Confessions of a Mormon Boy
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Collision Course
FINAL-1 Sat, Jul 7, 2018 6:10:55 PM Your Weekly Guide to TV Entertainment for the week of July 14 - 20, 2018 HARTNETT’S ALL SOFT CLOTH CAR WASH Collision $ 00 OFF 3ANY course CAR WASH! EXPIRES 7/31/18 BUMPER SPECIALISTSHartnett's Car Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 Ian Anthony Dale stars in 15 WATER STREET “Salvation” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful While Grace (Jennifer Finnigan, “Tyrant”) and Harris (Ian Anthony Dale, “Hawaii Five- The LawOffice of 0”) work to maintain civility in the hangar, Liam (Charlie Row, “Red Band Society”) and STEPHEN M. FORLIZZI Darius (Santiago Cabrera, “Big Little Lies”) continue to fight both RE/SYST and the im- Auto • Homeowners pending galactic threat. Loyalties will be challenged as humanity sits on the brink of Business • Life Insurance 978.739.4898 Earth’s potential extinction. Learn if order can continue to suppress chaos when a new Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] episode of “Salvation” airs Monday, July 16, on CBS. -
CONTACT: Robin Mesger the Lippin Group 323/965-1990 FOR
CONTACT: Robin Mesger The Lippin Group 323/965-1990 FOR IMMEDIATE RELEASE September 14, 2002 2002 PRIMETIME EMMY AWARDS The Academy of Television Arts & Sciences (ATAS) tonight (Saturday, September 14, 2002) presented Emmys in 61 categories for programs and individual achievements at the 54th Annual Emmy Awards Presentation at the Shrine Auditorium. Included among the presentations were Emmy Awards for the following previously announced categories: Outstanding Achievement in Animation and Outstanding Voice-Over Performance. ATAS Chairman & CEO Bryce Zabel presided over the awards ceremony assisted by a lineup of major television stars as presenters. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Programs Individuals Total HBO 0 16 16 NBC 1 14 15 ABC 0 5 5 A&E 1 4 5 FOX 1 4 5 CBS 1 3 4 DISC 1 3 4 UPN 0 2 2 TNT 0 2 2 MTV 1 0 1 NICK 1 0 1 PBS 1 0 1 SHO 0 1 1 WB 0 1 1 Emmys in 27 other categories will be presented at the 2002 Primetime Emmy Awards telecast on Sunday, September 22, 2002, 8:00 p.m. – conclusion, ET/PT) over the NBC Television Network at the Shrine Auditorium. A complete list of all awards presented tonight is attached, The final page of the attached list includes a recap of all programs with multiple awards. For further information, see www.emmys.tv. To receive TV Academy news releases via electronic mail, please address your request to [email protected] or [email protected]. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
In Re Carol Young V. Hawaii Department of Education, Dkt. No
UNITED STATES DEPARTMENT OF EDUCATION OFFICE OF HEARINGS AND APPEALS 400 MARYLAND AVENUE, S.W. WASHINGTON, D.C. 20202 TELEPHONE (202) 245-8300 _____________________________________ Carol Young Docket No.: 19-81-CP Complainant Reprisal for Disclosure of v. Certain Information Proceeding OIG: I19WES00433 Hawaii Department of Education Defendant _____________________________________ Appearances: Andrew D. Stewart, Showa Law Office LLC, Honolulu, HI, for Carol Young. Clare E. Connors and James E. Halvorson, Hawaii Department of the Attorney General, Honolulu, HI, for Hawaii Department of Education. Before: Robert G. Layton, Administrative Law Judge ORDER This decision addresses a complaint filed by Carol Young, an employee of the Hawaii Department of Education (HDE). HDE is the statewide school district for Hawaii.1 It participates in grant programs administered by the U.S. Department of Education (the Department), including the 21st Century Community Learning Center grants (CCLC). On December 7, 2018, the Department’s Office of the Inspector General (OIG) received Young’s 1 Organization, Hawaii Department of Education, http://www.hawaiipublicschools.org/ConnectWithUs/Organization/Pages/Home.aspx (last visited on Dec. 30, 2019); U.S. Dep’t of Educ., Office of Inspector General Report of Investigation (Dec. 2, 2019) (hereafter OIG Report) at 3 [4] [Bracketed References to page in the PDF of the Redacted OIG Report, Docket Number 2]. complaint. Young’s complaint asserts that HDE took multiple adverse employment actions against her for reporting misuse of CCLC funds and that this retaliation violated whistleblower protections. OIG assessed Young’s allegations as made pursuant to the protections provided by 41 U.S.C § 4712, the National Defense Authorization Act of FY 2013 (The NDAA).2 On December 2, 2019, OIG sent the Secretary of Education (the Secretary) a report from OIG’s investigation. -
HARVARD LIBRARY BULLETIN H Arvard L Ibrary B Ulletin • V Olume
: 200 oreau at at oreau T Spring 2017 at Houghton Library Houghton at A Bicentenary Exhibition Exhibition A Bicentenary Henry David Henry David Timothy Leary’s Legacy the and Leary’s Timothy Rebirth of Psychedelic Research Psychedelic Rebirth of Volume 28: Number 1 BULLETIN e Qianlong Emperor’s Copperplate Engravings Copperplate Emperor’s e Qianlong T HARVARD LIBRARY Harvard Library Bulletin • Volume 28: Number 1 • Spring 2017 HARVARD LIBRARY BULLETIN The Qianlong Emperor’s Copperplate Engravings Marcia Reed Henry David Thoreau at 200: A Bicentenary Exhibition at Houghton Library Curated by Ronald A. Bosco Timothy Leary’s Legacy and the Rebirth of Psychedelic Research Don Lattin SPRING 2017 Volume 28: Number 1 HARVARD LIBRARY BULLETIN VOLUME 28: NUMBER 1 (SPRING 2017) PUBLISHED JANUARY 2019 ISSN 0017-8136 Editors Coordinating Editor William P. Stoneman Hepzibah Rapoport Anne-Marie Eze ADVISORY BOARD Bernard Bailyn Adams University Professor, Emeritus • Charles Berlin Lee M. Friedman Bibliographer in Judaica in the Harvard College Library • Ann Blair Henry Charles Lea Professor of History • Lawrence Buell Powell M. Cabot Professor of American Literature • Robert Darnton Carl H. Pforzheimer University Professor and University Librarian, Emeritus • Roger E. Stoddard Senior Curator in Houghton Library, retired • Richard F. Thomas Professor of Greek and Latin • Helen Vendler A. Kingsley Porter University Professor • Christoph J. Wolff Adams University Professor • Jan Ziolkowski Arthur Kingsley Porter Professor of Medieval Latin Te Harvard Library Bulletin is published three times a year, by Houghton Library. Annual subscription $35 (U.S., Canada, and Mexico), $41 (foreign); single issue $15. Editorial correspondence should be addressed to Anne-Marie Eze, Houghton Library, Harvard University, Cambridge, MA, 02138, email [email protected]; claims and subscription inquiries should be addressed to Monique Duhaime, Houghton Library, Harvard University, Cambridge, MA 02138, email [email protected]. -
Productor No Identificado 2-2009R
Código Titulo Interprete 1887 I AM NOT IN LOVE 10 CC 90447 CANDY EVERYBODY 10,000 MANIACS 114056 DON T TALK 10,000 MANIACS 110619 BICICLETAS 11 Y 20 100752 LA ULTIMA CENA 12 DISCIPULOS 83485 QUITATE TU PA PONERME YO 12 DISCIPULOS 114057 CONCIENCIA EN BABYLON 12 TRIBUS 111526 SIMON SAYS 1910 FRUITGUM COMPANY 111529 BROKEN WINGS 2 PAC 105717 CHANGES 2 PAC 101756 GET READY FOR THIS 2 UNLIMITED 93146 NO LIMIT 2 UNLIMITED 64847 MR PERSONALITY 20 FINGERS 81734 YOU ARE LIKE 20 FINGERS 99975 YOU GOTTA LIECK IT 20 FINGERS 81199 CUANTO MAS 20/20 114058 PUEDO VOLAR 20/20 110621 DONT TRUST ME 3 OH 3 113280 STARSTRUKK 3 OH 3 FT KATY PERRY 104573 ATTACK 30 SECONDS TO MARS 103505 FROM YESTERDAY 30 SECONDS TO MARS 114059 KINGS AND QUEENS 30 SECONDS TO MARS 100754 THE KILL 30 SECONDS TO MARS 114060 BACK WHERE YOU BELONG 38 SPECIAL 64848 CAUGHT UP IN YOU 38 SPECIAL 100755 Anything 3T 79883 STUCK ON YOU 3T 110622 DONT YOU LOVE ME 49 ERS 87745 CANDY SHOP 50 CENT 103506 AYO TECHNOLOGY 50 CENT FEAT JUSTIN TIMBERLAKE 101759 A NOCHE 5TA ESTACION 112253 DUELE 5TA ESTACION 114010 ENGAÑAME 5TA ESTACION 114028 MIRADAS 5TA ESTACION 97502 PENSANDO EN TI 5TA ESTACION 109580 QUE TE QUIERA 5TA ESTACION 111104 RECUERDAME 5TA ESTACION 114642 SIN FRENOS 5TA ESTACION 112911 TE QUIERO 5TA ESTACION 102701 ACUARIO 5TH DIMENSION THE 81903 CAMINANDO BAJO EL SOL 5TH DIMENSION THE 58853 LAST NIGHT I DID N GET TO 5TH DIMENSION THE 101765 NUNCA MI AMOR 5TH DIMENSION THE 112365 LINDA PRINCESA 5TO PISO 105725 MIRA COMO VA 5TO PISO 76067 DE NUEVO ABRAZAME 6 DEL VALLENATO LOS 104807 LA -
Free to Be Young
Free to be Young - Policy Paper 96 This paper has been approved for debate by the Federal Conference by the Federal Policy Committee under the terms of Article 5.4 of the Federal Constitution. Within the policy-making procedure of the Liberal Democrats, the Federal Party determines the policy of the Party in those areas which might reasonably be expected to fall within the remit of the federal institutions in the context of a federal United Kingdom. The Party in England, the Scottish Liberal Democrats, the Welsh Liberal Democrats and the Northern Ireland Local Party determine the policy of the Party on all other issues, except that any or all of them may confer this power upon the Federal Party in any specified area or areas. The Party in England has chosen to pass up policy-making to the Federal level. If approved by Conference, this paper will therefore form the policy of the Federal Party on federal issues and the Party in England on English issues. In appropriate policy areas, Scottish, Welsh and Northern Ireland party policy would take precedence. Many of the policy papers published by the Liberal Democrats imply modifications to existing government public expenditure priorities. We recognise that it may not be possible to achieve all these proposals in the lifetime of one Parliament. We intend to publish a costings programme, setting out our priorities across all policy areas, closer to the next general election. Working Group on Youth Policy Note: Membership of the Working Group should not be taken to indicate that every member necessarily agrees with every statement or every proposal in this Paper. -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era.