{DOWNLOAD} the Complete Woodcuts of Albrecht Durer

THE COMPLETE WOODCUTS OF ALBRECHT DURER PDF, EPUB, EBOOK

His watercolours mark him as one of the first European landscape artists, while his woodcuts revolutionized the potential of that medium. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective , and ideal proportions. A door is featured in the coat- of-arms the family acquired. He became the most successful publisher in Germany, eventually owning twenty-four printing-presses and a number of offices in Germany and abroad. Koberger's most famous publication was the Nuremberg Chronicle , published in in German and Latin editions. It contained an unprecedented 1, woodcut illustrations albeit with many repeated uses of the same block by the Wolgemut workshop. Though his father wanted him to continue his training as a goldsmith, he showed such a precocious talent in drawing that he started as an apprentice to Michael Wolgemut at the age of fifteen in Wolgemut was the leading artist in Nuremberg at the time, with a large workshop producing a variety of works of art, in particular woodcuts for books. Nuremberg was then an important and prosperous city, a centre for publishing and many luxury trades. It had strong links with Italy , especially Venice , a relatively short distance across the Alps. Agnes was the daughter of a prominent brass worker and amateur harpist in the city. He called her an "old crow" and made other vulgar remarks. He made watercolour sketches as he traveled over the Alps. Some have survived and others may be deduced from accurate landscapes of real places in his later work, for example his engraving Nemesis. In Italy, he went to Venice to study its more advanced artistic world. He wrote that Giovanni Bellini was the oldest and still the best of the artists in Venice. His drawings and engravings show the influence of others, notably Antonio Pollaiuolo , with his interest in the proportions of the body; Lorenzo di Credi ; and Andrea Mantegna , whose work he produced copies of while training. Over the next five years, his style increasingly integrated Italian influences into underlying Northern forms. Arguably his best works in the first years of the workshop were his woodcut prints, mostly religious, but including secular scenes such as The Men's Bath House ca. These were larger and more finely cut than the great majority of German woodcuts hitherto, and far more complex and balanced in composition. However, his training in Wolgemut's studio, which made many carved and painted altarpieces and both designed and cut woodblocks for woodcut, evidently gave him great understanding of what the technique could be made to produce, and how to work with block cutters. Either way, his drawings were destroyed during the cutting of the block. His famous series of sixteen great designs for the Apocalypse [15] is dated , as is his engraving of St. Michael Fighting the Dragon. He made the first seven scenes of the Great Passion in the same year, and a little later, a series of eleven on the Holy Family and saints. Neither these nor the Great Passion were published as sets until several years later, but prints were sold individually in considerable numbers. It is possible he had begun learning this skill during his early training with his father, as it was also an essential skill of the goldsmith. In he executed the Prodigal Son , which the Italian Renaissance art historian Giorgio Vasari singled out for praise some decades later, noting its Germanic quality. He was soon producing some spectacular and original images, notably Nemesis , The Sea Monster , and Saint Eustace c. His landscapes of this period, such as Pond in the Woods and Willow Mill , are quite different from his earlier watercolours. There is a much greater emphasis on capturing atmosphere, rather than depicting topography. He made a number of Madonnas , single religious figures, and small scenes with comic peasant figures. He continued to make images in watercolour and bodycolour usually combined , including a number of still lifes of meadow sections or animals, including his Young Hare and the Great Piece of Turf In Italy, he returned to painting, at first producing a series of works executed in tempera on linen. These include portraits and altarpieces, notably, the Paumgartner altarpiece and the Adoration of the Magi. In early , he returned to Venice and stayed there until the spring of In Venice he was given a valuable commission from the emigrant German community for the church of San Bartolomeo. It includes portraits of members of Venice's German community, but shows a strong Italian influence. His reputation had spread throughout Europe and he was on friendly terms and in communication with most of the major artists including Raphael. During this period he also completed two woodcut series, the Great Passion and the Life of the Virgin , both published in together with a second edition of the Apocalypse series. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Willi Kurth Editor ,. Campbell Dodgson Introduction. Here are all of his extant woodcuts, a collection of over great works containing all the familiar cuts long treasured by the world's art lovers: the celebrated series on the Life of the Virgin, The Apocalypse of John 17 cuts , The Great Passion, St. This book is the only available source for many of these works. Although sacred subjects predominate the Holy Family, scenes from Christ's life, crucifixion, etc. There are portraits of prominent men of the ages, book illustrations secular and religious , coats of arms, the celestial and terrestrial globes, animals, mythological and historical themes, etc. From out of the gnarled figures and landscapes one can see the emergence of an individualistic style and skill unrivaled in this sphere. An introduction by Campbell Dodgson and a page textual guide to the plates by Dr. All of the woodcuts are reproduced in excellent detail. This book is indispensable for the professional art historian and critic. To the layman with any aesthetic interests at all it will be a source of stimulation and satisfaction that only great art can provide. Get A Copy. Paperback , pages. Published June 1st by Dover Publications first published More Details Original Title. Other Editions 4. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Feb 22, David rated it it was amazing. Although sacred subjects predominate the Holy Family, scenes from Christ's life, crucifixion, etc. There are portraits of prominent men of the ages, book illustrations secular and religious , coats of arms, the celestial and terrestrial globes, animals, mythological and historical themes, etc. From out of the gnarled figures and landscapes one can see the emergence of an individualistic style and skill unrivaled in this sphere. An introduction by Campbell Dodgson and a page textual guide to the plates by Dr. List of woodcuts by Albrecht Dürer - Wikipedia

Some have survived and others may be deduced from accurate landscapes of real places in his later work, for example his engraving Nemesis. In Italy, he went to Venice to study its more advanced artistic world. He wrote that Giovanni Bellini was the oldest and still the best of the artists in Venice. His drawings and engravings show the influence of others, notably Antonio Pollaiuolo , with his interest in the proportions of the body; Lorenzo di Credi ; and Andrea Mantegna , whose work he produced copies of while training. Over the next five years, his style increasingly integrated Italian influences into underlying Northern forms. Arguably his best works in the first years of the workshop were his woodcut prints, mostly religious, but including secular scenes such as The Men's Bath House ca. These were larger and more finely cut than the great majority of German woodcuts hitherto, and far more complex and balanced in composition. However, his training in Wolgemut's studio, which made many carved and painted altarpieces and both designed and cut woodblocks for woodcut, evidently gave him great understanding of what the technique could be made to produce, and how to work with block cutters. Either way, his drawings were destroyed during the cutting of the block. His famous series of sixteen great designs for the Apocalypse [15] is dated , as is his engraving of St. Michael Fighting the Dragon. He made the first seven scenes of the Great Passion in the same year, and a little later, a series of eleven on the Holy Family and saints. Neither these nor the Great Passion were published as sets until several years later, but prints were sold individually in considerable numbers. It is possible he had begun learning this skill during his early training with his father, as it was also an essential skill of the goldsmith. In he executed the Prodigal Son , which the Italian Renaissance art historian Giorgio Vasari singled out for praise some decades later, noting its Germanic quality. He was soon producing some spectacular and original images, notably Nemesis , The Sea Monster , and Saint Eustace c. His landscapes of this period, such as Pond in the Woods and Willow Mill , are quite different from his earlier watercolours. There is a much greater emphasis on capturing atmosphere, rather than depicting topography. He made a number of Madonnas , single religious figures, and small scenes with comic peasant figures. He continued to make images in watercolour and bodycolour usually combined , including a number of still lifes of meadow sections or animals, including his Young Hare and the Great Piece of Turf In Italy, he returned to painting, at first producing a series of works executed in tempera on linen. These include portraits and altarpieces, notably, the Paumgartner altarpiece and the Adoration of the Magi. In early , he returned to Venice and stayed there until the spring of In Venice he was given a valuable commission from the emigrant German community for the church of San Bartolomeo. It includes portraits of members of Venice's German community, but shows a strong Italian influence. His reputation had spread throughout Europe and he was on friendly terms and in communication with most of the major artists including Raphael. During this period he also completed two woodcut series, the Great Passion and the Life of the Virgin , both published in together with a second edition of the Apocalypse series. Other works from this period include the thirty-seven Little Passion woodcuts, first published in , and a set of fifteen small engravings on the same theme in Complaining that painting did not make enough money to justify the time spent when compared to his prints, he produced no paintings from to These drafts were later used to design Lusterweibchen chandeliers, combining an antler with a wooden sculpture. In , he created his woodcut of a Rhinoceros which had arrived in Lisbon from a written description and sketch by another artist, without ever seeing the animal himself. An image of the Indian rhinoceros , the image has such force that it remains one of his best-known and was still used in some German school science text-books as late as last century. His only experiments with etching came in this period, producing five — and a sixth ; a technique he may have abandoned as unsuited to his aesthetic of methodical, classical form. His commissions included The Triumphal Arch , a vast work printed from separate blocks, the symbolism of which is partly informed by Pirckheimer's translation of Horapollo 's Hieroglyphica. In addition to attending the coronation, he visited Cologne where he admired the painting of Stefan Lochner , Nijmegen , 's-Hertogenbosch , Bruges where he saw Michelangelo 's Madonna of Bruges , Ghent where he admired van Eyck 's Ghent altarpiece , [26] and Zeeland. This provides rare information of the monetary value placed on prints at this time. Unlike paintings, their sale was very rarely documented. These things are so precious that they have been valued at , florins ". In painting, there was only a portrait of Hieronymus Holtzschuher , a Madonna and Child , Salvator Mundi , and two panels showing St. John with St. The priest in his vestments driving out cattle and before him goes the handmaiden. Schreiber Peter Wagner, Nuremberg, before , Schr. The relation of the two is, however, merely general, while the drawing is considerably later. Stadler p. Stadler separated these two cuts from the Hell, attributing them to his Master of the Cassandra p. The joys of the world and the warning of death. The eternal lamentation of the damned. The reward of the chosen, represented by the crowning of Mary surrounded by the Saints. Peter Wagner, after December , cf. Weisbach op. Weisbach overlooked the new strength of this style, in which the vigorous movement characteristic of the Basle works seems to be stirring, as Burckhardt notices Pr. The cut, which is divided into two parts, shows above: the Devil tempting a knight to gamble, the outbreak of a quarrel at the gaming table punished by death on the wheel. Below: other executions as the result of gambling. Weisbach p. Stadler attributes the cuts to his Master of Kalenberg. Title woodcut in the second part of the Works of Jean Charlier de Gerson n. Gerson, Chancellor of the University of Paris — suspected of leanings to reform, fled after the Council of Constance to Rattenberg in Tyrol, and is perhaps for this reason always portrayed as a pilgrim. Burckhardt, ill. Prima Pars doctrinalis Nuremberg, Creussner , Schr. The quickly diminishing perspective of the background and the prominence of the figures in the foreground is characteristic of the Nuremberg period. On the different editions cf. The copies which appeared in books printed by H. Quentell at Cologne — are common. He was away for four years, and remained during that time connected chiefly with the business of printing. At all events industry in the workshop enabled him to earn what he needed, since he could not, as an apprentice, work independently. There is authentic evidence of a sojourn in south-west Germany between and , and of visits to Colmar, Basle and Strassburg. Although sacred subjects predominate the Holy Family, scenes from Christ's life, crucifixion, etc. There are portraits of prominent men of the ages, book illustrations secular and religious , coats of arms, the celestial and terrestrial globes, animals, mythological and historical themes, etc. From out of the gnarled figures and landscapes one can see the emergence of an individualistic style and skill unrivaled in this sphere. An introduction by Campbell Dodgson and a page textual guide to the plates by Dr. The Complete Woodcuts of Albrecht Dürer by Albrecht Dürer, Paperback | Barnes & Noble®

Unlike paintings, their sale was very rarely documented. These things are so precious that they have been valued at , florins ". In painting, there was only a portrait of Hieronymus Holtzschuher , a Madonna and Child , Salvator Mundi , and two panels showing St. John with St. Peter in background and St. Paul with St. Mark in the background. The other, a work on city fortifications, was published in He is buried in the Johannisfriedhof cemetery. His large house purchased in from the heirs of the astronomer Bernhard Walther , where his workshop was located and where his widow lived until her death in , remains a prominent Nuremberg landmark. Martin Luther; thus I intend to make a portrait of him with great care and engrave him on a copper plate to create a lasting memorial of the Christian man who helped me overcome so many difficulties. Most tellingly, Pirckheimer wrote in a letter to Johann Tscherte in "I confess that in the beginning I believed in Luther, like our Albert of blessed memory Grapheus are better said to be Catholic change agents. Also, from , "the year that saw the peak and collapse of the Peasants' War , the artist can be seen to distance himself somewhat from the [Lutheran] movement His The Last Supper woodcut has often been understood to have an evangelical theme, focusing as it does on Christ espousing the Gospel , as well the inclusion of the Eucharistic cup, an expression of Protestant utraquism , [36] although this interpretation has been questioned. His success in spreading his reputation across Europe through prints was undoubtedly an inspiration for major artists such as Raphael, Titian , and Parmigianino , all of whom collaborated with printmakers in order to promote and distribute their work. Lucas van Leyden was the only Northern European engraver to successfully continue to produce large engravings in the first third of the 16th century. His intense and self-dramatizing self-portraits have continued to have a strong influence up to the present, especially on painters in the 19th and 20th century who desired a more dramatic portrait style. For example, "Schneckenlinie" "snail-line" was his term for a spiral form. He also draws on Apollonius , and Johannes Werner 's 'Libellus super viginti duobus elementis conicis' of The second book moves onto two-dimensional geometry, i. The third book applies these principles of geometry to architecture, engineering and typography. However, his construction of the Gothic alphabet is based upon an entirely different modular system. The fourth book completes the progression of the first and second by moving to three-dimensional forms and the construction of polyhedra. He is thought to be the first to describe a visualization technique used in modern computers, ray tracing. He was also familiar with the 'abbreviated construction' as described by Alberti and the geometrical construction of shadows, a technique of Leonardo da Vinci. The fourth book is devoted to the theory of movement. The work is less proscriptively theoretical than his other works, and was soon overshadowed by the Italian theory of polygonal fortification the trace italienne — see Bastion fort , though his designs seem to have had some influence in the eastern German lands and up into the Baltic States. Portrait of a Man , Prado Museum , Madrid. Rhinoceros , , National Gallery of Art. Young Hare , , Watercolour and bodycolour Albertina, Vienna. Great Piece of Turf , From Wikipedia, the free encyclopedia. German painter, printmaker and theorist. Painting printmaking. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. April Learn how and when to remove this template message. Christopher , engraving , Innsbruck Castle Courtyard , , Gouache and watercolour on paper. Erwin Panofsky argues that this print combined the ' Ulmian style' of Koberger's 'Lives of the Saints' and that of Wolgemut's workshop. The Complete Work of Raphael. New York: Reynal and Co. Retrieved 22 October Duden in German. Charles London: Seeley, Jackson and Halliday. German, Flemish and Dutch Painting. Scribner and Welford. Encyclopedia of Gay Histories and Cultures. Master Drawings , volume 36, no. The Burlington Magazine , Volume , No. Thyssen-Bornemisza Museum , Madrid. Enduring Loss in Early Modern Germany. Brill Academic Publishers, Hieronymus Andreae Formschneider. Retrieved 6 August Rathau Paris List of paintings. Jerome in the Wilderness c. This is one of those books that probably would NOT look good enough on a e-reader or a tablet, for in art books it is the size and the quality of the print that counts. So the paper here is the best medium, in my opinion. It would be ridiculous, of course, to expect my review of Durer's art - we are only talking about books here. But I must say that thanks to this gorgeous edition one comes as close as possible to viewing Durer's original work. The effe A great large book with really good prints. The effect is mesmerizing - fantastic creatures, scenes of battle and horror really, any known to me horror film is far behind in its imagery! Yes, calm and meditative, in spite of the many terrifying things depicted by the artist, for in art it is not what is depicted that ultimately touches our soul, but how it is done. And in this case it is done with a magical precision, capturing details that sometimes just about break one's heart. Nov 11, David rated it it was amazing. The detail Durer could get into a block of wood is astonishing, and the woodcuts reproduced here are like those magic-eye illustrations that were popular about twenty years ago, where you stare and stare trying to make the image emerge in 3D. Death and the Maiden isn't in there, so presumably that wasn't a woodcut. Jan 13, Redsteve rated it liked it Shelves: nonfiction , art-architecture , germany-austria , low-countries , renaissance , history. Good, but I'd have liked it better if the notes were actually WITH the woodcuts and not in a separate section, requiring a lot of page-flipping. May 28, Karen rated it did not like it Shelves: ellie , jacob , mom. Thick book. Just looked at the pictures. Pre-read for CC1. Jul 28, Nick Pompella rated it it was amazing. The prints themselves are obviously masterworks - it's Durer after all - but the way that Dr. Kurth has arranged the prints does well at showcasing a gradual biography of technical mastery spread across Durer's life. By calling upon the expertise of other aficionados of the Durer woodcuts, Kurth was able to cross-reference every individual print to come to the closest approximation of when these prints were completed. The end result is a chronological arrangement of Durer's work that shows shock The prints themselves are obviously masterworks - it's Durer after all - but the way that Dr. The end result is a chronological arrangement of Durer's work that shows shockingly humble beginnings. This collection is very interesting if only because the audience gets to see just how far Durer had to come before evolving into the artist - tactician that was capable of the Apocalypse series. Aug 10, Wetdryvac Wetdryvac rated it it was amazing. Jun 27, Mii rated it it was amazing. Great book! MacNair rated it it was amazing Oct 12, Supriyakrishnac rated it really liked it Sep 04, Mary Ann rated it really liked it May 18, Paul rated it liked it Nov 30, Sab rated it liked it Sep 13, Marek Poncet rated it liked it Oct 11, Omar Alaanezy rated it it was amazing Jun 28, Jason rated it really liked it Feb 04, Sophie rated it really liked it Jan 13, Sue Ladr rated it it was amazing Jan 02, Nur Syahirah rated it it was amazing Sep 15, Lea Kelley rated it it was amazing Sep 19, Ray rated it really liked it Feb 21, Kianour rated it really liked it Dec 15, Kath Gibbon rated it did not like it Jan 13, Richard Stevko rated it really liked it Nov 10, Nannai rated it it was amazing Aug 22, Nicole Olivier rated it liked it Mar 23, Jina Bella Swan rated it it was ok Oct 14, Julia Bednarska rated it it was amazing Jan 16, YiXu rated it really liked it Jan 31, Micha Kama rated it liked it Jul 24, There are no discussion topics on this book yet. Readers also enjoyed. 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Albrecht Durer Woodcuts

Other works from this period include the thirty-seven Little Passion woodcuts, first published in , and a set of fifteen small engravings on the same theme in Complaining that painting did not make enough money to justify the time spent when compared to his prints, he produced no paintings from to These drafts were later used to design Lusterweibchen chandeliers, combining an antler with a wooden sculpture. In , he created his woodcut of a Rhinoceros which had arrived in Lisbon from a written description and sketch by another artist, without ever seeing the animal himself. An image of the Indian rhinoceros , the image has such force that it remains one of his best-known and was still used in some German school science text-books as late as last century. His only experiments with etching came in this period, producing five — and a sixth ; a technique he may have abandoned as unsuited to his aesthetic of methodical, classical form. His commissions included The Triumphal Arch , a vast work printed from separate blocks, the symbolism of which is partly informed by Pirckheimer's translation of Horapollo 's Hieroglyphica. In addition to attending the coronation, he visited Cologne where he admired the painting of Stefan Lochner , Nijmegen , 's-Hertogenbosch , Bruges where he saw Michelangelo 's Madonna of Bruges , Ghent where he admired van Eyck 's Ghent altarpiece , [26] and Zeeland. This provides rare information of the monetary value placed on prints at this time. Unlike paintings, their sale was very rarely documented. These things are so precious that they have been valued at , florins ". In painting, there was only a portrait of Hieronymus Holtzschuher , a Madonna and Child , Salvator Mundi , and two panels showing St. John with St. Peter in background and St. Paul with St. Mark in the background. The other, a work on city fortifications, was published in He is buried in the Johannisfriedhof cemetery. His large house purchased in from the heirs of the astronomer Bernhard Walther , where his workshop was located and where his widow lived until her death in , remains a prominent Nuremberg landmark. Martin Luther; thus I intend to make a portrait of him with great care and engrave him on a copper plate to create a lasting memorial of the Christian man who helped me overcome so many difficulties. Most tellingly, Pirckheimer wrote in a letter to Johann Tscherte in "I confess that in the beginning I believed in Luther, like our Albert of blessed memory Grapheus are better said to be Catholic change agents. Also, from , "the year that saw the peak and collapse of the Peasants' War , the artist can be seen to distance himself somewhat from the [Lutheran] movement His The Last Supper woodcut has often been understood to have an evangelical theme, focusing as it does on Christ espousing the Gospel , as well the inclusion of the Eucharistic cup, an expression of Protestant utraquism , [36] although this interpretation has been questioned. His success in spreading his reputation across Europe through prints was undoubtedly an inspiration for major artists such as Raphael, Titian , and Parmigianino , all of whom collaborated with printmakers in order to promote and distribute their work. Lucas van Leyden was the only Northern European engraver to successfully continue to produce large engravings in the first third of the 16th century. His intense and self-dramatizing self-portraits have continued to have a strong influence up to the present, especially on painters in the 19th and 20th century who desired a more dramatic portrait style. For example, "Schneckenlinie" "snail-line" was his term for a spiral form. He also draws on Apollonius , and Johannes Werner 's 'Libellus super viginti duobus elementis conicis' of The second book moves onto two-dimensional geometry, i. The third book applies these principles of geometry to architecture, engineering and typography. However, his construction of the Gothic alphabet is based upon an entirely different modular system. The fourth book completes the progression of the first and second by moving to three-dimensional forms and the construction of polyhedra. He is thought to be the first to describe a visualization technique used in modern computers, ray tracing. He was also familiar with the 'abbreviated construction' as described by Alberti and the geometrical construction of shadows, a technique of Leonardo da Vinci. The fourth book is devoted to the theory of movement. The work is less proscriptively theoretical than his other works, and was soon overshadowed by the Italian theory of polygonal fortification the trace italienne — see Bastion fort , though his designs seem to have had some influence in the eastern German lands and up into the Baltic States. Portrait of a Man , Prado Museum , Madrid. Rhinoceros , , National Gallery of Art. Young Hare , , Watercolour and bodycolour Albertina, Vienna. Great Piece of Turf , From Wikipedia, the free encyclopedia. German painter, printmaker and theorist. Painting printmaking. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. April Learn how and when to remove this template message. Christopher , engraving , Innsbruck Castle Courtyard , , Gouache and watercolour on paper. Erwin Panofsky argues that this print combined the ' Ulmian style' of Koberger's 'Lives of the Saints' and that of Wolgemut's workshop. The Complete Work of Raphael. New York: Reynal and Co. Retrieved 22 October Duden in German. Charles London: Seeley, Jackson and Halliday. German, Flemish and Dutch Painting. Scribner and Welford. Encyclopedia of Gay Histories and Cultures. Master Drawings , volume 36, no. For example, pieces such as the Lamentation of Christ, the Entombment, and the Resurrection are chronologically linked. Every piece in a particular series highlights a line of events. All these artists share the unique element of Renaissance Art. The pieces emphasize on classism, perceptive, and anatomy, which are key factors in renaissance art. Looking at the biblical understanding that Albrecht Durer possessed, his woodcuts are depictive of a religious message. The designs of his pieces are linked to a number of historic paintings. Even though he is no more, Albrecht legacy lives on in his famous woodcuts. His work continues to inspire millions and he is celebrated around the globe. Throughout the following five years his style progressively incorporated Italian impacts into basic Northern structures. Durer's most excellent works during the starting years of the workshop were his woodcut prints, which for the most part were religious, however including mainstream scenes, for example, "The Men's Bath House". These were bigger and more keenly cut than the sizeable watercolour portion of exceptional German cuts, and much more mind-boggling and adjusted in creation. Be that as it may, his preparation in Wolgemut's studio, that created many cuts and painted pieces and both outlined and cut woodblocks for the woodcut, apparently gave him incredible comprehension of what the method could be made to develop, and how to work with square cutters. In any case, his illustrations were pulverised amid the cutting of the square. His well-known series of "sixteen extraordinary designs for the Apocalypse" which was dated , similar to his etching of "St. Michael Fighting the Dragon". He made the initial seven scenes of the Great Passion around the same time. He then went on with a progression of eleven on the "Holy Family" and "saints" holy people. His scenes of a certain period, for example, "Pond in the Woods" and "Willow Mill," are very not entirely the same as his prior watercolours. They have considerably more prominent accentuation on catching environment, as opposed to portraying geography. He created various Madonnas, to single religious figures, and little scenes with comic labourer figures. His notoriety had spread all through Europe, and he was on well-disposed terms and in correspondence with the vast majority of the most famous art specialists including Raphael, Leonardo da Vinci and also Giovanni Bellini just to name a few. Amid this period he additionally finished two woodcut arrangement, the Great Passion and the Life of the Virgin, both distributed in together with a moment release of the Apocalypse arrangement. The Large Passion: The original woodcuts were done by Albrecht between and There are a total of 11 pieces in this category, and they all picture the life of Christ, especially his suffering. They include the Last Supper, Christ on Mt. The Small Passion: The series consists of a total of 36 woodcuts that cover the tribulations of Christ. The pieces demonstrate the challenges that Christ went through in the hands of men before eventually dying and ascending to the heavens. The pieces were produced between and The Apocalypse with Pictures: The series was released between and The Apocalypse depicts the faith of early Christians. The woodcuts describe the imminent coming of Christ as described in the Holy Book. The pieces reveal what the prophets foretold about Christ. There are a total of 15 woodcuts of the series, and they all borrow a lot from the book of Revelation. John, and St. Life of the Virgin: This series encompasses woodcuts done by Albrecht between and The pieces describe the story of the Virgin, Christ, and Joachim as depicted in the Bible. There are a total of 19 woodcuts designs done by Albrecht. Today -.

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