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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
In Re Carol Young V. Hawaii Department of Education, Dkt. No
UNITED STATES DEPARTMENT OF EDUCATION OFFICE OF HEARINGS AND APPEALS 400 MARYLAND AVENUE, S.W. WASHINGTON, D.C. 20202 TELEPHONE (202) 245-8300 _____________________________________ Carol Young Docket No.: 19-81-CP Complainant Reprisal for Disclosure of v. Certain Information Proceeding OIG: I19WES00433 Hawaii Department of Education Defendant _____________________________________ Appearances: Andrew D. Stewart, Showa Law Office LLC, Honolulu, HI, for Carol Young. Clare E. Connors and James E. Halvorson, Hawaii Department of the Attorney General, Honolulu, HI, for Hawaii Department of Education. Before: Robert G. Layton, Administrative Law Judge ORDER This decision addresses a complaint filed by Carol Young, an employee of the Hawaii Department of Education (HDE). HDE is the statewide school district for Hawaii.1 It participates in grant programs administered by the U.S. Department of Education (the Department), including the 21st Century Community Learning Center grants (CCLC). On December 7, 2018, the Department’s Office of the Inspector General (OIG) received Young’s 1 Organization, Hawaii Department of Education, http://www.hawaiipublicschools.org/ConnectWithUs/Organization/Pages/Home.aspx (last visited on Dec. 30, 2019); U.S. Dep’t of Educ., Office of Inspector General Report of Investigation (Dec. 2, 2019) (hereafter OIG Report) at 3 [4] [Bracketed References to page in the PDF of the Redacted OIG Report, Docket Number 2]. complaint. Young’s complaint asserts that HDE took multiple adverse employment actions against her for reporting misuse of CCLC funds and that this retaliation violated whistleblower protections. OIG assessed Young’s allegations as made pursuant to the protections provided by 41 U.S.C § 4712, the National Defense Authorization Act of FY 2013 (The NDAA).2 On December 2, 2019, OIG sent the Secretary of Education (the Secretary) a report from OIG’s investigation. -
HARVARD LIBRARY BULLETIN H Arvard L Ibrary B Ulletin • V Olume
: 200 oreau at at oreau T Spring 2017 at Houghton Library Houghton at A Bicentenary Exhibition Exhibition A Bicentenary Henry David Henry David Timothy Leary’s Legacy the and Leary’s Timothy Rebirth of Psychedelic Research Psychedelic Rebirth of Volume 28: Number 1 BULLETIN e Qianlong Emperor’s Copperplate Engravings Copperplate Emperor’s e Qianlong T HARVARD LIBRARY Harvard Library Bulletin • Volume 28: Number 1 • Spring 2017 HARVARD LIBRARY BULLETIN The Qianlong Emperor’s Copperplate Engravings Marcia Reed Henry David Thoreau at 200: A Bicentenary Exhibition at Houghton Library Curated by Ronald A. Bosco Timothy Leary’s Legacy and the Rebirth of Psychedelic Research Don Lattin SPRING 2017 Volume 28: Number 1 HARVARD LIBRARY BULLETIN VOLUME 28: NUMBER 1 (SPRING 2017) PUBLISHED JANUARY 2019 ISSN 0017-8136 Editors Coordinating Editor William P. Stoneman Hepzibah Rapoport Anne-Marie Eze ADVISORY BOARD Bernard Bailyn Adams University Professor, Emeritus • Charles Berlin Lee M. Friedman Bibliographer in Judaica in the Harvard College Library • Ann Blair Henry Charles Lea Professor of History • Lawrence Buell Powell M. Cabot Professor of American Literature • Robert Darnton Carl H. Pforzheimer University Professor and University Librarian, Emeritus • Roger E. Stoddard Senior Curator in Houghton Library, retired • Richard F. Thomas Professor of Greek and Latin • Helen Vendler A. Kingsley Porter University Professor • Christoph J. Wolff Adams University Professor • Jan Ziolkowski Arthur Kingsley Porter Professor of Medieval Latin Te Harvard Library Bulletin is published three times a year, by Houghton Library. Annual subscription $35 (U.S., Canada, and Mexico), $41 (foreign); single issue $15. Editorial correspondence should be addressed to Anne-Marie Eze, Houghton Library, Harvard University, Cambridge, MA, 02138, email [email protected]; claims and subscription inquiries should be addressed to Monique Duhaime, Houghton Library, Harvard University, Cambridge, MA 02138, email [email protected]. -
Productor No Identificado 2-2009R
Código Titulo Interprete 1887 I AM NOT IN LOVE 10 CC 90447 CANDY EVERYBODY 10,000 MANIACS 114056 DON T TALK 10,000 MANIACS 110619 BICICLETAS 11 Y 20 100752 LA ULTIMA CENA 12 DISCIPULOS 83485 QUITATE TU PA PONERME YO 12 DISCIPULOS 114057 CONCIENCIA EN BABYLON 12 TRIBUS 111526 SIMON SAYS 1910 FRUITGUM COMPANY 111529 BROKEN WINGS 2 PAC 105717 CHANGES 2 PAC 101756 GET READY FOR THIS 2 UNLIMITED 93146 NO LIMIT 2 UNLIMITED 64847 MR PERSONALITY 20 FINGERS 81734 YOU ARE LIKE 20 FINGERS 99975 YOU GOTTA LIECK IT 20 FINGERS 81199 CUANTO MAS 20/20 114058 PUEDO VOLAR 20/20 110621 DONT TRUST ME 3 OH 3 113280 STARSTRUKK 3 OH 3 FT KATY PERRY 104573 ATTACK 30 SECONDS TO MARS 103505 FROM YESTERDAY 30 SECONDS TO MARS 114059 KINGS AND QUEENS 30 SECONDS TO MARS 100754 THE KILL 30 SECONDS TO MARS 114060 BACK WHERE YOU BELONG 38 SPECIAL 64848 CAUGHT UP IN YOU 38 SPECIAL 100755 Anything 3T 79883 STUCK ON YOU 3T 110622 DONT YOU LOVE ME 49 ERS 87745 CANDY SHOP 50 CENT 103506 AYO TECHNOLOGY 50 CENT FEAT JUSTIN TIMBERLAKE 101759 A NOCHE 5TA ESTACION 112253 DUELE 5TA ESTACION 114010 ENGAÑAME 5TA ESTACION 114028 MIRADAS 5TA ESTACION 97502 PENSANDO EN TI 5TA ESTACION 109580 QUE TE QUIERA 5TA ESTACION 111104 RECUERDAME 5TA ESTACION 114642 SIN FRENOS 5TA ESTACION 112911 TE QUIERO 5TA ESTACION 102701 ACUARIO 5TH DIMENSION THE 81903 CAMINANDO BAJO EL SOL 5TH DIMENSION THE 58853 LAST NIGHT I DID N GET TO 5TH DIMENSION THE 101765 NUNCA MI AMOR 5TH DIMENSION THE 112365 LINDA PRINCESA 5TO PISO 105725 MIRA COMO VA 5TO PISO 76067 DE NUEVO ABRAZAME 6 DEL VALLENATO LOS 104807 LA -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
Nord Stern Region PCA May 2017 ©2017 Porsche Cars North America, Inc
Nord Stern Region PCA May 2017 ©2017 Porsche Cars North America, Inc. Porsche recommends seat belt usage and observance of all traffic laws at all times. IF YOU CAN’T HAVE YOUR CLASSIC PORSCHE SERVICED HERE, TRY US... A Porsche is no ordinary sports car, but a sports car for everyday driving, whatever the weather. It's more than just a vehicle. It is an expression of freedom and provides a little bit of fun and the sense of living the dream in an otherwise serious world. Driving a Porsche makes that dream attainable. And because details matter to Porsche drivers, you can refine your car to your unique taste after you take delivery with Porsche Tequipment products, made to make your vehicle even more unmistakable. Two-thirds of all Porsche cars ever built are still being driven today. That's not by chance - it's because they are cherished, well cared for by their owners and come with a 4 Year/50,000 mile warranty. So, if you are lucky enough to own a Porsche, you’ll want the best, fully trained Porsche techniciansavailable to keep your dream vehicles in tip-topdriving condition. Call us today to schedule your appointment today. NEW | CERTIFIED PRE-OWNED | SERVICE | PARTS | ACCESSORIES | FINANCE PORSCHE MINNEAPOLIS 9595 Wayzata Blvd., Minneapolis, MN 55426 763.744.9191 | PorscheofMpls.com PORSCHE ST. PAUL 2780 Maplewood Dr., Maplewood, MN 55109 651.483.2681 | PorscheofStPaul.com Nord Stern APRIL 2017 Dedicated to the belief that . getting there is half the fun. Table of Contents Nord Stern is the official monthly publication of the Nord Stern Region, PCA Inc. -
Eastern Flews Friday, April 21, 1978/Charleston, HI
Eastern Illinois University The Keep April 1978 4-21-1978 Daily Eastern News: April 21, 1978 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1978_apr Recommended Citation Eastern Illinois University, "Daily Eastern News: April 21, 1978" (1978). April. 15. http://thekeep.eiu.edu/den_1978_apr/15 This Book is brought to you for free and open access by the 1978 at The Keep. It has been accepted for inclusion in April by an authorized administrator of The Keep. For more information, please contact [email protected]. Sophomore · Peter Samuel as Psychiatrist Martin Dysart, and senior Earl Halbe as his patient, Alan Strang, I discuss a therapy session in the left photo, while the giant silhouette of a horse's head looms below, sym bolizing the boy's disturbed mind. Both are depic"ted in the Theatre Department's production of "Equus" to be performed this weekend. (News photos by Craig Stockel) Eastern flews Friday, April 21, 1978/Charleston, HI. Vol. 63 No. 136/2 Sections/ 20 Pages alls-;,.., to be i. closed uring pre-sessionwill come Vicki Pape in. house around Residence halls will not be open "We should pro�ably of current Johnson said. �ay's first game ing presession because 350," that He added that normally the office /s only to lose a :sing requests and figures 400 residents. �t Indiana State 'icate summer enrollment may be handles around that Taylor Hall would e diamondmen slightly from last year. He also said hall open for summer eheader against Randy Johnson, associate director of be the residence .sing, said Thursday that despite session. -
A Concept Album
Merrimack College Merrimack ScholarWorks Honors Program Contracts Honors Program Spring 2020 The Power of Protest Music: A Concept Album Matthew Patterson Merrimack College, [email protected] Follow this and additional works at: https://scholarworks.merrimack.edu/honors_component Part of the Music Commons, and the Political Science Commons Recommended Citation Patterson, Matthew, "The Power of Protest Music: A Concept Album" (2020). Honors Program Contracts. 20. https://scholarworks.merrimack.edu/honors_component/20 This Project - Open Access is brought to you for free and open access by the Honors Program at Merrimack ScholarWorks. It has been accepted for inclusion in Honors Program Contracts by an authorized administrator of Merrimack ScholarWorks. For more information, please contact [email protected]. 1 Matthew Patterson Dr. Anne Flaherty and Dr. Laura Pruett Music and Politics FAA/POL3171 6 May 2020 The Power of Protest Music: A Concept Album Introduction: This semester, I decided to create an honors contract for one of my favorite classes offered at Merrimack, Music and Politics. Both music and politics are two of my biggest interests, so I felt that this class would allow me to create a very unique final project. For my project, I decided to create my own political concept album that would analyze the role of music in certain social and political movements. Inspired by old vinyl records, this curation will contain 12 songs that are divided evenly on each side of the record. Side A will contain six songs that are considered anthems of the Civil Rights Movement, while Side B will contain six songs that are considered anthems for the Black Lives Matter Movement. -
10 Key Steps to Succeed in the Music Business
Master Resell and Giveaway Rights Congratulations, you now have full master resell and giveaway rights to this book! The only condition is that the content may not be changed in any way. Feel free to resell, give away or add it as a bonus to your website or blog or to an existing package of information. In fact, you can do anything you like with this guide as long as the content, including all the links, remains unchanged. Send this guide to a friend and any other aspiring musicians and performers that you know and do it right now. They will definitely thank you for it! Disclaimer and / or Legal Notices The information presented herein represents the views of the author as of the date of publication. Because of the rate with which conditions change, the author reserves the right to alter and update their opinions based on the new conditions. This guide is for informational purposes only and the author does not accept any responsibilities for any liabilities resulting from the use of this information. Whilst every attempt is made to verify the information provided herein, the author and their resellers and affiliates cannot assume any responsibility for errors, inaccuracies or omissions. Any slights of people, corporations or organizations are unintentional. Published By © Ian Clifford 2009 10 KEY steps You MUST take to SUCCEED in the Music Business Who are Make It In Music? Make It In Music (‘MiiM’) is a Music Industry Resource Company set up by Ian Clifford, ably assisted by Amanda McGowan. Between them they have 30 years of frontline global Music Industry experience.