Have Gun Will Travel : the Complete Series
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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
Current Issue of Saber
1st Cavalry Division Association Non-Profit Organization 302 N. Main St. US. Postage PAID Copperas Cove, Texas 76522-1703 West, TX 76691 Change Service Requested Permit No. 39 SABER Published By and For the Veterans of the Famous 1st Cavalry Division VOLUME 70 NUMBER 4 Website: www.1CDA.org JULY / AUGUST 2021 It is summer and HORSE DETACHMENT by CPT Siddiq Hasan, Commander THE PRESIDENT’S CORNER vacation time for many of us. Cathy and are in The Horse Cavalry Detachment rode the “charge with sabers high” for this Allen Norris summer’s Change of Command and retirement ceremonies! Thankfully, this (704) 641-6203 the final planning stage [email protected] for our trip to Maine. year’s extended spring showers brought the Horse Detachment tall green pastures We were going to go for the horses to graze when not training. last year; however, the Maine authorities required either a negative test for Covid Things at the Horse Detachment are getting back into a regular swing of things or 14 days quarantine upon arrival. Tests were not readily available last summer as communities around the state begin to open and request the HCD to support and being stuck in a hotel 14 days for a 10-day vacation seemed excessive, so we various events. In June we supported the Buckholts Cotton Festival, the Buffalo cancelled. Thankfully we were able to get our deposits back. Soldier Marker Dedication, and 1CD Army Birthday Cake Cutting to name a few. Not only was our vacation cancelled but so were our Reunion and Veterans Day The Horse Detachment bid a fond farewell and good luck to 1SG Murillo and ceremonies. -
Key-Value Memory Networks for Directly Reading Documents
Key-Value Memory Networks for Directly Reading Documents Alexander H. Miller1 Adam Fisch1 Jesse Dodge1,2 Amir-Hossein Karimi1 Antoine Bordes1 Jason Weston1 1Facebook AI Research, 770 Broadway, New York, NY, USA 2Language Technologies Institute, Carnegie Mellon University, Pittsburgh, PA, USA {ahm,afisch,jessedodge,ahkarimi,abordes,jase}@fb.com Abstract can be used to query such databases (Berant et al., 2013; Kwiatkowski et al., 2013; Fader et al., 2014). Directly reading documents and being able to Unfortunately, KBs have intrinsic limitations such answer questions from them is an unsolved as their inevitable incompleteness and fixed schemas challenge. To avoid its inherent difficulty, ques- that cannot support all varieties of answers. Since tion answering (QA) has been directed towards information extraction (IE) (Craven et al., 2000), in- using Knowledge Bases (KBs) instead, which has proven effective. Unfortunately KBs often tended to fill in missing information in KBs, is neither suffer from being too restrictive, as the schema accurate nor reliable enough, collections of raw tex- cannot support certain types of answers, and tual resources and documents such as Wikipedia will too sparse, e.g. Wikipedia contains much more always contain more information. As a result, even if information than Freebase. In this work we KBs can be satisfactory for closed-domain problems, introduce a new method, Key-Value Memory they are unlikely to scale up to answer general ques- Networks, that makes reading documents more tions on any topic. Starting from this observation, viable by utilizing different encodings in the ad- in this work we study the problem of answering by dressing and output stages of the memory read operation. -
1.50 Whitham
f - 1 FRIDAY, SEPTEMBER 8,1967 PAGE TWENTY Manrt;f0t^r Eupning A v «h «B D bRy N et PkiMB R oi The Weather Vor Ute W«Us M m M MoaUy cloudy tonlgWt wtih ’The W om an'* ^AuxUtefy of Autpm 26, 1967 dianco cf abowera. Low 60 to tile' MlancheaitcT Midget and Night School liegistration About Town 66. C to u ^ tomorrow mocnfaiff. Pony Football AModatlpn will efiaexiag in alltemoon. High isi Manchester Veterans Council havo tte flrsit meeting o f the Sept. 19-20 at Tech School 14,590 70*. will meet Monday at 8 p.m. at season Monday at 8:30 p m . at POHED ROSE Manche$ter— A City of VUlage Charm the home of Mrs. James Ray SALE the American Legion Home. ''at least two years of exper- of 180 Ferguson Rd. The meet Registration for adult eve- (Okuwlfled AdvertifibiK on Fnf« 9) PRICE SEVEN CENTS fience in machine work. MANCHESTER, CONN., SATURDAY, SEPTEMBER 9,* 1967 ing lis open to all interested ■'itlng courses at Howell' Cheney VOL. LXXXVI, NO. 289 (TWELVE PAGES—TV SECTION) Manchester Ckirden Club will Shop math is offered to Uiose women. REG. $2.50 have a member's horticultural Technical School will be held who wish to learn baste al dhq>lay Monday, at 8 p.m. at Sept 19 and 20 from 7 to 9 p.m. gebra, trigonometry, ■with a Center CongcegatlohUl ^u rcb. Orange Hall bingo will open 1.50 at the school office. brief review of the fundamen for Uie season tomorrow at 7:30 Mrs. -
Presentazione AIXIA 2013.Key
A Virtual Player for “Who Wants to Be a Millionaire?” based on Question Answering Piero Molino - [email protected]! Università degli Studi di Bari Aldo Moro Pierpaolo Basile, Ciro Santoro, Pasquale Lops, Marco de Gemmis and Giovanni Semeraro! Who wants to be Millionaire? € 50 € 100 € 200 50:50 € 300 € 500 € 1 000 € 2 000 € 4 000 € 8 000 Who directed Blade Runner?€ 16 000 € 32 000 € 64 000 € 125 000 A € 500 000 Harrison Ford € 1 000 000 C Philip Dick B Ridley Scott D James Cameron Methodology ✤ Obtain scored passages from a QA system! ✤ Answers are paragraphs obtained from Wikipedia or triples from DBpedia! ✤ Calculate the confidence in each of the four answers using this information! ✤ Choose the answer according to the confidence Who directed Blade Runner? Article Title Passage Text Score Sir Ridley Scott (born 30 November 1937) is an English film director and producer. Following Ridley Scott his commercial breakthrough with Alien (1979), his best-known works are the sci-fi classic Blade Runner (1982) and the best picture Oscar-winner Gladiator (2000). 5.3 Blade Runner is a 1982 American dystopian science fic- tion action film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, and Sean Young. The screenplay, written by Blade Runner Hampton Fancher and David Peo- ples, is loosely based on the novel Do Androids Dream of 5.1 Electric Sheep? by Philip K. Dick. Director Ridley Scott and the film’s producers ”spent months” meeting and discussing the Blade Runner role with Dustin Hoffman, who eventually departed over differences in vision. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Blade Runner, Directed By, Ridley Scott] [Blade Runner, Written By, Philip K
Teaching Machines to Understand Natural Language Antoine Bordes Cap’18 – Rouen – June 19th, 2018 Mission “Advancing the state of the art of AI through open research for the benefit of all” Values • Openness: publish and open-source • Freedom: researchers have complete control on their agenda • Collaboration: with internal and external partners • Excellence: focus on most impactful projects (publish or perish) • Scale: operate at large scale (computation, data) 3 Talking to Machines Language should be the most natural interface between the digital and the physical world Digital personal assistants: Grant accessibility for people with disabilities “What is in this picture?” Break loneliness “I’m not feeling well..” Mediate and monitor our online presence “Did anybody talk about me or my family lately?” “Why do I see this content?” Machines Understanding Language Current systems are still far from natural interactions. Intelligent machines should be able to: 1. Build (causal) models of the world as internal knowledge representations; 2. Ground language into them to interpret it; 3. Leverage compositionality to learn quickly and to update them. Machines are missing the ability to learn high-level abstractions “Building machines that learn and think like people” Lake et al. Behavioral and Brain Sciences ’17 “Generalization without systematicity: On the com- positional skills of sequence-to-sequence recurrent networks” Lake & Baroni. Arxiv’18 Two Paradigms Neural Networks Symbolic Systems Convolutional nets, Recurrent nets, etc. Ontologies, -
October 9, 2012 (XXV:6) David Miller, LONELY ARE the BRAVE (1962, 107 Min)
October 9, 2012 (XXV:6) David Miller, LONELY ARE THE BRAVE (1962, 107 min) Directed by David Miller Screenplay by Dalton Trumbo Based on the novel, The Brave Cowboy, by Edward Abbey Produced by Edward Lewis Original Music by Jerry Goldsmith Cinematography by Philip H. Lathrop Film Editing by Leon Barsha Art Direction by Alexander Golitzen and Robert Emmet Smith Set Decoration by George Milo Makeup by Larry Germain, Dave Grayson, and Bud Westmore Kirk Douglas…John W. "Jack" Burns Gena Rowlands…Jerry Bondi Walter Matthau…Sheriff Morey Johnson Michael Kane…Paul Bondi Carroll O'Connor…Hinton William Schallert…Harry George Kennedy…Deputy Sheriff Gutierrez Karl Swenson…Rev. Hoskins William Mims…First Deputy Arraigning Burns Martin Garralaga…Old Man Lalo Rios…Prisoner Bill Bixby…Airman in Helicopter Bill Raisch…One Arm Table Tennis, 1936 Let's Dance, 1935 A Sports Parade Subject: Crew DAVID MILLER (November 28, 1909, Paterson, New Jersey – April Racing, and 1935 Trained Hoofs. 14, 1992, Los Angeles, California) has 52 directing credits, among them 1981 “Goldie and the Boxer Go to Hollywood”, 1979 “Goldie DALTON TRUMBO (James Dalton Trumbo, December 9, 1905, and the Boxer”, 1979 “Love for Rent”, 1979 “The Best Place to Be”, Montrose, Colorado – September 10, 1976, Los Angeles, California) 1976 Bittersweet Love, 1973 Executive Action, 1969 Hail, Hero!, won best writing Oscars for The Brave One (1956) and Roman 1968 Hammerhead, 1963 Captain Newman, M.D., 1962 Lonely Are Holiday (1953). He was blacklisted for many years and, until Kirk the Brave, 1961 Back Street, 1960 Midnight Lace, 1959 Happy Douglas insisted he be given screen credit for Spartacus was often to Anniversary, 1957 The Story of Esther Costello, 1956 Diane, 1951 write under a pseudonym. -
Film, Philosophy Andreligion
FILM, PHILOSOPHY AND RELIGION Edited by William H. U. Anderson Concordia University of Edmonton Alberta, Canada Series in Philosophy of Religion Copyright © 2022 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Philosophy of Religion Library of Congress Control Number: 2021942573 ISBN: 978-1-64889-292-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: "Rendered cinema fimstrip", iStock.com/gl0ck To all the students who have educated me throughout the years and are a constant source of inspiration. It’s like a splinter in your mind. ~ The Matrix Table of contents List of Contributors xi Acknowledgements xv Introduction xvii William H. -
Blade Runner 2049 to Open the 46Th Festival Du Nouveau Cinéma
Press release For immediate release A special presentation of Denis Villeneuve’s BLADE RUNNER 2049 Opening film of the 46th Montreal Festival du nouveau cinéma (FNC) Montreal, September 21, 2017 – Montreal Festival du nouveau cinéma (FNC) is pleased to announce that Denis Villeneuve’s latest work, BLADE RUNNER 2049, will be presented at a special screening on October 4 at Théâtre Maisonneuve de la Place des Arts as the opening film of its 46th edition, which runs from October 4 to 15, 2017. After screening his first movies, the FNC is proud to welcome the Quebec director back to his hometown with his latest opus, his fourth American feature, and one of the most highly anticipated films of the year. BLADE RUNNER 2049 is a sequel to the acclaimed classic Blade Runner, directed by Ridley Scott in 1982. In the new film, a young blade runner's discovery of a long-buried secret leads him on a quest to track down former blade runner, Rick Deckard, who has been missing for thirty years. BLADE RUNNER 2049 features a star-studded cast, led by Ryan Gosling (Drive, La La Land) and Harrison Ford (the Star Wars saga, Indiana Jones), reprising his role as Rick Deckard. Also starring in the movie, are Ana de Armas (War Dogs), Sylvia Hoeks (Renegades), Robin Wright (House of Cards, Wonder Woman), Mackenzie Davis (The Martian), Carla Juri (Brimstone), and Lennie James (The Walking Dead), with Dave Bautista (the Guardians of the Galaxy films), and Jared Leto (Dallas Buyers Club, Suicide Squad). BLADE RUNNER 2049 was produced by Andrew A. -
Radio Daily 370428.Pdf
Serving the Better Interests of Commercial VOL. L NO. 56 NEW YORK, N. Y.. WEDNESDAY, APRIL 28, 1937 FIVE CENTS Five-Day Week for NBC iFive-Day Week for Announcers, Pro KMOX AND KWK BATTLE AS('al) Bill Advances Lincoln. Neb. - Anti-Ascap bill , ducers, Sound Men-- WNEW Will was advanced to the third reading VIA NEWSPAPER SPACE in the legislative session by unanimous vote yesterday. Follow--Other Union Deals On St. Louis-Intense rivalry between KMOX and KWK reached a new high ------- ------------ when John Conrad, advertising man A five-day week for all NBC an ager and special events director for BASEBALL SPONSORS PAY nouncers, production men and sound Thomas Patrick Inc., KWK owners, 4 NEW COMMERCIALS efTects personnel was announced swung a deal with the Globe yesterday afternoon by Lenox R. Democrat, only morning paper, for CHI STATIONS $500,000 Lohr, NBC president. Order affects a column of space to exploit the SIGNED fOR WLW LINE all 15 NBC owned and operated sta NBC station's programs. Action Chicago- The passion for baseball tions which employ over 300 m en checkmates the deal made recently will cost a pretty penny - a half in these capacities. The new system The "WL W Line," of which WHN will be put into effect just as soon by James D. Shouse, KMOX general is the New York member, has signed million dollars or more-in Chicago manager, and Jerry Hoekstra with as satisfactory schedules can be four new commercials to start be this season. On top of the five play the Star-Times, afternoon paper. -
Man Kills His Young Wife, Then Self
Columbus Day parade sunny By BOUN GOLDSTEIN U>M« BRANCH - For the fir* time In three yeiri, the "u *»ae yesterday on the Columbui Day parade TBMJ wart I lew raindrops, but they came later in the •nenooB, after both marcher* and celebrants wound up 2? ??Tff? *m ** It»Ul"An>«rtcan Memorial Aiaocia- Uon (lAMA)dubhQuie on We* Bid Avenue Tbefe was ample time between the end of the parade and that advent of the rain for the marcheri to sample «b»i|t tad pirn, exchange pleasantries with friends and take theirchances at the game booths aet up on the IAHA fairgrounds. The jnnual parade, sponsored by the Greater Long BrsaehOirtstepher Columbus Club, wended its way down JUS^J* throu«h We* ^ yesterday to the mirchlng rhythms of the Long Branch High School Band Grand Marshal Arnold Maacola led the marchers The Columbus Day festivities, which began Friday aight w»h the man-of-the-year dinner honoring Frank Torcnla ht West End Manor, will continue tonight at IAMA with entertainment, games, Italian delicades and a display of fireworks. But yesterday, all the younagsters could ask their pareau was when they could get to compete In the annual Greasy Pole contest. That meaty co mpetltion will be held tonight at IAMA Anthony Mlgliacdo, Christopher Columbus Club presi- dent, said he was happy with the activities and that this year, It hadn't rained on his parade "But It was pretty cold today," Mr. MigUacdo added. "I From left, Vincent Anello of Long Branch in Italian attire, Belinda Ferrer of Red Bank, city Spanish fraternity queen, Debbie with we could push Columbus Day back to June or July See Celambas Day, page J Eisele, Long Branch H.S.