar Papers -- Department of English. 1. https://digitalcommons.unl.edu/englishtalks/1 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Presentations, Talks, and Seminar Papers -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Reynolds, The Politics of Cather’s Regionalism The Politics of Cather’s Regionalism: It features, of course, as this region often does in expatriate US writing: as everything you want to get away from. Here, the ‘dis‐ Margins, Centers and the Nebraskan quietingly cheerful horde’ represent a hideous uniformity, a col‐ Commonwealth lectivised national identity which seems both coarse and bland. This is, sadly, one of the main themes in the literary representa‐ tion of this particular region over the last century. In his useful Guy Reynolds study, The Middle West: Its Meaning in American Culture, Kansas geographer James Shortridge follows the rise and fall of the area’s Presented March 25, 2003, at the Plains Humanities Alliance Research & status in the national imagination. -
Examensarbete Faith Valdner
Linköping University Department of Culture and Communication English, Teachers’ Program Paradise Lost vs Paradise Regained: A Study of Childhood in Three Short Stories by Willa Cather Faith Valdner C Course: Literary Specialization Spring Term 2013 Supervisor: Helena Granlund Contents Introduction…………………………………………..………………………………………..3 Chapter I: “The Way of the World” – Paradise Lost ………………………………………….6 Chapter II: “The Enchanted Bluff” – Paradise Lost?…………………………………………13 Chapter III: “The Treasure of Far Island” – Paradise Regained ……………..…...………….18 Chapter IV: Cather’s Stories in the Classroom ………………...…….…..………..…………25 Conclusion………….……………………………………………………...……….………...30 Works Cited…………………………………………….……………...…………….……….32 2 Introduction Willa Cather is a much beloved and critically acclaimed author, awarded the 1923 Pulitzer Prize for one of her novels One of Ours (1922), yet her name has not been as celebrated as some of her contemporaries. As Eric McMillan points out: “Willa Cather is one of those quietly achieving American writers, whose works are quietly appreciated in the shadow of the era’s Great Writers … but going on a century later, are still being quietly appreciated when many of the once great ones are no longer read” (§1, 2013-05-02). From the time of the westward pioneering, America’s rise to world power, the Depression to the Second World War, Cather lived through the most significant time of American history. However, her works are centered on Nebraska and the American Southwest. She herself grew up in Nebraska, thus the pioneers and their lives in the area became a main source of inspiration to her. Cather had a strong emotional tie to her childhood and she seemed to think that childhood is the best years of a person’s life. -
Review Red Cloud, Nebraska 68970 Summer, 1999 Telephone (402) 746-2653
Copyright © 1999 by the Willa Cather Roneer ISSN 0197-663X Memorial and Educational Foundation (The Wil~ Cather Society) Willa Cather Pioneer Memorial Newsletter and ~0 N. Webster Street VOLUME XLIII, No. 1 Review Red Cloud, Nebraska 68970 Summer, 1999 Telephone (402) 746-2653 "The Heart of Another Isa Dark Forest": A Reassessment of Professor St. Peter and His Wife Jean Tsien Beijing Foreign Studies University The Professor’s House is a a male subject (the professor) rich and complex work which gazing at female objects much can be rea~l rewardingly from of the time -- and not usually in many aspens: as a critique of admiration. Lillian St. Peter and soulless American materialism her daughters are seen through in the 1920s, as a depiction of ’ the critical -- at times, harsh -- male midlife crisis involving gaze of Godfrey St. Peter, who steady withdrawal into the self repeatedly offers comments on in preparation for death, as the them they cannot repudiate; for, story of the destruction of youth- as objects of a male gaze, they ful intellectual idealism and are not given a chance to reveal ’letting go with the heart,’ as their thoughts. While the two autobiographical parallels of male protagonists (Tom Outland Cather’s personal problems, and St. Peter) are depicted as and in many other ways. idealists, their women (Rosa- This paper attempts to read mond, according to Louie, ’~irtu- the work closely from a feminist ally [Tom’s] widow") are cold point of view. As we know, and hard and seen either quar- there is no "pure writing" exist- reling or spending money ing in a vacuum outside gender. -
Front Matter
Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information The Cambridge Companion to Willa Cather The Cambridge Companion to Willa Cather offers thirteen original essays by leading scholars of a major American novelist. Willa Cather’s luminous prose is ‘easy’ to read yet surprisingly difficult to understand. The essays col- lected here are theoretically informed but accessibly written and cover the full range of Cather’s career, including most of her twelve novels and several of her short stories. The essays situate Cather’s work in a broad range of critical, cultural, and literary contexts, and the introduction explores current trends in Cather scholarship as well as the author’s place in contemporary culture. With a detailed chronology and a guide to further reading, the volume offers students and teachers a fresh and thorough sense of the author of My Antonia´ , The Professor’s House, and Death Comes for the Archbishop. © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information THE CAMBRIDGE COMPANION TO WILLA CATHER EDITED BY MARILEE LINDEMANN © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521527934 C Cambridge University Press 2005 This book is in copyright. -
Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No
Copyright © 1992 by the Wills Cather Pioneer ISSN 0197-663X Memorial and.Educational Foundation Winter, 1991-92 Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No. 4 Bibliographical Issue RED CLOUD, NEBRASKA Jim Farmer’s photo of the Hanover Bank and Trust in Johnstown, Nebraska, communicates the ambience of the historic town serving as winter locale for the Hallmark Hall of Fame/Lorimar version of O Pioneers.l, starring Jessica Lange. The CBS telecast is scheduled for Sunday 2 February at 8:00 p.m. |CST). A special screening of this Craig Anderson production previewed in Red Cloud on 18 January with Mr. Anderson as special guest. Board News Works on Cather 1990-1991" A Bibliographical Essay THE WCPM BOARD OF GOVERNORS VOTED UNANIMOUSLY AT THE ANNUAL SEPTEMBER Virgil Albertini MEETING TO ACCEPT THE RED CLOUD OPERA Northwest Missouri State University HOUSE AS A GIFT FROM OWNER FRANK MOR- The outpouring of criticism and scholarship on HART OF HASTINGS, NEBRASKA. The Board ac- Willa Cather definitely continues and shows signs of cepted this gift with the intention of restoring the increasing each year. In 1989-1990, fifty-four second floor auditorium to its former condition and articles, including the first six discussed below, and the significance it enjoyed in the late 1800s and early 1900s. Among the actresses who appeared on five books were devoted to Cather. In 1990-91, the its stage was Miss Willa Cather, who starred here as number increased to sixty-five articles, including the Merchant Father in a production of Beauty and those in four collections, and eight books.