01-44 Flashtimer2016 12.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Warwickshire Cover
Worcestershire Cover Online.qxp_Worcestershire Cover 01/03/2017 10:01 Page 1 Your FREE essential entertainment guide for the Midlands ISSUE 375 MARCH 2017 LAURA WHITMORE Worcestershire AT THE BELGRADE ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On worcestershirewhatson.co.uk inside: Yourth 16-pageelist week by week listings guide Belgrade (FP- March 2017).qxp_Layout 1 20/02/2017 09:42 Page 1 Contents March Warwicks_Worcs.qxp_Layout 1 20/02/2017 11:34 Page 2 March 2017 Contents Swingamajig - the Midlands most distinctive music festival returns to Digbeth feature on page 28 Robert Fonseca Laura Whitmore Cinderella the list Cuban jazz pianist at joins Shane Ritchie in Not Dead Vienna Festival Ballet on tour Your 16-page Warwick Arts Centre Enough at The Belgrade with classic fairytale week-by-week listings guide page 17 page 24 page 33 page 51 inside: 4. First Word 11. Food 17. Music 20. Comedy 22. Theatre 36. Film 40. Visual Arts 43. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine Worcestershire What’s On Magazine Warwickshire What’s On Magazine Worcestershire What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Whats On Matt Rothwell [email protected] 01743 281719 Editorial: Lauren Foster [email protected] 01743 281707 MAGAZINE GROUP Sue Jones [email protected] 01743 -
Download & Stream!
APRIL 2017 ANGRILLEN FELIX JAEHN BBQ-SAISON 2017 OSTERHAMMER 2017 ABFEIERN TANZ IN DEN MAI AUSKOSTEN MITTAGSTISCH IN DER CITY © Philippe Wuyts APRIL 2017 PLUS: CITY NEWS, LIFESTYLE, SPORT & FITNESS, KONZERTE UND ALLE TOP-PARTYS DEINER STADT GREGORY PORTER & BAND FEAT. KAISER QUARTETT SNARKY PUPPY AGNES OBEL JAN GARBAREK GROUP JOSHUA REDMAN TRIO BEADY BELLE & BUGGE WESSELTOFT NDR BIGBAND ERIK TRUFFAZ QUARTET DHAFER YOUSSEF AKUA NARU NILS WÜLKER BEN L'ONCLE SOUL HILDEGARD LERNT FLIEGEN YOUN SUN NAH BERNHOFT ACCORDION NIGHT ALA.NI CÆCILIE NORBY & LARS DANIELSSON MOVING PARTS ERIC SCHAEFER NIGHTHAWKS NINA ATTAL CHRISTOPH SPANGENBERG MYLES SANKO ANNA-LENA SCHNABEL HFMT BIG BAND BENJAMIN SCHAEFER MIU OPERATION GRAND SLAM PECCO BILLO ROCKET MEN ECLECTA LAURENT COULONDRE DUO ANTONIA VAI MÖRK MORFÉ ROMAN SCHULER EXTENDED TRIO (RSXT) DER WEISE PANDA CATNIP POLICE GOLZ-RASCHE JAZZ ORCHESTRA GUSTAV BROMAN EUROPEAN JAZZ LABORATORY SIENA JAZZ + OBERBECK STEFAN SCHRÖTER DJ-NIGHTS: MOUSSE T., DETROIT SWINDLE, SUPERGID & FRIENDS, www.schwalfenberg.eu Foto: MIRKO MACHINE, PERRY LOUIS & JAZZCOTECH DANCERS Tickets und weitere Informationen unter www.elbjazz.de und über die Hotline 040 - 413 22 60 (Mo. - Fr. 9:00 - 18:30 Uhr) . EDITORIAL | INHALT LICENCE TO GRILL CITY NEWS Aktuell ........................004 Piste Persönlich...................010 Auch in dieser Ausgabe werden wir Euch wieder spannende Tipps und Neuigkeiten aus Hamburg LIFESTYLE und Umgebung präsentieren. Ostern ........................012 Grillen Part One ..................014 Brandversicherung ................016 Eines unserer Top-Themen in diesem und den kom- Multimedia .....................018 menden Heften befasst sich mit dem Lieblingszeit- CeBIT Trends....................020 vertreib der Deutschen: GRILLEN! Denn es tut sich immer wieder was auf dem Grill- SPORT & FITNESS Markt, auch wenn unterm Strich das Prinzip ein sehr Boxen ........................022 simples und uraltes bleibt: Fleisch über Feuer garen und in guter Gesell- Fitness für Frauen und Männer .........024 schaft verzehren. -
36 KW Raz.Indd
Moselufer oberhalb der Gemeinsam mobil sein: Die Stadtwerke Verein Treffpunkt am Schleuse wird zu einem bieten mit Stadtmobil Trier das Weidengraben in Flussauenbiotop Carsharing an. Fünf Autos stehen Kürenz feiert 25. umgestaltet Seite 3 in der Moselstadt zur Verfügung Seite 7 Geburtstag Seite 9 19. Jahrgang, Nummer 36 A M T S B L A T T Dienstag, 2. September 2014 Weiterer Rückgang bei Wunsch nach Ruhm den Erstklässlern Schul-Bilanz zum Start ins Schuljahr 2014/15 Für rund 700 Trierer Kinder be- ginn, da es immer noch kurzfristige ginnt nächste Woche mit der Ein- Wechsel gibt. In zwei weiterführen- schulung der Ernst des Lebens. Bei den Schulen stiegt die Zahl der Klas- Zahl der ABC-Schützen (Stand: 1. sen um jeweils eine. Im FSG werden Juli) gibt es einen weiteren Rück- somit drei fünfte Klassen eingeschult. gang: 2013 waren es 743 (ohne Das G 8-Gymnasium bleibt dauerhaft Grundschule Pallien), vor zwei erhalten. Das AVG nimmt aufgrund Jahren sogar noch 809. Die meisten der großen Nachfrage fünf fünfte werden in Ehrang und Matthias er- Klassen auf. Dort wird mit dem Start wartet (58), gefolgt von Tarforst des neuen Schuljahrs der erste Ab- mit 57 und Feyen mit 48. schnitt der rund 5,8 Millionen Euro teuren Sanierungs- und Umbauarbei- In diesen beiden Stadtteilen gibt es ten, die mit Unterstützung des Landes durch die Neubaugebiete eine hohe umgesetzt werden, abgeschlossen. Nachfrage. Für Der erste, rund 3,5 Millionen Euro Feyen hat der teure Teil des Projekts umfasste unter Stadtrat grünes anderem die Erneuerung des Licht zur Grund- Dachstuhls im Klostergebäude, schulerweiterung gegeben, die Schaffung von zwei neuen es fehlt noch die Genehmi- Klassenräumen im obersten Ge- gung des Landes. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
Deutsche Nationalbibliografie 2018 T 11
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2018 T 11 Stand: 07. November 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1613-8945 urn:nbn:de:101-201711171918 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
POSITIVE Schnews
wake up! wake up! ITS YER CLIMATIC SchNEWSPrinted and Published in Brighton by Justice? Weekly Friday 16th June 2000 http://www.schnews.org.uk/ Issue 263 Free/Donation WEATHERCOCK -UP “The oil companies have already found government were asked to vote on what enough oil to cause dangerous climate issue they considered the biggest threat CRAP ARREST OF THE WEEK change. Yet they continue to look for more. to business over the next century. The re- * For trying to speak. Two people who The effects on the climate could be cata- sult? Global climate change. went to speak at a teach-in on the human strophic.” Greenpeace No, the real problem is how to try and rights and environmental impacts of the oil When we hear the words ‘climate stop it happening. As Mark Lynas of Cor- industry we’re arrested, detained, and de- change’ there’s a tendency for all of us to porate Watch points out: “The only realis- nied entry by Canadian immigration offi- find a large hole and stick our heads in it, tic way to confront both climate change cials at Calgary International Airport. The or to rave on about how we could do with a and the inequalities which create it is for officials told the two that they were de- bit more sunshine anyway, so what’s the ordinary people to organise globally and tained because of their involvement in ac- big deal. Which is understandable really tivities critical of the World Petroleum Con- create a new approach. If this seems ini- gress. -
New Music As Subculture Que Devient L’Avant-Garde ? La Nouvelle Musique Comme Sous-Culture Martin Iddon
Document generated on 09/29/2021 10:50 a.m. Circuit Musiques contemporaines What Becomes of the Avant-Guarded? New Music as Subculture Que devient l’avant-garde ? La nouvelle musique comme sous-culture Martin Iddon Pactes faustiens : l’hybridation des genres musicaux après Romitelli Article abstract Volume 24, Number 3, 2014 In a short ‘vox pop,’ written for Circuit in 2010, on the subject of the ‘future’ of new music, I proposed that new music — or the version of it tightly URI: https://id.erudit.org/iderudit/1027610ar intertwined with what was once thought of as the international avant-garde, at DOI: https://doi.org/10.7202/1027610ar any rate — might today be better thought of as a sort of subculture, akin to the spectacular subcultures of goth and punk, but radically different in that they See table of contents developed from the ‘grassroots,’ as it were, while new music comes from a position of extreme cultural privilege, which is to say it has access, even now, to modes of funding and infrastructure subcultures ‘proper’ never have. This essay develops this line of enquiry, outlining theories of subculture and Publisher(s) post-subculture — drawing on ‘classic’ and more recent research, from Les Presses de l’Université de Montréal Hebdige and Cohen to Hodkinson, Maffesoli, and Thornton — before presenting the, here more detailed, case that new music represents a sort of subculture, before making some tentative proposals regarding what sort of ISSN subculture it is and what this might mean for contemporary understandings of 1183-1693 (print) new music and what it is for. -
Download File
Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Simón Calle All rights reserved ABSTRACT Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle This dissertation analyses identity formation through music among contemporary Colombian musicians. The work focuses on the emergence of musical fusions in Bogotá, which participant musicians and Colombian media have called “nueva música Colombiana” (new Colombian music). The term describes the work of bands that assimilate and transform North-American music genres such as jazz, rock, and hip-hop, and blend them with music historically associated with Afro-Colombian communities such as cumbia and currulao, to produce several popular and experimental musical styles. In the last decade, these new fusions have begun circulating outside Bogotá, becoming the distinctive sound of young Colombia domestically and internationally. The dissertation focuses on questions of musical circulation, affect, and taste as a means for articulating difference, working on the self, and generating attachments others and therefore social bonds and communities This dissertation considers musical fusion from an ontological perspective influenced by actor-network, non-representational, and assemblage theory. Such theories consider a fluid social world, which emerges from the web of associations between heterogeneous human and material entities. The dissertation traces the actions, interactions, and mediations between places, people, institutions, and recordings that enable the emergence of new Colombian music. In considering those associations, it places close attention to the affective relationships between people and music. -
LINKS: Uu ARISING EMPIRE Video Clips · Arising Empire On: Spotify · Soundcloud Uu
New Release Information uu July VENUES Release Date Pre-Order Start Aspire uu 27/07/2018 uu 25/05/2018 uu advertising in many important music magazines JUN/JUL 2018 uu album reviews, interviews in all important Metal magazines in Europe’s JUN/JUL 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock Price Code: CD11 websites all over Europe AE 4358-2 CD uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a back- ground on nuclearblast.de and nuclearblast.com Territory: World uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release uu this year, the band went on to create what resulted in their two new Tracklists: YOU LOVE METALCORE? singles ‘Ignite’ and ‘The Epilogue’. Furthermore, the sextet from Stuttgart, CD: Germany recently finished the work on their debut record »Aspire«, which 01. We Are One YOU HAVE TO HEAR THAT! will be released on the 27th of July via Arising Empire in Europe and via 02. -
Openair Special Die Schönsten Festivals Die Besten Clubterrassen
#11 MUC/BAYERN OPENAIR SPECIAL DIE SCHÖNSTEN FESTIVALS DIE BESTEN CLUBTERRASSEN 05 2010 >> WWW.FLASHTIMER.DE >> WWW.FLASHTIMER.DE >> Intro VOLLPFOSTEN, SCHWARZ-GELB >> flashtimer münchen & bayern FLASHTIMER MÜNCHEN & BAYERN Politiker sind Nightlife- Grafingerstraße 6, 81671 München. Hasser. Halloweenverbot, Fon 089 - 54 89 79 29 Afterpartyverbot, jetzt [email protected] die Sperrstunde. 2004 >> chefredaktion V.i.S.d.P. war Bayern das allerletzte Michael Herweg Bundesland, das sie auf- [email protected] gehoben hat. Wenn die >> redaktion Regierung sich traut, ihre Michael Herweg, Philipp Hartmann, Andrea Petsch, Caro Zöllner, neuen Pläne umzusetzen, Stefanie Käß, Beliar Huber dann ist Bayern das erste Bundesland, das sie wieder >> FLASHPACK hat. Dann entscheiden Behörden im Einzelfall und Beliar Huber - [email protected] gegen hohe Gebühren, in welcher Diskothek du unter >> layout / satz / grafik der Woche nach 01 Uhr noch feiern darfst. Dann ist Andrea Petsch - [email protected] Bayern auch das erste Bundesland, an dessen Tanken >> druck es nachts keinen Alkohol gibt – außer den Schwaben saaledruck naumburg nebenan, aber die gehen wie überall sonst in >> vertrieb & veranstaltungen Deutschland bis 22 oder 23 Uhr in den Supermarkt. Gesamtkoordination: Philipp Hartmann Warum? Weil die Bayern schlechter mit Alkohol Flashtimer erscheint monatlich und kostenlos in einer Auflage von 25.000 Exemplaren. Der Flash timer ist frei umgehen können als die Schwaben, die Hessen, die von Promo- und sonstiger bezahlter Redaktion. Niedersachsen. Öhm – wie nochmal?! Bis dahin: CARPE NOCTEM - Nutze die Nacht ;-) MIchael & Crew MITARBEITERSPRUCH DES MONATS: MIchael: «Dann trItt doch P.S. Die Vollpfosten vom Bild haben wir in der Kultfa- AUS!». STeffI: «JA WIE - IN der brik entdeckt. -
NEWSLETTER 1 – April 2011
NEWSLETTER 1 – April 2011 Dear partners, We want to inform you about the first NEWIP training session and common interventions open to volunteers of European party projects. You will find all details (content of the training session, presentation of the field interventions, deadlines, contact, rules for applying) in the attachments. The first training session for the intervention team members will be held from 18th to 20th of May in Bologna. There are 6 places available for volunteers from Safer Nightlife EU organizations. There will be more than 50 places available again for the next years. The application deadline is the 5th of April. For this summer, we plan to intervene at the Fusion Festival (Germany - Intervention: 29th june 2011 - 5th july 2011-to be confirmed) and at the Ozora Festival (Hungary - Intervention: 1st august 2011 - 8th august 2011). This first NEWIP training session will take place in Bologna in parallel with other SEMINARS and a Safer Nightlife CONFERENCE organized with the Regione Emiglia Romagna on May 20th. We will inform you in a few days about these other interesting events. All the best, The NEWIP partners ----------- If you are interested in nightlife health promotion, prevention and risk reduction, you can join us as Collaborating Partner or subscribe to our newsletter. Please diffuse our newsletter to your contacts and networks. To unsubscribe, send an e-mail to [email protected] This newsletter arises from the Nightlife Empowerment & Well-being Implementation Project which has received funding from the European Union, in the framework of the Health Programme NEWSLETTER 2 – July 2011 NEWIP WEBSITE The Nightlife Empowerment and Well-being Implementation Project (NEWIP) partners are happy to introduce their Website where you will find specific information about nightlife field working, news and opportunities to join us.