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Avance Largometrajes 2014Feature Films Preview
AVANCE / RESUMEN - CATÁLOGO CINE ESPAÑOL 2018 LARGOMETRAJES SPANISH CINEMA 2018 FEATURE FILMS PREVIEW / SUMMARY Largometrajes con participación española en la producción 2018 2018 Spanish Feature Films (Total: 263 - Ficción/Fiction 127 - Documental/Documentary 134 - Animación/Animation 2) ■ Ficción / Fiction…………………………………………Página/Page 2 ■ Documentales / Documentaries……………...Página/Page 28 ■ Animación / Animation……………………………..Página/Page 55 http://www.culturaydeporte.gob.es/cultura/areas/cine/mc/catalogodecine/inicio.html Publicación digital del Instituto de Cine y Artes Audiovisuales que recoge información sobre las películas cinematográficas con participación española en la producción, y cuyo criterio de selección se basa en haber sido calificadas por primera vez durante el año correspondiente. El contenido que se ofrece es meramente informativo y carece de efectos vinculantes para la Administración. El copyright de las imágenes pertenece a sus respectivos autores y/o productoras - distribuidoras. Digital publication of the Institute for Cinema and Audiovisual Arts (Instituto de Cine y Artes Audiovisuales), designed to promote Spanish films and mainly offering information on films with Spanish participation in production; the selection criteria are based on having been certified for the first time during the corresponding year. The content offered herein is merely informative and not legally binding as far as the Administration is concerned. © Ministerio de Cultura y Deporte 1 | 55 LARGOMETRAJES 2018 SPANISH FEATURE FILMS - FICCIÓN / FICTION #SEGUIDORES - #FOLLOWERS Dirección/Director: Iván Fernández de Córdoba Productoras/Prod. Companies: NAUTILUS FILMS & PROJECTS, S.L. Intérpretes/Cast: Sara Sálamo, Jaime Olías, Rodrigo Poisón, María Almudéver, Norma Ruiz y Aroa Ortigosa Drama 76’ No recomendada para menores de 12 años / Not recommended for audiences under 12 https://www.facebook.com/seguidoreslapelicula/ ; https://www.instagram.com/seguidoreslapelicula/ Tráiler: https://www.youtube.com/watch?v=RK5vUNlMJNc ¿QUÉ TE JUEGAS? - GET HER.. -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Downloaded for Personal, Non-Commercial, Research Or Study Without Prior Permission and Without Charge
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2011) Colonial film: moving images of the British Empire. Other. [Author]. [Monograph] This version is available at: https://eprints.mdx.ac.uk/9930/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Renown Pictures New Dvd Release Includes Everything on These Two Pages
Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, At last, we can finally announce that tickets are now on sale for our 8th Festival of Film/ Road Show on Sunday 10th October 2021, 11am-7pm at the iconic Plaza, Stockport. We also have a special event planned on Saturday 9th at the beautiful Savoy Cinema, just around the corner at Heaton Moor. The Savoy is very much like ‘The Bijou’ from The Smallest Show on Earth, (without all the problems!), so we decided to hold a proper Saturday Morning Pictures Show on Saturday 9th October 2021 from 9am-12pm – bring your pop guns and wear your badges! There will be a special guest and a separate Film Quiz with Afternoon Tea in the afternoon from 1-4pm. It will be a smaller event than The Plaza on the Sunday so get your tickets quick! There’s not many seats available at The Savoy. If you have specific seating requests for ANY EVENT, then call us to book your tickets rather than online or on the order form. When booked we will send you a fact sheet on parking and hotels etc. Exciting times – we’ve got some great guests lined up for this year! For those of you who have tickets already from last year – we will post out your new packs as soon as we can. More details on pages 26-28. At last we can all have a get together to look forward to! This month there’s something very special for Gracie Fields fans, a limited edition necklace with her autograph, and TWO DVDs for just £20. -
Otoños Porteños, Ytodos Sentimoscomo Propio
El Bafici nació a fines del siglo pasado cuando la revolución OTOÑOS PORTEÑOS tecnológica de lo digital y de la internet apenas se insinuaba, y una generación de cineastas argentinos estaba surgiendo, Historias del Bafici en sus primeros 20 años al tiempo que la crisis socioeconómica del país amenazaba con destruirlo todo. Los textos de este libro –de periodistas, cineastas, programadores y espectadores que hicieron el Bafici– forman un mosaico heterogéneo que intenta contar las historias de estas primeras veinte ediciones, sin eludir las 20 años del Bafici en sus primeros Historias críticas y las polémicas: los comienzos casi artesanales, la influencia decisiva en películas independientes argentinas, el canon cinematográfico que cristalizó y que quizás todavía no ha cambiado y las leyendas y anécdotas que le dan color a un festival de cine que ya es un clásico (y moderno) de los otoños porteños, y todos sentimos como propio. OTOÑOS PORTEÑOS PORTEÑOS OTOÑOS OTOÑOS PORTEÑOS Historias del Bafici en sus primeros 20 años Una edición del Ministerio de Cultura del Gobierno de la Ciudad de Buenos Aires en el marco del (20) Buenos Aires Festival de Cine Independiente (Bafici). Edición: Diego Papic Diseño: Verónica Roca Diagramación: Cecilia Loidi, con la colaboración de Kevin Lakner Corrección: Eugenia Saúl Se terminó de imprimir en la Ciudad Autónoma de Buenos Aires, en el mes de marzo de 2018. Los derechos de los textos pertenecen a los autores. Las imágenes son propiedad de Festivales de Buenos Aires, excepto donde se indica. Índice 5 Impriman la leyenda -
Spanish Videos - (Last Update September 16, 2019) Use the Find Function to Search This List
Spanish Videos - (last update September 16, 2019) Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Middlesex University Research Repository
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Osborne, Richard (2011) Colonial film: moving images of the British Empire. Other. [Author]. Available from Middlesex University’s Research Repository at http://eprints.mdx.ac.uk/9930/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this thesis/research project are retained by the author and/or other copyright owners. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Any use of the thesis/research project for private study or research must be properly acknowledged with reference to the work’s full bibliographic details. This thesis/research project may not be reproduced in any format or medium, or extensive quotations taken from it, or its content changed in any way, without first obtaining permission in writing from the copyright holder(s). If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. Richard Osborne Colonial Film Essays The homepage for the essays is located at: http://www.colonialfilm.org.uk/ . The web address for each essay is included in the individual entries. 2 Contents 2ND BATTALION 4TH BOMBAY GRENADIERS IN INDIA, CA 1930 ................................. 4 2ND BATTALION WELCH REGIMENT IN INDIA CELEBRATE GHELUVELT DAY, 1933 .................................................................................................................................................. -
7. Apèndix Filmogràfic
UNIVERSITAT ROVIRA I VIRGILI CRIST EN EL CINEMA (La passió de Jesucrist en el cinema espanyol dins del context cinematogràfic mundial). Montserrat Claveras Pérez ISBN:978-84-693-4060-8/DL:T-1159-2010 7. Apèndix filmogràfic 7.1. Filmografia general La següent filmografia mostra, en ordre alfabètic i cronològic, les fitxes tècnico- artístiques i una sinopsi d’alguns dels films, més emblemàtics, que s’han citat al llarg del treball i que tracten sobre el tema religiós. Barrabás (Barabbas, 1961) Productora: Columbia (Itàlia); Director: Richard Fleisher; Guió: Diego Fabbri, Nigel Balchin; Fotografia: Aldo Tonti; Música:Mario Nascimbene, Muntatge: Alberto Gallitti, Intèrprets: Anthony Quinn (Barrabàs), Silvana Mangano (Raquel), Arthur Kennedy (Ponç Pilat), Katy Jurado (Sara), Roy Mangano (Jesucrist), Color – 144 min. Sinopsi argumental: És una pel·lícula de ficció sobre la vida de Barrabàs, cap de la guerrilla jueva, que salva la seva vida enfront de la de Jesús. Ben-Hur ( Ben-Hur, 1925) Productora: Metro Goldwyn Mayer (Estats Units); Director: Fred Niblo; Guió: Bess Mereddyth, Carey Wilson; Fotografia: Rene Guissart; Música: William Axt, David Mendoza, Muntatge: William Holmes, Intèrprets: Ramon Novarro (Juda Ben-Hur), Francis X. Bushman (Messala), May Mc Avoy (Ester), Betty Bronson (Verge Maria), B/N – 130 min. Sinopsi argumental: El jueu Ben-Hur té per amic al romà Messala qui el traeix quan s’assabenta que és jueu. Messala arresta tota la família de Ben-Hur i l’envia a ell a gal·leres com esclau. Quan salva la vida del capità del vaixell el recompensa convertint-lo amb un ric i important quadriguer que repta a Messala a una cursa. -
Argentine Cinema and National Identity
Argentine Cinema and National Identity (1966–1976) Liverpool Latin American Studies Series Editor: Matthew Brown, University of Bristol Emeritus Series Editor: Professor John Fisher 1 Business History in Latin 9 British Trade with Spanish America: The Experience of America, 1763‒1808 Seven Countries Adrian J. Pearce Carlos Dávila and Rory Miller (eds) 10 Colonial Tropes and Postcolonial 2 Habsburg Peru: Images, Tricks: Rewriting the Tropics in Imagination and Memory the novela de la selva Peter T. Bradley and David Cahill Lesley Wylie 3 Knowledge and Learning in the 11 Argentina’s Partisan Past: Andes: Ethnographic Perspectives Nationalism and the Politics of Henry Stobart and Rosaleen History Howard (eds) Michael Goebel 4 Bourbon Peru, 1750‒1824 12 The Reinvention of Mexico: John Fisher National Ideology in a Neoliberal Era 5 Between Resistance and Gavin O’Toole Adaptation: Indigenous Peoples and the Colonisation of the 13 Armies, Politics and Revolution: Chocó, 1510‒1753 Chile, 1808–1826 Caroline A. Williams Juan Luis Ossa Santa Cruz 6 Shining Path: Guerilla War in 14 Andean Truths: Transitional Peru’s Northern Highlands, Justice, Ethnicity, and 1980‒1997 Cultural Production in L ewis Taylor Post-Shining Path Peru Anne Lambright 7 South American Independence: Gender, Politics, Text 15 Positivism, Science, and ‘The Catherine Davies, Claire Brewster Scientists’ in Porfirian Mexico: and Hilary Owen A Reappraisal Natalia Priego 8 Adventuring Through Spanish Colonies: Simón Bolívar, Foreign Mercenaries and the Birth of New Nations Matthew Brown Liverpool Latin American Studies, New Series 16 Argentine Cinema and National Identity (1966–1976) Carolina Rocha Argentine Cinema and National Identity LIVERPOOL UNIVERSITY PRESS First published 2017 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2017 Carolina Rocha The right of Carolina Rocha to be identified as the author of this book has been asserted by her in accordance with the Copyright, Design and Patents Act 1988. -
Literariness.Org-Beatrix-Hesse-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground- breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true- crime exposé, police procedural and post- colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER- HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw BRITISH CRIME FILM Subverting the Social Order Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian -
Primera Edición: Diciembre 2005-12-05
Primera edición: Diciembre 2005-12-05 © Comunidad de Madrid. Consejería de Cultura y Deportes. Dirección General de Promoción Cultural Compilación: Miguel Ángel Escudero y Eva Isabel Cuesta (Agencia del Cortometraje) Redacción y supervisión: Asesoría de Cine de la Dirección General de Promoción Cultural (Consejería de Cultura y Deportes) Maquetación: Hache Seis Agradecimientos: Embajada de México, Instituto de México de España; Embajada de Argentina, Departamento Cultural; Instituto Nacional de Cine argentino (INCAA); Embajada de Chile; Mediateca de la Escuela Internacional de Cine y Televisión de San Antonio de los Baños; Embajada de Estados Unidos; Bureau de l'audiovisuel de l'Ambassade de France en Espagne; Instituto Goethe; Embajada de Gran Bretaña; Embajada de Portugal & Instituto Portugues del Cinema; Instituto Italiano de Cultura Depósito Legal: M-49926-2005 Imprime: Artes Gráficas Villena, S.A. Impreso en España La Consejería de Cultura y Deportes presenta esta guía dentro de las actividades conmemorativas del IV Centenario de la publicación del Quijote que está llevando a cabo la Comunidad de Madrid. Un homenaje merecido en cualquier caso, puesto que Cervantes ha sido no sólo el mejor embajador de nuestra literatura en el mundo, sino también el escritor español más representado en las pantallas internacionales, tanto en términos de cantidad como de calidad. Obviamente, esta publicación de la Dirección General de Promoción Cultural excede a nuestro autor más conocido y, como su título claramente refleja, incluye una representación importante de los autores españoles de novela y teatro de todas las épocas que han sido reclamados en alguna ocasión por el séptimo arte. Asimismo, nace con la única pretensión de ser una obra de referencia de carácter divulgativo que suponga una aproximación a la rica y compleja relación que ha existido -y existe- entre dos mundos cuyos lenguajes parecen aproximarse cada vez más: el cine y la literatura española. -
Alfred Hitchcock: Filming Our Fears
Alfred Hitchcock: Filming Our Fears Gene Adair OXFORD UNIVERSITY PRESS Alfred Hitchcock Filming Our Fears Image Not Available Alfred Hitchcock Filming Our Fears Gene Adair 1 To my mother and the memory of my father 1 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2002 by Gene Adair Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Design: Greg Wozney Layout: Lynn Serra Picture Research: Lisa Barnett Library of Congress Cataloging-in-Publication Data Adair, Gene. Alfred Hitchcock : filming our fears / Gene Adair. v. cm. Includes bibliographical references and index. Contents: 1. The grocer's son from Leytonstone -- 2. A filmmaker's apprenticeship -- 3. From silents to sound -- 4. Highs and lows -- 5. England's leading film director -- 6. America calling -- 7. An Englishman in Hollywood -- 8. The war years and beyond -- 9. Gaining independence -- 10. A new contract with Paramount -- 11. Three masterpieces -- 12. A new home at Universal -- 13. Last years and legacy. ISBN 0-19-511967-3 (alk. paper) 1. Hitchcock, Alfred, 1899- 2. Motion picture producers and directors--Great Britain--Biography.